Knowledge (XXG)

Randy Hall

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sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam
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The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man with the Horn," a
287:, booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist 350:
given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.
227:, who had played in Miles's band from 1973 to 1975, began giving them lessons. They did gigs with him, festivals, and other events. Pete played bass and Randy played guitar. In 1975, Hall went to study music at the 267:
AL7 performed part-time, their main preoccupation being rehearsing and writing material. They also worked with arranger Tom Washington (known as Tom Tom 84), who was connected with another local band,
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and the two became lifelong friends. Wilburn's mother Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance.
363:, Burris and Wilburn. More than a dozen tunes were recorded during the sessions, which took place between October 1985 and January 1986, and the plan was to release an album called 264:
disbanded and a new band was formed, AL7, which included Hall, Wilburn, Irving, Burris, bassist Felton Crews (who also joined Miles's band) and Hall's sister Saundra, a vocalist.
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tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.
819: 809: 724: 342:. Once again, Crews and Irving were involved in the sessions. Meanwhile, Miles had left Columbia Records after almost thirty years and signed with 804: 789: 779: 334:" fame). The album included contributions from Irving, Wilburn, Crews and Burris. In 1985, Hall was in Ray Parker Jr's studio (Ameraycan) in 397:
In more recent years Hall has been working with Elliott Small. Hall produced, wrote the music, and played piano and guitar on Small's album
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After leaving Pleasure, Hall carved out a successful career as an artist/producer and in 1984, he released a solo album,
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gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band
749: 434: 243:, with Patterson becoming the last bassist in a Miles Davis band and the others working on Davis' comeback album 307: 288: 228: 203:. Hall can play fast and explosively, as in the opening number "One Phone Call/Street Scenes" on the ESP 2 DVD 490: 774: 732: 245: 219:
That soon gained them a reputation around Chicago and they did session work for local groups, including
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album. Two tunes from the Rubberband sessions were due to appear on a retrospective set called
678: 408:, where he has a production studio, and he performs locally, nationally, and internationally. 236: 401:. Hall also wrote the lyrics for two songs on the album: "Share Your Love" and "Delightful". 405: 280: 367:. One of the tracks was called "Give It Up," the same name as a hit tune for Pleasure. The 283:, flew four of the AL7 band members - Hall, Wilburn, Crews, and Irving - from Chicago to 643: 323: 196: 768: 375: 284: 195:
Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to
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Hall, Irving and Wilburn performed with other local musicians, including bassist
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Holzman (who later joined Davis's band), bassist Cornelius Mims, percussionist
360: 224: 64: 220: 162:, and its title track featured lead vocals by Hall, who also played guitar, 152:
is an American singer, guitarist, and record producer who collaborated with
759: 191:, but at the age of 13 he switched to guitar, taking lessons from British 607: 239:, and saxophonist Glenn Burris. All of these musicians later worked with 753: 386: 184: 167: 231:
in Boston. When Hall returned to Chicago, he joined a new band called
327: 310:. Occasionally, Hall was asked by Miles Davis to compose some songs. 188: 54: 235:, which included Wilburn, bassist Richard Patterson, keyboardist 212:
Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in
69: 677:. University of Michigan Press. pp. 45, 71, 72, 208, 216. 249:. Irving and Wilburn also joined Davis' band in the 1980s. 354:
Hall decided to work with a number of people from the
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The Last Miles: The Music of Miles Davis, 1980-1991
125: 115: 98: 78: 47: 37: 30: 699:"Randy Hall Top Songs / Chart Singles Discography" 223:. When Hall and Wilburn were around 17 years old, 256:(who joined Miles's band in 1983) and guitarist 8: 260:, who played on the Amandla album. In 1979, 156:during the 1980s. Hall helped Davis arrange 597: 595: 593: 591: 589: 587: 585: 27: 567:"β€”" denotes releases that did not chart. 725:"Randy Hall - Biography and Discography" 540:"DJ's Need Love Too / Callin' for Love" 479: 420: 820:21st-century African-American musicians 581: 638: 636: 634: 632: 630: 628: 626: 624: 371:material was not released until 2019. 668: 666: 664: 7: 394:, but were ultimately not included. 338:, recording a follow-up solo album, 14: 199:, whereby the thumb is used as a 644:"Miles's Associates: Randy Hall" 42:Chicago, Illinois, United States 810:Berklee College of Music alumni 187:. His first instrument was the 275:Collaboration with Miles Davis 23:Randy Hall (American football) 1: 750:Album and Singles Discography 374:Davis later worked work with 346:, with Warner's head of jazz 805:Jazz musicians from Illinois 790:American male jazz composers 780:African-American songwriters 561: 550: 548:"How Do You Want Your Love" 542: 531: 523: 512: 504: 468: 455: 279:Miles Davis's record label, 841: 20: 825:American male songwriters 795:Songwriters from Illinois 566: 555: 536: 517: 510:"I've Been Watching You" 498: 450: 815:American music arrangers 800:Columbia Records artists 529:"As Long as I Can Last" 465:Love You Like a Stranger 404:Hall currently lives in 399:This Season's Collection 356:Love You Like A Stranger 340:Love You Like A Stranger 229:Berklee College of Music 21:For another person, see 785:American jazz composers 269:Earth, Wind & Fire 183:Randy Hall grew up in 729:The Soul of Amsterdam 673:Cole, George (2007). 304:The Man with the Horn 246:The Man with the Horn 159:The Man with the Horn 559:"A New Way of Love" 344:Warner Bros. Records 735:on January 3, 2006. 723:Hellingh, Andreas. 604:"Artist Biography" 258:Jean-Paul Bourelly 206:A Tribute to Miles 571: 570: 493: 473: 472: 437: 237:Robert Irving III 144: 143: 16:American musician 832: 760:Facebook Profile 737: 736: 731:. 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Retrieved 702: 693: 674: 651:. Retrieved 647: 611:. 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Index

Randy Hall (American football)
Chicago, Illinois, United States
Disco
R&B
Soul
Funk
MCA Records
Miles Davis
The Man with the Horn
synthesizer
celesta
Chicago
piano
jazz guitarist
Wes Montgomery
pick
A Tribute to Miles
kindergarten
the Dells
Pete Cosey
Berklee College of Music
Data
Robert Irving III
Miles Davis
The Man with the Horn
Darryl Jones
Jean-Paul Bourelly
Data
Earth, Wind & Fire
Columbia Records

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