Ichikawa Raizō VIII - Knowledge (XXG)

1225: 458:, leaving her behind at his family's home. She was persecuted by his family and attempted to reach out to him for help but was ignored. When she could no longer bear it she fled to her own family's home, where Raizō was born. The relationship between her and her husband having deteriorated, Raizo's mother intended to raise him on her own. At this point she received repeated petitions from her husband's brother-in-law, Ichikawa Kudanji III, to allow him to raise the child. She initially refused these offers, but ultimately relented, and Raizō was officially adopted by Kudanji at the age of six months. Raizō was not aware of his adoption until he was 16 years old, and he did not meet his mother in person until he was 30. 622:, a name with deep roots in the Ichikawa house stretching back to the 1600s, but the chief cabinet secretary of the Ichikawa house, Ichikawa En'ō II, viciously fought against this wish, stating "We can't bestow a name with such deep family ties to some unknown performer from an unknown line." After long negotiations they finally settled on the name "Ichikawa Raizō." The adoption was finalized in April 1951, and the ceremony for the succession of the "Ichikawa Raizo" name was carried out in June of the same year. According to the film director Kazuo Ikehiro, around this time rumors began to circulate that Ichikawa Jukai III was actually Raizō's biological father. 1163:, the director with whom Raizō produced the greatest number of films, said that Raizo carried “a human pain of which he didn’t speak to anyone” which he sublimated into each of his performances. In an interview between Mori and the film critic Sadao Yamane, the two agreed that Raizō had a “refreshing sorrow” about him. Yamane explained this further, saying “while it’s true that he played a great many tragic roles, it wasn’t simply with a dark depression or gloom; he had a very crisp presentation. There wasn’t a single other actor who was equipped with both this sorrow and this cool crispness the way that Raizō was.” 909:, rather than director, as he would then be able to make decisions about subject matter, scripts, and casting in addition to direction. In January 1968, Raizō said “I want to assemble a new dramatic production, the likes of which has never been seen before,” and began the process of establishing a new theater company called “Teatoro Kaburaya” at which he would take a producer role, but as soon as it was founded he fell ill and the company never began operations. According to Seiji Hoshikawa, director of 14 of Raizō's films, Raizō said to Hoshikawa and 1201:

makeup Raizō's usual appearance would become completely different and beautiful. “Makeup would change him so suddenly, to the point where you’d say ‘woah! Who’s this?’” he said. Tokuō Tanaka said, “this guy, with his disarming warmth and aura of purity; as soon as work began he’d transform into an actor, he’d stiffen his shoulders and become immediately commanding, steadfast, dignified and strikingly good-looking. For someone like me who knew his usual face, it was so surprising that it made my eyes pop open.”

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other stars of the time, his fanbase had the rare characteristic of having many intelligent and educated female fans. “You didn’t see the type that only squealed and caused a big fuss,” he said. The “Ichikawa Raizo Film Festival,” in which a selection of his films are shown, became an annual event, held each year on the anniversary of his death, July 17. From December 2009 until May 2011 an especially large event was held and his performances were screened to commemorate the 40th anniversary of his passing.

1216:), said of Raizō's transformation that he normally looked like a company man, but “when he appeared on the screen he’d have undergone a complete change; and in the midst of all the light was this youthful star, fighting against emptiness and loneliness.” Inoue said that the reason that so many of Raizō's movie posters feature an image of him from behind with his head turned to face the camera was because many directors felt that this view of him best showed off his "intriguing emptiness". 1345:, a Japanese word meaning “to fuss about, to harp on.” However, once he was satisfied in his understanding, he never complained or grumbled, and once filming began he would stop making these sorts of suggestions altogether. On the other hand, Katsu would go through the entire pre-production phase without saying a word, but start making suggestions and impromptu changes as soon as filming began which was a frequent source of trouble for the staff of his films. 516: 499:, which can be translated as "exhaustive meeting," and together they focused diligently on training. However, there was one obstacle that this training could not overcome: Kudanji had been the son of a member of a minor politician in Kyoto rather than a kabuki actor, and had only been apprenticed (to an actor known as Ichikawa Sadanji II) because of Kudanji's own strong desire to enter the world of kabuki. Thus Kudanji was forever labeled as a 954:(released February 12, 1969), but his physical strength was rapidly dwindling, and they had to resort to a body double with voice-over for all of his scenes involving walking and movement. In February 1969, complaining of physical unwellness, Raizō was admitted to the hospital once again. After his second surgery Raizō was so weak that he couldn't swallow soup, but he deeply wished to play the role of a naval officer in the film 837:

complicated childhood had caused something like a base part of his heart to emerge, merging with and adding depth to his performance. Kazuo Ikehiro said that precisely because of this "hidden part of his childhood," or "base part of his heart," that Raizō was perfectly equipped for the performance. Once, when a member of the Daiei planning department named Hisakazu Tsuji mused aloud that he felt as though his performance in

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makeup plan. In particular, Raizō's original designs could be seen in the makeup around his eyes and eyebrows. Furthermore, Raizō carried out the most important points of his makeup application himself, and wouldn't allow anyone to see him while doing it. Inoue theorizes that the application of makeup was a crucial part of his process for immersing himself in a role, and thus he didn't want to be observed while doing so.

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that Raizō was incredibly friendly and helpful with the staff, often inviting people to his home for dinner and other such activities. According to Seiji Hoshikawa, Raizō didn’t much like “glitzy and neon-decked or famous restaurants,” but instead “would nearly always eat regular restaurants, without any regards to social standing,” where he would “happily argue and discuss life and films.”

1006: 3357: 933:, but the diagnosis was not made known to Raizō. On August 10, Raizō underwent surgery and was released from the hospital, but his family received a prognosis from his doctor stating that Raizō would “relapse in about half a year.” Raizō had possessed a weak digestive system from birth, and had previously visited a doctor for the same symptoms in January 1961, after filming 3343: 975:

death Raizō's face was wrapped in two layers of white cloth, which remained in place even as he was cremated. According to Masako, Raizō had said only “I don’t want anyone to see how dreadfully thin I've become,” and because of that wish she had not allowed anyone aside from his adopted father, Jukai, and his company president, Nagata, to see his face after his death.

673:, in which he played Yasuie Togashi. On that occasion Raizō said, "In Kabuki you're no good unless you're old. In film you're no good once you're old. While I'm still young I'll make a living in film, once I've gotten older I'll try kabuki again." Once he had decided to pursue a film career, Raizō began to frequent the movie theater to study the performances of 890:

face. Not with a sword, with his face,” he reminisced, “Rai-chan didn’t become Kyoshirō through his fight scenes or the delivery of his lines, he did it through his face; that’s my opinion, anyway.” Kazuo Ikehiro said, “without speaking, without any kind of facial expression, simply by the way he walked around as though he were carrying his past on his back”

993:?” – Tsurata being an actor well known for performing in such films – but Masayoshi Tsuchiya convinced him, saying “I’ll make sure you get the next role you want to play.” The following year Tsuchiya expressed deep regret that this role which Raizō had not wanted to play had become his last. In 1971, two years after Raizō's death, Daiei Studios filed for 1360:, in all of them.” Akinari Suzuki has made similar statements regarding the two actors. Tomomi Muramatsu, said that Katsu was the kind of actor where “no matter what he does, it always ends up in the vein of Shintarō Katsu,” but that Raizō, even though he was established as a mainstream Japanese film star in the ranks of Kazuo Hasegawa and 633:, Raizō often advised those around him to consider changing their names, and it's said that some 20 to 30 people related to the film studio did so upon Raizō's recommendation. In fact, Masako Nagata, the woman Raizō would eventually marry, was originally named Kyōko, and changed her given name after Raizō suggested she do so. 1189:, also attempted to change careers from kabuki to film, but failed to find success and returned to the kabuki stage. When asked his thoughts on this, Akinari Suzuki said that he felt that Raizō had found success in film because he was not steeped in kabuki in his young childhood, and thus avoided being totally stained by it. 1252:

player, and for a time was known as Kineya Katsumaru II. Both Raizō and Katsu signed on with Daiei in 1954, and joined the company in the same term. Both born in 1931, having made a hurried transition from kabuki to the new world of film, there were many similar circumstances about the pair of young

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It has been said that in the time before his death, Raizō deliriously entreated that nobody be allowed to see his face when he died. His wife, Masako Ōta, staunchly denies these claims, stating “Raizō never gave up on recovery, even until the end; he never even wrote a will.” Nevertheless, after his

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films, saying "When he was playing Kyoshirō he had a real animal magnetism about him, didn't he. Maybe you could say it came from this sense of the shadow of death hanging over him. It really is the face people make when they die, that expression." “When he’d walk by, Rai-chan would cut you with his

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Raizō had weak legs, and would often become faint when standing or walking. Masayoshi Tsuchida, then head of Daiei's planning department, said that it must have been an incredible adventure to play "Kiyomori, the youth who pierced the heavens" for the physically frail Raizō. Raizō was self-conscious

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kabuki scene during and after the Second World War. By the time he met Raizō in 1950, Jukai had become the president of the Kansai Kabuki Actors Guild, a position of great influence. Furthermore, the name "Jukai" had been bestowed upon Ichikawa Jukai III by both of the actors who had used it before:

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According to Arashi Ichikawa, Raizō’s essence was “hardness divided by simplicity,” and in stark contrast to other stars when playing their popular characters, Raizō's unmade-up simplicity “would transform completely with makeup,” he said of this peculiar quirk. According to Akira Inoue, when given

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Raizō married Masako Nagata, daughter of Masaichi Nagata, in a private wedding ceremony in 1962. She took his name, becoming Masako Ōta, and they had three children together. Raizō had told Masako “I never want in the public eye,” when he was alive, and she continued to uphold his wishes after his

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was scouting for young, talented kabuki performers to join his traditionalist troupe, Tetsuji Kabuki. The members of the Tsukushikai participated in this troupe and thus made the acquaintance of Tetsuji. Tetsuji thought very highly of Raizō's acting talents, but realized that so long as he remained

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According to Kazuo Ikehiro, even when working with someone he didn’t like, Katsu could “usually manage to get along,” but “when disliked someone, he disliked them completely” to the point where there had been cases when he had said “I don’t even want to see your face” directly to someone. Ikehiro

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According to Inoue, at the time of his debut, Raizō, along with Shintarō Katsu and Takeshi Hanayagi, received makeup instruction from the star Kazuo Hasegawa. The other two actors applied their makeup exactly as told, but Raizō alone had a number of points where he made personal alterations to the

698:). While Raizō had been held back in the world of kabuki by the circumstances of his parentage, he was treated with great respect in the world of film, as the son of Ichikawa Jukai III, president of the Kanto Kabuki Guild. Daiei's management intended to position Raizō as a successor to the popular 649:

Regarding his transition to film acting, Raizō maintained that he did it simply because it seemed like a good opportunity and he wanted to try it out. Rikiya Tayama has said that the real reason was that Raizō, dissatisfied with the treatment he received over the years, was extremely upset when he

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Speaking of their interactions with other film staff Yoshinobu Nishioka, who worked as a production designer on many of Daiei’s films, said that Katsu was the sort to go out drinking with other actors, while Raizō would often socialize with the production staff. Tokuzō Tanaka corroborates, saying

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As previously mentioned, Daiei's management intended from the start to position Raizō as a successor to the star Kazuo Hasegawa, and it “proceeded smoothly along the tracks.” Tokuzō Tanaka shared the opinion that Katsu, who was the first of the two to make his debut, was “like a second helping of

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In May 1949, a little over two years after his first performance, Raizō formed a study group with two other young kabuki performers. These were Rishō Arashi (known later in his kabuki career as Arashi Kichisaburō VIII, and as Yatarō Kitagami in his acting career) and Nakamura Taro II. They called

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rice.” When the two appeared on movie posters and in films together under this slogan, they were often made to appear in contrast to one another in their appearance and style, and it was widely believed that there was a strong rivalry between them. However, their usage of friendly nicknames like

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In 1974, five years after Raizō's death, a fan club called “Raizō-kai” was formed. This fan club is still functioning as of this writing in 2012. According to Masaki Matsubara, once president of Daiei Kyoto Studios, Raizō's fans were drawn in by his acting and his humanity, and thus, unlike many

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indicated that for Raizo, who had “worriedly spent his days in the world of kabuki, which is so dominated by lineage and ceremony, without ever receiving a large role,” and Katsu, whose father had been involved in the backstage world of kabuki, shared “the same complex, this large problem to be

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said of Raizō's acting, “even when he’s here, he’s not here,” and clarified, “even in this filthy world, there was a sense of purity about him, as though he were a glimpse into a faraway place.” “Some people might take my saying ‘sense of purity’ as some sort of posturing phrase, but it's not.”

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should not be given such a large role in his second film with the studio, but he was ultimately given the part, stating "we need to give the young actor Ichikawa Raizō a chance if we want to make him into a success." Raizō rose to the occasion and gave an excellent performance. Ichikawa praised

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reflected his childhood. Ichikawa said, "He's expressing something of his true self through his performance," and "He's overcome something through his acting ... some sort of burden he had been carrying; and his indescribable life can be seen in his expression." Tokuzō Tanaka said that Raizō's

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published an article titled “Film Stars of the 20th Century: Male Actors.” Raizō placed 6th. In the same issue's “Readers’ Choice: Male Film Stars of the 20th Century" he was ranked 7th. In the 2014 list of “All Time Best Japanese Film Stars” he was ranked 3rd in the list of male actors.

898:, said that there were other actors who played Kyoshirō, but none of them could compare to Raizō when it came to portraying Kyoshirō's soul. Raizō went on to hold the starring role in 12 films in the series, which represents a majority of the starring roles for which Raizō was cast. 641:

Raizō became Jukai's adopted son in 1951, but Jukai believed that the 20-year-old Raizō was still too young to take on major roles and adopted a policy of only giving him minor roles for the time being. As a result of this Raizō decided to pursue a film career in 1954 and joined the

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Kazuo Ikehiro said that Raizō's childhood cast a “shadow of heartlessness” over him, and because of that a “shadowed part” and a “true background part" of his life were exposed. Moreover, they were not merely exposed, but thrust forward willfully, in Ikehiro's estimation.

1281:, released in 1960, was particularly terrible, despite Katsu's highly acclaimed performance, to the point that Tanaka received complaints from movie theater owners about his constant use of Katsu in his films. Reflecting on the state of things in 1959, Katsu said “The 3381:

On the experience of becoming a kabuki actor, Raizō himself said that as he was on the verge of quitting junior high school and simply spending his time about the house instead, he got something of an interest in the world of kabuki and somehow ended up as a kabuki

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as a substitute in order to begin filming. After learning of the recast by reading it in the newspaper, Raizō never again spoke about work. He died several months later, on July 17, of liver cancer, at the age of 37. His funeral was held on July 23, at the

503:– someone born and raised outside of the kabuki world and its "lineage" and later apprenticed into it – and doomed never to exceed a supporting role. That being the case, no matter how hard Raizō trained, he was unlikely to gain noteworthy roles as a 1146:

said of Raizō's manners, “Regardless of to whom he was speaking, he was always polite and proper, without arrogance or effusive emotion,” and that shone through in his acting style. According to Yahiro, “Even among the great number of

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speaking largely favorably of Raizō, “his lower body always feels somewhat undetermined, but despite that his movement is quite real enough;” but he had to declare Katsu the superior of the two, saying “Katchan is just unbelievably

743:. Kazuo Ikehiro, who directed another 16 of Raizō's films, said that until that point it had seemed that Raizō was simply imitating Kazuo Hasegawa, but bit by bit his innate acting talent had begun to shine through. The film critic 611:

traditionally used by the head of the Ichikawa line. With the help of some mutual friends, Tetsuji was successful in his efforts and Jukai agreed to officially adopt Raizō. At this point Jukai wished to give Raizō the name Ichikawa

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in an attempt to train and strengthen them, but it was no use. Whenever photos were taken of Raizō, the photography staff took special precautions to frame the shot in such a way as to avoid showing Raizō's weak legs. According to

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series that Katsu became widely discussed and surpassed Raizō in earnings. Akinari Suzuki said of Katsu, “It wasn’t until after shooting 70 or 80 films without a single real hit, that he finally became of use with the release of

470:. Kudanji did not train him as a kabuki actor during his childhood, but in 1946, when he was in his third and final year at Osaka Prefectural Tennoji High School, Raizō elected to withdraw from school to pursue an acting career. 1257:

Hasegawa” when he played an attractive young man in his white-faced film makeup; but as the director and supporting cast could hardly be described as first-rate, it was a long time before Katsu managed to become a real success.

939:. At that time he had been told simply that “there is a wound in the rectum” when examined. There's also a record of him confiding to Tetsuji Takechi, “I’m tormented by diarrhea,” in 1964, at the occasion of his performance of 819:

was originally intended for the role, but Ichikawa argued against this selection based on an instinctive feeling that Raizō was the right choice for the role and ultimately succeeded in convincing the studio president,

755:, as though following in the footsteps of Kazuo Hasegawa" but that now he "has come to be a distinguished actor worthy of high praise, giving fresh performances in elegant dramas, rather than only performing in 1029:

In a 2014 blog post, Ichikawa Ebizō XI implied that the honorific name Ichikawa Raizō was under his care, and thus it can be seen as having been returned to the Ichikawa house and line following Raizō's death.

567:. Jukai had been the son of a kimono-maker and thus had had no connection to the world of kabuki through his lineage, but despite this, through great effort on his part, Jukai had become quite renowned in the 786:, director of 18 of Raizō's films, Raizō deeply loathed the physical frailty of his body, but when he finally managed to overcome that loathing and accept himself he became capable of incredible composure. 1314:“Rai-chan” and “Katchan” for each other indicates that their relationship certainly wasn't bad, and in fact might even have been quite friendly. In fact, Raizō had a close friendship with Katsu's wife, 1309:

Eventually the pair became treated as a unit, with the name “KATSURAISU,” taking Katsu's surname and the first half of Raizō's given name to create a name which happened to sound like the food dish “

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Award, both for the category of Best Performance by an Actor in a Leading Role. Among his fans he was referred to lovingly as "Rai-sama." In June 1968 he was diagnosed with and underwent surgery for

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known as Kudanji's son he would never be able to truly shine in the world of kabuki and his talent would be wasted. To that end Tetsuji formed a plan to have Raizō take the name of Nakamura Jakuemon

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Raizō usually looked plain, not eye-catching, but when his makeup was applied for a film shoot he would completely transform. Many people in the film industry spoke about this particular quirk.

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Raizō, as written above, was the son of Ichikawa Kudanji III, a supporting actor by trade, and for a time was known as Ichikawa Enzō II. Shintarō Katsu was the son of Kineya Katsutōji, a

1224: 877:, even Raizō himself said that "the characteristic 'hollowness' of Kyoshirō simply didn't come out at all" and deemed the film a failure. It wasn't until the fourth film, 663:

period dramas – and accepted it, leaving the kabuki world for film. From that time forwards, Raizō only performed in a single kabuki play: the January 1964 production of

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in June 1954, and thus decided to leave the world of kabuki for good. Fortuitously he received an offer from Daiei Films who intended to position him as a star in their

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or in modern dramas, “whether the most miserable role or the most comedic, he acted with elegance and lent sophistication and grace to the final product.” Film critic

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series, the films made under different directors are said to have a different flavor to them. On the other hand he said when speaking of Katsu, “When it comes to

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According to Akira Inoue, Raizō was quite capable of working together with the methodologies of various directors when acting. For example, even within the same

559:. In December 1950, Ichikawa Jukai III attended a meeting of the Tsukushikai in an observational capacity. He was highly impressed by Raizō's performance as 432:

According to the film critic Rikiya Tayama, the details of his adoption are as follows: While Raizō's mother was pregnant, Raizō's father was transferred to

629:. This name was chosen by Raizō himself, as he was weary of being judged by his current family name. According to Akinari Suzuki, the studio president of 5918: 3477:

While the stage names of all kabuki actors have retained traditional order (Surname-Givenname) on Knowledge (XXG), birth names of those born after the

769:, Raizō performed in over 10 films released in the period of a single year. He worked tirelessly, giving up holidays and weekends to continue filming. 5450: 3450:

Raizō, who had been pining after a role in Kōyahijiri, said to Tetsuji Takechi, “thanks to this, I’ll be stuck as a supporting actor for all time.”（

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was a child, there was a plan to have him adopted by Ichikawa Jukai III. Ei refused, saying he didn't want to become a kabuki actor." (「編集手帳」(

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According to Kazuo Ikehiro, as Raizō's experience as an actor accumulated he began to desire to take a larger role in film creation through

929:, Raizō visited a doctor because of bloody stool, and was soon admitted to the hospital. The results of his examinations clearly indicated 5418:) <Rekishi Dokuhon spechial printing, 1994>, Shinjin Butsuō Raisha. Commemorative publishing 25 years after Ichikawa Raizō's death. 1287:

was totally different,” referring to the document listing sumo wrestlers’ ranks before a tournament. “We already knew that Raizō was an

5168:) Ichikawa Raizō, Asuka Shinsha, 1995; Asahi Bunko 2003. Preface Yukio Mishima, foreword by Ōta Kōki (son), afterword by Hiroaki Fujii. 5913: 1957: 869:

in the west, are considered to be the representative work of Raizō's later years. According to Tokuzō Tanaka, playing the part of the

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Raizō was known for constantly offering all manner of suggestions during the pre-production process, and thus acquired the nickname “

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at about the same time, said of their personalities that Raizō was very diligent and serious, while describing Katsu as desperate.

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pro-yakuza films – produced by Toei Studios. Raizō was reluctant to participate, saying “Should I just reheat the scraps left by

2170: 1306:” meaning that Raizō could be considered to be among the very highest regarded stars, while Katsu was still a relative unknown. 5893: 1603: 1045:

was published in 2009, featuring a memoir by Masako Ōta titled “A love letter to my husband, Ichikawa Raizo, 40 years later.”

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actors, nobody else had his good manners – and I mean that in a good way – not a single other actor felt like a true

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solved,” and that they were both equipped with “a similar factor which served as a sort of energy source” for them.

401:). He was so admired for his gracefulness that in his lifetime he was called "the genius who thinks with his body." 2610: 2250: 1557: 1442: 1041: 573: 5908: 2694: 816: 5730: 2777: 1182: 577: 3441:, would someday take the name “Ichikawa Danjurō X,” but he fell ill and died young, so this never came to pass. 3218: 3174: 1364:, would always be very flexible and receptive to direction, which was highly unusual for the stars of that era. 5772: 3158: 3120: 881:, that Raizō succeeded in bringing the hollowness, dandyism and nihilism of the character to life. The actor 473:

In November 1946, at the age of 15, Raizō made his kabuki debut at the Osaka Kabukiza theater under the name

2962: 2433: 2356: 824:, to cast Raizō instead. There was some resistance within the studio, as it was felt that a newcomer with a 4499: 3690: 2733: 5888: 4766: 4738: 4656: 4386: 4254: 4054: 3653: 3558: 3530: 3451: 3438: 3387: 3209: 3196: 2846: 2832: 519:

Commemorative photo of Ichikawa Raizō VIII on the day of his adoption by Ichikawa Jukai III in April, 1951

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In 1949, in the same period that Raizō was establishing the Tsukushikai, a kabuki theater director named

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After that, it is known that Tetsuji intended to apprentice Raizō under the childless Ichikawa Jukai III

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said that Raizō was particularly bothered by people who took their jobs lightly and did sloppy work.

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Raizō's acting, saying "I give it a perfect score, 100 of 100. There's simply nothing else to say."

477:(Kudanji had previously used the name Ichikawa Enzō II). His first role was the part of Lady Ohana ( 5790: 5604: 5592: 2814: 2708: 2216: 1657: 1511: 997:. Seiji Hoshikawa reflected on this, saying “Raizō’s death was a precursor to Daiei’s bankruptcy.” 778: 704: 3328: 2676: 5544: 3424:, representative of the Ichikawa line, as an alternative to his usual kamon as his acting symbol. 2953: 2745: 2587: 1488: 1121:

November 1968: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (

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for best performer in a leading role, among others. Raizō's position as a star had been secured.

853: 674: 560: 308: 301:. In 1954 he began a career as a film actor. He received breakout acclaim for his performance in 4523: 2898: 2763: 1099:

November 1964: Tokyo Citizens’ Film Festival – Best Performance by an Actor in a Leading Role (

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In 1934, about two years after his adoption by Ichikawa Kudanji III, Raizō moved from Kyoto to

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made officership unattainable, and he ended up abandoning hope of becoming a doctor as well.（

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In 1955, two years after his film debut, Raizō received great attention for his portrayal of

5856: 5622: 5496: 4559: 3313: 3294: 3099: 2997: 2909: 2239: 2123: 1465: 1326: 914: 380: 30:"Raizo Ichikawa" and "Ichikawa Raizō" redirect here. For other actors by the same name, see 5766: 5748: 5688: 5676: 5670: 5640: 5598: 5550: 5538: 5520: 3053: 2507: 2333: 2134: 1716: 1174: 1152: 873:, Kyoshirō, was an extreme challenge for Raizō. Speaking of the first film in the series, 821: 730: 524: 433: 4581: 990: 5802: 5706: 5664: 5610: 5574: 5568: 5556: 5532: 5490: 3734: 2477: 2193: 2086: 2007: 1860: 1580: 1534: 1315: 1233: 882: 757: 714: 699: 670: 652: 5872: 5844: 5826: 5724: 5658: 5508: 1319: 968: 906: 902: 812: 568: 375: 357: 316: 38: 3760: 5832: 5754: 5712: 5700: 5694: 5634: 5580: 5442: 3348: 1910: 1368: 1088: 1075:

February 1959: Blue Ribbon Award – Best Performance by an Actor in a Leading Role,

910: 849: 795: 783: 682: 608: 361: 312: 5307:) Masaru Muro'oka (interviewer, layout), Tokuma Shoten Publishing Co., Ltd., 1993. 665: 650:

was cast as an idiot without a single line in the Osaka Kabukiza's performance of

4477: 5742: 5718: 5646: 5562: 5484: 3682: 3362: 3184: 1229: 1143: 984: 870: 1005: 425:. At six months of age he was adopted by Ichikawa Kudanji III, who renamed him 5796: 5682: 5502: 4547: 3338: 3285: 2285: 1166: 1160: 994: 825: 744: 643: 630: 370: 17: 5820: 5808: 5616: 5586: 5437: 5129: 658: 324: 4438: 4238: 3610: 1262: 921:

The final years and premature death at age 37 (June 1968 – July 17th, 1969)

815:. The film was released on August 19 of that year. According to Ichikawa, 625:

Upon his second adoption Raizō's legal name was changed again as well, to

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ward of Kyoto on August 29, 1931. At the time of his birth, he was named

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Tokuzō Tanaka, who directed films with both actors, compared their

319:, but it metastasized to his liver and he died the following year. 1223: 1128:

November 1969: Tokyo Citizens’ Film Festival – Makino Shōzō Prize

514: 467: 257:. He made his kabuki acting debut at the age of 15 under the name 236: 172: 109: 91: 702:, and gave Raizō the starring role in his fifth and sixth films, 4050: 4048: 774: 165: 5446: 5182:) Tomomi Muramatsu, Kawade Shobo Shinsha Publishers inc, 2009. 747:

wrote that until now Raizō had "portrayed only handsome young

307:

and received several awards for the performance including the

5196:) Tomomi Muramatsu, Shueisha Inc, 2002; Shueisha Bunko, 2006. 1260:

It wasn't until the 1960s and the release and success of the

5377:) Victor Books, JVCKENWOOD Victor Entertainment Corp., 1992 5321:) Sadao Yamane (ed), AsahiGraph, 1994; Wides Publishin 1999. 5210:) Yoshiko Ishikawa (ed), San-ichi Publishing Co., Ltd, 1995. 1318:, from childhood, as her father, Nakamura Kanjirō II, was a 5363:) Sunday Mainichi, The Mainichi Newspapers Co., Ltd., 1990. 194:, and his name was legally changed several times, first to 3411:

Takechi Kabuki’s first production opened in December 1949.

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death until 40 years had passed, when a special issue of

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After leaving the hospital, Raizo performed in the films

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Fujio Morita, who served as cinematographer on Raizō’s

5252:) Wides Publishing, 1999. Annotations: Tadanori Yokoo 4405:("'Bungeishunjū'" May 2009 special issue, p. 362-363.） 1403:

The filmography of Ichikawa Raizō includes 158 films:

1009:

Raizō and Jukai's names can be seen inscribed on this

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series of films, which began in 1963 and are known as

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reflected Raizō's childhood, Raizō did not refute it.

580:; and he had even been granted usage of the "Naritaya" 511:

Adoption by Ichikawa Jūkai III (June 1949 – June 1951)

3386:, pp. 16-18）but in fact he had attempted to join the 3145:

film series include 12 films starring Raizo Ichikawa

1277:.” According to Tokuzō Tanaka, audience reception to 1013:

which is located at the Yasaka Shrine in Gion, Kyoto.

507:

performer as long as he remained the son of Kudanji.

4928: 4926: 5224:) Yoshiko Ishikawa (ed), Kokushokankokai Inc, 2008. 3853: 3851: 669:directed by Tetsuji Takechi at the newly completed 136: 124: 116: 98: 73: 54: 5375:Ichikawa Raizō RAIZO Hizō Kessaku Suchiiru Sunappu 4647:("'Bungeishunjū'" May 2009 special issue, p. 354.） 4623:("'Bungeishunjū'" May 2009 special issue, p. 358.） 4611:("'Bungeishunjū'" May 2009 special issue, p. 357.） 4365:("'Bungeishunjū'" May 2009 special issue, p. 362.） 3823: 3821: 1322:-based kabuki actor like Raizō's adopted fathers. 1114:– Best Performance by an Actor in a Leading Role ( 1068:– Best Performance by an Actor in a Leading Role ( 5236:Ichikawa Raizō Shutsuen Eaiga Sakuhin Posutaa-shū 688:Raizō made his film debut on August 25, 1954, in 322:Ichikawa Raizō appeared mostly in period dramas ( 239:he became the adopted son of Ichikawa Kudanji III 2562:, lit. "Nichiren and the Great Mongol Invasion") 1995:Tsukigata Hanpeita: Hana no maki; Arashi no maki 1000: 5238:) Munenaga Awata (ed), Wides Publishing, 1999. 2933: 2921: 2896: 2871: 2844: 2812: 2800: 2775: 2743: 2731: 2706: 2674: 2664: 2632: 2622: 2599: 2567: 2555: 2532: 2505: 2475: 2463: 2431: 2412: 2402: 2377: 2354: 2331: 2308: 2283: 2262: 2237: 2214: 2191: 2168: 2147: 2121: 2098: 2073: 2048: 2019: 1992: 1969: 1948:Zenigata Heiji Torimono no Hikae: Hitohada Gumo 1946: 1923: 1897: 1872: 1847: 1824: 1801: 1776: 1753: 1728: 1701: 1669: 1644: 1615: 1592: 1569: 1546: 1523: 1500: 1477: 1454: 1429: 852:for best male actor in a leading role, and the 550: 445: 285: 269: 248: 225: 206: 187: 157: 5405: 5401:) RoRaiKai (Raizō Fan Club), Hagashoten, 1983. 5391: 5379: 5367: 5353: 5339: 5325: 5311: 5297: 5280: 5266: 5254: 5242: 5228: 5214: 5200: 5186: 5172: 5158: 4198: 4196: 3975: 3973: 3971: 3838: 3836: 3808: 3806: 2960: 2942: 2915: 2890: 2865: 2838: 2821: 2794: 2769: 2752: 2725: 2700: 2683: 2658: 2641: 2616: 2593: 2576: 2549: 2526: 2499: 2484: 2457: 2440: 2421: 2396: 2371: 2348: 2325: 2302: 2277: 2256: 2231: 2208: 2185: 2162: 2141: 2115: 2092: 2067: 2042: 2013: 1986: 1963: 1940: 1917: 1891: 1866: 1841: 1818: 1795: 1770: 1747: 1722: 1695: 1663: 1638: 1609: 1586: 1563: 1540: 1517: 1494: 1471: 1448: 1423: 925:In June 1968, while in the process of filming 905:. Ikehiro advised Raizō to pursue the role of 894:, director of the seventh film in the series, 773:about the weakness of his legs and joined the 637:Transition into film acting (July 1951 – 1957) 615: 597: 583: 544: 531: 492: 439: 279: 276:. In 1951 he was adopted by Ichikawa Jūkai III 263: 242: 219: 200: 181: 151: 5458: 4734: 4732: 4671: 4669: 4358: 4356: 4354: 4298: 4296: 3649: 3647: 8: 5399:Ichikawa Raizō Ginmaku no Kikōshi yo Eien ni 5288:Samurai... Ichikawa Raizō Sono Hito to Gei – 4841: 4839: 3526: 3524: 2495:The Swishing Sword a.k.a. Human Skin Peacock 832:It's often said that Raizō's performance in 4905: 4782: 4754: 4723: 4711: 4699: 4687: 4675: 4644: 4632: 4620: 4608: 4458: 4426: 4414: 4402: 4374: 4362: 4345: 4333: 4321: 4317: 4315: 4302: 4287: 4283: 4281: 4279: 4270: 4226: 4214: 4202: 4187: 4175: 4163: 4151: 4139: 4127: 4115: 4103: 4082: 4070: 4039: 4027: 4015: 4003: 3991: 3979: 3962: 3950: 3938: 3926: 3905: 3893: 3881: 3869: 3857: 3842: 3827: 3812: 3797: 3785: 3669: 3638: 3626: 3598: 3586: 3574: 3546: 3515: 3499: 3399: 3395: 3383: 1456:Zenigata Heiji Torimono-Hikae: Yūrei Daimyō 1054: 971:of Tokyo. His grave is at the same temple. 120:Yoshio Takeuchi, Yoshiya Ōta, Ichikawa Enzō 5465: 5451: 5443: 4583:八坂神社市川寿海, 市川雷蔵, 市川九團次] 市川海老蔵オフィシャルブログ 1220:Parallels and Comparison to Shintarō Katsu 410:Birth and adoption by Ichikawa Kudanji III 62: 51: 5347:Yomigaeru! Ichikawa Raizō Gentei Hizō-ban 3481:are in Western order (Givenname-Surname). 360:). Raizō worked many times with director 3420:The “Kotobuki Ebi” is currently used by 2138:(Ukifune) a.k.a. "Tale of Genji Ukifune" 1169:said of Raizō's acting, that whether in 1004: 1001:Raizō's legacy (July 17, 1969 – present) 798:cast Raizō in the lead role of the film 391:The actor's other notable works include 3495: 3493: 3491: 3489: 3487: 3470: 3374: 5899:Japanese racehorse owners and breeders 3273:Shinobi no Mono: Zoku Kirigakure Saizo 4476:(in Japanese). e京都ねっと. Archived from 1110:– Excellence in a Male Leading Role, 1079:– Excellence in a Male Leading Role ( 885:described Raizō's performance in the 232:, separate from his performing name. 7: 5116: 5092: 5068: 5056: 5020: 4996: 4956: 4881: 4857: 4818: 761:– samurai films with an action focus 5080: 5044: 5032: 5008: 4984: 4932: 4917: 4869: 4845: 4830: 4806: 982:was an example of the then-popular 712:), released December 22, 1954, and 4309:" May 2009 special issue, p. 361.) 3307:Dai Satsujin Orochi - The Betrayal 3167:Nemuri Kyoshiro 3: Engetsu Sapporo 3151:Enter Kyōshirō Nemuri the Swordman 2789:The One-thousand Crane Secret File 1958:Travel Chronicles of Yaji and Kita 1827:Yagyū renyasai: hidentsuki kageshō 1208:Yoshio Shirasaki, screenwriter of 162:, August 29, 1931 – July 17, 1969) 25: 5919:20th-century Japanese male actors 3260:Shinobi no Mono: Kirigakure Saizo 2522:The Temple of the Golden Pavilion 2518:Conflagration or Flame of Torment 1935:Zenigata Heiji: Human-skin Spider 1155:-like swordsman the way he did.” 950:(released January 11, 1969), and 917:’s works through a modern lens.” 808:The Temple of the Golden Pavilion 790:Rise to stardom (1958 – May 1968) 5474:Blue Ribbon Award for Best Actor 5333:Koshū Ichikawa Raizō Shashin-shū 5104: 4944: 4893: 4794: 3762:『歌舞伎ファン』「右之助君, 5月22日のNHK教育TVに出演」 3355: 3341: 980:Bakuto Ichidai: Chimatsuri Fudō, 5361:Ichikawa Raizō no Eiga to Jidai 5349:) Kindaieigasha Co., Ltd, 1992. 3390:as an officer or a doctor. His 1181:Two of Raizō’s contemporaries, 952:Bakuto Ichidai: Chimatsuri Fudō 364:. Their collaborations include 2452:The 7th Secret Courier for Edo 1765:Migratory Birds of the Flowers 722:), released January 29, 1955. 462:Kabuki debut (1934 – May 1949) 235:Six months after his birth in 1: 5335:) MAGAZINE HOUSE, Ltd., 1991. 2158:Fighting Letter for 29 People 1671:Tsuna Watari Misemono Zamurai 1418:The Great White Tiger Platoon 1299:. I still hadn’t entered the 1092:– Excellence in a Male Role ( 691:The Great White Tiger Platoon 384:, originally released as 斬る ( 5305:Ichikawa Raizō to Sono Jidai 3025:Daibosatsu Tōge Kanketsu-Hen 2992:1960: Jirocho the Chivalrous 2415:Tabi wa Kimagure Kaze Makase 1604:A Girl Isn't Allowed to Love 328:). He is best known for the 4848:, pp. 94, 100-101, 134-135. 2934: 2922: 2897: 2872: 2845: 2813: 2801: 2776: 2744: 2732: 2707: 2695:Her Highness Princess Snake 2675: 2665: 2633: 2623: 2600: 2568: 2556: 2533: 2506: 2476: 2464: 2432: 2413: 2403: 2378: 2355: 2332: 2309: 2284: 2263: 2238: 2215: 2192: 2169: 2148: 2122: 2099: 2074: 2049: 2020: 1993: 1970: 1947: 1924: 1898: 1873: 1848: 1825: 1814:Renyasai Yagyū Hidden Story 1802: 1777: 1754: 1729: 1702: 1670: 1645: 1633:The Dancer and Two Warriors 1616: 1593: 1570: 1547: 1524: 1501: 1478: 1455: 1430: 948:Nemuri Kyōshirō: Akujo-gari 551: 446: 286: 270: 249: 226: 207: 188: 158: 5935: 5438:JMDb profile (in Japanese) 5369:『市川雷蔵 RAIZO 秘蔵傑作スチール・スナップ』 5250:Shashin-shū Ichikawa Raizō 2778:Yamada Nagamasa Ōja no ken 2720:Lord Nobunaga's Early Days 2558:Nichiren to mōko daishūrai 2251:A Fantastic Tale of Naruto 1790:Matashirō Fighting Journey 1525:Shiode Kushima Binan Kenpō 1443:Zenigata Heiji: Ghost Lord 710:Shiode Kushima Binan Kenpō 489:this group the Tsukushikai 36: 29: 27:Japanese actor (1931-1969) 5914:Japanese male film actors 5480: 5406: 5392: 5380: 5368: 5354: 5340: 5326: 5312: 5298: 5281: 5267: 5255: 5243: 5229: 5215: 5201: 5187: 5173: 5159: 3219:Tenya wanya jirōchō dōchō 3175:Nemuri Kyōshirō Akujogari 2943: 2916: 2891: 2866: 2839: 2822: 2795: 2770: 2753: 2726: 2701: 2684: 2659: 2642: 2617: 2594: 2577: 2550: 2527: 2500: 2485: 2458: 2441: 2422: 2397: 2372: 2349: 2326: 2303: 2278: 2257: 2232: 2209: 2186: 2163: 2142: 2116: 2093: 2068: 2043: 2014: 1987: 1964: 1941: 1918: 1892: 1867: 1842: 1819: 1796: 1771: 1748: 1723: 1696: 1664: 1639: 1610: 1587: 1564: 1541: 1518: 1495: 1472: 1449: 1424: 1388:Nemuri Kyoshirō: Enjō-ken 616: 598: 584: 545: 532: 493: 440: 280: 264: 250:Sandaime Ichikawa Kudanji 243: 220: 201: 182: 159:Hachidaime Ichikawa Raizō 152: 61: 4582: 4548: 4524: 4500: 4472: 3761: 3735: 3709: 3159:Nemuri Kyoshiro 2: Shōbu 2149:Genji Monogatari Ukifune 1502:Utagoyomi Onatsu Seijūrō 1334:Acting Style and Ability 965:Ikegami Honmon-ji temple 32:Ichikawa Raizō (lineage) 5413:RAIZO "Nemuri Kyoshirō" 5274:Ichikawa Raizō no Toshi 5262:Ichikawa Raizō no Reiki 3917:Tayama 1988, pp. 28-30. 3092:Edo e hyakku-nana-jū ri 3014:Daibosatsu Tōge no Make 2171:Nijūkyū-nin no Kenka-jō 1214:First-generation Lecher 1123:Hanaoka Seishū no Tsuma 1116:Hanaoka Seishū no Tsuma 943:at the Nissay Theater. 844:For his performance in 552:Sandaime Ichikawa Jukai 436:as an executive trainee 356:) series (based on the 287:Sandaime Ichikawa Jūkai 5894:Male actors from Kyoto 5293:), Nōberu Shobo, 1991. 5282:『侍...市川雷蔵その人と芸』　ノーベル書房 5166:Raizō, Raizō ga Kataru 4549:オールタイム・ベスト10 日本映画男優・女優 3710:『上方歌舞伎・想い出の俳優』「三世市川壽海」 3681:"I've heard that when 3504:Raizō, Raizō ga Kataru 3388:Japanese Imperial Navy 2963:Hatsuharu tanuki goten 2961: 2545:A Man of Many Miracles 2434:Inochi wo Kakeru Otoko 1341:,” seemingly a pun on 1237: 1057:Raizō, Raizō ga Kataru 1014: 520: 456:Imperial Japanese Army 68:Jinan-bō Hangan (1955) 5904:Japanese male dancers 5773:Shōfukutei Tsurube II 5319:Kanpon Ichikawa Raizō 4094:Ichikawa 1995, p. 32. 3697:) September 6, 2014). 3437:, who was adopted by 2987:The Demon of Mount Oe 2734:Wakaki hi no Nobunaga 2037:Fighting Fire Fighter 1704:Shin Heike Monogatari 1227: 1210:Kōshoku Ichidai Otoko 1008: 960:Nakamura Kichiemon II 848:, Raizō received the 767:Shin Heike Monogatari 741:Shin Heike Monogatari 736:Shin Heike Monogatari 518: 175:. His birth name was 3767:si-com.at.webry.info 3210:Zoku shinobi no mono 3197:Shin Shinobi no Mono 3142:Sleepy Eyes of Death 2847:Jan Arima no shūgeki 2833:Attack of Jean Arima 1803:Matashirō Kenka-tabi 1742:Thief and Magistrate 1411:(1950s is complete) 1392:Zatoichi: Nitan-kiri 1187:Nakamura Jakuemon IV 978:Raizō's final film, 867:Sleepy Eyes of Death 574:Ichikawa Danjūrō VII 354:Rikugun Nakano Gakkō 331:Sleepy Eyes of Death 294:and was renamed as 5605:Toshiyuki Nagashima 5593:Tomisaburo Wakayama 5515:Ichikawa Raizō VIII 4987:, pp. 102-103, 137. 4726:, pp. 12-13, 48-50. 4528:(in Japanese). 角川映画 4504:(in Japanese). 角川映画 3439:Ichikawa Danjurō IX 2977:(1960s incomplete) 2465:Nanabanme no Misshi 2273:Demonfire Palanquin 2181:Yatarō’s Travel Hat 1658:The Magical Warrior 1512:The Young Swordsman 805:based on the novel 779:Doshisha University 705:The Young Swordsman 578:Ichikawa Danjūrō IX 565:Shuzenji Monogatari 147:Ichikawa Raizō VIII 56:Ichikawa Raizō VIII 5545:Nakamura Kinnosuke 3535:) (collected) 1991 3433:It was hoped that 3243:An Actor's Revenge 3235:Daisanno kagemusha 3087:170 Leagues to Edo 3036:Kutsukake Tokijiro 3032:The Gambler's Code 2954:Enchanted Princess 2874:Nuregami sandogasa 2860:Wet-Hair Sando Hat 2588:Ambush at Iga Pass 2391:The Loyal 47 Ronin 2111:Love of a Princess 1982:Hanpeita Tsukigata 1971:Yaji-Kita Dōchū-ki 1778:Hana no Wataridori 1489:Onatsu and Seijuro 1238: 1015: 936:Kutsukake Tokijirō 850:Kinema Junpo Award 675:Yorozuya Kinnosuke 631:Daiei Kyoto Studio 561:Minamoto no Yoriie 521: 394:An Actor's Revenge 374:) (from a book by 5866: 5865: 5851:Kazunari Ninomiya 5839:Tsuyoshi Kusanagi 5815:Kenichi Matsuyama 5785:Yutaka Takenouchi 5779:Satoshi Tsumabuki 5737:Toshiyuki Nishida 5393:『市川雷蔵銀幕の貴公子よ永遠に』 5230:『市川雷蔵出演映画作品ポスター集』 4973:) (Complete) 1991 4771:) (Complete) 1991 4743:) (Complete) 1991 4661:) (Complete) 1991 4391:) (Complete) 1991 4259:) (Complete) 1991 4059:) (Complete) 1991 3565:1991 pp. 264-266. 3479:Meiji Restoration 3456:) (Complete) 1991 3435:Ichikawa Shinzō V 3322:The Doctor's Wife 3113:Nakayama shichiri 3021:Satan's Sword III 2653:Smooth Tree Peony 2357:Yūkyō Gonin Otoko 2297:Freelance Samurai 1690:Tale of the Heike 1431:Hana no Byakkotai 1356:, it’s Katchan’s 1142:The screenwriter 1081:Enjō, Benten Kozō 854:Blue Ribbon Award 817:Hiroshi Kawaguchi 727:Taira no Kiyomori 696:Hana no Byakkotai 475:Ichikawa Enzō III 349:Nakano Spy School 309:Blue Ribbon Award 144: 143: 137:Years active 16:(Redirected from 5926: 5909:Japanese dancers 5857:Ryunosuke Kamiki 5623:Tsutomu Yamazaki 5497:Hisaya Morishige 5467: 5460: 5453: 5444: 5410: 5409: 5408: 5407:『RAIZO「眠狂四郎」の世界』 5396: 5395: 5394: 5386: 5385: 5384: 5372: 5371: 5370: 5358: 5357: 5356: 5344: 5343: 5342: 5330: 5329: 5328: 5316: 5315: 5314: 5302: 5301: 5300: 5285: 5284: 5283: 5271: 5270: 5269: 5259: 5258: 5257: 5247: 5246: 5245: 5233: 5232: 5231: 5222:Watashi no Raizō 5219: 5218: 5217: 5205: 5204: 5203: 5191: 5190: 5189: 5177: 5176: 5175: 5163: 5162: 5161: 5145: 5144: 5142: 5140: 5126: 5120: 5114: 5108: 5102: 5096: 5090: 5084: 5078: 5072: 5066: 5060: 5054: 5048: 5042: 5036: 5030: 5024: 5018: 5012: 5006: 5000: 4994: 4988: 4982: 4976: 4966: 4960: 4954: 4948: 4942: 4936: 4930: 4921: 4915: 4909: 4903: 4897: 4891: 4885: 4879: 4873: 4867: 4861: 4855: 4849: 4843: 4834: 4828: 4822: 4816: 4810: 4804: 4798: 4792: 4786: 4780: 4774: 4764: 4758: 4752: 4746: 4736: 4727: 4721: 4715: 4709: 4703: 4697: 4691: 4685: 4679: 4673: 4664: 4654: 4648: 4642: 4636: 4630: 4624: 4618: 4612: 4606: 4600: 4599: 4597: 4595: 4578: 4572: 4571: 4569: 4567: 4544: 4538: 4537: 4535: 4533: 4520: 4514: 4513: 4511: 4509: 4496: 4490: 4489: 4487: 4485: 4468: 4462: 4456: 4450: 4445:, Foreword and 4441:Watashi no Raizō 4436: 4430: 4424: 4418: 4412: 4406: 4400: 4394: 4384: 4378: 4372: 4366: 4360: 4349: 4343: 4337: 4331: 4325: 4319: 4310: 4300: 4291: 4285: 4274: 4268: 4262: 4252: 4246: 4241:Watashi no Raizō 4236: 4230: 4224: 4218: 4212: 4206: 4200: 4191: 4185: 4179: 4173: 4167: 4161: 4155: 4149: 4143: 4137: 4131: 4125: 4119: 4113: 4107: 4101: 4095: 4092: 4086: 4080: 4074: 4068: 4062: 4052: 4043: 4037: 4031: 4025: 4019: 4013: 4007: 4001: 3995: 3989: 3983: 3977: 3966: 3960: 3954: 3948: 3942: 3936: 3930: 3924: 3918: 3915: 3909: 3903: 3897: 3891: 3885: 3879: 3873: 3867: 3861: 3855: 3846: 3840: 3831: 3825: 3816: 3810: 3801: 3795: 3789: 3783: 3777: 3776: 3774: 3773: 3757: 3751: 3750: 3748: 3747: 3731: 3725: 3724: 3722: 3721: 3704: 3698: 3679: 3673: 3667: 3661: 3651: 3642: 3636: 3630: 3624: 3618: 3613:Watashi no Raizō 3608: 3602: 3596: 3590: 3584: 3578: 3572: 3566: 3556: 3550: 3544: 3538: 3528: 3519: 3513: 3507: 3497: 3482: 3475: 3459: 3448: 3442: 3431: 3425: 3418: 3412: 3409: 3403: 3379: 3365: 3360: 3359: 3358: 3351: 3346: 3345: 3344: 3314:A Certain Killer 3010:Satan's Sword II 2968: 2966: 2948: 2946: 2945: 2939: 2929: 2928: 2925: 2919: 2918: 2910:Samurai Vendetta 2904: 2902: 2894: 2893: 2885:Stop the Old Fox 2879: 2877: 2869: 2868: 2854: 2853: 2850: 2842: 2841: 2827: 2825: 2824: 2818: 2808: 2806: 2803:Dewa tsuru hichō 2798: 2797: 2783: 2781: 2773: 2772: 2758: 2756: 2755: 2749: 2739: 2737: 2729: 2728: 2714: 2712: 2704: 2703: 2689: 2687: 2686: 2680: 2670: 2668: 2662: 2661: 2647: 2645: 2644: 2638: 2635:Bakeneko goyō da 2628: 2626: 2620: 2619: 2605: 2603: 2597: 2596: 2582: 2580: 2579: 2573: 2563: 2561: 2553: 2552: 2540: 2538: 2530: 2529: 2513: 2511: 2503: 2502: 2490: 2488: 2487: 2481: 2471: 2470: 2467: 2461: 2460: 2446: 2444: 2443: 2437: 2427: 2425: 2424: 2418: 2408: 2406: 2400: 2399: 2385: 2383: 2375: 2374: 2362: 2360: 2352: 2351: 2344:Magnificent Five 2339: 2337: 2329: 2328: 2316: 2315: 2312: 2310:Momotarō zamurai 2306: 2305: 2291: 2289: 2281: 2280: 2268: 2266: 2260: 2259: 2245: 2243: 2235: 2234: 2222: 2220: 2212: 2211: 2199: 2197: 2189: 2188: 2176: 2174: 2166: 2165: 2153: 2151: 2145: 2144: 2129: 2127: 2119: 2118: 2106: 2105: 2102: 2100:Ōsaka monogatari 2096: 2095: 2081: 2080: 2077: 2075:Amigasa Gonpachi 2071: 2070: 2056: 2055: 2052: 2046: 2045: 2031: 2025: 2017: 2016: 2002: 2001: 1998: 1990: 1989: 1977: 1976: 1973: 1967: 1966: 1952: 1950: 1944: 1943: 1929: 1927: 1921: 1920: 1905: 1904: 1901: 1895: 1894: 1886:Flowery Brothers 1880: 1879: 1876: 1870: 1869: 1855: 1853: 1845: 1844: 1832: 1830: 1822: 1821: 1809: 1808: 1805: 1799: 1798: 1784: 1783: 1780: 1774: 1773: 1759: 1757: 1751: 1750: 1736: 1735: 1732: 1726: 1725: 1711: 1710: 1707: 1699: 1698: 1677: 1676: 1673: 1667: 1666: 1652: 1651: 1648: 1642: 1641: 1621: 1619: 1613: 1612: 1598: 1596: 1594:Onikiri Wakasama 1590: 1589: 1575: 1573: 1567: 1566: 1552: 1550: 1544: 1543: 1529: 1527: 1521: 1520: 1506: 1504: 1498: 1497: 1483: 1481: 1475: 1474: 1466:The Princess Sen 1460: 1458: 1452: 1451: 1437: 1436: 1433: 1427: 1426: 1327:Tomomi Muramatsu 1183:Sakata Tōjūrō IV 1086:September 1959: 1053:Data taken from 915:Kawatake Mokuami 621: 619: 618: 603: 601: 600: 589: 587: 586: 558: 557: 554: 548: 547: 537: 535: 534: 498: 496: 495: 483:Nakayamashichiri 453: 452: 449: 443: 442: 417:was born in the 293: 292: 289: 283: 282: 275: 273: 267: 266: 256: 255: 252: 246: 245: 231: 229: 223: 222: 212: 210: 204: 203: 193: 191: 185: 184: 163: 161: 155: 154: 117:Other names 105: 87: 85: 66: 52: 21: 5934: 5933: 5929: 5928: 5927: 5925: 5924: 5923: 5869: 5868: 5867: 5862: 5767:Masahiro Motoki 5749:Hiroyuki Sanada 5689:Hiroyuki Sanada 5677:Hiroyuki Sanada 5671:Masahiro Motoki 5641:Takanori Jinnai 5599:Tatsuya Nakadai 5551:Keiju Kobayashi 5539:Tatsuya Nakadai 5521:Hiroyuki Nagato 5476: 5471: 5425: 5404: 5390: 5378: 5366: 5352: 5341:『甦る!市川雷蔵限定秘蔵版』 5338: 5324: 5310: 5296: 5279: 5265: 5264:), Mieko Kanai 5253: 5241: 5227: 5213: 5199: 5185: 5171: 5157: 5154: 5149: 5148: 5138: 5136: 5128: 5127: 5123: 5115: 5111: 5103: 5099: 5091: 5087: 5079: 5075: 5067: 5063: 5055: 5051: 5043: 5039: 5031: 5027: 5019: 5015: 5007: 5003: 4995: 4991: 4983: 4979: 4967: 4963: 4955: 4951: 4943: 4939: 4931: 4924: 4916: 4912: 4904: 4900: 4892: 4888: 4880: 4876: 4868: 4864: 4856: 4852: 4844: 4837: 4829: 4825: 4817: 4813: 4805: 4801: 4793: 4789: 4781: 4777: 4765: 4761: 4753: 4749: 4737: 4730: 4722: 4718: 4710: 4706: 4698: 4694: 4686: 4682: 4674: 4667: 4655: 4651: 4643: 4639: 4631: 4627: 4619: 4615: 4607: 4603: 4593: 4591: 4584: 4580: 4579: 4575: 4565: 4563: 4562:. December 2014 4550: 4546: 4545: 4541: 4531: 4529: 4526: 4522: 4521: 4517: 4507: 4505: 4502: 4498: 4497: 4493: 4483: 4481: 4474: 4470: 4469: 4465: 4457: 4453: 4437: 4433: 4425: 4421: 4413: 4409: 4401: 4397: 4385: 4381: 4373: 4369: 4361: 4352: 4344: 4340: 4332: 4328: 4320: 4313: 4301: 4294: 4286: 4277: 4269: 4265: 4253: 4249: 4237: 4233: 4225: 4221: 4213: 4209: 4201: 4194: 4186: 4182: 4174: 4170: 4162: 4158: 4150: 4146: 4138: 4134: 4126: 4122: 4114: 4110: 4102: 4098: 4093: 4089: 4081: 4077: 4069: 4065: 4053: 4046: 4038: 4034: 4030:, pp. 254, 270. 4026: 4022: 4014: 4010: 4002: 3998: 3990: 3986: 3978: 3969: 3961: 3957: 3949: 3945: 3937: 3933: 3925: 3921: 3916: 3912: 3904: 3900: 3892: 3888: 3880: 3876: 3868: 3864: 3856: 3849: 3841: 3834: 3826: 3819: 3811: 3804: 3796: 3792: 3784: 3780: 3771: 3769: 3763: 3759: 3758: 3754: 3745: 3743: 3737: 3733: 3732: 3728: 3719: 3717: 3711: 3706: 3705: 3701: 3695:Dokubai Shimbun 3680: 3676: 3668: 3664: 3652: 3645: 3637: 3633: 3625: 3621: 3609: 3605: 3597: 3593: 3585: 3581: 3573: 3569: 3557: 3553: 3545: 3541: 3529: 3522: 3514: 3510: 3498: 3485: 3476: 3472: 3467: 3462: 3449: 3445: 3432: 3428: 3419: 3415: 3410: 3406: 3380: 3376: 3372: 3361: 3356: 3354: 3347: 3342: 3340: 3337: 3054:Shinobi no mono 3003:Daibosatsu Tōge 2975: 2958: 2940: 2936:Ukare sandogasa 2926: 2913: 2888: 2863: 2851: 2836: 2819: 2792: 2767: 2750: 2723: 2698: 2681: 2656: 2639: 2614: 2601:Iga no suigetsu 2591: 2574: 2547: 2524: 2508:Hitohada Kujaku 2497: 2482: 2468: 2455: 2438: 2419: 2394: 2369: 2346: 2334:Tsukihime keizu 2323: 2313: 2300: 2275: 2254: 2229: 2206: 2183: 2160: 2139: 2135:Floating Vessel 2113: 2103: 2090: 2078: 2065: 2053: 2040: 2022:Zoku Hana Zukin 2011: 1999: 1984: 1974: 1961: 1938: 1915: 1902: 1889: 1877: 1864: 1839: 1816: 1806: 1793: 1781: 1768: 1755:Kaitō to Hangan 1745: 1733: 1720: 1717:The Iroha Elegy 1708: 1693: 1682:Taira Clan Saga 1674: 1661: 1649: 1646:Odoriko Gyōjōki 1636: 1607: 1584: 1561: 1538: 1515: 1492: 1469: 1446: 1434: 1421: 1409: 1401: 1369:fighting scenes 1279:Shiranui Kengyō 1222: 1195: 1175:Saburō Kawamoto 1140: 1135: 1106:February 1967: 1051: 1036: 1003: 927:Seki no Yatappe 923: 887:Nemuri Kyoshirō 862:Nemuri Kyoshirō 822:Masaichi Nagata 792: 765:In the wake of 731:Kenji Mizoguchi 639: 613: 595: 581: 555: 542: 529: 525:Tetsuji Takechi 513: 490: 464: 450: 437: 427:Yoshio Takeuchi 412: 407: 344:Shinobi no Mono 336:Nemuri Kyoshirō 290: 277: 261: 253: 240: 217: 213:, and later to 208:Takeuchi Yoshio 198: 196:Yoshio Takeuchi 179: 164:was a Japanese 149: 140:1954–1969 112: 107: 103: 94: 89: 88:August 29, 1931 83: 81: 80: 79: 69: 57: 50: 35: 28: 23: 22: 15: 12: 11: 5: 5932: 5930: 5922: 5921: 5916: 5911: 5906: 5901: 5896: 5891: 5886: 5881: 5871: 5870: 5864: 5863: 5861: 5860: 5854: 5848: 5842: 5836: 5830: 5824: 5818: 5812: 5806: 5803:Tadanobu Asano 5800: 5794: 5788: 5782: 5776: 5770: 5764: 5758: 5752: 5746: 5740: 5734: 5728: 5722: 5716: 5710: 5707:Takeshi Kitano 5704: 5698: 5692: 5686: 5680: 5674: 5668: 5665:Naoto Takenaka 5662: 5656: 5653:Rentarō Mikuni 5650: 5644: 5638: 5632: 5629:Kin'ya Kitaōji 5626: 5620: 5614: 5611:Kiyoshi Atsumi 5608: 5602: 5596: 5590: 5584: 5578: 5575:Tetsuya Watari 5572: 5569:Bunta Sugawara 5566: 5560: 5557:Toshiro Mifune 5554: 5548: 5542: 5536: 5533:Toshiro Mifune 5530: 5527:Rentarō Mikuni 5524: 5518: 5512: 5506: 5500: 5494: 5491:Toshiro Mifune 5488: 5481: 5478: 5477: 5472: 5470: 5469: 5462: 5455: 5447: 5441: 5440: 5435: 5429:Raizo Ichikawa 5424: 5423:External links 5421: 5420: 5419: 5402: 5388: 5364: 5350: 5336: 5322: 5308: 5294: 5277: 5239: 5225: 5211: 5208:Ichikawa Raizō 5197: 5183: 5169: 5153: 5150: 5147: 5146: 5134:www.jmdb.ne.jp 5121: 5109: 5097: 5085: 5081:Muramatsu 2006 5073: 5061: 5049: 5045:Muramatsu 2005 5037: 5035:, pp. 135-136. 5033:Muramatsu 2006 5025: 5023:, pp. 265-266. 5013: 5009:Muramatsu 2006 5001: 4999:, pp. 104-106. 4989: 4985:Muramatsu 2006 4977: 4975:, pp. 243-244. 4961: 4949: 4937: 4933:Muramatsu 2005 4922: 4918:Muramatsu 2005 4910: 4898: 4886: 4874: 4870:Muramatsu 2006 4862: 4850: 4846:Muramatsu 2006 4835: 4831:Muramatsu 2006 4823: 4821:, pp. 103-104. 4811: 4807:Muramatsu 2005 4799: 4787: 4775: 4759: 4757:, pp. 327-328. 4747: 4728: 4716: 4704: 4692: 4680: 4665: 4649: 4637: 4625: 4613: 4601: 4573: 4539: 4515: 4491: 4463: 4451: 4431: 4419: 4407: 4395: 4379: 4375:Muramatsu 2006 4367: 4350: 4346:Muramatsu 2006 4338: 4326: 4311: 4292: 4275: 4263: 4261:, pp. 325-333. 4247: 4231: 4229:, pp. 328-329. 4219: 4207: 4192: 4180: 4178:, pp. 218-220. 4168: 4156: 4144: 4142:, pp. 206-208. 4132: 4120: 4108: 4096: 4087: 4085:, pp. 12, 271. 4075: 4063: 4061:, pp. 282-283. 4044: 4032: 4020: 4008: 3996: 3984: 3967: 3955: 3943: 3931: 3919: 3910: 3898: 3886: 3874: 3862: 3860:, pp. 234-236. 3858:Muramatsu 2006 3847: 3832: 3830:, pp. 297-298. 3817: 3802: 3790: 3778: 3752: 3726: 3715:kabuki-bito.jp 3699: 3674: 3662: 3643: 3631: 3619: 3603: 3591: 3579: 3567: 3551: 3539: 3520: 3508: 3506:), Chronology. 3483: 3469: 3468: 3466: 3463: 3461: 3460: 3443: 3426: 3422:Ichikawa Ebizō 3413: 3404: 3373: 3371: 3368: 3367: 3366: 3352: 3336: 3333: 3332: 3331: 3325: 3317: 3309: 3303: 3290: 3277: 3264: 3251: 3248:Yukinojo henge 3238: 3230: 3222: 3214: 3201: 3188: 3180: 3179: 3178: 3170: 3162: 3154: 3137: 3129: 3116: 3108: 3095: 3082: 3079:Tateshi Danpei 3074:Fencing Master 3069: 3062:The Great Wall 3058: 3045: 3039: 3028: 3017: 3006: 2993: 2990: 2982: 2974: 2971: 2970: 2969: 2949: 2930: 2905: 2880: 2855: 2828: 2809: 2784: 2759: 2740: 2715: 2690: 2671: 2666:Hitohada botan 2648: 2629: 2606: 2583: 2570:Nuregami kenpō 2564: 2541: 2514: 2491: 2478:Megitsune Buro 2472: 2447: 2428: 2409: 2386: 2380:Hanatarō Jumon 2363: 2340: 2321:Princess Tsuki 2317: 2292: 2269: 2246: 2223: 2200: 2177: 2154: 2130: 2107: 2087:An Osaka Story 2082: 2057: 2032: 2008:Flowery Hood 2 2003: 1978: 1953: 1930: 1906: 1899:Hana no Kyōdai 1881: 1874:Kenka Oshidori 1861:Fighting Birds 1856: 1850:Asatarō garasu 1833: 1810: 1785: 1760: 1737: 1712: 1686:The Taira Clan 1678: 1653: 1628: 1625:The Rose Again 1617:Bara Ikutabika 1599: 1581:The Young Lord 1576: 1571:Jinanbō Hangan 1558:The Magistrate 1553: 1548:Jinanbō Garasu 1535:The Second Son 1530: 1507: 1484: 1461: 1438: 1408: 1405: 1400: 1397: 1396: 1395: 1384: 1380: 1376: 1373: 1365: 1362:Chiezō Kataoka 1350:Nemuri Kyōjiro 1346: 1335: 1316:Tamao Nakamura 1246:performer and 1234:Shintaro Katsu 1221: 1218: 1194: 1191: 1139: 1136: 1134: 1131: 1130: 1129: 1126: 1119: 1104: 1097: 1084: 1073: 1064:January 1959: 1050: 1047: 1035: 1032: 1002: 999: 922: 919: 883:Shintarō Katsu 791: 788: 720:Jinanbō Garasu 715:The Second Son 700:Kazuo Hasegawa 671:Nissay Theater 638: 635: 512: 509: 481:) in the play 463: 460: 415:Ichikawa Raizō 411: 408: 406: 403: 399:Yukinojo henge 297:Ichikawa Raizō 142: 141: 138: 134: 133: 126: 122: 121: 118: 114: 113: 108: 106:(aged 37) 100: 96: 95: 90: 77: 75: 71: 70: 67: 59: 58: 55: 26: 24: 18:Raizō Ichikawa 14: 13: 10: 9: 6: 4: 3: 2: 5931: 5920: 5917: 5915: 5912: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5890: 5889:Kabuki actors 5887: 5885: 5882: 5880: 5877: 5876: 5874: 5858: 5855: 5852: 5849: 5846: 5845:Junichi Okada 5843: 5840: 5837: 5834: 5831: 5828: 5827:Hiroshi Tachi 5825: 5822: 5819: 5816: 5813: 5810: 5807: 5804: 5801: 5798: 5795: 5792: 5789: 5786: 5783: 5780: 5777: 5774: 5771: 5768: 5765: 5762: 5759: 5756: 5753: 5750: 5747: 5744: 5741: 5738: 5735: 5732: 5729: 5726: 5725:Mansai Nomura 5723: 5720: 5717: 5714: 5711: 5708: 5705: 5702: 5699: 5696: 5693: 5690: 5687: 5684: 5681: 5678: 5675: 5672: 5669: 5666: 5663: 5660: 5659:Yoshio Harada 5657: 5654: 5651: 5648: 5645: 5642: 5639: 5636: 5633: 5630: 5627: 5624: 5621: 5618: 5615: 5612: 5609: 5606: 5603: 5600: 5597: 5594: 5591: 5588: 5585: 5582: 5579: 5576: 5573: 5570: 5567: 5564: 5561: 5558: 5555: 5552: 5549: 5546: 5543: 5540: 5537: 5534: 5531: 5528: 5525: 5522: 5519: 5516: 5513: 5510: 5509:Frankie Sakai 5507: 5504: 5501: 5498: 5495: 5492: 5489: 5486: 5483: 5482: 5479: 5475: 5468: 5463: 5461: 5456: 5454: 5449: 5448: 5445: 5439: 5436: 5434: 5430: 5427: 5426: 5422: 5417: 5414: 5403: 5400: 5389: 5383: 5376: 5365: 5362: 5351: 5348: 5337: 5334: 5323: 5320: 5309: 5306: 5295: 5292: 5289: 5278: 5275: 5263: 5251: 5240: 5237: 5226: 5223: 5212: 5209: 5198: 5195: 5184: 5181: 5170: 5167: 5156: 5155: 5151: 5135: 5131: 5125: 5122: 5118: 5117:Muro'oka 1993 5113: 5110: 5106: 5101: 5098: 5094: 5093:Muro'oka 1993 5089: 5086: 5082: 5077: 5074: 5070: 5069:Muro'oka 1993 5065: 5062: 5058: 5057:Muro'oka 1993 5053: 5050: 5046: 5041: 5038: 5034: 5029: 5026: 5022: 5021:Muro'oka 1993 5017: 5014: 5010: 5005: 5002: 4998: 4997:Muro'oka 1993 4993: 4990: 4986: 4981: 4978: 4974: 4972: 4965: 4962: 4958: 4957:Muro'oka 1993 4953: 4950: 4946: 4941: 4938: 4934: 4929: 4927: 4923: 4919: 4914: 4911: 4907: 4902: 4899: 4895: 4890: 4887: 4883: 4882:Muro'oka 1993 4878: 4875: 4871: 4866: 4863: 4859: 4858:Muro'oka 1993 4854: 4851: 4847: 4842: 4840: 4836: 4833:, pp. 99-100. 4832: 4827: 4824: 4820: 4819:Muro'oka 1993 4815: 4812: 4808: 4803: 4800: 4796: 4791: 4788: 4784: 4779: 4776: 4772: 4770: 4763: 4760: 4756: 4751: 4748: 4744: 4742: 4735: 4733: 4729: 4725: 4724:Muro'oka 1993 4720: 4717: 4713: 4712:Muro'oka 1993 4708: 4705: 4701: 4700:Kawamoto 2005 4696: 4693: 4689: 4684: 4681: 4677: 4672: 4670: 4666: 4662: 4660: 4653: 4650: 4646: 4641: 4638: 4634: 4629: 4626: 4622: 4617: 4614: 4610: 4605: 4602: 4590:(in Japanese) 4589: 4585: 4577: 4574: 4566:September 23, 4561: 4557: 4556: 4551: 4543: 4540: 4527: 4519: 4516: 4503: 4495: 4492: 4480:on 2009-05-17 4479: 4475: 4467: 4464: 4460: 4455: 4452: 4448: 4444: 4442: 4435: 4432: 4428: 4427:Muro'oka 1993 4423: 4420: 4416: 4411: 4408: 4404: 4399: 4396: 4392: 4390: 4383: 4380: 4376: 4371: 4368: 4364: 4359: 4357: 4355: 4351: 4347: 4342: 4339: 4335: 4330: 4327: 4323: 4318: 4316: 4312: 4308: 4304: 4299: 4297: 4293: 4289: 4284: 4282: 4280: 4276: 4272: 4267: 4264: 4260: 4258: 4251: 4248: 4244: 4242: 4235: 4232: 4228: 4223: 4220: 4216: 4211: 4208: 4204: 4203:Muro'oka 1993 4199: 4197: 4193: 4190:, p. 113-116. 4189: 4188:Muro'oka 1993 4184: 4181: 4177: 4176:Ichikawa 1995 4172: 4169: 4165: 4160: 4157: 4153: 4148: 4145: 4141: 4140:Muro'oka 1993 4136: 4133: 4129: 4128:Muro'oka 1993 4124: 4121: 4117: 4116:Muro'oka 1993 4112: 4109: 4105: 4104:Muro'oka 1993 4100: 4097: 4091: 4088: 4084: 4083:Muro'oka 1993 4079: 4076: 4072: 4071:Muro'oka 1993 4067: 4064: 4060: 4058: 4051: 4049: 4045: 4041: 4040:Muro'oka 1993 4036: 4033: 4029: 4028:Muro'oka 1993 4024: 4021: 4017: 4012: 4009: 4005: 4000: 3997: 3993: 3988: 3985: 3981: 3980:Muro'oka 1993 3976: 3974: 3972: 3968: 3964: 3963:Muro'oka 1993 3959: 3956: 3952: 3947: 3944: 3940: 3935: 3932: 3928: 3923: 3920: 3914: 3911: 3907: 3902: 3899: 3895: 3890: 3887: 3883: 3878: 3875: 3871: 3866: 3863: 3859: 3854: 3852: 3848: 3844: 3843:Muro'oka 1993 3839: 3837: 3833: 3829: 3824: 3822: 3818: 3814: 3809: 3807: 3803: 3799: 3794: 3791: 3787: 3782: 3779: 3768: 3764: 3756: 3753: 3742: 3738: 3730: 3727: 3716: 3712: 3703: 3700: 3696: 3692: 3688: 3684: 3678: 3675: 3671: 3666: 3663: 3660:1991, p. 195. 3659: 3658:) (collected) 3657: 3650: 3648: 3644: 3640: 3635: 3632: 3628: 3623: 3620: 3616: 3614: 3607: 3604: 3600: 3595: 3592: 3588: 3583: 3580: 3576: 3575:Ichikawa 1995 3571: 3568: 3564: 3563:) (collected) 3562: 3555: 3552: 3548: 3543: 3540: 3536: 3534: 3527: 3525: 3521: 3517: 3512: 3509: 3505: 3501: 3496: 3494: 3492: 3490: 3488: 3484: 3480: 3474: 3471: 3464: 3457: 3455: 3447: 3444: 3440: 3436: 3430: 3427: 3423: 3417: 3414: 3408: 3405: 3401: 3397: 3393: 3389: 3385: 3384:Ichikawa 1995 3378: 3375: 3369: 3364: 3353: 3350: 3339: 3334: 3330: 3326: 3324: 3323: 3318: 3316: 3315: 3310: 3308: 3304: 3301: 3297: 3296: 3291: 3288: 3287: 3282: 3278: 3275: 3274: 3269: 3265: 3262: 3261: 3256: 3252: 3249: 3245: 3244: 3239: 3237: 3236: 3231: 3229: 3228: 3223: 3221: 3220: 3215: 3212: 3211: 3206: 3202: 3199: 3198: 3193: 3189: 3187: 3186: 3181: 3177: 3176: 3171: 3169: 3168: 3163: 3161: 3160: 3155: 3153: 3152: 3147: 3146: 3144: 3143: 3138: 3136: 3135: 3130: 3127: 3123: 3122: 3117: 3115: 3114: 3109: 3106: 3102: 3101: 3100:Destiny's Son 3096: 3093: 3089: 3088: 3083: 3080: 3076: 3075: 3070: 3067: 3066:Shin shikōtei 3063: 3059: 3056: 3055: 3050: 3046: 3044: 3043:A Lustful Man 3040: 3037: 3033: 3029: 3026: 3022: 3018: 3015: 3011: 3007: 3004: 3000: 2999: 2998:Satan's Sword 2994: 2991: 2989: 2988: 2983: 2980: 2979: 2978: 2972: 2965: 2964: 2956: 2955: 2950: 2938: 2937: 2931: 2924: 2912: 2911: 2906: 2901: 2900: 2887: 2886: 2881: 2876: 2875: 2862: 2861: 2856: 2849: 2848: 2835: 2834: 2829: 2817: 2816: 2815:Jirō Nagafuji 2810: 2805: 2804: 2791: 2790: 2785: 2780: 2779: 2766: 2765: 2760: 2748: 2747: 2741: 2736: 2735: 2722: 2721: 2716: 2711: 2710: 2709:Hebi-himesama 2697: 2696: 2691: 2679: 2678: 2672: 2667: 2655: 2654: 2649: 2637: 2636: 2630: 2625: 2613: 2612: 2607: 2602: 2590: 2589: 2584: 2572: 2571: 2565: 2560: 2559: 2546: 2542: 2537: 2536: 2523: 2519: 2515: 2510: 2509: 2496: 2492: 2480: 2479: 2473: 2466: 2454: 2453: 2448: 2436: 2435: 2429: 2417: 2416: 2410: 2405: 2393: 2392: 2387: 2382: 2381: 2368: 2364: 2359: 2358: 2345: 2341: 2336: 2335: 2322: 2318: 2311: 2299: 2298: 2293: 2288: 2287: 2274: 2270: 2265: 2253: 2252: 2247: 2242: 2241: 2240:Inazuma Kaidō 2228: 2227:Inazuma Kaidō 2224: 2219: 2218: 2217:Mangorō Tengu 2205: 2204:Tengu Mangorō 2201: 2196: 2195: 2182: 2178: 2173: 2172: 2159: 2155: 2150: 2137: 2136: 2131: 2126: 2125: 2112: 2108: 2101: 2089: 2088: 2083: 2076: 2064: 2063: 2058: 2051: 2039: 2038: 2033: 2029: 2028:Hana Zukin II 2024: 2023: 2010: 2009: 2004: 1997: 1996: 1988:月形半平太　花の巻　嵐の巻 1983: 1979: 1972: 1960: 1959: 1954: 1949: 1937: 1936: 1931: 1926: 1914: 1912: 1907: 1900: 1888: 1887: 1882: 1875: 1863: 1862: 1857: 1852: 1851: 1838: 1834: 1829: 1828: 1815: 1811: 1804: 1792: 1791: 1786: 1779: 1767: 1766: 1761: 1756: 1744: 1743: 1738: 1731: 1730:Iroha Bayashi 1719: 1718: 1713: 1706: 1705: 1691: 1687: 1683: 1679: 1672: 1660: 1659: 1654: 1647: 1635: 1634: 1629: 1627: 1626: 1618: 1606: 1605: 1600: 1595: 1583: 1582: 1577: 1572: 1560: 1559: 1554: 1549: 1537: 1536: 1531: 1526: 1514: 1513: 1508: 1503: 1491: 1490: 1485: 1480: 1468: 1467: 1462: 1457: 1445: 1444: 1439: 1432: 1420: 1419: 1414: 1413: 1412: 1406: 1404: 1398: 1393: 1389: 1385: 1381: 1377: 1374: 1370: 1366: 1363: 1359: 1355: 1351: 1347: 1344: 1340: 1336: 1333: 1332: 1331: 1328: 1323: 1321: 1317: 1312: 1307: 1305: 1303: 1298: 1297: 1292: 1291: 1286: 1285: 1280: 1276: 1271: 1270: 1265: 1264: 1258: 1254: 1251: 1250: 1245: 1244: 1235: 1231: 1226: 1219: 1217: 1215: 1211: 1206: 1202: 1198: 1192: 1190: 1188: 1184: 1179: 1176: 1172: 1168: 1164: 1162: 1156: 1154: 1150: 1145: 1137: 1132: 1127: 1124: 1120: 1117: 1113: 1109: 1105: 1102: 1098: 1095: 1091: 1090: 1085: 1082: 1078: 1074: 1071: 1067: 1063: 1062: 1061: 1060: 1058: 1055:“雷蔵, 雷蔵を語る” ( 1048: 1046: 1044: 1043: 1033: 1031: 1027: 1024: 1019: 1012: 1007: 998: 996: 992: 988: 986: 981: 976: 972: 970: 966: 961: 957: 953: 949: 944: 942: 938: 937: 932: 931:rectal cancer 928: 920: 918: 916: 912: 908: 904: 899: 897: 893: 888: 884: 880: 876: 872: 868: 864: 863: 857: 855: 851: 847: 842: 840: 835: 830: 827: 823: 818: 814: 813:Yukio Mishima 810: 809: 804: 802: 797: 789: 787: 785: 780: 776: 770: 768: 764: 760: 759: 754: 750: 746: 742: 738: 737: 732: 728: 723: 721: 717: 716: 711: 707: 706: 701: 697: 693: 692: 686: 684: 680: 676: 672: 668: 667: 662: 660: 655: 654: 647: 645: 636: 634: 632: 628: 623: 610: 606: 593: 579: 575: 570: 566: 562: 553: 539: 526: 517: 510: 508: 506: 502: 486: 484: 480: 476: 471: 469: 461: 459: 457: 448: 435: 430: 428: 424: 423:Akio Kamezaki 420: 416: 409: 404: 402: 400: 396: 395: 389: 387: 383: 382: 381:Destiny's Son 377: 376:Yukio Mishima 373: 372: 367: 363: 359: 358:Nakano School 355: 351: 350: 346:) series and 345: 341: 337: 333: 332: 327: 326: 320: 318: 317:rectal cancer 314: 310: 306: 305: 300: 298: 288: 272: 271:Ichikawa Enzō 260: 259:Ichikawa Enzō 251: 238: 233: 228: 216: 209: 197: 190: 189:Kamezaki Akio 178: 177:Akio Kamezaki 174: 171: 167: 160: 148: 139: 135: 131: 127: 125:Occupation(s) 123: 119: 115: 111: 102:July 17, 1969 101: 97: 93: 78:Akio Kamezaki 76: 72: 65: 60: 53: 48: 44: 40: 39:Japanese name 33: 19: 5833:Kiichi Nakai 5755:Ken Watanabe 5713:Ken Takakura 5701:Koji Yakusho 5695:Koji Yakusho 5635:Kunie Tanaka 5581:Ken Takakura 5514: 5415: 5412: 5398: 5374: 5360: 5355:『市川雷蔵の映画と時代』 5346: 5332: 5327:『孤愁市川雷蔵写真集』 5318: 5304: 5291:Nōberu Shobo 5290: 5287: 5273: 5261: 5249: 5235: 5221: 5207: 5194:Raizō Konomi 5193: 5180:Raizō no Iro 5179: 5165: 5137:. Retrieved 5133: 5124: 5112: 5100: 5088: 5076: 5064: 5052: 5047:, pp. 84-85. 5040: 5028: 5016: 5004: 4992: 4980: 4971:Nōberu Shobo 4970: 4964: 4952: 4940: 4913: 4901: 4889: 4877: 4865: 4853: 4826: 4814: 4802: 4797:, pp. 34-35. 4790: 4778: 4769:Nōberu Shobo 4768: 4762: 4750: 4741:Nōberu Shobo 4740: 4719: 4707: 4695: 4683: 4659:Nōberu Shobo 4658: 4652: 4640: 4628: 4616: 4604: 4594:September 8, 4592:. Retrieved 4587: 4576: 4564:. Retrieved 4553: 4542: 4530:. Retrieved 4518: 4508:February 16, 4506:. Retrieved 4494: 4484:February 16, 4482:. Retrieved 4478:the original 4466: 4454: 4440: 4434: 4422: 4410: 4398: 4389:Nōberu Shobo 4388: 4382: 4370: 4341: 4329: 4307:Bungeishunjū 4306: 4266: 4257:Nōberu Shobo 4256: 4250: 4245:, pp. 38-39. 4240: 4234: 4222: 4217:, pp. 72-73. 4210: 4183: 4171: 4166:, pp. 54-57. 4159: 4147: 4135: 4123: 4118:, pp. 17-18. 4111: 4099: 4090: 4078: 4073:, pp. 11-12. 4066: 4057:Nōberu Shobo 4056: 4035: 4023: 4011: 3999: 3987: 3958: 3953:, pp. 34-35. 3946: 3934: 3929:, pp. 76-77. 3922: 3913: 3908:, pp. 20-21. 3901: 3896:, pp. 28-30. 3889: 3877: 3865: 3815:, pp. 27-28. 3793: 3788:, pp. 22-23. 3781: 3770:. Retrieved 3766: 3755: 3744:. Retrieved 3740: 3729: 3718:. Retrieved 3714: 3702: 3694: 3687:Henshū Techō 3686: 3677: 3665: 3656:Nōberu Shobo 3655: 3634: 3629:, pp. 18-19. 3622: 3612: 3606: 3594: 3582: 3570: 3561:Nōberu Shobo 3560: 3554: 3549:, pp. 15-17. 3542: 3533:Nōberu Shobo 3532: 3518:, pp. 14-15. 3511: 3503: 3473: 3454:Nōberu Shobo 3453: 3446: 3429: 3416: 3407: 3377: 3349:Japan portal 3329:Hitori okami 3320: 3312: 3306: 3299: 3293: 3284: 3280: 3271: 3267: 3258: 3254: 3247: 3241: 3233: 3225: 3217: 3208: 3204: 3195: 3191: 3183: 3173: 3165: 3157: 3149: 3140: 3132: 3125: 3119: 3111: 3104: 3098: 3091: 3085: 3078: 3072: 3065: 3061: 3052: 3048: 3042: 3035: 3031: 3024: 3020: 3013: 3009: 3002: 2996: 2985: 2981:1960: Bonchi 2976: 2952: 2908: 2883: 2858: 2831: 2787: 2762: 2718: 2693: 2677:Yūtarō kōdan 2651: 2609: 2586: 2544: 2521: 2517: 2494: 2450: 2389: 2366: 2343: 2320: 2295: 2272: 2264:Naruto Hichō 2249: 2226: 2203: 2180: 2157: 2133: 2110: 2085: 2060: 2035: 2027: 2006: 1981: 1956: 1942:銭形平次捕物控　人肌蜘蛛 1933: 1911:Flowery Hood 1909: 1884: 1859: 1836: 1813: 1788: 1763: 1740: 1715: 1688:, lit. "New 1685: 1681: 1656: 1631: 1623: 1602: 1579: 1556: 1533: 1510: 1487: 1464: 1450:銭形平次捕物控　幽霊大名 1441: 1416: 1410: 1402: 1391: 1390:and Katsu’s 1387: 1357: 1353: 1349: 1342: 1338: 1324: 1308: 1300: 1294: 1288: 1282: 1278: 1274: 1267: 1261: 1259: 1255: 1247: 1241: 1239: 1213: 1209: 1207: 1203: 1199: 1196: 1180: 1170: 1165: 1157: 1148: 1141: 1122: 1115: 1112:Kinema Junpō 1111: 1107: 1100: 1093: 1089:Cinema Nuovo 1087: 1080: 1076: 1069: 1066:Kinema Junpō 1065: 1056: 1052: 1042:Bungeishunjū 1040: 1037: 1028: 1023:Kinema Junpō 1022: 1020: 1016: 1010: 991:Kōji Tsuruta 983: 979: 977: 973: 955: 951: 947: 945: 940: 934: 926: 924: 911:Kenji Misumi 900: 895: 886: 878: 874: 866: 860: 858: 845: 843: 838: 833: 831: 806: 799: 796:Kon Ichikawa 793: 784:Kenji Misumi 771: 766: 762: 756: 740: 735: 729:in director 724: 719: 713: 709: 703: 695: 689: 687: 681:produced by 678: 664: 657: 651: 648: 640: 626: 624: 592:Kotobuki Ebi 564: 563:in the play 540: 522: 504: 501:montei agari 500: 487: 482: 479:Musume Ohana 478: 474: 472: 465: 447:Kanbukōhosei 431: 426: 422: 414: 413: 398: 392: 390: 385: 379: 369: 365: 362:Kenji Misumi 353: 347: 343: 339: 335: 329: 323: 321: 313:Kinema Junpo 302: 295: 258: 234: 214: 195: 176: 146: 145: 128:film actor, 104:(1969-07-17) 46: 5884:1969 deaths 5879:1931 births 5791:Hiroshi Abe 5743:Akira Terao 5731:Kōichi Satō 5647:Hajime Hana 5563:Hajime Hana 5485:So Yamamura 5299:『市川雷蔵とその時代』 5152:Works cited 5105:Hosaka 2001 4945:Tayama 1988 4894:Hosaka 2001 4795:Tayama 1988 4783:Hosaka 2001 4755:Hosaka 2001 4676:Hosaka 2001 4633:Hosaka 2001 4459:Hosaka 2001 4415:Tayama 1988 4334:Tayama 1988 4322:Tayama 1988 4288:Tayama 1988 4271:Hosaka 2001 4227:Hosaka 2001 4215:Tayama 1988 4164:Tayama 1988 4152:Tayama 1988 4016:Tayama 1988 4004:Tayama 1988 3951:Tayama 1988 3939:Hosaka 2001 3927:Tayama 1988 3894:Tayama 1988 3882:Tayama 1988 3870:Tayama 1988 3813:Tayama 1988 3798:Tayama 1988 3786:Tayama 1988 3741:naritaya.jp 3736:『團十郎辞典』「壽海」 3683:Rokusuke Ei 3672:, p. 21-22. 3670:Tayama 1988 3639:Tayama 1988 3627:Tayama 1988 3599:Hosaka 2001 3587:Tayama 1988 3547:Tayama 1988 3516:Tayama 1988 3400:Hosaka 2001 3396:Tayama 1988 3363:Film portal 3300:Sword Devil 3139:1963–1969: 3121:The Outcast 2746:Ojō kichisa 2624:Benten Kozō 2611:Benten Kozō 2404:Chūshingura 2194:Yatarō gasa 1820:柳生連也斎　秘伝月影抄 1399:Filmography 1375:Personality 1325:The author 1230:Ayako Wakao 1144:Fuji Yahiro 985:ninkyō eiga 892:Akira Inoue 871:protagonist 653:Kōya Hijiri 627:Yoshiya Ōta 227:Ōta Yoshiya 215:Yoshiya Ōta 5873:Categories 5797:Kengo Kora 5683:Eiji Okuda 5503:Keiji Sada 5244:『写真集市川雷蔵』 5160:『雷蔵、雷蔵を語る』 5139:22 January 4525:大雷蔵祭 FINAL 4417:, pp. 6-7. 4273:, pp. 319. 3772:2010-02-16 3746:2010-02-16 3720:2010-02-16 3335:References 2899:Kagerō ezu 2764:The Gaijin 2423:旅は気まぐれ風まかせ 2286:Onibi Kago 2050:Abare Tobi 1925:Hana Zukin 1496:歌ごよみ　お夏清十郎 1193:Appearance 1167:Tadao Satō 1161:Kazuo Mori 995:bankruptcy 956:Aa, Kaigun 745:Tadao Sato 644:Daiei film 338:) series, 244:三代目市川九團次 84:1931-08-29 5821:Sadao Abe 5809:Yo Oizumi 5617:Ken Ogata 5587:Ken Ogata 5256:「市川雷蔵の霊気」 5119:, p. 300. 5107:, p. 320. 5095:, p. 106. 5071:, p. 208. 5059:, p. 118. 5011:, p. 103. 4959:, p. 104. 4908:, p. 264. 4896:, p. 309. 4884:, p. 228. 4860:, p. 393. 4785:, p. 328. 4773:, p. 258. 4745:, p. 287. 4714:, p. 390. 4702:, p. 164. 4690:, p. 368. 4688:Satō 2006 4678:, p. 325. 4663:, p. 245. 4635:, p. 332. 4588:ameblo.jp 4532:August 1, 4461:, p. 311. 4429:, p. 122. 4393:, p. 257. 4377:, p. 260. 4348:, p. 243. 4205:, p. 256. 4130:, p. 107. 4042:, p. 254. 3994:, p. 298. 3992:Satō 2006 3982:, p. 210. 3965:, p. 102. 3941:, p. 324. 3845:, p. 208. 3800:, p. 27. 3617:, p. 260. 3601:, p. 321. 3537:, p. 265. 3500:雷蔵, 雷蔵を語る 3465:Citations 3402:, p. 321） 3398:, p. 18, 3370:Footnotes 3281:The Sword 3134:Onnakeizu 2771:山田長政　王者の剣 2124:Suzakumon 2026:, a.k.a. 1519:潮来出島　美男剣法 1171:jidaigeki 1149:jidaigeki 1021:In 2000, 941:Kanjinchō 903:directing 679:jidaigeki 666:Kanjinchō 659:jidaigeki 546:三代目市川壽海 405:Biography 366:The Sword 325:jidaigeki 281:三代目市川壽海 153:八代目市川雷蔵 5761:Ryo Kase 5719:Yūji Oda 5416:no Sekai 5382:ビクターブックス 5313:『完本市川雷蔵』 5268:「市川雷蔵の年」 5216:『わたしの雷蔵』 5083:, p. 90. 4969:ノーベル書房 ( 4947:, p. 36. 4935:, p. 86. 4920:, p. 82. 4872:, p. 99. 4809:, p. 78. 4767:ノーベル書房 ( 4739:ノーベル書房 ( 4657:ノーベル書房 ( 4555:KINENOTE 4473:京都映画スポット 4447:colophon 4439:わたしの雷蔵 ( 4387:ノーベル書房 ( 4336:, p. 79. 4324:, p. 58. 4303:Ōta 2009 4290:, p. 86. 4255:ノーベル書房 ( 4239:わたしの雷蔵 ( 4154:, p. 57. 4106:, p. 23. 4055:ノーベル書房 ( 4018:, p. 34. 4006:, p. 47. 3884:, p. 28. 3872:, p. 74. 3654:ノーベル書房 ( 3641:, p. 17. 3611:わたしの雷蔵 ( 3589:, p. 18. 3559:ノーベル書房 ( 3531:ノーベル書房 ( 3458:, 196.） 3452:ノーベル書房 ( 2840:ジャン有馬の襲撃 2551:日蓮と蒙古大襲来 2367:Hanatarō 2164:二十九人の喧嘩状 2062:Gonpachi 1611:薔薇はいくたびか 1479:Sen Hime 1358:Zatoichi 1354:Zatoichi 1302:san’yaku 1296:yokozuna 1269:Zatoichi 1253:actors. 1249:shamisen 1108:NHK Film 1077:NHK Film 969:Ōta ward 907:producer 875:Sappōchō 794:In 1958 777:club at 758:chanbara 646:studio. 311:and the 47:Ichikawa 37:In this 3382:actor,（ 3268:Ninja 5 3255:Ninja 4 3205:Ninja 2 3192:Ninja 3 3049:Ninja 1 2923:Hakuōki 2143:源氏物語　浮舟 1965:弥次喜多道中記 1837:Asatarō 1684:a.k.a. 1665:綱渡り見世物侍 1622:a.k.a. 1372:agile.” 1339:Goterai 1284:banzuke 1243:nagauta 1228:Raizō, 1133:Acclaim 967:in the 896:Tajōken 879:Joyōken 826:stammer 749:samurai 533:中村雀右衛門 454:in the 419:Nakagyō 43:surname 5859:(2023) 5853:(2022) 5847:(2021) 5841:(2020) 5835:(2019) 5829:(2018) 5823:(2017) 5817:(2016) 5811:(2015) 5805:(2014) 5799:(2013) 5793:(2012) 5787:(2011) 5781:(2010) 5775:(2009) 5769:(2008) 5763:(2007) 5757:(2006) 5751:(2005) 5745:(2004) 5739:(2003) 5733:(2002) 5727:(2001) 5721:(2000) 5715:(1999) 5709:(1998) 5703:(1997) 5697:(1996) 5691:(1995) 5685:(1994) 5679:(1993) 5673:(1992) 5667:(1991) 5661:(1990) 5655:(1989) 5649:(1988) 5643:(1987) 5637:(1986) 5631:(1985) 5625:(1984) 5619:(1983) 5613:(1982) 5607:(1981) 5601:(1980) 5595:(1979) 5589:(1978) 5583:(1977) 5577:(1976) 5571:(1975) 5565:(1966) 5559:(1965) 5553:(1964) 5547:(1963) 5541:(1962) 5535:(1961) 5529:(1960) 5523:(1959) 5517:(1958) 5511:(1957) 5505:(1956) 5499:(1955) 5493:(1951) 5487:(1950) 5387:, 1992 5202:『市川雷蔵』 5188:『雷蔵好み』 5174:『雷蔵の色』 5130:"市川雷蔵" 4906:市川1995 4645:太田2009 4621:太田2009 4609:太田2009 4560:キネマ旬報社 4403:太田2009 4363:太田2009 3906:市川1995 3828:市川1995 3707:奈河彰輔. 3577:p. 16. 3392:myopia 3327:1968: 3319:1967: 3311:1967: 3305:1966: 3295:Ken Ki 3292:1965: 3279:1964: 3266:1964: 3253:1964: 3240:1963: 3232:1963: 3227:Teuchi 3224:1963: 3216:1963: 3203:1963: 3190:1963: 3182:1963: 3172:1969: 3164:1964: 3156:1964: 3148:1963 3131:1962: 3118:1962: 3110:1962: 3097:1962: 3084:1962: 3071:1962: 3060:1962: 3047:1962: 3041:1961: 3030:1961: 3019:1961: 3008:1960: 2995:1960: 2984:1960: 2951:1959: 2944:浮かれ三度笠 2932:1959: 2907:1959: 2892:かげろう絵図 2882:1959: 2867:濡れ髪三度笠 2857:1959: 2830:1959: 2811:1959: 2786:1959: 2761:1959: 2742:1959: 2727:若き日の信長 2717:1959: 2692:1959: 2673:1959: 2650:1959: 2643:化け猫御用だ 2631:1958: 2608:1958: 2585:1958: 2566:1958: 2543:1958: 2516:1958: 2493:1958: 2474:1958: 2459:七番目の密使 2449:1958: 2442:命を賭ける男 2430:1958: 2411:1958: 2388:1958: 2365:1958: 2342:1958: 2319:1958: 2294:1957: 2271:1957: 2248:1957: 2225:1957: 2202:1957: 2179:1957: 2156:1957: 2132:1957: 2109:1957: 2084:1957: 2059:1956: 2034:1956: 2005:1956: 1980:1956: 1955:1956: 1932:1956: 1908:1956: 1883:1956: 1858:1956: 1835:1956: 1812:1956: 1797:又四郎喧嘩旅 1787:1956: 1762:1956: 1739:1955: 1714:1955: 1697:新・平家物語 1680:1955: 1655:1955: 1640:踊り子行状記 1630:1955: 1601:1955: 1578:1955: 1555:1955: 1532:1955: 1509:1954: 1486:1954: 1463:1954: 1440:1954: 1415:1954: 1343:goteru 1320:Kansai 1275:Akumyō 1263:Akumyō 1236:(1959) 1232:, and 1138:Acting 1049:Awards 1034:Family 753:yakuza 612:Shinzō 569:Kansai 505:kenmon 378:) and 170:kabuki 130:kabuki 41:, the 3126:Hakai 2973:1960s 2957:初春狸御殿 2823:次郎長富士 2796:千羽鶴秘帖 2685:遊太郎巷談 2595:伊賀の水月 2578:濡れ髪剣法 2373:花太郎呪文 2350:遊侠五人男 2210:万五郎天狗 1772:花の渡り鳥 1749:怪盗と判官 1724:いろは囃子 1588:鬼斬り若様 1565:次男坊判官 1425:花の白虎隊 1407:1950s 1311:katsu 1293:or a 1290:ōzeki 1153:bushi 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