Knowledge (XXG)

Rain Worthington

Source 📝

619: 42:
magazine, Kyle Gann said "...her music takes ideas of American musical style to a new place - like a walk in a familiar, yet very different park... And isn't afraid to come up with its own startling conclusions." The music journalist Bob Briggs noted, "...she writes music which speaks to the senses,
90:
Tracks 12-15: "Hourglass", "Tangents", "Dark Dreams", "Always Almost" - Although Briggs finds Worthington's contribution to the collection "...best of the bunch..." he says the album is "...far too serious, with no let-up, or gentle light relief from relentless
129:- Writing for MusicWeb-International, Paul Shoemaker states "You'll be glad when its over ..." but relents with "...perhaps it is the rhythmically flat performance here that is mostly at fault." 206:
music journalist, Bob Briggs, noted, "...she writes music which speaks to the senses, is packed with real emotion and, most important of all in contemporary music, really communicates."
710: 705: 690: 656: 117:: "Images", "Summer Nights", "Fastcity", "Crosswinds", "If Only Knowing", "Conversation Before the Rain", "Through Momentum", "Longing", "Sad Laughter" 700: 695: 516:"If Only Knowing: Images, Summer Nights, Fastcity, Crosswinds, If Only Knowing, Conversation Before the Rain, Through Momentum, Longing, Sad Laughter" 720: 715: 685: 43:
is packed with real emotion and, most important of all in contemporary music, really communicates." She has been awarded grants from
725: 56: 344: 649: 64: 462: 540: 414:
YouTube; Jacqueline Leclair, ob; Richard Vrotney, bsn; Theresa Salomon, vln; Liuh-Wen Ting, vla; Ariane Lallemand, vc
642: 565: 490: 60: 580:
You'll be glad when its over ... perhaps it is the rhythmically flat performance here that is mostly at fault.
381: 396:...best of the bunch... ...far too serious, with no let-up, or gentle light relief from relentless greyness. 675: 319: 320:"Moods: Max Lifchitz plays piano music by American women composers: Ziffrin, Bell, Levin, Worthington" 680: 103: 167: 363: 626: 515: 434: 244: 599: 218: 23: 477:...dreamscape of exquisite allure... ...downward chromatic movement, to convey anguish... 35: 669: 52: 44: 31: 352: 63:. Worthington also serves as Artistic Administrator and Composer Advocate for the 145: 123:- Briggs says "...her use of chromaticism to convey anguish, is very effective." 27: 409: 604: 294: 618: 269: 48: 566:"Review: Made in the Americas: Vol 1 set 1 Track 12 Confluences" 463:"Review: Worthington : Shredding Glass and Yet Still Night" 191: 594: 491:"North Moore Street Loft, 2nd Concert: Solo Piano, Parts 1-3" 106:, Briggs notes for its "...dreamscape of exquisite allure..." 368:
WORTHINGTON Hourglass. Tangents. Dark Dreams. Always Almost
110:
North Moore Street Loft, 2nd Concert: Solo Piano, Parts 1-3
382:"Review: Moods – Piano Music by American Women Composers" 630: 83:
There is a complete list at the composer's website.
75:
There is a complete list at the composer's website.
625:This article about a United States composer is a 324:Presto Classical: North/South Recordings: NSR1049 243:Office of the University Chaplain (2015-03-10). 650: 456: 454: 8: 192:"Sponsored Artist Profile: Rain Worthington" 541:"Yet Still Night: A Nocturne for Orchestra" 249:Columbia University in the City of New York 657: 643: 133:Dream Vapors: Selected Works for Orchestra 121:Yet Still Night: A Nocturne for Orchestra 156: 162: 160: 711:21st-century American women musicians 706:20th-century American women musicians 7: 615: 613: 16:American composer of classical music 691:American women classical composers 629:. You can help Knowledge (XXG) by 343:Schulslaper, Robert (2010-09-01). 14: 701:21st-century classical composers 696:20th-century classical composers 617: 539:Rain Worthington (2010-06-04). 489:Rain Worthington (2007-09-07). 433:Rain Worthington (2010-06-01). 408:Rain Worthington (2001-06-01). 1: 721:21st-century women composers 716:20th-century women composers 686:American classical composers 318:Lifchitz, Max (2009-06-30). 219:"Jill Burton, Edward Rollin" 135:Navona Records NV6025 (2016) 605:Official SoundCloud channel 564:Paul Shoemaker (May 2009). 461:Bob Briggs (October 2010). 22:is an American composer of 742: 612: 26:. Her influences include 600:Official YouTube channel 172:New York Women Composers 65:New York Women Composers 61:American Composers Forum 726:American composer stubs 380:Bob Briggs (May 2010). 570:MusicWeb-international 467:MusicWeb-International 386:MusicWeb-International 53:American Music Center 104:September 11 attacks 102:- A response to the 79:Selected discography 299:rainworthington.com 274:rainworthington.com 514:Rain Worthington. 410:"Resisting Reason" 293:Rain Worthington. 268:Rain Worthington. 168:"Rain Worthington" 638: 637: 595:Official web site 435:"Shredding Glass" 364:HighBeam Research 245:"Recent Concerts" 45:Meet The Composer 733: 659: 652: 645: 621: 614: 583: 582: 577: 576: 561: 555: 554: 552: 551: 536: 530: 529: 527: 526: 511: 505: 504: 502: 501: 486: 480: 479: 474: 473: 458: 449: 448: 446: 445: 430: 424: 423: 421: 420: 405: 399: 398: 393: 392: 377: 371: 370: 361: 360: 351:. Archived from 349:Fanfare magazine 340: 334: 333: 331: 330: 315: 309: 308: 306: 305: 290: 284: 283: 281: 280: 265: 259: 258: 256: 255: 240: 234: 233: 231: 230: 215: 209: 208: 203: 202: 188: 182: 181: 179: 178: 164: 95:Resisting reason 20:Rain Worthington 741: 740: 736: 735: 734: 732: 731: 730: 666: 665: 664: 663: 610: 591: 586: 574: 572: 563: 562: 558: 549: 547: 538: 537: 533: 524: 522: 513: 512: 508: 499: 497: 488: 487: 483: 471: 469: 460: 459: 452: 443: 441: 432: 431: 427: 418: 416: 407: 406: 402: 390: 388: 379: 378: 374: 358: 356: 342: 341: 337: 328: 326: 317: 316: 312: 303: 301: 292: 291: 287: 278: 276: 267: 266: 262: 253: 251: 242: 241: 237: 228: 226: 217: 216: 212: 200: 198: 190: 189: 185: 176: 174: 166: 165: 158: 154: 142: 115:If Only Knowing 100:Shredding glass 81: 73: 24:classical music 17: 12: 11: 5: 739: 737: 729: 728: 723: 718: 713: 708: 703: 698: 693: 688: 683: 678: 668: 667: 662: 661: 654: 647: 639: 636: 635: 622: 608: 607: 602: 597: 590: 589:External links 587: 585: 584: 556: 531: 506: 481: 450: 425: 400: 372: 335: 310: 285: 260: 235: 210: 183: 155: 153: 150: 149: 148: 141: 138: 137: 136: 130: 124: 118: 112: 107: 97: 92: 80: 77: 72: 69: 15: 13: 10: 9: 6: 4: 3: 2: 738: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 692: 689: 687: 684: 682: 679: 677: 676:Living people 674: 673: 671: 660: 655: 653: 648: 646: 641: 640: 634: 632: 628: 623: 620: 616: 611: 606: 603: 601: 598: 596: 593: 592: 588: 581: 571: 567: 560: 557: 546: 542: 535: 532: 521: 517: 510: 507: 496: 492: 485: 482: 478: 468: 464: 457: 455: 451: 440: 436: 429: 426: 415: 411: 404: 401: 397: 387: 383: 376: 373: 369: 365: 355:on 2018-11-20 354: 350: 346: 339: 336: 325: 321: 314: 311: 300: 296: 295:"Discography" 289: 286: 275: 271: 264: 261: 250: 246: 239: 236: 224: 220: 214: 211: 207: 197: 193: 187: 184: 173: 169: 163: 161: 157: 151: 147: 144: 143: 139: 134: 131: 128: 125: 122: 119: 116: 113: 111: 108: 105: 101: 98: 96: 93: 89: 86: 85: 84: 78: 76: 70: 68: 66: 62: 58: 54: 50: 46: 41: 40:Chamber Music 38:. Writing in 37: 33: 29: 25: 21: 631:expanding it 624: 609: 579: 573:. Retrieved 569: 559: 548:. Retrieved 544: 534: 523:. Retrieved 519: 509: 498:. Retrieved 494: 484: 476: 470:. Retrieved 466: 442:. Retrieved 438: 428: 417:. Retrieved 413: 403: 395: 389:. Retrieved 385: 375: 367: 362:– via 357:. Retrieved 353:the original 348: 338: 327:. Retrieved 323: 313: 302:. Retrieved 298: 288: 277:. Retrieved 273: 263: 252:. Retrieved 248: 238: 227:. Retrieved 225:. 1986-03-16 222: 213: 205: 199:. Retrieved 195: 186: 175:. Retrieved 171: 132: 126: 120: 114: 109: 99: 94: 87: 82: 74: 71:Compositions 39: 19: 18: 681:1949 births 146:Jill Burton 127:Confluences 36:romanticism 28:world music 670:Categories 575:2015-04-07 550:2015-03-26 525:2015-03-26 500:2015-03-26 472:2015-04-07 444:2015-03-26 419:2015-04-06 391:2015-04-07 359:2015-04-02 329:2015-03-27 304:2015-04-06 279:2015-04-06 254:2015-03-26 229:2015-03-26 201:2015-04-06 177:2015-03-26 152:References 91:greyness." 59:, and the 32:minimalism 196:The Field 545:AllMusic 520:AllMusic 495:AllMusic 439:AllMusic 223:Roulette 140:See also 345:"Moods" 270:"Music" 51:, the 34:, and 88:Moods 49:ASCAP 627:stub 57:NYFA 672:: 578:. 568:. 543:. 518:. 493:. 475:. 465:. 453:^ 437:. 412:. 394:. 384:. 366:. 347:. 322:. 297:. 272:. 247:. 221:. 204:. 194:. 170:. 159:^ 67:. 55:, 47:, 30:, 658:e 651:t 644:v 633:. 553:. 528:. 503:. 447:. 422:. 332:. 307:. 282:. 257:. 232:. 180:.

Index

classical music
world music
minimalism
romanticism
Meet The Composer
ASCAP
American Music Center
NYFA
American Composers Forum
New York Women Composers
September 11 attacks
Jill Burton


"Rain Worthington"
"Sponsored Artist Profile: Rain Worthington"
"Jill Burton, Edward Rollin"
"Recent Concerts"
"Music"
"Discography"
"Moods: Max Lifchitz plays piano music by American women composers: Ziffrin, Bell, Levin, Worthington"
"Moods"
the original
HighBeam Research
"Review: Moods – Piano Music by American Women Composers"
"Resisting Reason"
"Shredding Glass"


"Review: Worthington : Shredding Glass and Yet Still Night"

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.