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491:
Rocking-chair string ephemera?" As White himself has observed: "For some reason the music I play is kind of crooked… I like the idea of learning something wrong and letting it evolve into something different. A lot of my music is just me playing a melody I couldn't figure out." But ultimately, he says, "I don't try to do anything else but play the music that's in my soul."
314:
enjoyed by Danny Barnes, Mark Rubin and Ralph White makes the band's frenetic acoustic interplay sound like the work of a six-armed, multistringed monster." The Bad Livers were voted "Best None of the Above" for four consecutive years from 1991 to 1994. The Bad Livers' music was admired far beyond Austin: the
385:
observed that the way "White melds banjo with kalimba and mbira… then adds accordion, fiddle and assorted percussion" was "ethereal and intoxicating." White's former Bad Livers bandmate Danny Barnes reviewed the album, which he described as "a fantastic record literally drips with all the things you
362:
found that the record "sounded quite authentic—almost as if it had long held a place in the
Library of Congress." The Bad Livers spent 1995 and 1996 touring and working on side projects as well as looking for a new label to release their next album. By the end of 1996, after playing about 1,500 live
301:
wrote: "Rather than reviving anything or attempting to accommodate contemporary music trends, the trio seems to inhabit a musical dimension all its own, a
Twilight Zone of Bad Liverdom." Barnes denied that the Bad Livers played bluegrass at all. Rather, he said, they had created an original sound:
332:
wrote that the music of the Bad Livers "sounds right at home in the briar patch," describing White's fiddling as "the thrashing of a
Georgia-bent bow applied to a dark cross-tuned Ozark melody" which struck "a novel and fetching chord" with young people who were previously unfamiliar with country
313:
Though their style was difficult to describe, McLeese wrote that "the Bad Livers represent one of the healthiest impulses on the Austin music scene, a determination to employ traditional elements within a radically fresh dynamic." McLeese wrote of one live show in 1995: "The uncommon telepathy
490:
coined the word "Afrolachian" to describe White's music, while Joe Gross has referred to him as "Folk/noise/Avant-whatever genius Ralph White" and said that he "embodies neo-folk oddness." Darcie
Stevens posited the possible labels "Non-traditional traditional? Indo-African mountain songs?
306:, saying: "To me, a lot of the postpunk music seems as direct and honest as that was, not built up in pop arrangements, but full steam ahead." The varied musical interests of the band members resulted in a sound that was "as hard to pin down as a buttered-up hog," and Austin country legend
302:"This isn't bluegrass and it isn’t this or that. It's Bad Liver music. We end up making our own thing." During this time, White expressed appreciation for music "the way it was before pop culture put it into the radio, before it was homogenized and put out on a grand scale," as well as for
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was released in 2006. The title song, composed by White during his tenure with the Bad Livers, was written about a squirrel hunting trip that White and Barnes had taken together: "I saw this squirrel and took a shot at him, and he, like, attacked me." In early 2007,
295:. As a result, critics often described their music with terms such as "thrash-grass," "acoustic bluegrass with a punk death wish," "something called 'contemporary bluegrass,'" and "acoustic-metal-bluegrass." Rejecting these generic labels, Don McLeese of the
407:
wrote that the album combined "five-string fretless banjos and
African kalimbas… with accordion and fiddle to create an Eastern Appalachian sound, but it's much more complicated than that," and that the resulting sound was "mind-boggling and vast."
286:
The Bad Livers began playing frequently in Austin, including a weekly set at the Saxon Pub. Due to the frequency of their gigs and the length of their sets, the Bad Livers performed many covers, including songs by bands such as
270:
White met Danny Barnes at a Cajun jam session in South Austin in 1990, after which they began playing with Mark Rubin as The Danny Barnes Trio. The trio adopted the name Bad Livers in the summer of 1990.
356:, was produced by Barnes and released on Quarterstick in 1994. In his review, McLeese admired them as "a band drawing from the wellspring of tradition to create something fresh, vital and original."
371:
After leaving the Bad Livers, White took an extended bicycle trip through Africa before returning to Austin. Since 1999, he has regularly played live shows in Austin. His first solo recording,
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was self-released in 2008. Like his previous recordings, it featured arrangements of banjo, kalimba, and fiddle that "bask in an authentic herky-jerky loveliness." This was followed by
37:
467:. In the fall of that year, he toured with Stevie Tombstone, and embarked on a solo tour in spring 2016. In January 2016, he collaborated with Thor Harris on the album
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don't hear anymore," adding: "There's a wide range of emotions and feelings stirred in the central nervous system. Ralph's record is a complete musical statement."
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s Joe Gross wrote that the "mind-altering" album was "one of the most unfortunately slept-on local albums of the year." Darcie
Stevens of
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observed that the "Texas trio throws itself into bluegrass-hillbilly music with high-brow virtuosity and a low-brow sense of fun," while
1521:
1511:
1297:
December 10, 1994. Remarks spoken by Danny Barnes before the beginning of "Navasota River Devil
Squirrel." Retrieved February 20, 2016.
274:
1496:
1114:
McLeese, Don. "Step right up for big springtime shows: Austin takes on all it can handle with touring acts and South by
Southwest."
423:. The EP proved "yet again you can stretch the limits of Americana if you're resourceful enough." Also in 2010, he released the LP
1145:
Reger, Rick. "Ska's the Limit: 'American
Skathic' Fest Focuses on Midwest Bands. Individual listings are by Rick Reger Bill Dahl..
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352:. The album was praised for "Barnes's strong material, as well as the group's tight musical interaction." The band's second album,
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found the "mixture of White's frailed, fretless banjo with the kalimba" on the album to be "eerie, yet almost hypnotic," while
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was released on
Terminus records in 2002. White used overdubbing to record himself singing and playing all of the instruments.
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White left the Bad Livers in late 1996, and embarked on a solo career. White was later chosen by Kevin Curtin of the
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242:. During the early 1990s, "White's sizzling dexterity on fiddle and accordion" was a "cornerstone of their buzz."
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concluded that "White has invented a type of music that sounds traditional while also being refreshingly new."
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As was the case with the Bad Livers, the music White creates resists categorization. Michael Corcoran of the
1229:
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Riemenschneider, Chris. "Bad Livers transplant: Austin band is doing nicely after music-saving procedure."
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1377:
Events listing for The Mission, Jefferson City, Missouri. October 15, 2015. Retrieved February 20, 2016.
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once remarked that the only question he couldn't answer was what kind of music the Bad Livers played.
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found that their music displayed "a striking blend of virtuoso flash and poignant simplicity." The
1388:
Events listing for The Masquerade, Atlanta, Georgia. October 1, 2015. Retrieved February 20, 2016.
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as the best strings player of 2015. While the style of music he plays is difficult to categorize,
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McLeese, Don. "Musical Mayhem: Bill Monroe, Metallica inspire Bad Livers' High-Speed Style"
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1348:"Ralph White: The Atavistic Waltz (Review)." January 27, 2009. Retrieved February 20, 2016.
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Kale, Wendy. "Club Notes: Juno What?!, Danny Barnes and Edward Sharpe at Boulder Theater"
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Armstrong, Gene. "Pop band Overwhelming Colorfast on bill with a unique hip-hop duo."
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shows with the Bad Livers, White grew weary of touring and decided to leave the band.
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446:, and Austin PBS station KLRU aired a documentary about him as part of the series
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230:. He was a founding member of the innovative and influential Austin trio the
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821:. "The return of Antone's, Free Week, and the Austin Music Poll Ballot."
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727:"Phantom Power & Spiritual Benefits: The Return of the Bad Livers."
1193:
Ellenrider, Manfred. "Fettlebe; Die „Bad Livers” wechseln das Label"
427:
on Feeding Tube Records. White self-released three more CDs in 2011:
223:
215:
118:
780:"Ralph White From Bad Livers w/Joshua Burkett at Betty's Saturday."
1360:"The Mongrel's Hoard, Dead Friends, The Morphia Effect, Escobar."
566:(2006, self-released, reissued as an LP on Mystra Records in 2009)
273:
227:
211:
191:
130:
122:
96:
1257:
Corcoran, Michael. "On the Afrolachian Trail with Ralph White."
471:, released on Self Sabotage Records. In July 2016, he released
150:
Altco Recordings, Self Sabotage Records, Feeding Tube Records,
167:
948:"Year of the Squirrel: Ralph White’s Old, Weird Americana."
282:
at Old Settlers' Park, Round Rock, Texas, October 7, 1994.
42:
Ralph White performing in Bastrop, Texas on June 22, 2013.
852:
41 (September–October 2002). Retrieved December 20, 2012.
1329:"Ralph White: Navasota River Devil Squirrel (Review)."
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on Feeding Tube Records. In 2015, he released the EP
234:, formed in 1990 with banjoist and singer/songwriter
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Beal, Jim Jr. "Bad Livers Indescribably Delicious."
997:Stoute, Lenny. "Mud puppies left holding the bag."
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1036:#8. March–April 1997. Retrieved December 21, 2012.
1400:"Ralph White, Stevie Tombstone, Ezekiel Graves."
988:. December 24, 1992. Retrieved December 22, 2012.
760:"Folktronics with Danny Barnes: January 29, 2010"
1336:. December 8, 2006. Retrieved February 20, 2016.
1048:Nitchie, Donald. "Interview with Danny Barnes."
955:. December 8, 2006. Retrieved December 21, 2012.
734:February 14, 1997. Retrieved December 21, 2012.
210:, among other traditions. He principally plays
1323:
1321:
1178:McLeese, Don. "Releases play with tradition."
1129:"Austin Music Awards: Best Performing Bands."
1066:. "The Bad Livers Play Music from the Heart."
891:November 5, 1999. Retrieved December 21, 2012.
873:November 5, 1999. Retrieved December 21, 2012.
589:with Thor Harris (2016, Self Sabotage Records)
1450:. March 10, 2010. Retrieved December 3, 2012.
1406:October 6, 2015. Retrieved February 20, 2016.
1217:29 November 1996. Retrieved 21 December 2012.
827:January 8, 2016. Retrieved February 20, 2016.
438:In 2013, he released a split 12" record with
8:
964:Fricke, D. "Rockin' in the Heart of Texas."
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1366:April 9, 2010. Retrieved February 20, 2016.
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1245:July 26, 2002. Retrieved December 21, 2012.
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190:who has drawn inspiration from traditional
1029:"Bad Livers: Deconstruction of the Labels"
36:
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787:July 6, 2012. Retrieved January 29, 2013.
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1416:"Ralph White and his Farewell to Texas"
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186:(born July 9, 1952) is a musician from
1426:Gross, Joe. "Austin 360 Bets: Music."
1044:
1042:
710:"Austin Music Database: Ralph White."
587:Tossing Pebbles on the Sleeping Beast
477:Five string violin five-string fiddle
469:Tossing Pebbles on the Sleeping Beast
7:
1532:21st-century American male musicians
1444:"Ralph White Interview: SXSW 2010."
835:
833:
1492:American country singer-songwriters
1069:The Roanoke Times & World News
14:
884:"Against the Grain: Mark Rubin."
866:"Complete Freedom: Danny Barnes".
1537:American male singer-songwriters
1527:21st-century American violinists
900:Blackstock, Peter. "Best bets."
419:in 2010, a vinyl EP released by
1165:Foster, Dan. "The Bad Livers."
1072:. February 22, 1997. Metro, 10.
475:, an EP of tunes recorded on a
594:Ralph White and Little Mazarn’
391:Navasota River Devil Squirrel,
278:Ralph White on stage with the
1:
1517:Singer-songwriters from Texas
1429:The Austin American-Statesman
1312:The Austin American-Statesman
1260:The Austin American-Statesman
1181:The Austin American-Statesman
1117:The Austin American-Statesman
1090:. December 15, 1994. Page 40.
1084:Darzin, Daina. "Bad Livers."
925:The Austin American-Statesman
903:The Austin American-Statesman
806:The Austin American-Statesman
564:Navasota River Devil Squirrel
397:The Austin American-Statesman
336:The Bad Livers' first album,
1275:Lupton, John. "Ralph White:
1136:Retrieved December 22, 2012.
769:Retrieved December 23, 2012.
716:Retrieved February 20, 2016.
688:Lust for Life/Jeffro's Dream
544:(2010, Feeding Tube Records)
520:(2014, Feeding Tube Records)
455:In 2014, he released the LP
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1522:21st-century accordionists
1512:Singers from Austin, Texas
512:Ralph White Is Ralph White
461:Ralph White Is Ralph White
18:
16:American singer-songwriter
1309:Gross, Joe. "XL Blasts."
488:Austin American-Statesman
411:White's next recording,
298:Austin American-Statesman
238:and bass and tuba player
35:
1497:American blues musicians
1102:San Antonio Express-News
514:(2015, Altco Recordings)
508:(2016, Altco Recordings)
389:White's next recording,
340:was released in 1992 on
19:Not to be confused with
1502:American folk musicians
1120:. January 17, 1995. E6.
1487:American accordionists
1210:"Bogs on the Highway."
1015:The Arizona Daily Star
625:The Road to Livingston
604:Sun Araw / Ralph White
283:
48:Background information
985:The Houston Chronicle
970:. April 30, 1992. 28.
560:(2008, self-released)
538:(2011, self-released)
532:(2011, self-released)
526:(2011, self-released)
277:
266:Bad Livers: 1990-1996
1432:January 6, 2009. D2.
1363:The Austin Chronicle
1333:The Austin Chronicle
1242:The Austin Chronicle
1214:The Austin Chronicle
1167:The Old-Time Herald.
1105:. May 17, 1996. 9 H.
1054:. August 1995. 6-11.
1003:. May 14, 1992. F10.
952:The Austin Chronicle
888:The Austin Chronicle
870:The Austin Chronicle
824:The Austin Chronicle
809:. February 13, 1997.
413:The Atavistic Waltz,
404:The Austin Chronicle
342:Quarterstick Records
338:Delusions of Banjer,
1263:August 1, 2002. 18.
1196:SĂĽddeutsche Zeitung
1018:. May 27, 1994. 2E.
765:April 15, 2013, at
758:KUT Music Archive.
690:(1991, Fist Puppet)
668:Delusions of Banjer
648:Horses in the Mines
638:Hogs on the Highway
558:The Atavistic Waltz
548:The Mongrel's Hoard
417:The Mongrel's Hoard
359:SĂĽddeutsche Zeitung
354:Horses in the Mines
1507:Old-time musicians
1477:American banjoists
1441:Dennis, David Jr.
1357:Schroeder, Audra.
1294:Internet Archive.
1199:. 5 November 1997.
1064:Rosenberg, Madelyn
981:"Critics' picks."
946:Schroeder, Audra.
864:Hernández, Raoul.
749:November 25, 2009.
746:The Colorado Daily
367:Solo: 1999–present
284:
184:Ralph E. White III
1482:American fiddlers
1397:Hussey, Allison.
1327:Stevens, Darcie.
1285:Winter 2003. 166.
1184:. April 21, 1994.
1169:Fall 1993. 11-13.
707:Stevens, Darcie.
658:Dust on the Bible
610:, split 12" with
506:Farewell to Texas
473:Farewell to Texas
432:Trash Fish Sushi,
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678:The Golden Years
574:Terminus Records
536:Trash Fish Sushi
444:Monotonous Press
429:Stovepipe Blues,
421:Monotonous Press
350:Butthole Surfers
344:and produced by
248:Austin Chronicle
196:old-time country
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530:Stovepipe Blues
518:Waltz Don't Run
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481:Alto Recordings
465:Alto Recordings
457:Waltz Don’t Run
436:The Hanged Man.
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317:Chicago Tribune
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170:.ralphewhite
138:Years active
63:July 9, 1952
1467:1952 births
1279:(Review)."
1239:(Review)."
495:Discography
373:Trash Fish,
208:Cajun music
30:Ralph White
21:Ralph Waite
1461:Categories
1277:Trash Fish
1237:Trash Fish
845:(Review)."
843:Trash Fish
695:References
642:Sugar Hill
632:Bad Livers
619:Soundtrack
570:Trash Fish
479:, also on
449:Hard Sound
346:Paul Leary
308:Don Walser
280:Bad Livers
240:Mark Rubin
232:Bad Livers
107:Occupation
59:1952-07-09
1403:Indy Week
1282:Sing Out!
1134:archives.
542:Boundless
440:Sun Arrow
425:Boundless
377:Sing Out!
289:Motörhead
220:accordion
127:accordion
763:Archived
612:Sun Araw
304:postpunk
291:and the
110:Musician
85:Old-time
1447:Spinner
1208:Staff.
979:Staff.
725:Staff.
680:(1992,
670:(1992,
660:(1994,
650:(1994,
640:(1997,
606:(2013,
572:(2002,
550:(2010,
348:of the
333:music.
293:Misfits
204:African
163:Website
89:Country
627:(2013)
600:(2015)
261:Career
224:guitar
216:fiddle
147:Labels
119:Fiddle
81:Genres
71:Origin
596:with
442:with
228:mbira
212:banjo
192:blues
131:mbira
123:banjo
101:Cajun
97:Blues
500:Solo
434:and
206:and
200:rock
172:.com
93:Folk
53:Born
483:.
463:on
168:www
1463::
1320:^
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222:,
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592:’
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399:'
57:(
23:.
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