217:. Her title as "First Lady of Iranian Cinema" is not only a reference to her prominence as a filmmaker, but also connotes her social role of merging politics and family in her work. Her signature style is that she focuses on a character representing a part of society to explore it while staying objectively neutral. The first period of Banietemad's cinematic activity originates from dark humor. Still, in the second period of her work, dark humor gives way to serious and influential films, and deeper and broader issues are addressed. Banietemad has a more realistic view of life.
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the country's future. According to the filmmaker, despite the legal and cultural barriers and the economic hardships for lower-income women, their strong nature is an admirable quality of women in Iran. In addition, her films focus on the complex relationships between mothers and their children. This stems from her own experience as a mother in Iran, but also from the
Iranian woman's inability to tackle her life without considering her maternal role — a reality that is deeply ingrained in the Iranian patriarchal structure.
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studies from the
Dramatic Arts University in Tehran. Banietemad had originally planned to study architecture. When she was about to enter university, she took an exam to enter an intensive course in stage assistance offered by the school of television and cinema, and she was one of the 20 people that got in. She studied architecture and stage assistance together, but the next year she took the national exam for the faculty of dramatic arts and chose to study film directing.
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released in movie theaters in Iran. It was broadcast on the Franco-German television network ARTE and shown at prestigious festivals such as the
International Documentary Film Festival Amsterdam and the Sundance Film Festival. Banietemad's documentary practice has been so effective that her works often change the lives of her subjects. She says she has “never ended the strong connection that she has always felt with documentaries.”
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465:(2014), she seamlessly intersects seven stories. In these narratives, Banietemad's most memorable women characters once again take the stage, reminding audiences of the historical and cultural significance of her previous films and how she has shaped the history of Iranian cinema in terms of the representation of women.
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society’s lower rungs, regardless of gender. She does not identify with the label due to the implications of the word "feminist," which in Iran has a more negative connotation than in
America. According to Banietemad, as long as the understanding of the term remains in Iran, she will disassociate from the label.
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Adineh), Nobar (Fatemah
Motamed-Aria), and Sara (Baran Kosari). Yet, in revisiting these characters, they are rewritten, re-described, and reinvigorated in dialogue with Iran's present. An oral history of Rakhshan Banietemad's career offers a rich lens into Iranian cinema and culture over nearly three decades.
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Banietemad has an interest and an attraction to strong female characters dealing with social issues. In her more recent films, she features female characters from lower classes and incomes who are struggling to make a living. She highlights the strength and resilience of
Iranian women as the hope for
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Despite the predominance of strong female protagonists in her work, Banietemad is not to be associated with feminist filmmaking. Banietemad has explicitly rejected the label often applied to her by
Western film festivals as a "feminist filmmaker." She is more concerned with the universal struggle of
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Banietemad has repeatedly mentioned that her stories come from the development of characters she saw during her documentary filmmaking. For example, the story of
Nargess is from a documentary made to study homeless women, the character of Touba in the film Under the Skin of the City is the result of
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In the early stages of her career, documentaries were the dominant form of filmmaking. Even after she gained international esteem for her dramatic features, she continued to make documentaries with tremendous success. Our Times (Ruz-egar-e ma, 2002), for example, was the first documentary ever to be
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She excels in representing contemporary situations, often about the changing roles of women, but also covering a broad spectrum of social issues, including war, poverty, domestic abuse, and class mobility. Banietemad's characters embody a sense of nostalgia in women, with examples like Tooba (Golab
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In 1973, shortly after completing her degree, Banietemad began working for the
Iranian television network IRIB (Islamic Republic of Iran Broadcasting) as a script supervisor. Later on, in 1980, she began directing television documentary features. Her films are steeped in Iran's social and economic
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Rakhshan
Banietemad was born in Tehran, Iran, on April 3, 1954, into a middle-class family. While her parents wanted her to pursue a career in teaching, she demonstrated an interest in film from a young age. As a teenager, she decided to study film. She received her Bachelor of Arts degree in film
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Documentaries have been her main way of connecting with society and social issues. Indeed, her feature films' realistic aspects and authentic feel stem from her documentary style of life and social matters. Her approach in making documentaries and in depicting social issues has been so strong and
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In conjunction with her documentary approach to fictional film, Banietemad's signature style consists of films that deal with social issues specific to Iran yet still maintain broad international appeal. She is recognized for reflecting the struggles of Iran's lower classes, the plight of single
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With a collection of films that combine absolute honesty with extraordinary subtlety, Banietemad analyzes the current cultural pressures shaping Iranian women's lives. She is widely recognized among Iranian audiences and critics as one of Iran's most prominent filmmakers, and has also enjoyed
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352:. She received the Best Director Award from the Fajr Film Festival, marking the first time in the history of the festival that a woman was awarded the Best Director prize. Since then, she has received numerous awards for her films, including a Bronze Leopard Award for
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effective that her works have always resulted in causing a change in the lives of her documentaries' subjects. Her documentaries center on poverty, criminality, divorce, polygamy, social norms, cultural taboos, women's oppression, and cultural expectations.
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her research in a documentary on working women, and the character of "Kabootar" in the movie The Blue Veiled comes out of the character of a rough and harsh woman who was even called "Mr. Ghodrat" (Ghodrat means a power which is a male name).
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women and single mothers in Iran, and complicated family relationships. She often examines the duality of human nature in familial and workspaces. To accommodate documentary conventions, her characters directly address the camera.
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501:, who has worked with her mother throughout her films. Kosari began acting at a young age and is now a professional actress. She has appeared in her mother's films, as well as those of other Iranian filmmakers.
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Banietemad did not receive immediate praise upon entering the film industry. Her early feature films were met with harsh criticism. However, she finally earned critical and popular success in 1991 with her film
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423:(2002) was the first documentary ever released in movie theatres in Iran. It was also screened in prestigious and prominent festivals and TV channels such as IDFA, Sundance Film Festival, and ARTE.
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316:(Mohajerin-e roustai dar shahr) and The War Economic Planning (Tadbirha-ye eqtesadi-e jang). The effect of her early documentary filmmaking can be seen in her narrative films later on.
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at the 1995 Locarno Film Festival. Under the Skin of the city won her the Best Foreign Language Film Award and the Audience Award at the 2001 Turin Film Festival.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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While Banietemad's feature films have been acclaimed and honored worldwide, her documentaries have also been successful and popular internationally.
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In the 2010s, Banietemad started making documentaries again, producing and collaborating with young filmmakers.
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to build a shelter for homeless women. She also donated some of her awards to help disadvantaged women.
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World Socialist website. 3 Oct. 2005. International Committee of the Fourth International. 4 May 2012.
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3059:".: Iranian Movie DataBase موضوعات جوايز در جشنواره بين المللي فيلم فجر ـ دوره بيست و پنجم :"
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The text in the opening part of this documentary grants permission for non-profit public viewing.
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2866:".: Iranian Movie DataBase موضوعات جوايز در جشنواره بين المللي فيلم فجر ـ دوره شانزدهم :"
2797:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره بين المللي فيلم فجر ـ دوره سيزدهم :"
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2773:".: Iranian Movie DataBase موضوعات جوايز در جشنواره بين المللي فيلم فجر ـ دوره سيزدهم :"
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She is the wife of Iranian film producer Jahangir Kosari. Her daughter is an Iranian actress
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2821:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره كانون كارگردان هاي سينماي ايران :"
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2006:
Cinema Honorary Award, 6th International Crime & Punishment Film Festival (Turkey), 2016
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Banietemad started her directing career with documentaries, some of her early works include
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2749:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره بين المللي فيلم فجر ـ دوره دهم :"
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3083:".: Iranian Movie DataBase موضوعات جوايز در جشنواره جشن خانه سينما ـ دوره يازدهم :"
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2939:".: Iranian Movie DataBase موضوعات جوايز در جشنواره جشن خانه سينما ـ دوره چهارم :"
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2915:".: Iranian Movie DataBase موضوعات جوايز در جشنواره جشن خانه سينما ـ دوره دوم :"
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In 1981, Banietemad began working in cinema as a script supervisor on films such as
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3181:"نامزدهای بخشهای اصلی سی و دومین دوره جشنواره فیلم فجر معرفی شدند | خبرگزاری ایلنا"
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film series (2013-2017) are examples of Banietemad’s work with amateur filmmakers.
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2988:".: Iranian Movie DataBase جوايز اهدا شده در جشنواره دفاع مقدس ـ دوره دهم :"
4111:
3306:), a non-partisan documentary by Banietemad in which women ask questions of the
2003:
Cinema Honorary Award, 4th International Women Film Festival (Afghanistan), 2016
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369:, considered an anti-war film, was nominated for three Crystal Simorghs at the
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Moruzzi, Norma Claire. "Women in Iran: Notes on Film and from the Field."
434:, Banietemad became the first female filmmaker to explicitly confront the
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2419:
Cobbey, Rini. "Under the Skin of the City; Under the Surface Contrasts."
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Cobbey, Rini. "Under the Skin of the City; Under the Surface Contrasts."
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3156:"Rakhshan Banietemad for Tales (Ghesseha) - Asia Pacific Screen Awards"
2963:"بخش مسابقهی جشنوارهی "کارلوویواری" امسال بدون سینمای ایران - ایسنا"
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2000:
Ethics and Prayer Award for social and civilian activities (Iran), 2016
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Prince Claus Prize for Culture and Development (The Netherlands), 1998
202:
128:
3292:"Honorary Doctorate of University of London for Rakhshan Banietemad"
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27.1(2001): 89-100. JSTOR. McHenry Lib., Santa Cruz, CA. 4 May 2012.
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27.1 (2003): 30-32. JSTOR. McHenry Lib., Santa Cruz, CA. 2 May 2012.
2376:
Whatley, Sheri. "Iranian Women Film Directors: A Clever Activism."
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Banietemad released more films during the early 2010s, including
339:. She then revised the script for Canary Yellow and directed it.
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During the early 2000s, Banietemad returned to filmmaking with
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The best film selected by the Critics and Writers Association
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29:
2062:"Il Sindaco di Firenze” Peace and Freedom Award (Italy), 1998
2725:".: Iranian Movie DataBase تمام جشنواره های مربوط به :"
2256:
Jury Member, Sony Young Directors Film Festival (Iran), 2002
3281:
What will British audiences make of a great Iranian auteur?
3231:"Martin Scorsese, Istvan Szabo to be honoured at Iffi 2021"
3013:"Mohsen Abdolvahab - Festival des Cinémas d'Asie de Vesoul"
2331:
Jury Member, Center for Iranian Film Directors (Iran), 1993
797:
Karestan Documentary films (artistic consultant), 2013–17:
2127:
President of the jury, Vesoul Film Festival (France), 2017
2890:"انقلاب اسلامی و تحول در نسل فیلمسازی زنان ایران - ایرنا"
2250:
Director, Sony Young Directors Film Festival (Iran), 2003
847:(Hameh derakhtan-e man), 2015 which exmained the work of
509:
Banietemad donated her international prize for the movie
2705:
2703:
2182:
Master Class, Walker Art Center, Minneapolis (USA), 2010
888:(Bacheh ha ra dar madreseh negahdarim), a teamwork, 2012
2675:"An Interview with Rakhshan Banietemad, co-director of
2137:
President of the jury, Image Film Festival (Iran), 2016
1561:
Las Palmas de Gran Canaria International Film Festival
3271:, April 19, 2008, Centre for Media and Film Studies,
2205:
Honorary Doctorate, University of London (Iran), 2008
3210:خبرگزاری مهر | اخبار ایران و جهان | Mehr News Agency
3132:"'Pigeon' Soars, 'Birdman' Snubbed at Venice Awards"
2253:
Jury Member, Asia Pacific Film Festival (Iran), 2003
3294:, in Persian, BBC Persian, Wednesday July 23, 2008.
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2692:"Women in Iran: Notes on Film and from the Field."
2659:"Iranian Women Film Directors: A Clever Activism."
1995:Vesoul International Film Festival of Asian Cinema
932:(producer), Director: Mahvash Sheikholeslami, 2008
2069:, India International Film Festival (India), 1996
2476:Armatage, Kay; Khosroshahi, Zahra (2017-01-01).
2423:Ed. Josef Gugler. Austin: Texas UP, 2011. 84-93.
2359:Ed. Josef Gugler. Austin: Texas UP, 2011. 84-93.
2202:Producer, Second House, documentary (Iran), 2008
940:(Farsh-e 3 Bodi), Part of "Iranian Carpet", 2007
2846:"36th Thessaloniki International Film Festival"
2314:Jury Member, Student Film Festival (Iran), 1997
2302:Tokyo Environmental International Film Festival
2290:Jury Member, Student Film Festival (Iran), 1999
2233:Jury Member, Women's Film Festival (Iran), 2006
335:. In 1987, she directed her first feature film
3038:"Asia Pacific Screen Awards Winners Announced"
3795:
3485:
3356:
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2287:Jury Member, Youth Film Festival (Iran), 2001
86:
8:
2600:"International competition of feature films"
2571:
2569:
2567:
2548:"مرور کارنامه رخشان بنی اعتماد، مترجم دردها"
4203:Crystal Simorgh for Best Screenplay winners
3372:Asia Pacific Screen Award for Best Director
2653:
2651:
2199:Producer, Heiran, feature-film (Iran), 2009
2052:Artistic & Cultural Achievement Award,
46:promotes the subject in a subjective manner
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3206:"نامزدهای هفدهمین جشن خانه سینما اعلام شد"
3107:"RFI - خون بازی، بهترین فیلم فستیوال زنان"
1001:Occupation of Migrant Peasants in the City
314:Occupation of Migrant Peasants in the City
96:
79:
4198:Crystal Simorgh for Best Director winners
4193:Members of the National Council for Peace
2421:Film in the Middle East and North Africa.
2357:Film in the Middle East and North Africa.
2228:Cinema Verite International Film Festival
2142:Cinema Verite International Film Festival
2102:52nd International Film Festival of India
964:(In filmha ra beh ki neshun midin?), 1993
291:Learn how and when to remove this message
68:Learn how and when to remove this message
1355:Karlovy Vary International Film Festival
1020:
527:
485:She was awarded an honorary degree from
2630:"Venice Film Festival Lineup Announced"
2478:"An Interview with Rakhshan Banietemad"
2412:
2049:, Iran Cinema House Awards (Iran), 2007
1180:Tessaloniki International Film Festival
409:71st Venice International Film Festival
2210:School of Oriental and African Studies
1610:25th Fajr International Film Festival
924:(Hayat khalvate khaneh khorshid), 2009
27:Iranian film director and screenwriter
3298:We are half of the Iranian population
2577:"Interview with Rakhshan Banietemad."
2309:New Delhi International Film Festival
2221:Geneva University of Art & Design
2022:Vincennes International Film Festival
1858:32nd Fajr International Film Festival
1736:Pyongyang International Film Festival
1208:16th Fajr International Film Festival
1105:13th Fajr International Film Festival
1063:10th Fajr International Film Festival
956:(Akharin didar ba Iran Daftari), 1995
872:(concert-e khodavandan-e asrar), 2014
7:
3308:2009 Iranian presidential candidates
3269:"The Cinema and Rakhshan Banietemad"
2542:
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2465:
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2435:
2433:
2431:
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2187:Fribourg International Film Festival
2163:Shanghai International Film Festival
1137:Iranian Cinema Directors Association
1004:(Mohajerin-e roustai dar shahr),1980
880:(Khaneh man Mahak), a teamwork, 2014
3811:Crystal Simorgh for Best Screenplay
3302:
2319:Locarno International Film Festival
2295:Leipzig International Film Festival
2100:Chairperson International jury, at
1817:Kolkata International Film Festival
1716:International Women's Film Festival
1457:Locarno International Film Festival
1431:Seattle International Film Festival
1160:Locarno International Film Festival
996:(Tadbirha-ye eqtesadi-e jang), 1981
916:(Ma nimi az jameiat-e Iranim), 2009
869:The Concert of the Lords of Secrets
198:
87:
43:This article contains wording that
2261:Moscow International Film Festival
2116:Venice International Film Festival
2078:Comedy International Film Festival
2045:Best Director & Best Actress,
1793:Venice International Film Festival
1519:10th Holy defense Festival (Iran)
1335:Moscow International Film Festival
48:without imparting real information
25:
4208:Asia Pacific Screen Award winners
3501:Crystal Simorgh for Best Director
2326:Turin International Film Festival
2268:Cairo International Film Festival
2194:Urban International Film Festival
2170:Dubai International Film Festival
2149:Busan International Film Festival
2015:Dubai International Film Festival
1763:Dhaka International Film Festival
1373:Turin International Film Festival
2534:Firouzan Films. 2011. 3 May 2012
2343:Fajr International Film Festival
2275:Fajr International Film Festival
2238:Fajr International Film Festival
2156:California Institute of the Arts
2054:Kara International Film Festival
2029:We Are Half of Iran's Population
1877:The 17th Iranian Cinema Festival
1654:City International Film Festival
1484:Kara International Film Festival
961:To Whom Do You Show These Films?
953:The Last Visit with Iran Daftari
913:We Are Half of Iran's Population
403:was selected to compete for the
246:
34:
4178:Persian-language film directors
2673:Laurier, Joanne. Walsh, David.
2245:Art University Student Festival
1749:Joint with Mohsen Abdul Wahab,
1686:Joint with Mohsen Abdul Wahab,
1622:Joint with Mohsen Abdul Wahab,
373:and won a for best make-up and
3130:Vivarelli, Nick (2014-09-06).
1707:Joint with Mohsen Abdul Wahab
1603:Joint with Mohsen Abdul Wahab
1553:Joint with Mohsen Abdul Wahab
1531:Joint with Mohsen Abdul Wahab
1:
3040:. AsiaPacificScreenAwards.com
2177:Asiatic Film Mediale Festival
1502:Iranian Women Film Directors
908:(Farda mibinamet Elina), 2010
4168:Iranian women film directors
3303:ما نیمی از جمعیت ایران هستیم
3183:. 2020-11-08. Archived from
3158:. 2020-11-08. Archived from
3015:. 2020-11-08. Archived from
2990:. 2011-07-07. Archived from
2965:. 2020-01-14. Archived from
2892:. 2020-01-14. Archived from
2823:. 2020-11-08. Archived from
2282:Montreal World Film Festival
2132:Prague Iranian Film Festival
2124:Member, Writers Branch, 2017
1993:Honorary Golden Cyclo, 23rd
1972:Prague Iranian Film Festival
1929:London Iranian Film Festival
1674:11th Iranian Cinema Festival
1231:Montreal World Film Festival
3310:, in Persian, 7 June 2009:
2236:Jury Member, Asian Cinema,
2065:Best Asian Woman Director,
1280:4th Iranian Cinema Festival
1251:2nd Iranian Cinema Festival
905:I’ll see you Tomorrow Elina
864:(Concert-e ayeneh ha), 2014
856:(An sooy-e ayeneh ha), 2014
841:(Yek saat az yek omr), 2015
266:. The specific problem is:
4229:
3762:Mohammad Ali Bashe Ahangar
3744:Mohammad Hossein Mahdavian
3385:/ Mohsen Abdolvahab (2007)
2040:Asia Pacific Screen Awards
2034:Achievement in Directing,
1838:Asia Pacific Screen Awards
1822:Golden Royal Bengal Tiger
1784:
1591:Asia Pacific Screen Awards
1542:Vesoul Asian Film Festival
1274:Under the Skin of the City
1271:
1009:The Culture of Consumption
921:Angels of the House of Sun
816:MAHAK: A World She Founded
694:Under the Skin of the City
482:international popularity.
310:The Culture of Consumption
262:to meet Knowledge (XXG)'s
3817:
3507:
3454:Adilkhan Yerzhanov (2019)
3378:
2445:"درباره رخشان بنیاعتماد"
2109:Professional distinctions
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1283:
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1268:
1226:
1199:
1184:
1163:
1108:
1103:
1096:
1093:
1066:
1061:
1054:
1051:
1012:(Farhang-e masrafi), 1979
993:The War Economic Planning
854:The Other Side of Mirrors
538:
535:
532:
461:In her most recent film,
201:; born April 3, 1954, in
95:
3212:(in Persian). 2015-08-30
2494:10.1525/fmh.2017.3.1.140
2482:Feminist Media Histories
2451:(in Persian). 2020-04-02
2391:Persian women's movement
896:(Otahgh-e 202), part of
229:Early life and education
3906:Houshang Moradi Kermani
3658:Mohammad-Hossein Latifi
3275:, University of London.
2711:"SOAS Honorary Fellows"
2690:Moruzzi, Norma Claire.
2362:"Rakhshan Banietemad."
2147:President of the jury,
2140:President of the jury,
2130:President of the jury,
1949:Gene Siskel Film Center
885:Keep Children in School
2532:"Rakhshan BaniEtemad."
2398:(village of Espili in
2084:The Prince Claus Award
972:(Bahar ta bahar), 1993
839:One Hour in a Lifetime
697:(Zir-e Poost-e Shahr)
657:(Banu-ye Ordibehesht)
102:Banietemad, March 2014
4173:Iranian screenwriters
3610:Rasoul Mollagholipour
2366:2011. Firouzan Films.
2031:, (WIFTS) (USA), 2009
2020:Prix Henri Langlois,
1634:Asiatica Film Mediale
980:(Gozaresh-e 71), 1993
948:(Ruzegar-e ma…), 2002
561:(Kharej az Mahdudeh)
312:(Farhang-e masrafi),
3998:Rakhshan Bani-Etemad
3912:Rakhshan Bani-Etemad
3854:Masoud Jafari Jozani
3662:Amir-Shahab Razavian
3568:Rakhshan Bani-Etemad
3087:www.sourehcinema.com
3063:www.sourehcinema.com
2943:www.sourehcinema.com
2919:www.sourehcinema.com
2870:www.sourehcinema.com
2801:www.sourehcinema.com
2777:www.sourehcinema.com
2753:www.sourehcinema.com
2729:www.sourehcinema.com
2380:33.3/4(2003): 30-32.
2095:University of London
2089:Honorary doctorate,
2027:Special Jury Prize,
2009:Special Jury Prize,
674:Baran and the Native
505:Humanitarian actions
273:improve this article
268:unwanted elongation.
18:Rakhshan Bani Etemad
4183:Writers from Tehran
3950:Hamid Farrokhnezhad
3902:Mohammad-Ali Talebi
3830:Alireza Davoodnejad
3562:Varuzh Karim-Masihi
3383:Rakhshān Banietemad
3260:Rakhshan Banietemad
2373:27.1(2001): 89-100.
2336:Roshd Film Festival
2189:(Switzerland), 2010
2151:(South Korea), 2013
1843:Special Jury Prize
1768:Special Jury Prize
1566:Special Jury Prize
1522:Special Jury Prize
1437:Special Jury Award
1339:Special Jury Prize
1238:Hounarable Mention
1212:Special Jury Prize
1022:
861:The Mirrors Recital
811:Mother of the Earth
529:
430:With her 2002 film
379:Fatemeh Motamedaria
191:Rakhshān Banietemad
112:Rakhshan Banietemad
84:Rakhshan Banietemad
4138:Babak Khajeh Pasha
4036:Homayoun Shahnavaz
4026:Abolhassan Davoodi
3978:Peyman Ghasemkhani
3710:Abolhassan Davoudi
3704:Ahmad-Reza Darvish
3640:Ahmad-Reza Darvish
3580:Mohammad Bozorgnia
3443:Andrey Zvyagintsev
3162:on 8 November 2020
3019:on 8 November 2020
2969:on 14 January 2020
2896:on 14 January 2020
2827:on 8 November 2020
1718:(Creteil, France)
1021:
835:(Ay, Adamha), 2016
528:
371:Fajr Film Festival
4155:
4154:
4006:Mohsen Abdolvahab
3934:Ebrahim Hatamikia
3890:Hassan Gholizadeh
3868:Mohsen Makhmalbaf
3777:
3776:
3728:Ebrahim Hatamikia
3692:Parviz Sheikhtadi
3680:Ebrahim Hatamikia
3604:Ebrahim Hatamikia
3592:Kiumars Pourahmad
3550:Mohsen Makhmalbaf
3467:
3466:
3425:Nuri Bilge Ceylan
3413:Brillante Mendoza
3407:Nuri Bilge Ceylan
3389:Nuri Bilge Ceylan
3237:. 23 October 2021
2695:Feminist Studies.
2610:on 6 October 2014
2552:www.bartarinha.ir
2371:Feminist Studies.
2042:(Australia), 2007
1990:
1989:
1721:Grand Jury Prize
1017:Honors and awards
789:
788:
597:(Poul-e Khareji)
415:Documentary Films
381:, who starred in
301:
300:
293:
264:quality standards
255:This article may
188:
187:
78:
77:
70:
16:(Redirected from
4220:
4147:
4102:Mohammad Davoudi
4088:Kambuzia Partovi
4082:Kambuzia Partovi
3993:
3984:Kambuzia Partovi
3966:Rasul Sadr-Ameli
3962:Kambuzia Partovi
3886:Asghar Abdollahi
3863:
3848:Majid Gharizadeh
3843:
3825:
3804:
3797:
3790:
3781:
3628:Rasul Sadr-Ameli
3616:Bahman Farmanara
3538:Abbas Kiarostami
3515:
3494:
3487:
3480:
3471:
3431:Alexey German JR
3365:
3358:
3351:
3342:
3337:
3305:
3304:
3288:, April 23, 2008
3247:
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2657:Whatley, Sheri.
2655:
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2606:. Archived from
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2424:
2417:
2056:(Pakistan), 2004
2011:Kahrizak 4 views
1909:Best Screenplay
1800:Best Screenplay
1753:, Naghme Samini
1743:Best Screenplay
1690:, Naghme Samini
1680:Best Screenplay
1626:, Naghme Samini
1616:Best Screenplay
1380:Best Screenplay
1298:Best Screenplay
1124:Best Screenplay
1082:Best Screenplay
1023:
988:(Tamarkoz), 1986
969:Spring to Spring
898:Kahrizak 4 Views
893:The Room No. 202
676:(Baran va Bumi)
595:Foreign Currency
579:(Zard-e Qanari)
530:
343:1990s to Present
296:
289:
285:
282:
276:
250:
249:
242:
209:) is an Iranian
200:
199:رخشان بنیاعتماد
184:
179:
166:
165:
162:Jahangir Kosari
125:
121:
119:
100:
90:
89:
88:رخشان بنیاعتماد
80:
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38:
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21:
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4219:
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4217:
4158:
4157:
4156:
4151:
4143:
4126:Tahmineh Bahram
4064:Behrouz Afkhami
4030:Farid Mostafavi
4016:Shadmehr Rastin
4002:Farid Mostafavi
3989:
3972:Parviz Shahbazi
3940:Tahmineh Milani
3896:Dariush Mehrjui
3880:Yadollah Samadi
3874:Dariush Mehrjui
3859:
3839:
3821:
3813:
3808:
3778:
3773:
3768:Behrouz Afkhami
3732:Bahram Tavakoli
3722:Vahid Jalilvand
3698:Parviz Shahbazi
3586:Dariush Mehrjui
3556:Dariush Mehrjui
3526:Yadollah Samadi
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2427:
2418:
2414:
2409:
2387:
2364:Firouzan Films.
2352:
2350:Further reading
2297:(Germany), 1999
2263:( Russia), 2002
2216:(England), 2008
2111:
2067:The Blue Veiled
1954:Audience Award
1917:Farid Mostafavi
1808:Farid Mostafavi
1751:Farid Mostafavi
1688:Farid Mostafavi
1624:Farid Mostafavi
1400:Audience award
1388:Farid Mostafavi
1306:Farid Mostafavi
1164:Bronze Leopard
1099:The Blue Veiled
1019:
977:The 1992 Report
849:Mahlagha Mallah
821:Friends at Work
794:
635:The Blue Veiled
526:
521:
507:
495:
479:
455:
417:
354:The Blue-Veiled
345:
306:
304:1970s and 1980s
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4122:Ida Panahandeh
4115:
4105:
4098:Mohsen Gharaie
4095:
4092:Houman Seyyedi
4085:
4079:
4076:Saeed Roustayi
4073:
4070:Roya Mohaghegh
4067:
4061:
4058:Behnam Behzadi
4055:
4052:Mostafa Kiayee
4049:
4046:Asghar Farhadi
4043:
4033:
4023:
4020:Reza Mirkarimi
4013:
4010:Naghmeh Samini
3995:
3987:
3981:
3975:
3969:
3959:
3953:
3943:
3937:
3931:
3925:
3922:Reza Maghsoodi
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3756:Reza Mirkarimi
3753:
3747:
3741:
3735:
3725:
3719:
3716:Saeed Roustayi
3713:
3707:
3701:
3695:
3689:
3686:Asghar Farhadi
3683:
3677:
3674:Asghar Farhadi
3671:
3665:
3655:
3652:Asghar Farhadi
3649:
3643:
3637:
3634:Reza Mirkarimi
3631:
3625:
3619:
3613:
3607:
3601:
3595:
3589:
3583:
3577:
3571:
3565:
3559:
3553:
3547:
3544:Kianoush Ayari
3541:
3535:
3532:Kianoush Ayari
3529:
3523:
3517:
3508:
3505:
3504:
3499:
3497:
3496:
3489:
3482:
3474:
3465:
3464:
3462:
3461:
3458:Asghar Farhadi
3455:
3452:
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3440:
3434:
3428:
3422:
3416:
3410:
3404:
3401:Lee Chang-dong
3398:
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3367:
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3338:
3295:
3289:
3276:
3266:
3255:
3254:External links
3252:
3249:
3248:
3235:Times of India
3222:
3197:
3172:
3147:
3122:
3098:
3074:
3050:
3029:
3004:
2994:on 7 July 2011
2979:
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2666:
2647:
2636:. 24 July 2014
2621:
2591:
2582:2012-07-29 at
2575:Alissa Simon.
2563:
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2507:
2488:(1): 140–155.
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2378:Off Our Backs.
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2284:(Canada), 2001
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2074:Off the Limits
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2024:(France), 2010
2018:
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1738:(North Korea)
1732:
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1701:Best Director
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1597:Best Director
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1525:Best Director
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1215:Best Director
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1112:Best Director
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985:Centralization
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2584:archive.today
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2341:Jury Member,
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2334:Jury Member,
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2328:(Italy), 1995
2327:
2324:Jury Member,
2323:
2321:(Swiss), 1996
2320:
2317:Jury Member,
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2311:(India), 1998
2310:
2307:Jury Member,
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2304:(Japan), 1998
2303:
2300:Jury Member,
2299:
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2293:Jury Member,
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2270:(Egypt), 2002
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2266:Jury Member,
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2192:Jury Member,
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2179:(Italy), 2010
2178:
2175:Jury Member,
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2168:Jury Member,
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2165:(China), 2012
2164:
2161:Jury Member,
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2134:(Czech), 2017
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2118:(Italy), 2017
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2114:Jury Member,
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2080:(Italy), 1987
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144:Film director
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140:Occupation(s)
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124:(age 70)
122:April 3, 1954
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3750:Mehdi Jafari
3738:Narges Abyar
3668:Majid Majidi
3646:Majid Majidi
3622:Majid Majidi
3598:Majid Majidi
3574:Sirus Alvand
3567:
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3419:Anthony Chen
3382:
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3286:The Guardian
3285:
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3239:. Retrieved
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3214:. Retrieved
3209:
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3189:. Retrieved
3185:the original
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3017:the original
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2971:. Retrieved
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2453:. Retrieved
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2345:(Iran), 1990
2338:(Iran), 1992
2277:(Iran), 2001
2247:(Iran), 2005
2240:(Iran), 2006
2230:(Iran), 2007
2223:(ESBA), 2008
2196:(Iran), 2009
2144:(Iran), 2013
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1840:(Australia)
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1202:The May Lady
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826:Flax to Fire
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447:The Karastan
446:
445:(2016), and
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387:best actress
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375:special jury
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329:The Liegemen
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271:Please help
267:
256:
232:
223:
219:
215:screenwriter
190:
189:
152:Screenwriter
64:
55:
44:
4188:1954 births
4112:Nima Javidi
3823:Not Awarded
3513:Not Awarded
3111:www1.rfi.fr
2589:3 May 2012.
2172:(UAE), 2010
2158:(USA), 2013
2104:, Goa 2021.
2072:Best Film,
2017:(UAE), 2012
1915:Joint with
1806:Joint with
1765:(Pakistan)
1386:Joint with
1304:Joint with
1047:References
929:Second Home
833:Hey, Humans
519:Filmography
443:Hey, Humans
405:Golden Lion
275:if you can.
4162:Categories
3241:31 October
3216:2021-12-03
3191:2021-12-03
3166:2021-12-03
3141:2021-12-03
3116:2021-12-02
3092:2021-12-02
3068:2021-12-02
3044:2007-11-14
3023:2021-12-02
2998:2021-12-02
2973:2021-12-02
2948:2021-12-02
2924:2021-12-02
2900:2021-12-02
2875:2021-12-02
2851:2021-12-02
2831:2021-12-01
2806:2021-12-01
2782:2021-12-01
2758:2021-12-01
2734:2021-12-01
2557:2021-12-07
2455:2021-12-01
2407:References
1979:Best Film
1936:Best Film
1912:Nominated
1900:Nominated
1886:Nominated
1883:Best Film
1867:Nominated
1864:Best Film
1825:Best Film
1683:Nominated
1661:Best Film
1641:Best Film
1490:Best Film
1415:Best Film
1317:Nominated
1314:Best Film
1301:Nominated
1289:Nominated
1260:Nominated
1115:Nominated
1085:Nominated
945:Our Times…
512:Ghesseh-ha
421:Our Times…
320:problems.
118:1954-04-03
4145:No winner
3991:No winner
3861:No winner
3841:No winner
3279:Bidisha,
2502:2373-7492
2396:Langerood
1544:(France)
1451:Our Times
1235:FIPRESCI
1185:FIPRESCI
1182:(Greece)
1038:Category
1032:Festival
937:3D Carpet
550:Producer
544:Director
489:in 2008.
432:Our Times
183:(b. 1975)
178:(b. 1985)
58:June 2024
3395:Lu Chuan
2677:Gilaneh.
2634:Deadline
2580:Archived
2385:See also
2047:Mainline
2036:Mainline
1974:(Czech)
1819:(India)
1795:(Italy)
1636:(Italy)
1613:Simorgh
1585:Mainline
1563:(Spain)
1375:(Italy)
1357:(Czech)
1141:Seemeen
1109:Simorgh
1067:Simorgh
806:Puzzleys
735:Mainline
257:require
171:Children
148:Producer
3136:Variety
2713:. SOAS.
2640:24 July
2614:24 July
2587:Facets.
2097:(2008)
1656:(Iran)
1547:Netpac
1478:Gilaneh
1461:Netpac
1360:Netpac
1057:Nargess
1041:Result
716:Gilaneh
614:Nargess
547:Writer
407:at the
383:Gilaneh
367:Gilaneh
350:Nargess
259:cleanup
195:Persian
181:Tandis
4148:(2024)
4140:(2023)
4134:(2022)
4128:(2021)
4114:(2020)
4104:(2019)
4094:(2018)
4084:(2017)
4078:(2016)
4072:(2015)
4066:(2014)
4060:(2013)
4054:(2012)
4048:(2011)
4042:(2010)
4032:(2009)
4022:(2008)
4012:(2007)
3994:(2006)
3986:(2005)
3980:(2004)
3974:(2003)
3968:(2002)
3958:(2001)
3952:(2000)
3942:(1999)
3936:(1998)
3930:(1997)
3924:(1996)
3914:(1995)
3908:(1994)
3898:(1993)
3892:(1992)
3882:(1991)
3876:(1990)
3870:(1989)
3864:(1988)
3856:(1987)
3850:(1986)
3844:(1985)
3836:(1984)
3826:(1983)
3770:(2024)
3764:(2023)
3758:(2022)
3752:(2021)
3746:(2020)
3740:(2019)
3734:(2018)
3724:(2017)
3718:(2016)
3712:(2015)
3706:(2014)
3700:(2013)
3694:(2012)
3688:(2011)
3682:(2010)
3676:(2009)
3670:(2008)
3664:(2007)
3654:(2006)
3648:(2005)
3642:(2004)
3636:(2003)
3630:(2002)
3624:(2001)
3618:(2000)
3612:(1999)
3606:(1998)
3600:(1997)
3594:(1996)
3588:(1995)
3582:(1994)
3576:(1993)
3570:(1992)
3564:(1991)
3558:(1990)
3552:(1989)
3546:(1988)
3540:(1987)
3534:(1986)
3528:(1985)
3522:(1984)
3516:(1983)
3460:(2021)
3451:(2018)
3445:(2017)
3439:(2016)
3433:(2015)
3427:(2014)
3421:(2013)
3415:(2012)
3409:(2011)
3403:(2010)
3397:(2009)
3391:(2008)
3328:Part 5
3324:Part 4
3320:Part 3
3316:Part 2
3312:Part 1
2604:Venice
2500:
2086:, 1998
1951:(USA)
1044:Notes
1035:Award
1029:Title
900:, 2012
755:Heiran
536:Title
477:Legacy
385:, won
238:Career
203:Tehran
158:Spouse
129:Tehran
3334:Note:
2449:ایرنا
2400:Gilan
1968:2016
1931:(UK)
1925:2015
1787:Tales
1782:2014
1712:2008
1580:2007
1538:2006
1473:2005
1427:2002
1351:2001
1269:2000
1227:1998
1197:1997
1176:1996
1156:1995
1094:1994
1052:1991
1026:Year
773:Tales
768:2014
751:2009
731:2006
711:2004
689:2001
670:1999
651:1998
630:1995
609:1991
591:1989
573:1988
555:1987
539:Role
533:Year
463:Tales
453:Style
401:Tales
396:Tales
175:Baran
4124:and
4110:and
4100:and
4038:and
4028:and
4018:and
4008:and
3964:and
3948:and
3920:and
3904:and
3888:and
3832:and
3273:SOAS
3264:IMDb
3243:2021
2642:2014
2616:2014
2498:ISSN
2214:SOAS
2091:SOAS
1982:Won
1959:Won
1939:Won
1848:Won
1828:Won
1803:Won
1773:Won
1746:Won
1726:Won
1704:Won
1664:Won
1644:Won
1619:Won
1600:Won
1571:Won
1550:Won
1528:Won
1510:Won
1493:Won
1464:Won
1440:Won
1418:Won
1403:Won
1383:Won
1363:Won
1342:Won
1327:Won
1241:Won
1218:Won
1188:Won
1167:Won
1147:Won
1127:Won
1073:Won
785:Yes
782:Yes
779:Yes
763:Yes
746:Yes
743:Yes
740:Yes
724:Yes
721:Yes
706:Yes
703:Yes
700:Yes
682:Yes
679:Yes
663:Yes
660:Yes
644:Yes
641:Yes
625:Yes
622:Yes
619:Yes
600:Yes
582:Yes
564:Yes
487:SOAS
331:and
213:and
207:Iran
133:Iran
108:Born
3262:at
2490:doi
4164::
4120:,
4090:/
4004:,
4000:,
3730:/
3660:/
3326:,
3322:,
3318:,
3314:,
3284:,
3233:.
3208:.
3134:.
3109:.
3085:.
3061:.
2941:.
2917:.
2868:.
2799:.
2775:.
2751:.
2727:.
2702:^
2650:^
2632:.
2602:.
2566:^
2550:.
2539:^
2510:^
2496:.
2484:.
2480:.
2464:^
2447:.
2428:^
2212:,
2093:,
2076:,
2038:,
2013:,
411:.
399:.
389:.
377:.
365:.
205:,
197::
131:,
120:)
3803:e
3796:t
3789:v
3493:e
3486:t
3479:v
3364:e
3357:t
3350:v
3330:.
3300:(
3245:.
3219:.
3194:.
3169:.
3144:.
3119:.
3095:.
3071:.
3047:.
3026:.
3001:.
2976:.
2951:.
2927:.
2903:.
2878:.
2854:.
2834:.
2809:.
2785:.
2761:.
2737:.
2679:"
2644:.
2618:.
2560:.
2504:.
2492::
2486:3
2458:.
2402:)
294:)
288:(
283:)
279:(
193:(
116:(
71:)
65:(
60:)
56:(
50:.
20:)
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