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sessions on the new Miles Davis album. One of these people was Atalla Zane Giles, who had played guitar, keyboards, bass and sang on the album. Giles was asked to compose, arrange and produce the new album with Hall. Engineer Reggie Dozier was asked to join the project, as were keyboardist Adam
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The musicians worked on the music at Miles's house most days and in the studio and recorded more than a dozen tracks, although Davis did not play on any of them at that stage. One of them was "Shout," a disco-funk track written by Hall, Irving, and Burris. Another was "The Man with the Horn," a
287:, booked them iton a top-flight hotel and arranged recording sessions. Glenn Burris later joined the four and although he was at many of the sessions, he did not play. Instead, the four Chicago musicians were joined by a young saxophonist
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given the responsibility of handling Miles's musical development. During the initial stages, LiPuma was happy for Miles to choose his own musical direction. Miles decided that he wanted Hall to produce his first album for Warner Bros.
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AL7 performed part-time, their main preoccupation being rehearsing and writing material. They also worked with arranger Tom
Washington (known as Tom Tom 84), who was connected with another local band,
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and the two became lifelong friends. Wilburn's mother
Dorothy, was Miles's sister. The two friends started playing together and at the age of 16 joined a local band called Time, Space and Distance.
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disbanded and a new band was formed, AL7, which included Hall, Wilburn, Irving, Burris, bassist Felton Crews (who also joined Miles's band) and Hall's sister
Saundra, a vocalist.
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tribute ballad to Miles written by Hall and Irving, which became the title track for Davis's comeback album. Randy Hall also played guitar, synthesiser and celeste on the track.
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In more recent years Hall has been working with
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After leaving
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gave Hall a lot of exposure and as a result of his singing on the title track, he was invited to join the soul/funk band
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That soon gained them a reputation around
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Peter Budd. Despite Budd's best efforts, Hall adopted a playing technique similar to
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Holzman (who later joined Davis's band), bassist
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is an
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in Boston. When Hall returned to Chicago, he joined a new band called
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Hall met Miles's nephew (and future drummer) Vince Wilburn Jr in
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Hall decided to work with a number of people from the
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The Last Miles: The Music of Miles Davis, 1980-1991
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356:Love You Like A Stranger
340:Love You Like A Stranger
229:Berklee College of Music
21:For another person, see
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269:Earth, Wind & Fire
183:Randy Hall grew up in
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673:Cole, George (2007).
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246:The Man with the Horn
159:The Man with the Horn
559:"A New Way of Love"
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206:A Tribute to Miles
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108:Guitar
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518:1988
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