206:. Her title as "First Lady of Iranian Cinema" is not only a reference to her prominence as a filmmaker, but also connotes her social role of merging politics and family in her work. Her signature style is that she focuses on a character representing a part of society to explore it while staying objectively neutral. The first period of Banietemad's cinematic activity originates from dark humor. Still, in the second period of her work, dark humor gives way to serious and influential films, and deeper and broader issues are addressed. Banietemad has a more realistic view of life.
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the country's future. According to the filmmaker, despite the legal and cultural barriers and the economic hardships for lower-income women, their strong nature is an admirable quality of women in Iran. In addition, her films focus on the complex relationships between mothers and their children. This stems from her own experience as a mother in Iran, but also from the
Iranian woman's inability to tackle her life without considering her maternal role — a reality that is deeply ingrained in the Iranian patriarchal structure.
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studies from the
Dramatic Arts University in Tehran. Banietemad had originally planned to study architecture. When she was about to enter university, she took an exam to enter an intensive course in stage assistance offered by the school of television and cinema, and she was one of the 20 people that got in. She studied architecture and stage assistance together, but the next year she took the national exam for the faculty of dramatic arts and chose to study film directing.
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released in movie theaters in Iran. It was broadcast on the Franco-German television network ARTE and shown at prestigious festivals such as the
International Documentary Film Festival Amsterdam and the Sundance Film Festival. Banietemad's documentary practice has been so effective that her works often change the lives of her subjects. She says she has “never ended the strong connection that she has always felt with documentaries.”
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454:(2014), she seamlessly intersects seven stories. In these narratives, Banietemad's most memorable women characters once again take the stage, reminding audiences of the historical and cultural significance of her previous films and how she has shaped the history of Iranian cinema in terms of the representation of women.
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society’s lower rungs, regardless of gender. She does not identify with the label due to the implications of the word "feminist," which in Iran has a more negative connotation than in
America. According to Banietemad, as long as the understanding of the term remains in Iran, she will disassociate from the label.
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Adineh), Nobar (Fatemah
Motamed-Aria), and Sara (Baran Kosari). Yet, in revisiting these characters, they are rewritten, re-described, and reinvigorated in dialogue with Iran's present. An oral history of Rakhshan Banietemad's career offers a rich lens into Iranian cinema and culture over nearly three decades.
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Banietemad has an interest and an attraction to strong female characters dealing with social issues. In her more recent films, she features female characters from lower classes and incomes who are struggling to make a living. She highlights the strength and resilience of
Iranian women as the hope for
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Despite the predominance of strong female protagonists in her work, Banietemad is not to be associated with feminist filmmaking. Banietemad has explicitly rejected the label often applied to her by
Western film festivals as a "feminist filmmaker." She is more concerned with the universal struggle of
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Banietemad has repeatedly mentioned that her stories come from the development of characters she saw during her documentary filmmaking. For example, the story of
Nargess is from a documentary made to study homeless women, the character of Touba in the film Under the Skin of the City is the result of
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In the early stages of her career, documentaries were the dominant form of filmmaking. Even after she gained international esteem for her dramatic features, she continued to make documentaries with tremendous success. Our Times (Ruz-egar-e ma, 2002), for example, was the first documentary ever to be
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She excels in representing contemporary situations, often about the changing roles of women, but also covering a broad spectrum of social issues, including war, poverty, domestic abuse, and class mobility. Banietemad's characters embody a sense of nostalgia in women, with examples like Tooba (Golab
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In 1973, shortly after completing her degree, Banietemad began working for the
Iranian television network IRIB (Islamic Republic of Iran Broadcasting) as a script supervisor. Later on, in 1980, she began directing television documentary features. Her films are steeped in Iran's social and economic
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Rakhshan
Banietemad was born in Tehran, Iran, on April 3, 1954, into a middle-class family. While her parents wanted her to pursue a career in teaching, she demonstrated an interest in film from a young age. As a teenager, she decided to study film. She received her Bachelor of Arts degree in film
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Documentaries have been her main way of connecting with society and social issues. Indeed, her feature films' realistic aspects and authentic feel stem from her documentary style of life and social matters. Her approach in making documentaries and in depicting social issues has been so strong and
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In conjunction with her documentary approach to fictional film, Banietemad's signature style consists of films that deal with social issues specific to Iran yet still maintain broad international appeal. She is recognized for reflecting the struggles of Iran's lower classes, the plight of single
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With a collection of films that combine absolute honesty with extraordinary subtlety, Banietemad analyzes the current cultural pressures shaping Iranian women's lives. She is widely recognized among Iranian audiences and critics as one of Iran's most prominent filmmakers, and has also enjoyed
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341:. She received the Best Director Award from the Fajr Film Festival, marking the first time in the history of the festival that a woman was awarded the Best Director prize. Since then, she has received numerous awards for her films, including a Bronze Leopard Award for
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effective that her works have always resulted in causing a change in the lives of her documentaries' subjects. Her documentaries center on poverty, criminality, divorce, polygamy, social norms, cultural taboos, women's oppression, and cultural expectations.
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her research in a documentary on working women, and the character of "Kabootar" in the movie The Blue Veiled comes out of the character of a rough and harsh woman who was even called "Mr. Ghodrat" (Ghodrat means a power which is a male name).
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women and single mothers in Iran, and complicated family relationships. She often examines the duality of human nature in familial and workspaces. To accommodate documentary conventions, her characters directly address the camera.
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490:, who has worked with her mother throughout her films. Kosari began acting at a young age and is now a professional actress. She has appeared in her mother's films, as well as those of other Iranian filmmakers.
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Banietemad did not receive immediate praise upon entering the film industry. Her early feature films were met with harsh criticism. However, she finally earned critical and popular success in 1991 with her film
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412:(2002) was the first documentary ever released in movie theatres in Iran. It was also screened in prestigious and prominent festivals and TV channels such as IDFA, Sundance Film Festival, and ARTE.
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305:(Mohajerin-e roustai dar shahr) and The War Economic Planning (Tadbirha-ye eqtesadi-e jang). The effect of her early documentary filmmaking can be seen in her narrative films later on.
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at the 1995 Locarno Film Festival. Under the Skin of the city won her the Best Foreign Language Film Award and the Audience Award at the 2001 Turin Film Festival.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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While Banietemad's feature films have been acclaimed and honored worldwide, her documentaries have also been successful and popular internationally.
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In the 2010s, Banietemad started making documentaries again, producing and collaborating with young filmmakers.
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to build a shelter for homeless women. She also donated some of her awards to help disadvantaged women.
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World Socialist website. 3 Oct. 2005. International Committee of the Fourth International. 4 May 2012.
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The text in the opening part of this documentary grants permission for non-profit public viewing.
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2786:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره بين المللي فيلم فجر ـ دوره سيزدهم :"
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2762:".: Iranian Movie DataBase موضوعات جوايز در جشنواره بين المللي فيلم فجر ـ دوره سيزدهم :"
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She is the wife of Iranian film producer Jahangir Kosari. Her daughter is an Iranian actress
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1995:
Cinema Honorary Award, 6th International Crime & Punishment Film Festival (Turkey), 2016
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Banietemad started her directing career with documentaries, some of her early works include
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2738:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره بين المللي فيلم فجر ـ دوره دهم :"
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3072:".: Iranian Movie DataBase موضوعات جوايز در جشنواره جشن خانه سينما ـ دوره يازدهم :"
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2904:".: Iranian Movie DataBase موضوعات جوايز در جشنواره جشن خانه سينما ـ دوره دوم :"
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In 1981, Banietemad began working in cinema as a script supervisor on films such as
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3170:"نامزدهای بخشهای اصلی سی و دومین دوره جشنواره فیلم فجر معرفی شدند | خبرگزاری ایلنا"
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film series (2013-2017) are examples of Banietemad’s work with amateur filmmakers.
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2977:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره دفاع مقدس ـ دوره دهم :"
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3295:), a non-partisan documentary by Banietemad in which women ask questions of the
1992:
Cinema Honorary Award, 4th International Women Film Festival (Afghanistan), 2016
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358:, considered an anti-war film, was nominated for three Crystal Simorghs at the
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Moruzzi, Norma Claire. "Women in Iran: Notes on Film and from the Field."
423:, Banietemad became the first female filmmaker to explicitly confront the
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Cobbey, Rini. "Under the Skin of the City; Under the Surface Contrasts."
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Cobbey, Rini. "Under the Skin of the City; Under the Surface Contrasts."
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3145:"Rakhshan Banietemad for Tales (Ghesseha) - Asia Pacific Screen Awards"
2952:"بخش مسابقهی جشنوارهی "کارلوویواری" امسال بدون سینمای ایران - ایسنا"
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1989:
Ethics and Prayer Award for social and civilian activities (Iran), 2016
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Prince Claus Prize for Culture and Development (The Netherlands), 1998
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3281:"Honorary Doctorate of University of London for Rakhshan Banietemad"
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27.1(2001): 89-100. JSTOR. McHenry Lib., Santa Cruz, CA. 4 May 2012.
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27.1 (2003): 30-32. JSTOR. McHenry Lib., Santa Cruz, CA. 2 May 2012.
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Whatley, Sheri. "Iranian Women Film Directors: A Clever Activism."
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Banietemad released more films during the early 2010s, including
328:. She then revised the script for Canary Yellow and directed it.
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During the early 2000s, Banietemad returned to filmmaking with
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The best film selected by the Critics and Writers Association
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2051:"Il Sindaco di Firenze” Peace and Freedom Award (Italy), 1998
2714:".: Iranian Movie DataBase تمام جشنواره های مربوط به :"
2245:
Jury Member, Sony Young Directors Film Festival (Iran), 2002
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What will British audiences make of a great Iranian auteur?
3220:"Martin Scorsese, Istvan Szabo to be honoured at Iffi 2021"
3002:"Mohsen Abdolvahab - Festival des Cinémas d'Asie de Vesoul"
2320:
Jury Member, Center for Iranian Film Directors (Iran), 1993
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Karestan Documentary films (artistic consultant), 2013–17:
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President of the jury, Vesoul Film Festival (France), 2017
2879:"انقلاب اسلامی و تحول در نسل فیلمسازی زنان ایران - ایرنا"
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Director, Sony Young Directors Film Festival (Iran), 2003
836:(Hameh derakhtan-e man), 2015 which exmained the work of
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Banietemad donated her international prize for the movie
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Master Class, Walker Art Center, Minneapolis (USA), 2010
877:(Bacheh ha ra dar madreseh negahdarim), a teamwork, 2012
2664:"An Interview with Rakhshan Banietemad, co-director of
2126:
President of the jury, Image Film Festival (Iran), 2016
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Las Palmas de Gran Canaria International Film Festival
3260:, April 19, 2008, Centre for Media and Film Studies,
2194:
Honorary Doctorate, University of London (Iran), 2008
3199:خبرگزاری مهر | اخبار ایران و جهان | Mehr News Agency
3121:"'Pigeon' Soars, 'Birdman' Snubbed at Venice Awards"
2242:
Jury Member, Asia Pacific Film Festival (Iran), 2003
3283:, in Persian, BBC Persian, Wednesday July 23, 2008.
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2681:"Women in Iran: Notes on Film and from the Field."
2648:"Iranian Women Film Directors: A Clever Activism."
1984:Vesoul International Film Festival of Asian Cinema
921:(producer), Director: Mahvash Sheikholeslami, 2008
2058:, India International Film Festival (India), 1996
2465:Armatage, Kay; Khosroshahi, Zahra (2017-01-01).
2412:Ed. Josef Gugler. Austin: Texas UP, 2011. 84-93.
2348:Ed. Josef Gugler. Austin: Texas UP, 2011. 84-93.
2191:Producer, Second House, documentary (Iran), 2008
929:(Farsh-e 3 Bodi), Part of "Iranian Carpet", 2007
2835:"36th Thessaloniki International Film Festival"
2303:Jury Member, Student Film Festival (Iran), 1997
2291:Tokyo Environmental International Film Festival
2279:Jury Member, Student Film Festival (Iran), 1999
2222:Jury Member, Women's Film Festival (Iran), 2006
324:. In 1987, she directed her first feature film
3027:"Asia Pacific Screen Awards Winners Announced"
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2276:Jury Member, Youth Film Festival (Iran), 2001
75:
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2589:"International competition of feature films"
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2537:"مرور کارنامه رخشان بنی اعتماد، مترجم دردها"
4192:Crystal Simorgh for Best Screenplay winners
3361:Asia Pacific Screen Award for Best Director
2642:
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2188:Producer, Heiran, feature-film (Iran), 2009
2041:Artistic & Cultural Achievement Award,
35:promotes the subject in a subjective manner
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3195:"نامزدهای هفدهمین جشن خانه سینما اعلام شد"
3096:"RFI - خون بازی، بهترین فیلم فستیوال زنان"
990:Occupation of Migrant Peasants in the City
303:Occupation of Migrant Peasants in the City
85:
68:
4187:Crystal Simorgh for Best Director winners
4182:Members of the National Council for Peace
2410:Film in the Middle East and North Africa.
2346:Film in the Middle East and North Africa.
2217:Cinema Verite International Film Festival
2131:Cinema Verite International Film Festival
2091:52nd International Film Festival of India
953:(In filmha ra beh ki neshun midin?), 1993
280:Learn how and when to remove this message
57:Learn how and when to remove this message
1344:Karlovy Vary International Film Festival
1009:
516:
474:She was awarded an honorary degree from
2619:"Venice Film Festival Lineup Announced"
2467:"An Interview with Rakhshan Banietemad"
2401:
2038:, Iran Cinema House Awards (Iran), 2007
1169:Tessaloniki International Film Festival
398:71st Venice International Film Festival
2199:School of Oriental and African Studies
1599:25th Fajr International Film Festival
913:(Hayat khalvate khaneh khorshid), 2009
16:Iranian film director and screenwriter
3287:We are half of the Iranian population
2566:"Interview with Rakhshan Banietemad."
2298:New Delhi International Film Festival
2210:Geneva University of Art & Design
2011:Vincennes International Film Festival
1847:32nd Fajr International Film Festival
1725:Pyongyang International Film Festival
1197:16th Fajr International Film Festival
1094:13th Fajr International Film Festival
1052:10th Fajr International Film Festival
945:(Akharin didar ba Iran Daftari), 1995
861:(concert-e khodavandan-e asrar), 2014
7:
3297:2009 Iranian presidential candidates
3258:"The Cinema and Rakhshan Banietemad"
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2176:Fribourg International Film Festival
2152:Shanghai International Film Festival
1126:Iranian Cinema Directors Association
993:(Mohajerin-e roustai dar shahr),1980
869:(Khaneh man Mahak), a teamwork, 2014
3800:Crystal Simorgh for Best Screenplay
3291:
2308:Locarno International Film Festival
2284:Leipzig International Film Festival
2089:Chairperson International jury, at
1806:Kolkata International Film Festival
1705:International Women's Film Festival
1446:Locarno International Film Festival
1420:Seattle International Film Festival
1149:Locarno International Film Festival
985:(Tadbirha-ye eqtesadi-e jang), 1981
905:(Ma nimi az jameiat-e Iranim), 2009
858:The Concert of the Lords of Secrets
187:
76:
32:This article contains wording that
2250:Moscow International Film Festival
2105:Venice International Film Festival
2067:Comedy International Film Festival
2034:Best Director & Best Actress,
1782:Venice International Film Festival
1508:10th Holy defense Festival (Iran)
1324:Moscow International Film Festival
37:without imparting real information
14:
4197:Asia Pacific Screen Award winners
3490:Crystal Simorgh for Best Director
2315:Turin International Film Festival
2257:Cairo International Film Festival
2183:Urban International Film Festival
2159:Dubai International Film Festival
2138:Busan International Film Festival
2004:Dubai International Film Festival
1752:Dhaka International Film Festival
1362:Turin International Film Festival
2523:Firouzan Films. 2011. 3 May 2012
2332:Fajr International Film Festival
2264:Fajr International Film Festival
2227:Fajr International Film Festival
2145:California Institute of the Arts
2043:Kara International Film Festival
2018:We Are Half of Iran's Population
1866:The 17th Iranian Cinema Festival
1643:City International Film Festival
1473:Kara International Film Festival
950:To Whom Do You Show These Films?
942:The Last Visit with Iran Daftari
902:We Are Half of Iran's Population
392:was selected to compete for the
235:
23:
4167:Persian-language film directors
2662:Laurier, Joanne. Walsh, David.
2234:Art University Student Festival
1738:Joint with Mohsen Abdul Wahab,
1675:Joint with Mohsen Abdul Wahab,
1611:Joint with Mohsen Abdul Wahab,
362:and won a for best make-up and
3119:Vivarelli, Nick (2014-09-06).
1696:Joint with Mohsen Abdul Wahab
1592:Joint with Mohsen Abdul Wahab
1542:Joint with Mohsen Abdul Wahab
1520:Joint with Mohsen Abdul Wahab
1:
3029:. AsiaPacificScreenAwards.com
2166:Asiatic Film Mediale Festival
1491:Iranian Women Film Directors
897:(Farda mibinamet Elina), 2010
4157:Iranian women film directors
3292:ما نیمی از جمعیت ایران هستیم
3172:. 2020-11-08. Archived from
3147:. 2020-11-08. Archived from
3004:. 2020-11-08. Archived from
2979:. 2011-07-07. Archived from
2954:. 2020-01-14. Archived from
2881:. 2020-01-14. Archived from
2812:. 2020-11-08. Archived from
2271:Montreal World Film Festival
2121:Prague Iranian Film Festival
2113:Member, Writers Branch, 2017
1982:Honorary Golden Cyclo, 23rd
1961:Prague Iranian Film Festival
1918:London Iranian Film Festival
1663:11th Iranian Cinema Festival
1220:Montreal World Film Festival
3299:, in Persian, 7 June 2009:
2225:Jury Member, Asian Cinema,
2054:Best Asian Woman Director,
1269:4th Iranian Cinema Festival
1240:2nd Iranian Cinema Festival
894:I’ll see you Tomorrow Elina
853:(Concert-e ayeneh ha), 2014
845:(An sooy-e ayeneh ha), 2014
830:(Yek saat az yek omr), 2015
255:. The specific problem is:
4218:
3751:Mohammad Ali Bashe Ahangar
3733:Mohammad Hossein Mahdavian
3374:/ Mohsen Abdolvahab (2007)
2029:Asia Pacific Screen Awards
2023:Achievement in Directing,
1827:Asia Pacific Screen Awards
1811:Golden Royal Bengal Tiger
1773:
1580:Asia Pacific Screen Awards
1531:Vesoul Asian Film Festival
1263:Under the Skin of the City
1260:
998:The Culture of Consumption
910:Angels of the House of Sun
805:MAHAK: A World She Founded
683:Under the Skin of the City
471:international popularity.
299:The Culture of Consumption
251:to meet Knowledge (XXG)'s
3806:
3496:
3443:Adilkhan Yerzhanov (2019)
3367:
2434:"درباره رخشان بنیاعتماد"
2098:Professional distinctions
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1215:
1188:
1173:
1152:
1097:
1092:
1085:
1082:
1055:
1050:
1043:
1040:
1001:(Farhang-e masrafi), 1979
982:The War Economic Planning
843:The Other Side of Mirrors
527:
524:
521:
450:In her most recent film,
190:; born April 3, 1954, in
84:
3201:(in Persian). 2015-08-30
2483:10.1525/fmh.2017.3.1.140
2471:Feminist Media Histories
2440:(in Persian). 2020-04-02
2380:Persian women's movement
885:(Otahgh-e 202), part of
218:Early life and education
3895:Houshang Moradi Kermani
3647:Mohammad-Hossein Latifi
3264:, University of London.
2700:"SOAS Honorary Fellows"
2679:Moruzzi, Norma Claire.
2351:"Rakhshan Banietemad."
2136:President of the jury,
2129:President of the jury,
2119:President of the jury,
1938:Gene Siskel Film Center
874:Keep Children in School
2521:"Rakhshan BaniEtemad."
2387:(village of Espili in
2073:The Prince Claus Award
961:(Bahar ta bahar), 1993
828:One Hour in a Lifetime
686:(Zir-e Poost-e Shahr)
646:(Banu-ye Ordibehesht)
91:Banietemad, March 2014
4162:Iranian screenwriters
3599:Rasoul Mollagholipour
2355:2011. Firouzan Films.
2020:, (WIFTS) (USA), 2009
2009:Prix Henri Langlois,
1623:Asiatica Film Mediale
969:(Gozaresh-e 71), 1993
937:(Ruzegar-e ma…), 2002
550:(Kharej az Mahdudeh)
301:(Farhang-e masrafi),
3987:Rakhshan Bani-Etemad
3901:Rakhshan Bani-Etemad
3843:Masoud Jafari Jozani
3651:Amir-Shahab Razavian
3557:Rakhshan Bani-Etemad
3076:www.sourehcinema.com
3052:www.sourehcinema.com
2932:www.sourehcinema.com
2908:www.sourehcinema.com
2859:www.sourehcinema.com
2790:www.sourehcinema.com
2766:www.sourehcinema.com
2742:www.sourehcinema.com
2718:www.sourehcinema.com
2369:33.3/4(2003): 30-32.
2084:University of London
2078:Honorary doctorate,
2016:Special Jury Prize,
1998:Special Jury Prize,
663:Baran and the Native
494:Humanitarian actions
262:improve this article
257:unwanted elongation.
4172:Writers from Tehran
3939:Hamid Farrokhnezhad
3891:Mohammad-Ali Talebi
3819:Alireza Davoodnejad
3551:Varuzh Karim-Masihi
3372:Rakhshān Banietemad
3249:Rakhshan Banietemad
2362:27.1(2001): 89-100.
2325:Roshd Film Festival
2178:(Switzerland), 2010
2140:(South Korea), 2013
1832:Special Jury Prize
1757:Special Jury Prize
1555:Special Jury Prize
1511:Special Jury Prize
1426:Special Jury Award
1328:Special Jury Prize
1227:Hounarable Mention
1201:Special Jury Prize
1011:
850:The Mirrors Recital
800:Mother of the Earth
518:
419:With her 2002 film
368:Fatemeh Motamedaria
180:Rakhshān Banietemad
101:Rakhshan Banietemad
73:Rakhshan Banietemad
4127:Babak Khajeh Pasha
4025:Homayoun Shahnavaz
4015:Abolhassan Davoodi
3967:Peyman Ghasemkhani
3699:Abolhassan Davoudi
3693:Ahmad-Reza Darvish
3629:Ahmad-Reza Darvish
3569:Mohammad Bozorgnia
3432:Andrey Zvyagintsev
3151:on 8 November 2020
3008:on 8 November 2020
2958:on 14 January 2020
2885:on 14 January 2020
2816:on 8 November 2020
1707:(Creteil, France)
1010:
824:(Ay, Adamha), 2016
517:
360:Fajr Film Festival
4144:
4143:
3995:Mohsen Abdolvahab
3923:Ebrahim Hatamikia
3879:Hassan Gholizadeh
3857:Mohsen Makhmalbaf
3766:
3765:
3717:Ebrahim Hatamikia
3681:Parviz Sheikhtadi
3669:Ebrahim Hatamikia
3593:Ebrahim Hatamikia
3581:Kiumars Pourahmad
3539:Mohsen Makhmalbaf
3456:
3455:
3414:Nuri Bilge Ceylan
3402:Brillante Mendoza
3396:Nuri Bilge Ceylan
3378:Nuri Bilge Ceylan
3226:. 23 October 2021
2684:Feminist Studies.
2599:on 6 October 2014
2541:www.bartarinha.ir
2360:Feminist Studies.
2031:(Australia), 2007
1979:
1978:
1710:Grand Jury Prize
1006:Honors and awards
778:
777:
586:(Poul-e Khareji)
404:Documentary Films
370:, who starred in
290:
289:
282:
253:quality standards
244:This article may
177:
176:
67:
66:
59:
4209:
4136:
4091:Mohammad Davoudi
4077:Kambuzia Partovi
4071:Kambuzia Partovi
3982:
3973:Kambuzia Partovi
3955:Rasul Sadr-Ameli
3951:Kambuzia Partovi
3875:Asghar Abdollahi
3852:
3837:Majid Gharizadeh
3832:
3814:
3793:
3786:
3779:
3770:
3617:Rasul Sadr-Ameli
3605:Bahman Farmanara
3527:Abbas Kiarostami
3504:
3483:
3476:
3469:
3460:
3420:Alexey German JR
3354:
3347:
3340:
3331:
3326:
3294:
3293:
3277:, April 23, 2008
3236:
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2646:Whatley, Sheri.
2644:
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2609:
2608:
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2595:. Archived from
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2494:
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2406:
2045:(Pakistan), 2004
2000:Kahrizak 4 views
1898:Best Screenplay
1789:Best Screenplay
1742:, Naghme Samini
1732:Best Screenplay
1679:, Naghme Samini
1669:Best Screenplay
1615:, Naghme Samini
1605:Best Screenplay
1369:Best Screenplay
1287:Best Screenplay
1113:Best Screenplay
1071:Best Screenplay
1012:
977:(Tamarkoz), 1986
958:Spring to Spring
887:Kahrizak 4 Views
882:The Room No. 202
665:(Baran va Bumi)
584:Foreign Currency
568:(Zard-e Qanari)
519:
332:1990s to Present
285:
278:
274:
271:
265:
239:
238:
231:
198:) is an Iranian
189:
188:رخشان بنیاعتماد
173:
168:
155:
154:
151:Jahangir Kosari
114:
110:
108:
89:
79:
78:
77:رخشان بنیاعتماد
69:
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27:
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4208:
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4147:
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4145:
4140:
4132:
4115:Tahmineh Bahram
4053:Behrouz Afkhami
4019:Farid Mostafavi
4005:Shadmehr Rastin
3991:Farid Mostafavi
3978:
3961:Parviz Shahbazi
3929:Tahmineh Milani
3885:Dariush Mehrjui
3869:Yadollah Samadi
3863:Dariush Mehrjui
3848:
3828:
3810:
3802:
3797:
3767:
3762:
3757:Behrouz Afkhami
3721:Bahram Tavakoli
3711:Vahid Jalilvand
3687:Parviz Shahbazi
3575:Dariush Mehrjui
3545:Dariush Mehrjui
3515:Yadollah Samadi
3500:
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2398:
2376:
2353:Firouzan Films.
2341:
2339:Further reading
2286:(Germany), 1999
2252:( Russia), 2002
2205:(England), 2008
2100:
2056:The Blue Veiled
1943:Audience Award
1906:Farid Mostafavi
1797:Farid Mostafavi
1740:Farid Mostafavi
1677:Farid Mostafavi
1613:Farid Mostafavi
1389:Audience award
1377:Farid Mostafavi
1295:Farid Mostafavi
1153:Bronze Leopard
1088:The Blue Veiled
1008:
966:The 1992 Report
838:Mahlagha Mallah
810:Friends at Work
783:
624:The Blue Veiled
515:
510:
496:
484:
468:
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343:The Blue-Veiled
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293:1970s and 1980s
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4104:
4094:
4087:Mohsen Gharaie
4084:
4081:Houman Seyyedi
4074:
4068:
4065:Saeed Roustayi
4062:
4059:Roya Mohaghegh
4056:
4050:
4047:Behnam Behzadi
4044:
4041:Mostafa Kiayee
4038:
4035:Asghar Farhadi
4032:
4022:
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4009:Reza Mirkarimi
4002:
3999:Naghmeh Samini
3984:
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3911:Reza Maghsoodi
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3705:Saeed Roustayi
3702:
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3675:Asghar Farhadi
3672:
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3663:Asghar Farhadi
3660:
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3641:Asghar Farhadi
3638:
3632:
3626:
3623:Reza Mirkarimi
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3596:
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3533:Kianoush Ayari
3530:
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3521:Kianoush Ayari
3518:
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3447:Asghar Farhadi
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3390:Lee Chang-dong
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3243:External links
3241:
3238:
3237:
3224:Times of India
3211:
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2983:on 7 July 2011
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2625:. 24 July 2014
2610:
2580:
2571:2012-07-29 at
2564:Alissa Simon.
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2477:(1): 140–155.
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2367:Off Our Backs.
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1514:Best Director
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2317:(Italy), 1995
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2313:Jury Member,
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2310:(Swiss), 1996
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2300:(India), 1998
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2293:(Japan), 1998
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2168:(Italy), 2010
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2154:(China), 2012
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2123:(Czech), 2017
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2107:(Italy), 2017
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2103:Jury Member,
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2069:(Italy), 1987
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133:Film director
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129:Occupation(s)
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113:(age 70)
111:April 3, 1954
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3739:Mehdi Jafari
3727:Narges Abyar
3657:Majid Majidi
3635:Majid Majidi
3611:Majid Majidi
3587:Majid Majidi
3563:Sirus Alvand
3556:
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3408:Anthony Chen
3371:
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3275:The Guardian
3274:
3269:
3228:. Retrieved
3223:
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3203:. Retrieved
3198:
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3178:. Retrieved
3174:the original
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3153:. Retrieved
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3128:. Retrieved
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2442:. Retrieved
2437:
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2334:(Iran), 1990
2327:(Iran), 1992
2266:(Iran), 2001
2236:(Iran), 2005
2229:(Iran), 2006
2219:(Iran), 2007
2212:(ESBA), 2008
2185:(Iran), 2009
2133:(Iran), 2013
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2017:
1999:
1829:(Australia)
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1191:The May Lady
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434:(2016), and
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141:Screenwriter
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4177:1954 births
4101:Nima Javidi
3812:Not Awarded
3502:Not Awarded
3100:www1.rfi.fr
2578:3 May 2012.
2161:(UAE), 2010
2147:(USA), 2013
2093:, Goa 2021.
2061:Best Film,
2006:(UAE), 2012
1904:Joint with
1795:Joint with
1754:(Pakistan)
1375:Joint with
1293:Joint with
1036:References
918:Second Home
822:Hey, Humans
508:Filmography
432:Hey, Humans
394:Golden Lion
264:if you can.
4151:Categories
3230:31 October
3205:2021-12-03
3180:2021-12-03
3155:2021-12-03
3130:2021-12-03
3105:2021-12-02
3081:2021-12-02
3057:2021-12-02
3033:2007-11-14
3012:2021-12-02
2987:2021-12-02
2962:2021-12-02
2937:2021-12-02
2913:2021-12-02
2889:2021-12-02
2864:2021-12-02
2840:2021-12-02
2820:2021-12-01
2795:2021-12-01
2771:2021-12-01
2747:2021-12-01
2723:2021-12-01
2546:2021-12-07
2444:2021-12-01
2396:References
1968:Best Film
1925:Best Film
1901:Nominated
1889:Nominated
1875:Nominated
1872:Best Film
1856:Nominated
1853:Best Film
1814:Best Film
1672:Nominated
1650:Best Film
1630:Best Film
1479:Best Film
1404:Best Film
1306:Nominated
1303:Best Film
1290:Nominated
1278:Nominated
1249:Nominated
1104:Nominated
1074:Nominated
934:Our Times…
501:Ghesseh-ha
410:Our Times…
309:problems.
107:1954-04-03
4134:No winner
3980:No winner
3850:No winner
3830:No winner
3268:Bidisha,
2491:2373-7492
2385:Langerood
1533:(France)
1440:Our Times
1224:FIPRESCI
1174:FIPRESCI
1171:(Greece)
1027:Category
1021:Festival
926:3D Carpet
539:Producer
533:Director
478:in 2008.
421:Our Times
172:(b. 1975)
167:(b. 1985)
47:June 2024
3384:Lu Chuan
2666:Gilaneh.
2623:Deadline
2569:Archived
2374:See also
2036:Mainline
2025:Mainline
1963:(Czech)
1808:(India)
1784:(Italy)
1625:(Italy)
1602:Simorgh
1574:Mainline
1552:(Spain)
1364:(Italy)
1346:(Czech)
1130:Seemeen
1098:Simorgh
1056:Simorgh
795:Puzzleys
724:Mainline
246:require
160:Children
137:Producer
3125:Variety
2702:. SOAS.
2629:24 July
2603:24 July
2576:Facets.
2086:(2008)
1645:(Iran)
1536:Netpac
1467:Gilaneh
1450:Netpac
1349:Netpac
1046:Nargess
1030:Result
705:Gilaneh
603:Nargess
536:Writer
396:at the
372:Gilaneh
356:Gilaneh
339:Nargess
248:cleanup
184:Persian
170:Tandis
4137:(2024)
4129:(2023)
4123:(2022)
4117:(2021)
4103:(2020)
4093:(2019)
4083:(2018)
4073:(2017)
4067:(2016)
4061:(2015)
4055:(2014)
4049:(2013)
4043:(2012)
4037:(2011)
4031:(2010)
4021:(2009)
4011:(2008)
4001:(2007)
3983:(2006)
3975:(2005)
3969:(2004)
3963:(2003)
3957:(2002)
3947:(2001)
3941:(2000)
3931:(1999)
3925:(1998)
3919:(1997)
3913:(1996)
3903:(1995)
3897:(1994)
3887:(1993)
3881:(1992)
3871:(1991)
3865:(1990)
3859:(1989)
3853:(1988)
3845:(1987)
3839:(1986)
3833:(1985)
3825:(1984)
3815:(1983)
3759:(2024)
3753:(2023)
3747:(2022)
3741:(2021)
3735:(2020)
3729:(2019)
3723:(2018)
3713:(2017)
3707:(2016)
3701:(2015)
3695:(2014)
3689:(2013)
3683:(2012)
3677:(2011)
3671:(2010)
3665:(2009)
3659:(2008)
3653:(2007)
3643:(2006)
3637:(2005)
3631:(2004)
3625:(2003)
3619:(2002)
3613:(2001)
3607:(2000)
3601:(1999)
3595:(1998)
3589:(1997)
3583:(1996)
3577:(1995)
3571:(1994)
3565:(1993)
3559:(1992)
3553:(1991)
3547:(1990)
3541:(1989)
3535:(1988)
3529:(1987)
3523:(1986)
3517:(1985)
3511:(1984)
3505:(1983)
3449:(2021)
3440:(2018)
3434:(2017)
3428:(2016)
3422:(2015)
3416:(2014)
3410:(2013)
3404:(2012)
3398:(2011)
3392:(2010)
3386:(2009)
3380:(2008)
3317:Part 5
3313:Part 4
3309:Part 3
3305:Part 2
3301:Part 1
2593:Venice
2489:
2075:, 1998
1940:(USA)
1033:Notes
1024:Award
1018:Title
889:, 2012
744:Heiran
525:Title
466:Legacy
374:, won
227:Career
192:Tehran
147:Spouse
118:Tehran
3323:Note:
2438:ایرنا
2389:Gilan
1957:2016
1920:(UK)
1914:2015
1776:Tales
1771:2014
1701:2008
1569:2007
1527:2006
1462:2005
1416:2002
1340:2001
1258:2000
1216:1998
1186:1997
1165:1996
1145:1995
1083:1994
1041:1991
1015:Year
762:Tales
757:2014
740:2009
720:2006
700:2004
678:2001
659:1999
640:1998
619:1995
598:1991
580:1989
562:1988
544:1987
528:Role
522:Year
452:Tales
442:Style
390:Tales
385:Tales
164:Baran
4113:and
4099:and
4089:and
4027:and
4017:and
4007:and
3997:and
3953:and
3937:and
3909:and
3893:and
3877:and
3821:and
3262:SOAS
3253:IMDb
3232:2021
2631:2014
2605:2014
2487:ISSN
2203:SOAS
2080:SOAS
1971:Won
1948:Won
1928:Won
1837:Won
1817:Won
1792:Won
1762:Won
1735:Won
1715:Won
1693:Won
1653:Won
1633:Won
1608:Won
1589:Won
1560:Won
1539:Won
1517:Won
1499:Won
1482:Won
1453:Won
1429:Won
1407:Won
1392:Won
1372:Won
1352:Won
1331:Won
1316:Won
1230:Won
1207:Won
1177:Won
1156:Won
1136:Won
1116:Won
1062:Won
774:Yes
771:Yes
768:Yes
752:Yes
735:Yes
732:Yes
729:Yes
713:Yes
710:Yes
695:Yes
692:Yes
689:Yes
671:Yes
668:Yes
652:Yes
649:Yes
633:Yes
630:Yes
614:Yes
611:Yes
608:Yes
589:Yes
571:Yes
553:Yes
476:SOAS
320:and
202:and
196:Iran
122:Iran
97:Born
3251:at
2479:doi
4153::
4109:,
4079:/
3993:,
3989:,
3719:/
3649:/
3315:,
3311:,
3307:,
3303:,
3273:,
3222:.
3197:.
3123:.
3098:.
3074:.
3050:.
2930:.
2906:.
2857:.
2788:.
2764:.
2740:.
2716:.
2691:^
2639:^
2621:.
2591:.
2555:^
2539:.
2528:^
2499:^
2485:.
2473:.
2469:.
2453:^
2436:.
2417:^
2201:,
2082:,
2065:,
2027:,
2002:,
400:.
388:.
378:.
366:.
354:.
194:,
186::
120:,
109:)
3792:e
3785:t
3778:v
3482:e
3475:t
3468:v
3353:e
3346:t
3339:v
3319:.
3289:(
3234:.
3208:.
3183:.
3158:.
3133:.
3108:.
3084:.
3060:.
3036:.
3015:.
2990:.
2965:.
2940:.
2916:.
2892:.
2867:.
2843:.
2823:.
2798:.
2774:.
2750:.
2726:.
2668:"
2633:.
2607:.
2549:.
2493:.
2481::
2475:3
2447:.
2391:)
283:)
277:(
272:)
268:(
182:(
105:(
60:)
54:(
49:)
45:(
39:.
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