32:
89:
745:
From this moment, Raimon dedicated much effort to avoiding irrelevance as a resistance artist. Despite making four appearances at the
Palacio de los Deportes de Barcelona in 1977, he began to steer clear of large concerts and stayed away from organized actions for political parties. Also, he began to
994:
Raimon then took exactly a decade to record an album of new songs, but this was not a time of inactivity; he formed a stable group of accompanying musicians on the guitar, double bass, cello and accordion - and performed together with them as well as solo, under conditions he found artistically
1513:
351:. In 1965, Raimon sang for the first time in Barcelona without Els Setze Jutges or other singers: his first solo recital took place in the Aliança del Poble Nou. The same year he began his international activities at the university at
289:. The song, voted by the public, won first prize. From that moment, Catalan song, considered up to then a minority phenomenon of little consequence, began to receive the attention of the censors and of the institutions of the
1081:
The same year a new
Complete Works was released, this time on CD. The work, which won the Palmarès des Palmarès given by the Nouvelle Académie du Disque Français, collected a total of 121 songs divided into the following:
221:. His success was immediate. Raimon surprised with the form and content of his songs. His urgent texts spoke of a rebellious existentialism; his style departed from the "French style" of
159:(White Street), which he references in some songs. In his youth he worked for several years as a radio broadcaster in his hometown, absorbing the music of artists as diverse as
944:
of
February 23), the life of the artist and many other themes. From this moment, Raimon appeared rarely in public and made few recordings. He released a new album in 1984,
451:(a setting of a poem of Espriu). This same year he had two more historic recitals, one at the Price labor movement festival and the other at the Faculty of Economics in
1566:
402:
by Espriu, twelve poems which recall the solar cycle and the life cycle of man, to which Raimon added a concluding song of character more civic than metaphysical,
320:, which would for many years be sung with altered lyrics that softened its overtly political message. Much later, Raimon confessed that he wanted to put
998:
In 1992 he toured Japan again, and also sang in various universities in the United States. The same year, he surprised many by making an appearance on
1144:, and in the Palau de la Música Catalana. He also toured Britain. He was heckled at Madrid's Plaza de las Ventas bullring, where he sang a homage to
1152:. Some of the public criticised his singing in Catalan, which he publicly avowed by singing Valencian dialect of Catalan, and the fact that the song
1033:
459:, Germany, Switzerland, and Cuba that year. The next year, he returned to the Paris Olympia, and another LP was released solely in France.
660:
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on April 1. This was originally to be the first of four concerts, but the final three were cancelled. The performance was captured on a
1571:
75:
53:
561:. The following two years he released further international discs and gave hundreds of live shows. In 1973 he published the book
699:
991:, Raimon performed for the first time almost entirely without using the guitar, gesturing to great effect during the concert.
975:(with arrangements made by the percussionist Ezequiel Guillén Saki). On this disc are songs of a markedly intimate character:
738:. More than sixty thousand people filled the Pla d'en Sala de Canet. During Raimon's performance, while he performed the song
359:. He published an EP with four love songs dedicated to the woman who would become his wife the following year. The songs were
1556:
988:
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In 1962, Raimon made his first public appearance at a literary prize ceremony. A little later, after entering a contest in
1561:
266:
1025:. Raimon sang many songs, but also on stage were many artists who had shared experiences with him over many years: the
225:
and offered a vision of the world tied not to the life of the
Barcelona bourgeois in which musicians like Espinàs,
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379:
46:
40:
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202:
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1171:. In 2000, he published a new Complete Works with many unreleased songs, settings of 15th century authors:
1551:
1149:
1145:
210:
57:
750:, before assembling a full backing group. Up until then, Raimon always had played solo, with his guitar.
282:
273:" (as an act of service to the country and the language). Raimon, without a guitar, sang, together with
1512:
El País, 11-9-1997. "El público abucheó a Raimon por cantar en catalán, y a
Sacristán, por comunista".
1075:
1067:
1029:
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1021:, before some eighteen thousand spectators, to celebrate the thirtieth anniversary of the release of
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in order to study history. It was there that he discovered
Catalan culture, and read writers such as
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1191:. The new complete works also included the only two songs he recorded written by other songwriters:
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In order to regroup all his work, in 1981 he re-recorded all his songs with new arrangements by
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took place, the first true massive act of
Catalan song; he also made his first appearances in
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127:
114:
616:, a song about secrecy written as a result of his fortuitous encounter with the persecuted
123:
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309:
183:
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sung in
Japanese by a choir from that country. The only unreleased songs incorporated in
226:
179:
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containing versions of the majority of his previously released songs and two new tunes,
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941:
491:
801:(not exactly a new song, but hitherto not released in Spain), and a studio version of
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In France he released an album recorded live on June 7 at the
Olympia, which won the
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20:
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730:. In the spring of this same year, he appeared for the first and only time at the
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The following year, during the optimism preceding democratic rule, he sang in the
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During this period of success, he received a surprising proposal: to sing at the
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was released, collaborating with a number of avant-garde French musicians like
194:, among others. Prior to this, however, he had already written his first song,
1188:
605:
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417:. Unreleased versions of some songs censored in Spain appeared on this disc.
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881:. The result was a set of ten discs, whose songs were grouped thematically:
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together because, if they banned the disc, they would ban the both of them.
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187:
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was released and in 1999 he published a compilation of all his love songs,
1137:
940:, which included his thoughts on the political scene (including the failed
474:. Side A was dedicated to settings of 15th century Catalan poets: the poem
144:
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119:
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After another single, which included his first setting of Ausias March,
269:
with a song in
Catalan. Initially reticent, Raimon eventually accepted "
1141:
1026:
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742:, a crane elevated an enormous Catalan flag on the side of the stage.
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That same year he was granted the Gold Medal (Medalla de Oro) of the
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456:
452:
352:
424:, the first recital of a Catalan singer there. He also performed in
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with arrangements by Manel Camp. It consisted of seven settings of
1160:. The act was rebroadcast on TVE, and provoked great controversy.
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Cançons de la roda del temps i d'altres poemes de Salvador Espriu
425:
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This same year, two more albums appeared; the first in France,
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award the following year for best foreign song, granted by the
1013:
On Saint George's day 1993, a large concert took place in the
628:, a rejection of suicide which contains a literal citation of
233:
lived, but rather to the Valencian working classes. His first
25:
1207:
921:, is dedicated to live recordings and includes a version of
663:. Many of the songs had strong social/political overtones:
1496:. Ediciones La Magrana. RBA, 2005. In Catalan and Spanish.
1104:
Coincidències, dissidències, indecències i algunes rareses
296:
Immediately thereafter, Raimon's second EP appeared, with
1476:
Diccionari de la Cançó. D'Els Setze Jutges al Rock Català
870:. This album displayed a maturation in his poetic style.
636:, about being in one's thirties; and the sober love song
1471:, colección Los Juglares, Ediciones Jucar, Madrid, 1983.
470:
in 1970, arranged by Lleó Borrell and with cover art by
293:, with the host of prohibitions that accompanied them.
331:
In 1964 a third EP appeared, which featured the songs
277:, who gave a feminine interpretation of the love song
432:, and other countries. A concert in Barcelona at the
398:
on the cover. The music was centered around the book
440:, with 12 songs. A last EP followed that same year.
549:. Other releases appeared in France, the U.S. and
378:In 1965, his historic open-air performance at the
1096:Ausiàs March i alguns poemes dels segles XV i XVI
757:for the first time in 1977 he released the album
522:(one of his few songs with an ironic treatment),
808:Two years later, in 1979, a new album appeared,
655:, had several songs banned in Spain. The other,
1117:and six of his own poems, including the ironic
1106:, the last being dedicated to live recordings.
987:, etc. At the presentation of the album at the
580:. It includes some settings, of Ausias March (
113:
1062:. Also in attendance were the Japanese group
541:In 1971 he released another LP with included
271:per voluntat de servei al país i a la llengua
8:
1109:In early 1997 a new album finally appeared,
963:, 1987) marked a brief experimentation with
659:, was recorded live at a performance at the
436:on January 28 was released as a live album,
339:. That same year, his first LP saw light, a
122:singer. He performs in the musical style of
624:, a nostalgic revisitation of adolescence;
933:, Joan Timoneda, Ausiàs March and Espriu.
857:Perquè ningú no em contarà els seus somnis
1121:, which was accompanied by a video clip.
1054:(a former rival, but reconciled friend),
237:appeared quickly on Catalan record label
76:Learn how and when to remove this message
702:, where he debuted one of his classics,
443:In 1968 he released his first disc with
39:This article includes a list of general
1505:
1257:Sobre la pau. Contra la por (Olympia 2)
911:Amb els silencis i les nostres paraules
683:, and the poem of Espriu, dedicated to
394:appeared that year, with a painting by
300:and three other tunes: the existential
1567:Musicians from the Valencian Community
1050:, and others. Catalan guests included
1010:dedicated to the world of literature.
812:, assembled from six concerts in the
644:, Chilean singer assassinated by the
308:(Raimon's first setting of a poem of
7:
482:, was forbidden by the censors), by
257:, and became a great sales success.
1494:Raimon. La construcción de un canto
1263:Per destruir aquell qui l'ha desert
1215:Disc antològic de les seves cançons
468:Per destruir aquell qui l'ha desert
267:Festival de la Canción Mediterránea
19:For other people named Raimon, see
983:(written in the style of Espriu),
610:Una vaca amb un vedellet en braços
518:and five songs written by Raimon:
498:, and four poems of Ausiàs March:
45:it lacks sufficient corresponding
14:
1130:Cançons de mai. Cançons de sempre
661:Universitat Autònoma de Barcelona
213:was impressed and invited him to
1525:Raimon: Catalonian Protest Songs
1490:Raimon. La construcció d´un cant
1281:Raimon. Catalonian protest songs
316:, quickly known by its subtitle
209:participated, he sang for them.
30:
1464:. Editorial Mediterránea, 1982.
816:. It includes poems of Espriu (
700:Palau dels Esports de Barcelona
543:13 de març, cançó dels creients
241:in 1963; it included the songs
1441:Raimon a l'Olympia (1966–2006)
950:Lluny de la pedra i de l'aigua
777:), and some of his own texts:
761:, which combined settings of
648:government in September 1973.
488:Llibre dels bons amonestaments
1:
1132:, Raimon made appearances in
1435:Raimon-Espriu Poesia cantada
1227:Cançons de la roda del temps
967:and with instruments like a
899:Cançons de la roda del temps
866:, dedicated to the sculptor
740:Inici de càntic en el temple
553:, and he toured in Uruguay,
420:In 1967 he performed at the
404:Inici de càntic en el temple
392:Cançons de la roda del temps
1483:Raimon. L´art de la memòria
1046:, the American folk singer
989:Palau de la Música Catalana
915:L 'aigua del temps que vius
907:Poetes dels segles XV i XVI
814:Palau de la Música Catalana
612:). Raimon's originals were
434:Palau de la Música Catalana
415:Académie du Disque Français
1588:
1485:. Editorial Planeta, 2004.
1163:At the end of 1997 the CD
1100:Aquest cant vol ser plural
1088:Cançons d'amor i de lluita
698:ailed, Raimon sang at the
18:
771:Qui té anguila per la cua
767:Bella, de vós so enamorós
634:Amb tots els petits vicis
614:T'he conegut sempre igual
524:Quan creus que ja s'acaba
508:Quins tan segurs consells
380:Institut Químic de Sarrià
1572:Catalan-language singers
1387:I després de creure tant
1126:Generalitat de Catalunya
927:Raimon. otes les cançons
861:I després de creure tant
618:Gregori López i Raimundo
155:on December 2, 1940, at
111:Valencian pronunciation:
818:Nous cants de llibertat
466:, he released the disc
455:. He also performed in
174:At age 21, he moved to
60:more precise citations.
1339:Quan l'aigua es queixa
1084:Orígens i dedicatòries
929:were some settings of
903:He mirat aquesta terra
835:), and his own texts:
810:Quan l'aigua es queixa
779:Qui pregunta ja respon
775:Potser arran de l'alba
746:play accompanied by a
640:. It was dedicated to
99:Ramon Pelegero Sanchis
95:
93:Ramon Pelegero Sanchis
1393:Ausiàs March / Raimon
1351:Entre la nota i el so
959:The following album (
946:Entre la nota i el so
849:No el coneixia de res
783:Un lleu tel d'humitat
673:18 de maig a la Villa
626:Morir en aquesta vida
565:, with a prologue by
486:; a fragment of the
365:Treballaré el teu cos
91:
1562:Spanish male singers
1530:Smithsonian Folkways
1460:Mainat, Joan Ramon:
1323:El recital de Madrid
1311:Campus de Bellaterra
1275:Raimon en Montevideo
1119:Soliloqui solipsista
985:Primer parlaré de tu
981:La mar respira calma
954:Al meu país la pluja
936:In 1983 he released
931:Joan Roís de Corella
803:Jo vinc d'un silenci
728:El recital de Madrid
704:Jo vinc d'un silenci
657:Campus de Bellaterra
590:Joan Roís de Corella
478:(the original name,
400:El caminant i el mur
333:D'un temps d'un país
149:province of Valencia
1333:Lliurament del cant
1251:Raimon a Montserrat
1177:Jordi de Sant Jordi
1146:Miguel Ángel Blanco
977:Del blanc i el blau
938:Les hores guanyades
837:Als matins a ciutat
759:Lliurament del cant
681:Quan jo vaig nàixer
484:Jordi de Sant Jordi
361:En tu estime el món
306:Cançó del capvespre
211:Josep Maria Espinàs
143:Raimon was born in
1557:People from Xàtiva
1481:Escamilla, David:
1423:Nova Integral 2000
1417:Les cançons d'amor
1369:Canta Ausiàs March
1363:Presències i oblit
1239:Raimon música sola
1221:Raimon a l'Olympia
1169:Les cançons d'amor
1156:was prohibited in
1148:, assassinated by
1128:. Under the title
961:Presències i oblit
948:, with songs like
917:. The tenth disc,
732:Sis Hores de Cançó
710:The democratic era
594:Si en lo mal temps
572:In 1974 the album
545:and the love song
520:Societat de consum
514:. Side B featured
283:Josep Maria Andreu
169:Juanito Valderrama
96:
1488:Batista, Antoni:
1462:Tretze que canten
1451:
1450:
1405:Recitals al Palau
1345:Totes les cançons
1317:T'adones amic...?
1245:Raimon en directe
1165:Recitals al Palau
1076:La Lira Ampostina
827:), Ausiàs March (
825:I beg your pardon
689:El meu poble i jo
677:No em mou al crit
665:Qui ja ho sap tot
496:Elogi dels diners
337:Cançó de les mans
261:The Francoist era
115:[rajˈmon]
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1474:Pujadó, Miquel:
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1068:Coral Sant Jordi
1030:Daniel Vigiletti
1015:Palau Sant Jordi
965:electronic music
879:Antoni Ros Marbà
567:Manuel Sacristán
563:Poemes i cançons
349:Cantarem la vida
223:Els Setze Jutges
207:Els Setze Jutges
128:Catalan language
117:
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21:Raimon (name)
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1123:
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1115:Ausiàs March
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1070:directed by
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895:Dedicatòries
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891:Ausiàs March
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864:Andreu, amic
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736:Canet de Mar
727:
724:double album
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685:Pompeu Fabra
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449:Indesinenter
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438:Raimon Palau
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422:Teatre Romea
419:
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391:
390:. The album
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322:Se'n va anar
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287:Lleó Borrell
279:Se'n va anar
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246:
242:
231:Enric Barbat
227:Delfí Abella
219:Fòrum Vergés
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180:Ausiàs March
173:
165:The Platters
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44:
1547:1940 births
1203:Discography
1048:Pete Seeger
1037:Mikel Laboa
973:synthesizer
942:coup d'etat
799:A Joan Miró
773:), Espriu (
748:double bass
720:Real Madrid
642:Victor Jara
638:Com un puny
447:, the song
430:Switzerland
302:Disset anys
291:Franquistas
192:Joan Fuster
58:introducing
1541:Categories
1501:References
1189:Jaume Roig
1044:Luis Cilia
1041:Portuguese
919:Testimonis
905:(Espriu),
901:(Espriu),
875:Manel Camp
795:Que tothom
791:Com una mà
630:Mayakovsky
622:Molt lluny
606:Pere Quart
532:T'ho devia
341:live album
124:Nova Cançó
103:stage name
66:April 2009
41:references
1293:Diguem no
1154:País Basc
1134:Perpignan
1064:Warabi-za
1027:Uruguayan
1019:Barcelona
1008:Catalunya
669:A un amic
602:So qui so
559:Argentina
494:, titled
445:Discophon
396:Joan Miró
373:No sé com
345:Si em mor
326:Diguem no
318:Diguem no
215:Barcelona
188:Josep Pla
134:Biography
1375:Integral
1299:La noche
969:drum kit
646:Pinochet
480:Presoner
251:La pedra
217:for the
205:, where
203:Castelló
176:Valencia
118:), is a
1381:Cançons
1287:En vivo
1142:Majorca
1023:Al vent
1000:Literal
923:Al vent
883:Orígens
551:Uruguay
388:Germany
357:Belgium
255:A colps
243:Al vent
196:Al vent
147:in the
120:Spanish
54:improve
1469:Raimon
1446:
1439:2006:
1433:2003:
1427:2003:
1421:2000:
1415:1999:
1409:1999:
1403:1997:
1397:1997:
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1385:1995:
1379:1993:
1373:1993:
1367:1989:
1361:1987:
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1349:1984:
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1309:1974:
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1297:1972:
1291:1972:
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1279:1971:
1273:1971:
1269:Raimon
1267:1971:
1261:1970:
1255:1969:
1249:1969:
1243:1968:
1237:1967:
1231:1967:
1225:1966:
1219:1966:
1213:1964:
1197:Amanda
1138:Xàtiva
1066:, the
1058:, and
1052:Serrat
1039:, the
1034:Basque
1032:, the
971:and a
696:Franco
604:) and
557:, and
457:Mexico
453:Madrid
353:Leuven
312:) and
275:Salomé
253:, and
239:Edigsa
229:, and
190:, and
167:, and
145:Xàtiva
107:Raimon
43:, but
822:swing
755:Japan
555:Chile
490:, of
384:Paris
153:Spain
139:Youth
1492:and
1195:and
1187:and
1102:and
952:and
913:and
877:and
831:and
534:and
510:and
426:Cuba
386:and
371:and
347:and
335:and
324:and
314:Ahir
285:and
1528:at
1150:ETA
1017:in
1004:TVE
734:in
718:of
596:),
588:),
355:in
281:by
247:Som
105:of
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