320:"Kumar Shyamanand Singh of Banaili estate had such expertise in singing that many great singers including Kesarbai were convinced about his prowess in singing. In case you cannot believe this please ask Pandit Jasraj. After listening to Bandishes from Kumar Saheb, Jasraj was moved to tears and lamented that alas! he could have such ability himself"(free translation of Hindi text).
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397:, and Ustad Salamat Ali Khan and Nazakat Ali Khan, Malang Khan (Pakhawaj), Allauddin Khan (Sarod), Mushtaq Ali (Sitar), Pandit Bholanath Bhatt, Pandit Chinmay Lahiri, Mahaveer Mullick, Jaduveer Mullick and Ramchatur Mallick. Ustad Yunus Hussian Khan refers to "Raja Shyamanand Singh of Chamapanagar" as having invited him to sing on the occasion of his son's marriage.
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in
Pondicherry, Rajkumar Shyamanand Sinha continued his music lessons, at the advice of his guru, from Ustad Bachu Khan Sahib of Agra (from 1940-1962 or 1963). Other widely respected singers from whom he obtained music lessons were Ustad Muzzaffar Khan, Ustad Mubarak Ali Khan, Pandit Bholanath Bhatt,
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Shyamanand Sinha's regular students included Shri
Sitaram Jha, Kumar Jayanand Sinha, Saktinath Jha, Shankaranand Singh, Suryananranyan Jha, Girijanand Sinha, Udyanand Singh, Jayanta Chattopadhyay, Vandana Jha, Amar Nath Jha, Kaushal Kishore Dubey, Shyam Chaitanya Jha, Vijay Kumar Jha and Ram Sharan
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attended a performance of
Shyamanand Sinha. At the time, Shyamanand Sinha was a young man and Kesarbai was a widely respected singer. She was so impressed by his rendition of "Dwarikanath Sharan Me Teri" that she asked him to teach it to her. Whenever Kesarbai sang this composition in future, she
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Shyamanand Sinha was not a professional musician and rarely performed in public. Most of his performances were impromptu at his residence in
Champanagar, and he was known to stop singing if he was no longer in the mood to perform. Although he was not interested in fame, his followers called him
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The record had "Rut Basant" in Raga
Rageshri Bahar and "Piya Pardes" in Patdeep, famous renditions by the Ustad. Later Ustad Vishmadev Chattopadyay visited his home for a performance in Champanagar. The recordings and the performance moved Shyamanand Sinha so much that he was determined to learn
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Ustad
Vilayat Hussain Khan wrote: "There is no better connoisseur and cognoscente of music in Bihar than Kumar Shyamanand Singh" (free translation of Hindi text). He was one of the chief patrons of the All India Music Conference and presented the convocation address at the 11th All India Music
408:. He was so impressed by their rendition of "Raag Malkaus" that he asked them to stay with him longer. The boys and their father stayed for nearly two months. He was responsible for sending them to the All India Music Conference where they received wider recognition for the first time.
378:, using his residence at Champanagar as a place of learning and development of classical music. Ustad Salamat Ali Khan, Ustad Altaf Hussain Khan of Khurja, Ustad Bachu Khan Sahib and many others were provided residence and patronage in Champanagar.
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Though not a professional vocalist, Shyamanand Sinha belonged to the old school of
Hindustani classical music and believed in maintaining purity and spontaneity in performance. Although he was influenced by
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Shyamanand Sinha believed that singing was the highest form of devotion. He once stated "one cannot sing if he said he can sing", adding that only the blessings of the God and guru can enable one to sing.
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in the latter part of his life have been lost. A few amateur recordings of his singing have been preserved by his family members and friends, including Kumar
Girijanand Sinha and Santosh Jha.
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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was
Governor of Bihar, he attended a performance by Shyamanand Sinha. He was so moved that he embraced him stating that his singing was like praying to God.
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Because of
Shyamanand Sinha's personal opinion against recording, few recordings of him exist today. Professional recordings done by
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294:." (Free translation: Nowadays, same taans are sung in Bilaskhani as well as Malhar and the raganga is ignored).
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Shyamanand Sinha also invited many great maestros for performances, among them were "Aftab -e- Maushiqi" Ustad
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music from the Ustad. Vishmadev Chattopadyay agreed to become his Guru and taught him from 1936 to 1939.
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Ab to Bilaskhani me bhi wahi taan hote hain aur malhar me bhi wahi, ang mere kehne ka matlab hai
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Every year on his birth anniversary a classical musical programme is organised in
415:'s first performance as a young artist was at Champanagar for Shyamanand Sinha.
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Shyamanand Sinha was also a patron of classical music. In his book,
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Khyal: Creativity Within North India's Classical Music Tradition
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The official website of Agra Gharana for Indian Classical Music
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acknowledged Shyamanand Sinha as her "Guru" for the song.
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He critiqued modern classical music in an interview with
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and Nazakat Ali Khan to perform at Champanagar during
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510:"Banaili Roots to Raj continued---Dynasty 3rd part"
487:"Banaili Roots to Raj continued---Dynasty 3rd part"
186:At a young age, Shyamanand Sinha began playing the
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197:In 1935, he came across a 78 RPM record of Ustad
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217:Kedarjee, Ustad Altaf Hussain Khan of Khurja
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244:promotes the subject in a subjective manner
170:singer Also he was the oldest first son of
708:20th-century Indian male classical singers
367:Conference of the Prayag Sangit Samiti at
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266:Learn how and when to remove this message
220:, Mahaveer Mullick and Jaduveer Mullick.
75:Learn how and when to remove this message
400:In 1944, Shyamanand Sinha invited Ustad
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520:from the original on 25 November 2023.
508:SINHA, GIRIJANAND (15 November 2008).
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485:SINHA, GIRIJANAND (15 November 2008).
212:After Vishmadev Chattopadyay left for
36:contains content that is written like
653:RAMNARAYAN, GOWRI (31 October 2010).
447:"VISHMADEV CHATTOPADHYAY - BIOGRAPHY"
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532:"JAYANTA CHATTOPADHYAY - BIOGRAPHY"
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632:"Late Ustad Yunus Hussain Khan"
453:. 19 April 2008. Archived from
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358:As a patron of Classical Music
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172:Raja Bahadur Kirtyanand Sinha
144:Raja Bahadur Kirtyanand Sinha
135:Hindustani Classical Vocalist
364:Sangeetangyon ke Sansmaran,
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376:Hindustani Classical Music
160:Rajkumar Shyamanand Sinha,
194:with an older relative.
91:Rajkumar Shyamanand Sinha
604:Wade, Bonnie C. (1985).
583:"Ustad Salamat Ali Khan"
557:"Ustad Salamat Ali Khan"
224:As a Classical Vocalist
199:Vishmadev Chattopadhyay
164:Kumar Shyamanand Singh,
16:Indian Classical Singer
371:on 19 December 1948.
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153:3 Sons and 4 Daughters
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214:Sri Aurobindo Ashram
168:Hindustani classical
593:on 3 November 2006.
514:Mithila and Maithil
491:Mithila and Maithil
49:promotional content
703:Singers from Bihar
698:Hindustani singers
693:Culture of Mithila
162:famously known as
51:and inappropriate
655:"Best of Benares"
561:Sadarang Archives
395:Basavaraj Rajguru
333:On one occasion,
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383:Faiyaz Khan
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124:Nationality
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461:16 January
433:References
419:Recordings
314:Swar Gandh
308:Padmashri
132:Occupation
103:1916-07-27
45:improve it
660:The Hindu
369:Allahabad
188:harmonium
182:Education
665:Archived
518:Archived
495:Archived
192:clarinet
178:estate.
411:Pandit
406:Dasehra
330:Sinha.
325:As Guru
203:Kolkata
176:Banaili
174:at the
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