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332:), but the Teevra and the flat nishad are added. The vadi-samvadi are Pancham and Shadja. The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.
549:. Rishabh and Dhaivat are less oscillating in Raag Ramkali than in Bhairav. This Raga is sung in middle and upper octave, which discriminates it from Bhairav.
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and can be themed around soothing things a man would say to please a discontent wife, it is an early morning raga belonging to
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In
Ramkali, Teevra Madhyam and Komal Nishad are used in a specific combination in Avroh like:
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328:. In this raga, as in Bhairav, Rishabh and Dhaivat are Komal(
659:"Raag Ramkali – Hindustani Classical Music – Tanarang.com"
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59:(6 am to 9 am): 1st Prahar of the Day
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545:This raag is very similar to Raga
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344:and is a part of Sikh Scripture
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760:Ragas in the Guru Granth Sahib
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708:. You can help Knowledge by
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322:Hindustani classical music
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350:Sri Guru Granth Sahib Ji
346:Sri Guru Granth Sahib Ji
336:Ramkali also appears in
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365:Arohana and avarohana
354:Raga Ramkali Dakhni
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765:Indian music stubs
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710:expanding it
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671:. Retrieved
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314:Raga Ramkali
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673:13 February
541:Description
480: : Sa
474: : Pa
342:North India
56:Time of day
749:Categories
616:References
403:Avarohana
101:Avarohana
667:Archived
490: :
478:Samavadi
295:Samavadi
547:Bhairav
370:Arohana
307:Ramakri
304:Synonym
65:Arohana
42:Bhairav
22:Ramkali
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360:Theory
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704:is a
484:Pakad
173:Pakad
37:Thaat
706:stub
675:2021
472:Vadi
352:is '
338:Sikh
330:flat
318:raga
285:Vadi
48:Type
356:'.
320:in
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594:Ṉ̣
554:M̄
516:M̄
492:M̄
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405::
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258:M̄
234:M̄
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712:.
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110:N
106:Ṡ
94:Ṡ
90:N
86:Ḏ
82:P
78:M
74:G
70:S
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