Knowledge (XXG)

Ralph Peterson Jr.

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424:, a popular collection of lead sheets, which he claimed was “60 percent wrong,” and that reliance on the book would limit students’ learning of application. Just using the book, he claimed, wouldn’t teach the syntax and language of the music; this could only be learned by listening to recordings. By the same token, one could learn the melody from the Real Book, but to hear how it was “most creatively improvised on,” one would need to listen to records. 417:’s teaching and developed the veteran drummer’s Rudiment Ritual using the principles of three part-writing to incorporate parallel, contrary, and oblique motion. As a Berklee instructor, Peterson emphasized the importance of customizing his instruction to each student, making adjustments for those who had a stronger work ethic or could more easily absorb information; he refused to hold a student back “based on a pre-described formula.” 437:
Ultimately, Peterson taught a holistic conception of musicianship, involving “hearing and playing beyond the drum set. Understanding form, melody, harmony, and phrasing all have a profound effect on what a drummer plays.” Peterson’s Berklee students included Ari Honig, E.J Strickland, Tyshawn Sorey,
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To provide students with this “basic language,” Peterson created a course entitled Jazz Drum Set Repertoire which required students to learn 50 songs in 15 weeks. Though some said that this was asking too much of students, Peterson insisted that it was not. “I usually disseminate five tunes a week.
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Coming to the fore in the 1980s as a member of the Young Lions, a cohort of musicians tied to the neo-bop movement, Peterson acknowledged the influence of Art Blakey. Dubbed Blakey’s protégé, torchbearer, and “anointed heir,” Peterson emulated elements of Blakey’s playing style, including his snare
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Peterson believed that music programs “pushing kids to have their own style” was problematic; He claimed not to have a style of his own; “My style is copying the style of the people I love and the way I combine it and that’s nothing more.” Though he conceded that he did have an identifiable style
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The practical application of learning tunes quickly is like so: if I get a call today- it's Thursday- for recording on Saturday... the best a band leader can do is next day mail us the music. Or I suppose with email you could get the music by tonight. Right? Fine. We can see and hear the music
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Jeff Schwachter. "A Musical Homecoming for Ralph Peterson; From Pleasantville to Blakey to Berklee and beyond, Ralph Peterson's life in jazz comes full circle with new album and Father's Day concert in Atlantic City." Archived 2014-08-19 at the Wayback Machine, Atlantic City Weekly, June 13,
1249:, June 13, 2012. Accessed November 19, 2013. "Peterson grew up in Pleasantville and graduated from Pleasantville High School. He then went to Rutgers University in New Brunswick, graduating in 1984, and 'studying with a lot of big people there,' including Kenny Barron and Michael Carvin." 384:
Peterson’s style was described as “passionate precision,” fusing the swing and energy of a hurricane with consistent and grounded time. Others described his play as having “agile dynamism, lunging propulsion, and risk with triumph. He was also known for “long, cyclical polyrhythms.”
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based on his subjective choices in adapting others’ styles, he did not believe that one should self-consciously try to develop their own style, but rather let that style naturally emerge as a synthesis of their influences and experiences.
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Five tunes a week is not a lot. That's one tune a day with two days off!” This was part of Peterson’s imperative to “internalize” the music, so that students could be ready to perform or record a composition with only 24 hours’ notice:
1236: 463:, after a six-year battle with cancer on March 1, 2021, at age 58. He was survived by his wife Linea, daughter Sonora Slocum, stepdaughters Saydee and Haylee McQuay, and his spiritual daughter Jazz Robertson. 1234:"A Musical Homecoming for Ralph Peterson; From Pleasantville to Blakey to Berklee and beyond, Ralph Peterson's life in jazz comes full circle with new album and Father's Day concert in Atlantic City." 449:
In his twenties, Peterson struggled with drug addiction, though after achieving sobriety used his difficulties to “help those coming up behind him, either as a compass point or a cautionary tale.”
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as the group's second drummer. Chosen by Blakey himself to fill the drum chair, Peterson remained with Blakey until the jazz legend’s 1990 death. He dedicated a 1994 Ralph Peterson Quintet album,
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Peterson taught at the University of the Arts in Philadelphia and Boston’s Berklee College of Music, where he started in 2003. In 2010, Peterson started his own Onyx Productions Music Label.
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On May 21, 2021, Peterson’s Onyx Productions released Raise Up Off Me, Peterson’s final full-length album. Comprising five Peterson originals and compositions by
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Russonello, Giovanni (March 7, 2021). "Ralph Peterson Jr., Jazz Drummer and Bandleader, Dies at 58". The New York Times. Retrieved March 7, 2021.
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drum press-roll crescendo, confident that this didn’t limit his own artistic vision. Peterson also acknowledged having apprenticed under
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If you knew Ralph Peterson, you knew whenever he titled a song or album, it directly correlated to something going on in his life.
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an easily be associated with 2020, the Black Lives Matter Movement, and the pandemic, the message I hear is Ralph’s fight to LIVE!
1639: 1634: 793: 777: 179: 320:. After living in Canada for some time, he returned to Philadelphia, where he worked again with "The Fo'tet,” and recorded as 1481: 367:(1995, Evidence) was his way of telling us he was reclaiming his life and career. “The Trials of Trust and Treachery” off of 1047: 753: 234: 876: 785: 305: 273: 191: 187: 761: 433:
tonight. Right? But the best we have is 24 hours to learn the music. And you need to be ready to record on Saturday!
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to study drums, but he failed the percussion entrance exam and enrolled as a trumpeter instead, graduating in 1984.
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Jonathon Blake, Mark Whitfield Jr., Kush Abadey, and Justin Faulkner He also mentored jazz writer Nate Chinen.
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Peterson's father, Ralph Peterson, Sr., was the first black police chief and first black mayor of
1211: 1135: 1052: 139: 135: 371:(2002, Criss Cross) was his homage to the difficulty but importance of long-term relationships. 1589: 1157: 1098: 1086: 841: 183: 163: 1563: 927: 407: 171: 1240: 1145: 1027: 890: 861: 683: 254: 215: 195: 167: 155: 907: 821: 807: 344: 313: 258: 363:(1994, Blue Note) was Ralph’s tribute to his mentor, Art Blakey, who had just passed. 1598: 1498: 1108: 937: 332: 317: 293: 250: 246: 242: 1509: 1177: 1076: 1015: 995: 985: 649: 399: 266: 238: 226: 207: 199: 17: 1268:"New Release: Raise Up Off Me, Ralph Peterson,s's Final Recording Due Out May 21" 420:
Peterson encouraged his students to “learn tunes” and not to be dependent on the
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He began recording as a leader in 1988, with a quintet (Terence Blanchard,
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recording. In 1989 he recorded in the quartet format as "The Fo'tet" with
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studio for many years and was ranked as a fifth dan black belt in 2019.
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https://jazztruth.blogspot.com/2011/06/ralph-peterson-interview.html
328:. He also led the group "Hip Pocket,” with whom he played trumpet. 292:. He also worked with Allen and Bowler as a trio in "Triangular"; 131: 111: 80: 1520:"Ralph Peterson Jr., Jazz Drummer and Bandleader, Dies at 58". 1434:"Onward and Upward: Jazz United Remembers Ralph Peterson, Jr." 1411:"Onward and Upward: Jazz United Remembers Ralph Peterson, Jr." 1207:"Ralph Peterson Jr., Jazz Drummer and Bandleader, Dies at 58" 452:
In addition to his musical work, Peterson ran a Boston
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During the 1990s, Peterson played as a sideman with
94: 86: 76: 59: 39: 32: 162:, to the repertoire of his mentor. He worked with 110:(May 20, 1962 – March 1, 2021) was an American 1549:"Ralph Peterson: 'The Music is Why I'm Here.'" 1340:"Ralph Peterson: 'The Music is Why I'm Here.'" 1695:University of the Arts (Philadelphia) faculty 1685:Pleasantville High School (New Jersey) alumni 604:Inward Venture: Alive Vol. 5 At The Side Door 8: 1522:The New York Times. Retrieved March 7, 2021. 114:drummer, composer, teacher, and bandleader. 1103:An Evening with Delfeayo Marsalis Kalamazoo 29: 1670:Out of the Blue (American band) members 1496:Gary W. Kennedy, "Ralph Peterson Jr.". 1194: 1205:Russonello, Giovanni (March 7, 2021). 598:I Remember Bu: Alive Vol. 4 @ Scullers 580:Alive at Firehouse 12 Vol. 2: Fo' n Mo 1680:People from Pleasantville, New Jersey 1200: 1198: 7: 1675:People from Dartmouth, Massachusetts 1630:21st-century American male musicians 1620:20th-century American male musicians 1518:Giovanni Rusonello (March 7, 2021). 610:Legacy Alive Vol. 6 at the Side Door 1660:Deaths from cancer in Massachusetts 1021:Blackout in the Square Root of Soul 355:tied Peterson’s music to his life: 1537:"In Memoriam: Ralph Peterson, Jr." 1399:"In Memoriam: Ralph Peterson, Jr." 496:Ralph Peterson Presents the Fo'tet 393:Influences and Teaching Philosophy 25: 1566:Magazine. Retrieved 1 March 2021. 1456:Zimmerman, Brian (1 March 2021). 1445:"In Memoriam: Ralph Peterson, Jr. 1422:"In Memoriam: Ralph Peterson, Jr. 1387:"In Memoriam: Ralph Peterson, Jr. 1328:"In Memoriam: Ralph Peterson, Jr. 1292:"In Memoriam: Ralph Peterson, Jr. 27:American jazz drummer (1962–2021) 1531:"The Ralph Peterson Interview." 1432:Bryant, Greg, and Nate Chinen. 1409:Bryant, Greg, and Nate Chinen. 1376:"The Ralph Peterson Interview." 1364:"The Ralph Peterson Interview." 1352:"The Ralph Peterson Interview." 1306:"The Ralph Peterson Interview." 1280:"The Ralph Peterson Interview." 979:Introducing Three for All + One 856:Contemporary Standards Ensemble 1625:21st-century American drummers 1615:20th-century American drummers 1: 459:Peterson died at his home in 296:replaced Bowler for the 1988 1645:American male jazz musicians 574:Alive at Firehouse 12 Vol. 1 677:(Winter & Winter, 2000) 669:(Winter & Winter, 1999) 653:(Winter & Winter, 2005) 308:(later Bobby Franchesini), 1711: 828:(Inner Circle Music, 2010) 1690:Rutgers University alumni 1665:Musicians from New Jersey 1650:Blue Note Records artists 1397:Percussive Arts Society. 341:James Williams (musician) 128:Pleasantville High School 124:Pleasantville, New Jersey 53:Pleasantville, New Jersey 1655:Criss Cross Jazz artists 770:I Want to Talk About You 461:Dartmouth, Massachusetts 70:Dartmouth, Massachusetts 1105:(Troubadour Jass, 2017) 885:Music for Six Musicians 674:The Goldberg Variations 568:The Duality Perspective 514:The Reclamation Project 373:While Raise Up Off Me c 1640:American male drummers 1635:American jazz drummers 1541:Nate Chinen. NPR.org. 1164:(Somethin' Else, 1991) 1151:Gotstabe a Better Way! 992:(American Clave, 1992) 711:(Smoke Sessions, 2020) 504:(Somethin' Else, 1991) 498:(Somethin' Else, 1990) 435: 377: 134:groups. He applied to 130:and worked locally in 868:(Sons of Sound, 2005) 520:The Fo'tet Plays Monk 430: 357: 1556:. December 13, 2018. 1246:Atlantic City Weekly 1081:This Is Carmen Lundy 1000:Diamond in the Rough 959:Into the Faddisphere 934:(SteepleChase, 1989) 914:(SteepleChase, 1996) 897:(SteepleChase, 1996) 877:Tuskegee Experiments 556:The Fo'tet Augmented 544:Subliminal Seduction 369:Subliminal Seduction 1302:Colligan, George. [ 1132:(Criss Cross, 2003) 1125:(Fresh Sound, 2002) 1044:(Mack Avenue, 2004) 1012:(Criss Cross, 1986) 970:Split Second Timing 924:(Minor Music, 1993) 904:(Criss Cross, 2002) 858:(Double-Time, 2000) 803:(Black Saint, 1991) 773:(Black Saint, 1989) 757:(Black Saint, 1987) 733:(Criss Cross, 1999) 727:(Criss Cross, 1998) 693:(Nagel Heyer, 2004) 622:Onward & Upward 558:(Criss Cross, 2004) 552:(Criss Cross, 2003) 546:(Criss Cross, 2002) 540:(Criss Cross, 2001) 365:Reclamation Project 150:In 1983, he joined 18:Ralph Peterson, Jr. 1586:Ralph Peterson Jr. 1577:Ralph Peterson Jr. 1374:Colligan, George. 1362:Colligan, George. 1350:Colligan, George. 1278:Colligan, George. 1239:2014-08-19 at the 1232:Schwachter, Jeff. 1212:The New York Times 1184:(Red Record, 1999) 1182:Quiet As It's Kept 1136:Jamaaladeen Tacuma 1092:Royal Garden Blues 1071:Soul Folks No More 1053:Notes from Big Sur 731:Grown Folk Bizness 709:The Humble Warrior 699:(SmallsLIVE, 2015) 170:in 1984, and with 140:Rutgers University 136:Livingston College 108:Ralph Peterson Jr. 34:Ralph Peterson Jr. 1559:Brian Zimmerman. 1529:George Colligan. 1338:Milkowski, Bill. 1174:(Blue Note, 1998) 1158:Michele Rosewoman 1142:(Caramelle, 1998) 1113:Beauty of Sunrise 1099:Delfeayo Marsalis 1087:Branford Marsalis 982:(Arabesque, 1993) 973:(Arabesque, 1992) 900:George Colligan, 848:(Bellaphon, 1986) 842:Terence Blanchard 739:(Posi-Tone, 2014) 705:(Sunnyside, 2018) 510:(Blue Note, 1993) 492:(Blue Note, 1990) 486:(Blue Note, 1989) 480:(Blue Note, 1988) 413:Peterson praised 184:Branford Marsalis 164:Terence Blanchard 102: 101: 16:(Redirected from 1702: 1547:Bill Milkowski. 1484: 1479: 1473: 1472: 1470: 1468: 1453: 1447: 1442: 1436: 1430: 1424: 1419: 1413: 1407: 1401: 1395: 1389: 1384: 1378: 1372: 1366: 1360: 1354: 1348: 1342: 1336: 1330: 1325: 1319: 1313: 1307: 1300: 1294: 1288: 1282: 1276: 1270: 1265: 1259: 1256: 1250: 1230: 1224: 1223: 1221: 1219: 1202: 1172:Mind Over Matter 1162:Occasion to Rise 928:Walter Davis Jr. 912:Mandara 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Index

Ralph Peterson, Jr.
Pleasantville, New Jersey
Dartmouth, Massachusetts
Jazz
jazz
Pleasantville, New Jersey
Pleasantville High School
funk
Livingston College
Rutgers University
Art Blakey
Jazz Messengers
Terence Blanchard
Donald Harrison
Walter Davis
Tom Harrell
Out of the Blue
Branford Marsalis
David Murray
Craig Harris
James Spaulding
Roy Hargrove
Jon Faddis
Dewey Redman
Mark Helias
Wynton Marsalis
Count Basie
Jack Walrath
Craig Handy
Charles Lloyd

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