20:
265:. He wrote two "Crusade songs". The earlier one was composed in 1332, when Philip VI announced his intention of going on Crusade in July. Raimon suggests that the king should impose a tax on those men who do not join the Crusade, and in any case those who remain in
680:
175:
tradition. In a passage praising the pleasure of poetry, Raimon lists many of the traditional genres, which he and others like him had helped to define:
670:
685:
675:
576:
557:
523:
506:
705:
700:
690:
616:
695:
167:. Both works spend a good deal of space quoting illustrative passages from the greatest troubadours of the past. The
146:
154:
101:
19:
319:
281:". The second song, composed in 1336, is an attack on Philip for not completing his promised Crusade.
611:
262:
456:
339:
331:
553:
519:
502:
254:
158:
71:
35:
304:
163:
607:
327:
258:
75:
564:
Paden, William D. (1995). "The
Troubadours and the Albigensian Crusade: A Long View."
303:
Eighteen of Raimon's lyric poems are preserved in the final, unfinished folios of the
664:
533:"Il «Doctrinal de trobar» di Raimon de Cornet e il «Glosari» di Johan de Castellnou"
274:
70:. He was a prolific author of verse; more than forty of his poems survive, most in
23:
Joan's text is the prose text at the top. Raimon's text is the verse on the bottom.
289:
137:
93:
89:
59:
308:
80:
67:
48:
608:
Raimon de Cornet (14th cent. troubadour): Poem
Criticizing the Avignon Papacy
398:
323:
270:
250:
219:
215:
359:
447:
293:
278:
78:. He also wrote letters, a didactic poem (sometimes classed as the last
583:
228:
85:
44:
483:
266:
211:
51:
532:
224:
55:
18:
145:(doctrines of composition) composed around 1324 and dedicated to
269:
should pray two or three times daily for those who do go to the
63:
277:
will inevitably accompany the host and attempt to convert the "
177:
116:
106:
636:
Paden, "The
Troubadours and the Albigensian Crusade", p. 181.
385:"En aycel tems com no sen fretg ni cauma" (titled "Saumesca")
208:
From which a great number of people always take pleasure. . .
183:
16:
Toulousain priest, friar, grammarian, poet and troubadour
96:). He was the "last of the troubadours" and represented
104:. He appears in contemporary documents with the titles
577:"Lyric allusions to the crusades and the Holy Land."
233:
with pretty tunes, gay, melodious, and pleasurable,
300:. This reference predates any other by a century.
549:The History of Linguistic and Grammatical Praxis
484:"References to Music in Old Occitan Literature."
235:as they dance and leap around or do their work;
584:"The Lover-Poet and Love as the Most Pleasing
455:"Pres mes talens d'un pech partimen far" with
379:"Cars motz gentils fons e grans mars d'apteza"
326:. In 1341, possibly in Raimon's lifetime, the
161:and it is structurally identical to Guilhem's
619:at the Biblioteca Virtual Miguel de Cervantes
388:"Amors corals me fay deios un cas" (called a
153:follows the grammar put forward later by the
8:
493::2 (May–Aug.), pp. 110–149.
185:Dont tug que may tot jorn prendo plazer. . .
500:. Indianapolis: Indiana University Press.
367:"Al mes d'abril can veyrez nutg los camps"
239:on long days, or when the nights are long,
47:1324–1340) was a fourteenth-century
197:Per los jorns loncz, o can fa longa nueg,
472:"A Sent Marcel d'Albeges, prop de Salaç"
629:
441:"Ab tot mon sen d'amors si pusch faray"
376:"Intrar vuyll en guerrejar si puch tan"
336:Glosari al Doctrinal de Ramon de Cornet
296:he notes that they rapidly pick up the
237:and, frequently, to raise their spirits
189:Dansas, descortz, redondels, viandelas,
187:Verses, chansos, siruentes, pastorelas,
412:"Qui dels escachs vol belamen iogar" (
292:. In describing the profession of the
432:"Pauc homes vey de sen tan freyturos"
406:"Jus en la font de cobeytat se bayna"
373:"Ara·s fos hieu si malautz e cotxatz"
241:they read verses, tales or romances.
34:
7:
435:"Raso ni sens no pot vezer lo moble"
429:"Car vey lo mon de mal pugat al cim"
409:"Totz temps azir falsetatz ez engan"
370:"Le mieus saber ioy deziran se pert"
199:Legen dictatz, gestas o bels romans.
171:is considered the first work of the
681:Medieval writers about the Crusades
288:contains the earliest reference to
100:(the most brilliant spirit) of the
597::4 (Oct.), pp. 820–842.
193:Balan, trescan o lors obran fazen;
14:
645:Zeeman, "The Lover-Poet", p. 826.
617:Cançoner provençal (Cançoner Gil)
572::2 (Nov.), pp. 168–191
195:E motas vetz, per fugir ad enueg,
588:in Medieval French Love Poetry."
515:History of the Language Sciences
438:"Ben es vilas e mals e rustichs"
191:Am bel so gay, melodios, plazen,
671:14th-century French troubadours
249:Raimon strongly supported the
1:
686:Medieval Latin-language poets
676:14th-century writers in Latin
654:Aubrey, "References", p. 119.
414:com deu hom jogar als escachs
498:The Music of the Troubadours
722:
591:The Modern Language Review
582:Zeeman, Nicolette (1988).
531:Cura Curà, Giulio (2005).
496:Aubrey, Elizabeth (1996).
482:Aubrey, Elizabeth (1989).
382:"Cent castels e cent tors"
36:[rajˈmundekuɾˈnet]
353:Works in the Cançoner Gil
253:and bitterly opposed the
147:Peter, Count of Ribagorza
98:l'esprit le plus brillant
575:Paterson, Linda (2003).
513:Auroux, Sylvain (2000).
155:Consistori del Gay Saber
88:, and some treatises on
320:Biblioteca de Catalunya
231:, redondels, viandelas,
551:. Peeters Publishers.
307:, known as troubadour
286:Quar mot orne fan vers
206:
184:
181:
32:Occitan pronunciation:
24:
706:Writers from Toulouse
701:Linguists from France
547:Desmet, Piet (2000).
517:. Walter de Gruyter.
22:
691:Clergy from Toulouse
318:, now MS 146 in the
612:Medieval Sourcebook
263:Philip VI of France
143:Doctrinal de trobar
102:"Toulousain School"
696:Medieval linguists
579:Colston Symposium.
332:Joan de Castellnou
25:
566:Romance Philology
561:
527:
510:
487:Acta Musicologica
261:, and eventually
247:
246:
713:
655:
652:
646:
643:
637:
634:
552:
544:
537:Parola del Testo
518:
501:
273:. He notes that
201:
178:
159:Guilhem Molinier
92:(i.e. practical
38:
33:
28:Raimon de Cornet
721:
720:
716:
715:
714:
712:
711:
710:
661:
660:
659:
658:
653:
649:
644:
640:
635:
631:
626:
604:
530:
479:
355:
349:
243:
240:
238:
236:
234:
232:
223:
209:
203:
198:
196:
194:
192:
190:
188:
186:
120:(brother, also
41:Ramon de Cornet
39:, also spelled
31:
17:
12:
11:
5:
719:
717:
709:
708:
703:
698:
693:
688:
683:
678:
673:
663:
662:
657:
656:
647:
638:
628:
627:
625:
622:
621:
620:
614:
603:
602:External links
600:
599:
598:
580:
573:
562:
545:
528:
511:
494:
478:
475:
474:
473:
469:
468:
464:
463:
452:
451:
443:
442:
439:
436:
433:
430:
426:
425:
418:
417:
410:
407:
403:
402:
394:
393:
386:
383:
380:
377:
374:
371:
368:
364:
363:
354:
351:
284:Raimon's poem
259:Avignon Papacy
245:
244:
204:
15:
13:
10:
9:
6:
4:
3:
2:
718:
707:
704:
702:
699:
697:
694:
692:
689:
687:
684:
682:
679:
677:
674:
672:
669:
668:
666:
651:
648:
642:
639:
633:
630:
623:
618:
615:
613:
609:
606:
605:
601:
596:
592:
589:
587:
581:
578:
574:
571:
567:
563:
559:
558:90-429-0884-X
555:
550:
546:
543:(1): 125–149.
542:
538:
534:
529:
525:
524:3-11-011103-9
521:
516:
512:
508:
507:0-253-21389-4
504:
499:
495:
492:
488:
485:
481:
480:
476:
471:
470:
466:
465:
462:
461:donzel d'Albi
458:
454:
453:
450:
449:
445:
444:
440:
437:
434:
431:
428:
427:
423:
420:
419:
415:
411:
408:
405:
404:
401:
400:
396:
395:
391:
387:
384:
381:
378:
375:
372:
369:
366:
365:
362:
361:
357:
356:
352:
350:
347:
345:
341:
337:
333:
329:
325:
321:
317:
313:
310:
306:
301:
299:
298:bassas dansas
295:
291:
287:
282:
280:
276:
272:
268:
264:
260:
256:
252:
242:
230:
226:
221:
217:
213:
205:
202:
200:
180:
179:
176:
174:
170:
166:
165:
160:
156:
152:
148:
144:
140:
139:
133:
131:
127:
123:
119:
118:
113:
109:
108:
103:
99:
95:
91:
87:
83:
82:
77:
73:
69:
65:
61:
57:
53:
50:
46:
42:
37:
29:
21:
650:
641:
632:
594:
590:
585:
569:
565:
548:
540:
536:
514:
497:
490:
486:
467:Unclassified
460:
457:Arnau Alaman
446:
421:
413:
397:
389:
358:
348:
343:
335:
315:
311:
305:Cançoner Gil
302:
297:
285:
283:
275:missionaries
248:
207:
182:
172:
168:
164:Leys d'Amors
162:
150:
142:
136:
134:
129:
125:
121:
115:
111:
105:
97:
79:
40:
27:
26:
290:basse danse
138:magnum opus
110:(sir, also
94:mathematics
90:computation
74:but two in
665:Categories
477:References
220:pastorelas
81:ensenhamen
68:troubadour
60:grammarian
49:Toulousain
399:Sirventes
344:Doctrinal
324:Barcelona
294:jongleurs
271:Holy Land
251:Crusaders
216:sirventes
173:Gay Saber
169:Doctrinal
151:Doctrinal
135:Raimon's
334:wrote a
279:Saracens
229:descortz
210:verses,
424:(poems)
342:on the
328:Catalan
212:chansos
141:is his
86:grammar
72:Occitan
586:Matere
556:
522:
505:
360:Canços
267:France
255:clergy
225:dansas
149:. The
130:frayre
114:) and
112:mossen
66:, and
52:priest
624:Notes
448:Tenço
390:canso
340:gloss
330:poet
128:, or
117:Frare
84:), a
76:Latin
56:friar
554:ISBN
520:ISBN
503:ISBN
422:Vers
338:, a
126:frai
122:fray
64:poet
610:at
322:in
314:or
157:of
132:).
45:fl.
667::
595:83
593:,
570:49
568:,
539:.
535:.
491:61
489:,
459:,
346:.
312:Sg
309:MS
257:,
227:,
218:,
214:,
124:,
107:En
62:,
58:,
54:,
43:;
560:.
541:9
526:.
509:.
416:)
392:)
316:Z
222:,
30:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
