515:(aesthetic sensitivity), is crucial within the context of music and bhakti. Abhinavgupta suggests that fullness of delight is essential for developing aesthetic sensitivity. This delight is not limited to pleasant experiences but also includes painful ones, as both can lead to an expansion of consciousness. He emphasizes that the capacity for enjoyment is closely linked to receptivity to the ultimate experience and labels those unable to appreciate good music as "ahrdaya" (heartless, insensitive). Aesthetic sensitivity is viewed as a necessary condition for spiritual sensibility, both of which are expressed by the term sahrdayata.
3906:
1188:
5212:
5222:
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35:) literally means "juice, essence or taste". It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. It refers to the emotional flavors/essence crafted into the work by the writer or a performer and relished by a 'sensitive spectator' or
3644:
732:
3596:
133:
1328:
means "bliss as is innate in oneself and manifests itself even in the absence of external stimuli" because bliss is a non-material state that is spiritual, subjective and an intrinsic state of a human being. Happiness, to
Shankara, does not depend on others or external, material things; it is a state
83:, entertainment is a desired effect of performance arts but not the primary goal. Instead, the primary goal is to transport the audience into another, parallel reality full of wonder and bliss, where they experience the essence of their own consciousness, and reflect on spiritual and moral questions.
666:. The text states that the aims of art are manifold. In many cases, it aims to produce repose and relief for those exhausted with labor, or distraught with grief, or laden with misery, or struck by austere times. However, entertainment is an effect, yet not the primary goal of arts, according to the
261:
as "a relish that of an elemental human emotion like love, pity, fear, heroism or mystery, which forms the dominant note of a dramatic piece; this dominant emotion, as tasted by the audience, has a different quality from that which is aroused in real life; rasa may be said to be the original emotion
947:
Shānta-rasa functions as an equal member of the set of rasas, but it is simultaneously distinct as being the most clear form of aesthetic bliss. Abhinavagupta likens it to the string of a jeweled necklace; while it may not be the most appealing for most people, it is the string that gives form to
703:
is notable for its extensive discussion of aesthetic and ontological questions. According to
Abhinavagupta, the success of an artistic performance is measured not by the reviews, awards or recognition the production receives, but only when it is performed with skilled precision, devoted faith and
717:
3395:
948:
the necklace, allowing the jewels of the other eight rasas to be relished. Relishing the rasas and particularly shānta-rasa is implied to be almost as good as, but never quite equal to the bliss of self-realization experienced by
389:
In the theories of Indian poetics, ancient scholars state that the effectiveness of a literary composition depends both on what is stated and how it is stated (words, grammar, rhythm), and this creates its
265:
Rasas are created through a wide range of means, and the ancient Indian texts discuss many such means. For example, one way is through the use of gestures and facial expressions of the actors. Expressing
435:
in aesthetic terms. The rasa it presents is an emotional relish, a mood called Sthayi Bhava. This development towards a relishable state is created through emotional conditions which are called
1262:, for example. The entire hymn praises liquid extracts of foods as the spirits of great gods, the source of great strength within humans, as Agastya glorifies foods. Sanskrit: तव त्ये पितो
334:, wherein music is a form of creating "love, compassion, peace, heroism, comic or the feeling of wonder" within the listener. Anger, disgust, fear and such emotions are not the subject of
922:
A ninth rasa was added by later authors. This addition had to undergo a good deal of struggle between the sixth and the tenth centuries before it could be accepted and the expression "
3445:
231:
257:
is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature. Wallace Dace translates the ancient text's explanation of
559:
consciousness, quintessence" but also "taste" in some contexts. In post-Vedic literature, the word generally connotes "extract, essence, juice or tasty liquid".
3375:
976:(pure) . These classifications are based on how the rasas are developed or enacted during the aesthetic experience. This is seen in the following passage:
476:
theories, in part, drive the forms, shapes, arrangements and expressions of images and structures. Some Indian texts on sculpture suggest nine
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pure concentration, so that the artist gets the audience emotionally absorbed into the art and immerses the spectator with the pure joy of a
2657:
224:
4297:
5271:
5129:
2429:
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2152:
2100:
1201:
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102:, the interpretation and implementation of a particular rasa differs between different styles and schools. The Indian theory of
5261:
5117:
4648:
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217:
776:. Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There are 4 pairs of rasas. For instance,
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67:. However, its most complete exposition in drama, songs and other performance arts is found in the works of the Kashmiri
5124:
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402:
into literary works likely goes back to a more ancient period. This is generally discussed under the Indian concepts of
5139:
4235:
75:(c. 1000 CE), demonstrating the persistence of a long-standing aesthetic tradition of ancient India. According to the
562:
Rasa in an aesthetic sense is suggested in the Vedic literature, but the oldest surviving manuscripts describing the
5166:
4658:
3691:
3664:
3104:
2934:
2258:
1657:
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507:"because of this previous exposure, attuned their minds to create the reflection of poetic emotions in their minds"
147:
504:"have been exposed to appreciation of literary work and who have made it a habit to think about the literary work"
5186:
4112:
3626:
2811:
459:
are those passing feelings which are ancillary to a mood. Later scholars added more emotional states such as the
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so as to lift and transport the spectators towards the expression of ultimate reality and transcendent values.
547:
in many contexts means "taste", and also the sense of "the sap of grain". According to Daniel Meyer-Dinkgräfe,
3887:
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3004:
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95:
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1266:रजांस्यनु विष्ठिताः । दिवि वाता इव श्रिताः ॥४॥ तव त्ये पितो ददतस्तव स्वादिष्ठ ते पितो । प्र स्वाद्मानो
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1165:
394:. Among the most celebrated of these theories of poetics and literary works, are the 5th-century
4220:
1360:, Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford)
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2401:
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2359:
2325:
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2231:
2196:
2148:
2096:
2069:
2042:
2015:
1980:
1948:
1921:
1915:
1885:
1846:
1810:
1783:
1756:
1716:
1689:
1618:
1586:
1580:
1556:
1495:
1468:
1438:
1229:
785:
748:
99:
28:
20:
4140:
2476:
2036:
1804:
1777:
1750:
1710:
1683:
1612:
1489:
4956:
4866:
4757:
4357:
4352:
4317:
4292:
4178:
4135:
3822:
3682:
3064:
3014:
2959:
2874:
2806:
2340:
2298:
2262:
2252:
2223:
1877:
1239:
587:
455:, the excitants. Anubhava, as the name signifies, means the ensuants or effects of emotion.
419:
5225:
5090:
5043:
5025:
4975:
4909:
4891:
4834:
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4603:
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4342:
4312:
4150:
4040:
3879:
3872:
3719:
2949:
2889:
2766:
2321:
Rasa, or, Knowledge of the self: essays on Indian aesthetics and selected
Sanskrit studies
1552:
Analecta
Husserliana, Ingardeniana III: The Performing Arts, the Fine Arts, and Literature
1195:
1157:
1144:
753:
679:
468:
39:
literally one who "has heart", and can connect to the work with emotion, without dryness.
4996:
395:
3729:
322:
is an inspired creation for a specific mood, where the musician or ensemble creates the
5060:
4839:
4183:
4060:
4030:
3865:
3535:
3515:
3385:
3142:
3094:
3054:
2989:
2939:
2919:
2854:
302:
168:
142:
91:
843:
5250:
5176:
5080:
4859:
4633:
4371:
4262:
4173:
4107:
3565:
3355:
3214:
3137:
3079:
2994:
2974:
2834:
2786:
2619:
2344:
2222:. Encyclopedia of Indian Religions. Dordrecht: Springer Netherlands. pp. 85–86.
1219:
1169:
725:
688:
556:
282:
72:
59:
4731:
4696:
4593:
4210:
3169:
3034:
2914:
2894:
2746:
1321:
1148:
789:
743:
193:
152:
64:
2579:
873:
3396:
A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
2440:
2419:
2395:
2374:
2353:
2319:
2190:
2063:
2009:
1974:
1942:
1550:
1462:
1434:
662:, the goals of theatre are to empower aesthetic experience and deliver emotional
398:
and the 9th-century
Anandavardhana, but the theoretical tradition of integrating
4871:
4799:
4789:
4701:
4691:
4666:
4307:
4302:
4193:
3987:
3971:
3914:
3849:
3785:
3338:
3291:
3147:
3099:
3059:
3009:
2801:
2624:
2597:
1992:
1004:
986: Again I shall declare the beings born of the permanent and moving beings.
933:
764:
is a sentiment or emotion evoked in each member of the audience by the art. The
539:
2011:
The
Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art
4936:
4904:
4849:
4706:
4415:
4252:
4225:
4205:
4007:
3805:
3780:
3308:
3286:
3179:
2964:
2924:
2884:
2751:
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2227:
342:
that are aimed at in Indian music, each has sub-categories. For example, love
306:
278:
87:
2216:
Long, Jeffery D.; Sherma, Rita D.; Jain, Pankaj; Khanna, Madhu, eds. (2022).
1889:
1881:
1850:
5055:
4844:
4794:
4767:
4716:
4681:
4671:
4623:
4522:
4490:
4435:
4332:
4287:
3961:
3219:
3189:
2984:
2929:
2849:
2781:
2217:
1224:
552:
294:
286:
3651:
2289:
Wallace Dace (1963). "The
Concept of "Rasa" in Sanskrit Dramatic Theory".
931:
903:
889:
874:
859:
844:
829:
814:
798:
5100:
4919:
4914:
4804:
4741:
4721:
4552:
4388:
4215:
4188:
4155:
4097:
3997:
3992:
3966:
3929:
3891:
3775:
3647:
3520:
3254:
3204:
3184:
3049:
2555:
2549:
1427:
1214:
1205:
866:
813:
797:
788:
of a frightened person is black, and the aura of an angry person is red.
781:
777:
575:
567:
178:
107:
68:
63:, an ancient text on the arts from the 1st millennium BCE, attributed to
54:
2498:
1834:
1289:
states, "rasa is essence par excellence, the universal essence/bliss". (
731:
716:
5001:
4854:
4772:
4762:
4537:
4527:
4500:
4495:
4485:
4440:
4425:
4420:
4200:
4145:
4130:
4122:
4089:
3956:
3859:
3834:
3810:
3795:
3709:
3699:
3333:
3281:
3239:
3224:
3194:
2756:
2310:
1866:"The Lord of the Heart: Abhinavagupta's Aesthetics and Kashmir Śaivism"
1755:. Motilal Banarsidass. pp. 72–78, 45–46, 57–58, 115–116, 121–122.
1259:
882:
533:
432:
200:
2492:
2482:
2472:
1944:
Bringing the Gods to Mind: Mantra and Ritual in Early Indian
Sacrifice
1374:
756:
and other performance arts, written between 200 BC and 200 AD. In the
5038:
5033:
5011:
4824:
4777:
4736:
4618:
4608:
4547:
4455:
4398:
4393:
4247:
3934:
3770:
3756:
3741:
3266:
3244:
3174:
3152:
1312:
940:
910:
806:
428:
298:
290:
2302:
2168:
2038:
Paṇḍitarāja Jagannātha, the
Renowned Sanskrit Poet of Medieval India
338:, but they are part of Indian theories on dramatic arts. Of the six
1685:
Being and Meaning: Reality and Language in Bhartṛhari and Heidegger
1491:
Voyages of Body and Soul: Selected Female Icons of India and Beyond
346:
in Hindu literature has many musical flavors, such as erotic love (
4929:
4924:
4628:
4598:
4532:
4512:
4450:
4430:
4403:
4242:
3944:
3844:
3790:
3746:
3724:
3039:
1960:
1636:
1634:
1208:, misplaced vowels or missing conjuncts instead of Indic text.
949:
896:
836:
822:
768:
mentions six rasa in one section, but in the dedicated section on
757:
736:
730:
715:
619:
528:
205:
173:
132:
43:
2439:
Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993).
2114:
2112:
1513:
1511:
16:
Aesthetic concept in Indian arts related to emotions and feelings
4970:
4899:
4881:
4829:
4613:
4557:
4517:
4477:
4460:
4445:
4410:
3839:
3751:
3260:
3234:
2339:
Natalia Lidova (2014). "Natyashastra". Oxford University Press.
852:
318:
281:
underpinning of all Indian classical dance and theatre, such as
183:
115:
111:
3615:
2639:
2508:
330:
and musical performances in Hindu traditions aim at one of six
3643:
3229:
2504:
1155:
method of classical Sanskrit drama to movies, for instance in
2635:
805:(शृङ्गारः): Romance, Love, attractiveness. Presiding deity:
86:
Although the concept of rasa is fundamental to many forms of
3704:
2254:
The Cinema of Satyajit Ray: Between Tradition and Modernity
618:
theory in Chapter 6. The text begins its discussion with a
1776:
Alice Boner; Sadāśiva Rath Śarmā; Bettina Bäumer (1996).
1749:
Alice Boner; Sadāśiva Rath Śarmā; Bettina Bäumer (1996).
1582:
RASA: Affect and Intuition in Javanese Musical Aesthetics
1712:
The Sphota Theory of Language: A Philosophical Analysis
511:
In his philosophical work, Abhinavagupta believed that
447:. Vibhavas means Karana or cause: it is of two kinds -
1544:
1542:
1540:
1538:
980:पुनश्च भावान्वक्ष्यामि स्थायिसञ्चारिसत्त्वजान्॥६.१६॥ (
466:
In the Indian theories on sculpture and architecture (
3446:
The Work of Art in the Age of Mechanical Reproduction
821:(हास्यं): Laughter, mirth, comedy. Presiding deity:
653:(~200 BCE–200 CE), Translator: Daniel Meyer-Dinkgräfe
2003:
2001:
1947:. University of California Press. pp. 100–101.
1839:
Annals of the Bhandarkar Oriental Research Institute
5024:
4989:
4815:
4750:
4657:
4584:
4577:
4476:
4379:
4370:
4278:
4164:
4121:
4088:
4006:
3980:
3943:
3922:
3913:
3905:
3821:
3690:
3681:
3498:
3347:
3120:
2827:
2739:
2673:
2607:
2542:
1549:W.S. Hanley (2012). Anna-Teresa Tymieniecka (ed.).
451:, the personal or human object and substratum, and
118:(Indonesia), but with regional creative evolution.
2068:. Bloomsbury Academic. pp. 102–104, 155–156.
1669:
1585:. Oxford University Press. pp. 122, 172–194.
1574:
1572:
1467:. Bloomsbury Academic. pp. 73, 102–106, 120.
1426:
537:, it connotes a liquid, an extract and flavor. In
53:theory has a dedicated section (Chapter 6) in the
1420:
1418:
1416:
1329:one discovers and reaches within oneself through
1283:. For example, the "Ananda Valli" section of the
270:in classical Indian dance form is referred to as
1909:
1907:
1905:
1903:
1901:
1899:
851:(कारुण्यं): Compassion, mercy. Presiding deity:
735:Raudram rasa of the destructive fury of goddess
633:is produced from a combination of Determinants (
1976:Consciousness, Theatre, Literature and the Arts
926:", (the nine rasas), could become established.
909:(अद्भुतं): Wonder, amazement. Presiding deity:
865:(बीभत्सं): Disgust, aversion. Presiding deity:
628:
580:
357:
2473:"Rasas" as Springs of Art in Indian Aesthetics
1979:. Cambridge Scholars Publishing. p. 243.
1606:
1604:
1602:
1408:
3627:
2651:
2520:
1494:. Cambridge Scholars Publishing. p. 45.
1164:In Hindi cinema, it is the theme of the film
594:With these the worshipper recreates his self,
225:
8:
3376:The Literary Mind and the Carving of Dragons
2469:, Translated into English by Manomohan Ghosh
1640:
1517:
1404:
1402:
1400:
1172:plays nine characters corresponding to nine
605:(~1000 BCE), Translator: Arindam Chakrabarti
326:in the listener. However, predominantly all
2130:
1809:. Oxford University Press. pp. 30–31.
881:(भयानकं): Horror, terror. Presiding deity:
4581:
4376:
3949:
3919:
3687:
3634:
3620:
3612:
2658:
2644:
2636:
2527:
2513:
2505:
2192:A Rasa Reader: Classical Indian Aesthetics
2118:
1456:
1454:
1370:
1368:
1366:
232:
218:
120:
2442:Indian Theatre: Traditions of Performance
2376:Sanskrit Play Production in Ancient India
2195:. Columbia University Press. p. 48.
1920:. Bloomsbury Academic. pp. 102–103.
1352:
1350:
1306:The philosophical or mystical meaning of
1258:See Rigvedic hymns 1.187.4–5 composed by
2397:Music and Musical Thought in Early India
1835:"The Aesthetic Appreciator or Sahṛdaya"
1782:. Motilal Banarsidass. pp. 73–74.
1715:. Motilal Banarsidass. pp. 17–23.
1688:. Motilal Banarsidass. pp. 78–97.
1555:. Springer. pp. 299–300, 295–309.
1346:
1251:
1143:has been an important influence on the
160:
123:
2499:The Aesthetics of Ancient Indian Drama
2467:Rasa (sentiments) in the Natya-shastra
2355:The Oxford Companion to Indian Theatre
2065:Approaches to Acting: Past and Present
1917:Approaches to Acting: Past and Present
1529:
1464:Approaches to Acting: Past and Present
1433:. Columbia University Press. pp.
772:it states and discusses eight primary
2014:. Bloomsbury Academic. pp. 1–2.
1828:
1826:
1735:C.Ramanujachari and Dr. V. Raghavan.
1488:Ketu H. Katrak; Anita Ratnam (2014).
699:as well. Abhinavagupta's analysis of
585:the arts are refinement of the self (
7:
2324:. Translated by Louise Landes Levi.
1654:The Cambridge Guide to Asian Theatre
1614:The Dawn of Indian Music in the West
1429:Rasa: Performing the Divine in India
1388:The Cambridge Guide to Asian Theatre
262:transfigured by aesthetic delight".
106:is also found in the Hindu arts and
98:, theatre, painting, sculpture, and
5231:
2421:Indian Music: History and Structure
2041:. Mittal Publications. p. 75.
1737:The Spiritual Heritage of Tyagaraja
1617:. Bloomsbury Academic. p. 23.
982:
578:in chapter 6, for example, states:
2189:Pollock, Sheldon (26 April 2016).
1864:Bäumer, Bettina (1 January 2008).
895:(वीरं): Heroism. Presiding deity:
746:enunciated the eight rasas in the
683:is the most studied commentary on
14:
1779:The essence of form in sacred art
1752:The essence of form in sacred art
835:(रौद्रं): Fury. Presiding deity:
596:that is made of rhythms, meters.
417:As an example, the literary work
365:that bathes the minds of readers,
350:) and spiritual devotional love (
5230:
5220:
5211:
5210:
5199:
3904:
3650:
3642:
3594:
1993:तैत्तिरीयोपनिषद ब्रह्मानन्दवल्ली
1377:, Encyclopedia Britannica (2013)
1186:
670:. The primary goal is to create
363:is a fusion of word and meaning,
131:
5200:
2400:. University of Chicago Press.
2062:Daniel Meyer-Dinkgräfe (2005).
1973:Dinkgrafe Daniel Meyer (2011).
1914:Daniel Meyer-Dinkgräfe (2005).
1461:Daniel Meyer-Dinkgräfe (2005).
1356:Monier Monier-Williams (1899),
1297:ह्येवायं लब्ध्वाऽऽनन्दी भवति ।)
939:: Peace or tranquility. deity:
691:(950–1020 CE), who referred to
5125:Relations with other religions
2483:"Rasa" as Aesthetic Experience
2345:10.1093/obo/9780195399318-0071
1991:; For Sanskrit original, see:
1682:Sebastian Alackapally (2002).
752:, an ancient Sanskrit text of
277:The theory of rasas forms the
1:
2219:Hinduism and Tribal Religions
1652:Farley Richmond, "India", in
1375:Rasa: Indian Aesthetic Theory
1279:Many Upanishads use the word
964:, bhavas are of three types:
809:. Colour: Śyāma (Dark Bluish)
500:-s are those spectators who:
3506:Aestheticization of politics
2035:Narendra Nath Sarma (1994).
2008:Arindam Chakrabarti (2016).
1386:Farley Richmond. "India" in
583:Now (he) glorifies the arts,
375:it is yet beyond the words.
2358:. Oxford University Press.
2291:Educational Theatre Journal
932:
904:
890:
875:
860:
845:
830:
815:
799:
792:established the following:
42:Rasas are created by one's
5288:
5272:Sanskrit words and phrases
2259:Cambridge University Press
1963:, Wikisource (in Sanskrit)
1658:Cambridge University Press
1425:Susan L. Schwartz (2004).
1392:Cambridge University Press
1320:of Hinduism. For example,
943:. Colour: perpetual white.
371:shining without cessation.
369:It is the truth of poetry,
5197:
3952:
3902:
3660:
3574:
2228:10.1007/978-94-024-1188-1
2143:Ghosh, Manomohan (2002).
2089:Ghosh, Manomohan (2002).
1941:Laurie L. Patton (2005).
1709:Harold G. Coward (1980).
1008:with eight corresponding
641:) and Transitory States (
32:
4269:Yoga Sutras of Patanjali
1882:10.1163/156852908X271033
1833:Hardikar, A. R. (1994).
1803:Ariel Glucklich (1994).
1656:, ed. James R. Brandon (
1611:Peter Lavezzoli (2006).
1390:. ed. James R. Brandon (
555:refers to the "essence,
46:: one's state of mind.
4348:Thiruvilaiyadal Puranam
3526:Evolutionary aesthetics
3476:The Aesthetic Dimension
2475:, Radhakamal Mukerjee (
2445:. Motilal Banarsidass.
2379:. Motilal Banarsidass.
2251:Cooper, Darius (2000),
1670:Emmie Te Nijenhuis 1974
1316:or commentaries on the
1206:question marks or boxes
110:musical productions of
5262:Concepts in aesthetics
4323:Eighteen Greater Texts
3456:Avant-Garde and Kitsch
3406:Lectures on Aesthetics
2485:, G. B. Mohan Thampi (
2394:Rowell, Lewis (2015).
1194:This article contains
991:
899:. Colour: Bright White
740:
728:
656:
608:
603:Aitareya Brahmana 6.27
488:Abhinavagupta defines
378:
314:Indian classical music
125:Indian classical music
5076:Hindu gurus and sants
4328:Eighteen Lesser Texts
3601:Philosophy portal
1959:; For original text:
1870:Religion and the Arts
1579:Marc Benamou (2010).
1270:तुविग्रीवा इवेरते ॥५॥
978:
734:
719:
5066:Anti-Hindu sentiment
3546:Philosophy of design
3426:In Praise of Shadows
3416:The Critic as Artist
2373:Tarla Mehta (1995).
2318:René Daumal (1982).
2095:. p. 2 note 3.
1806:The Sense of Adharma
1318:Principal Upanishads
1286:Taittiriya Upanishad
498:Dhvanyāloka. Saṛdaya
496:, his commentary on
367:with savor of bliss.
5172:Hinduism by country
4338:Iraiyanar Akapporul
4298:Tirumurukāṟṟuppaṭai
3556:Philosophy of music
3531:Mathematical beauty
2352:Ananda Lal (2004).
2121:, p. 308, 492.
1643:, pp. 249–250.
1532:, pp. 327–333.
1520:, pp. 249–252.
1409:Natalia Lidova 2014
1235:Sanskrit Literature
1136:Influence on cinema
760:performing arts, a
527:appears in ancient
373:Clear to the heart,
3551:Philosophy of film
3541:Patterns in nature
3511:Applied aesthetics
3486:Why Beauty Matters
3272:Life imitating art
3133:Art for art's sake
2493:The Theory of Rasa
2424:. BRILL Academic.
2416:Emmie Te Nijenhuis
1166:Naya Din Nayi Raat
1101:(Feeling thrilled)
741:
729:
651:Natyashastra 6.109
5244:
5243:
5020:
5019:
4573:
4572:
4366:
4365:
4280:Sangam literature
4236:Yājñavalkya Smṛti
4084:
4083:
3900:
3899:
3609:
3608:
3561:Psychology of art
3436:Art as Experience
2633:
2632:
2615:Indian aesthetics
2495:, P. J. Chaudhury
2452:978-81-208-0981-9
2407:978-0-226-73034-9
2386:978-81-208-1057-0
2365:978-0-19-564446-3
2331:978-0-8112-0824-6
2237:978-94-024-1187-4
2202:978-0-231-54069-8
2075:978-1-4411-0381-9
2048:978-81-7099-393-3
2021:978-1-4725-2430-0
1986:978-1-4438-3491-9
1954:978-0-520-93088-9
1927:978-1-4411-0381-9
1816:978-0-19-508341-5
1789:978-81-208-0090-8
1762:978-81-208-0090-8
1722:978-81-208-0181-3
1695:978-81-208-1803-3
1672:, pp. 34–42.
1641:Wallace Dace 1963
1624:978-0-8264-1815-9
1592:978-0-19-971995-2
1562:978-94-011-3762-1
1518:Wallace Dace 1963
1501:978-1-4438-6115-1
1474:978-1-4411-0381-9
1444:978-0-231-13144-5
1333:(self-knowledge).
1310:is common in the
1230:Telugu literature
1202:rendering support
972:(travelling) and
960:According to the
658:According to the
427:, presenting the
249:According to the
242:
241:
21:Indian aesthetics
5279:
5234:
5233:
5224:
5214:
5213:
5203:
5202:
5113:Pilgrimage sites
4867:Ganesh Chaturthi
4582:
4377:
4358:Vedarthasamgraha
4353:Vinayagar Agaval
4318:Five Great Epics
4293:Divya Prabandham
4206:Minor Upanishads
3950:
3920:
3908:
3907:
3688:
3654:
3646:
3636:
3629:
3622:
3613:
3599:
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3481:
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2180:
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2177:
2175:
2165:
2159:
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2140:
2134:
2131:Tarla Mehta 1995
2128:
2122:
2116:
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2086:
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2005:
1996:
1990:
1970:
1964:
1958:
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1932:
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1894:
1893:
1876:(1–3): 214–229.
1861:
1855:
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1845:(1/4): 265–272.
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1271:
1256:
1240:Sanskrit Theatre
1190:
1189:
1151:has applied the
1131:(Swoon or death)
1107:(Break in voice)
987:
984:
937:
913:. Colour: yellow
907:
893:
878:
863:
848:
833:
818:
802:
739:in Bharatanatyam
654:
637:), Consequents (
606:
420:Bhagavata Purana
385:
234:
227:
220:
148:Hindustani music
135:
121:
34:
5287:
5286:
5282:
5281:
5280:
5278:
5277:
5276:
5267:Literary theory
5247:
5246:
5245:
5240:
5207:
5193:
5016:
4985:
4976:Vasant Panchami
4910:Pahela Baishakh
4892:Makar Sankranti
4811:
4746:
4653:
4569:
4472:
4362:
4343:Abhirami Antati
4313:Kamba Ramayanam
4274:
4160:
4117:
4080:
4002:
3976:
3939:
3909:
3896:
3880:Vishishtadvaita
3817:
3677:
3656:
3640:
3610:
3605:
3595:
3593:
3570:
3494:
3489:
3479:
3469:
3466:Critical Essays
3459:
3449:
3439:
3429:
3419:
3409:
3399:
3389:
3379:
3369:
3359:
3343:
3116:
3030:Ortega y Gasset
2823:
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2303:10.2307/3204783
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2119:Ananda Lal 2004
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1398:
1394:, 1993), p. 69.
1385:
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1338:
1337:
1305:
1301:
1278:
1274:
1257:
1253:
1248:
1211:
1210:
1209:
1200:Without proper
1191:
1187:
1182:
1158:The Apu Trilogy
1145:cinema of India
1138:
1080:sattvika bhavas
1074:outlines eight
1068:
996:
985:
958:
920:
885:. Colour: black
825:. Colour: white
754:dramatic theory
714:
680:Abhinavabhāratī
655:
649:
643:vyabhicaribhava
607:
601:
598:
595:
593:
584:
574:. The Aitareya
531:literature. In
521:
486:
469:Shilpa Shastras
461:Sattvika Bhavas
457:Sanchari Bhavas
445:Sanchari Bhavas
387:
380:
377:
374:
372:
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368:
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247:
238:
17:
12:
11:
5:
5285:
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5264:
5259:
5257:Dance in India
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4840:Raksha Bandhan
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4079:
4078:
4073:
4068:
4063:
4058:
4053:
4051:Shvetashvatara
4048:
4043:
4038:
4033:
4028:
4026:Brihadaranyaka
4023:
4018:
4012:
4010:
4004:
4003:
4001:
4000:
3995:
3990:
3984:
3982:
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3969:
3964:
3959:
3953:
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3926:
3924:
3923:Classification
3917:
3911:
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3898:
3897:
3895:
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3884:
3883:
3876:
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3558:
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3548:
3543:
3538:
3536:Neuroesthetics
3533:
3528:
3523:
3518:
3516:Arts criticism
3513:
3508:
3502:
3500:
3496:
3495:
3493:
3492:
3482:
3472:
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3402:
3392:
3386:On the Sublime
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3257:
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3250:Interpretation
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3143:Artistic merit
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2792:Psychoanalysis
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2461:External links
2459:
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2412:
2406:
2391:
2385:
2370:
2364:
2349:
2336:
2330:
2315:
2297:(3): 249–254.
2284:
2281:
2278:
2277:
2271:
2243:
2236:
2208:
2201:
2181:
2169:"The Navarasa"
2160:
2153:
2135:
2123:
2108:
2101:
2081:
2074:
2054:
2047:
2027:
2020:
1997:
1985:
1965:
1953:
1933:
1926:
1895:
1856:
1822:
1815:
1795:
1788:
1768:
1761:
1741:
1728:
1721:
1701:
1694:
1674:
1662:
1660:, 1993), p.69.
1645:
1630:
1623:
1598:
1591:
1568:
1561:
1534:
1522:
1507:
1500:
1480:
1473:
1450:
1443:
1412:
1396:
1379:
1362:
1345:
1344:
1342:
1339:
1336:
1335:
1324:comments that
1299:
1272:
1250:
1249:
1247:
1244:
1243:
1242:
1237:
1232:
1227:
1222:
1217:
1204:, you may see
1192:
1185:
1184:
1183:
1181:
1178:
1137:
1134:
1133:
1132:
1126:
1120:
1114:
1108:
1102:
1096:
1090:
1089:(Stupefaction)
1067:
1064:
1063:
1062:
1061:(Astonishment)
1056:
1050:
1044:
1038:
1032:
1026:
1020:
995:
992:
957:
956:List of bhavas
954:
945:
944:
919:
916:
915:
914:
900:
886:
870:
869:. Colour: blue
856:
855:. Colour: grey
840:
826:
810:
780:arises out of
720:Expression of
713:
710:
647:
599:
581:
520:
517:
509:
508:
505:
485:
482:
358:
356:
309:, and others.
246:
243:
240:
239:
237:
236:
229:
222:
214:
211:
210:
209:
208:
203:
197:
196:
191:
186:
181:
176:
171:
163:
162:
158:
157:
156:
155:
150:
145:
143:Carnatic music
137:
136:
128:
127:
79:theory of the
15:
13:
10:
9:
6:
4:
3:
2:
5284:
5273:
5270:
5268:
5265:
5263:
5260:
5258:
5255:
5254:
5252:
5237:
5229:
5227:
5223:
5219:
5217:
5209:
5208:
5206:
5196:
5188:
5185:
5183:
5180:
5179:
5178:
5177:Hindu temples
5175:
5173:
5170:
5168:
5165:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5127:
5126:
5123:
5119:
5116:
5115:
5114:
5111:
5109:
5106:
5102:
5099:
5098:
5097:
5094:
5092:
5089:
5087:
5084:
5082:
5081:Hindu studies
5079:
5077:
5074:
5072:
5069:
5067:
5064:
5062:
5059:
5057:
5054:
5052:
5051:Denominations
5049:
5045:
5042:
5040:
5037:
5036:
5035:
5032:
5031:
5029:
5027:
5023:
5013:
5010:
5008:
5005:
5003:
5000:
4998:
4995:
4994:
4992:
4988:
4982:
4979:
4977:
4974:
4972:
4969:
4967:
4964:
4963:
4958:
4955:
4953:
4950:
4948:
4945:
4943:
4940:
4939:
4938:
4935:
4931:
4928:
4926:
4923:
4921:
4918:
4916:
4913:
4911:
4908:
4906:
4903:
4901:
4898:
4897:
4895:
4893:
4890:
4888:
4885:
4883:
4880:
4878:
4875:
4873:
4870:
4868:
4865:
4861:
4860:Vijayadashami
4858:
4856:
4853:
4851:
4848:
4847:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4822:
4820:
4818:
4814:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4787:
4786:
4783:
4779:
4776:
4774:
4771:
4769:
4766:
4764:
4761:
4760:
4759:
4756:
4755:
4753:
4749:
4743:
4740:
4738:
4735:
4733:
4730:
4728:
4725:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4677:Simantonayana
4675:
4673:
4670:
4668:
4665:
4664:
4662:
4660:
4656:
4650:
4647:
4645:
4642:
4640:
4637:
4635:
4632:
4630:
4627:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4591:
4589:
4587:
4583:
4580:
4576:
4566:
4565:
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4534:
4531:
4529:
4526:
4524:
4521:
4519:
4516:
4514:
4511:
4509:
4506:
4502:
4499:
4497:
4494:
4492:
4489:
4488:
4487:
4484:
4483:
4481:
4479:
4475:
4469:
4468:
4464:
4462:
4459:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4405:
4402:
4400:
4397:
4395:
4392:
4391:
4390:
4387:
4386:
4384:
4382:
4378:
4375:
4373:
4369:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4285:
4283:
4281:
4277:
4271:
4270:
4266:
4264:
4263:Yoga Vasistha
4261:
4259:
4256:
4254:
4251:
4249:
4246:
4244:
4241:
4237:
4234:
4232:
4229:
4227:
4224:
4223:
4222:
4219:
4217:
4214:
4212:
4209:
4207:
4204:
4202:
4199:
4195:
4192:
4190:
4187:
4186:
4185:
4182:
4180:
4177:
4175:
4174:Bhagavad Gita
4172:
4171:
4169:
4167:
4163:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4139:
4137:
4134:
4132:
4129:
4128:
4126:
4124:
4120:
4114:
4113:Sthapatyaveda
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4095:
4093:
4091:
4087:
4077:
4074:
4072:
4069:
4067:
4064:
4062:
4059:
4057:
4054:
4052:
4049:
4047:
4044:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4017:
4014:
4013:
4011:
4009:
4005:
3999:
3996:
3994:
3991:
3989:
3986:
3985:
3983:
3979:
3973:
3970:
3968:
3965:
3963:
3960:
3958:
3955:
3954:
3951:
3948:
3946:
3942:
3936:
3933:
3931:
3928:
3927:
3925:
3921:
3918:
3916:
3912:
3893:
3889:
3886:
3882:
3881:
3877:
3875:
3874:
3870:
3868:
3867:
3863:
3862:
3861:
3858:
3856:
3853:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3832:
3829:
3828:
3826:
3824:
3820:
3812:
3809:
3807:
3804:
3802:
3799:
3797:
3794:
3792:
3789:
3787:
3784:
3782:
3779:
3777:
3774:
3772:
3769:
3768:
3767:
3764:
3763:
3758:
3755:
3753:
3750:
3748:
3745:
3743:
3740:
3739:
3738:
3735:
3734:
3731:
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3711:
3708:
3706:
3703:
3701:
3698:
3697:
3695:
3693:
3689:
3686:
3684:
3680:
3674:
3671:
3668:
3666:
3663:
3662:
3659:
3653:
3649:
3645:
3637:
3632:
3630:
3625:
3623:
3618:
3617:
3614:
3602:
3592:
3590:
3587:
3585:
3582:
3580:
3577:
3576:
3573:
3567:
3566:Theory of art
3564:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3522:
3519:
3517:
3514:
3512:
3509:
3507:
3504:
3503:
3501:
3497:
3488:
3487:
3483:
3478:
3477:
3473:
3468:
3467:
3463:
3457:
3453:
3447:
3443:
3438:
3437:
3433:
3428:
3427:
3423:
3417:
3413:
3408:
3407:
3403:
3398:
3397:
3393:
3388:
3387:
3383:
3378:
3377:
3373:
3368:
3367:
3363:
3358:
3357:
3356:Hippias Major
3353:
3352:
3350:
3346:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3322:
3320:
3317:
3315:
3312:
3310:
3307:
3305:
3304:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3262:
3258:
3256:
3253:
3251:
3248:
3246:
3243:
3241:
3238:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3216:
3215:Entertainment
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3164:
3161:
3159:
3156:
3155:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3138:Art manifesto
3136:
3134:
3131:
3129:
3128:Appropriation
3126:
3125:
3123:
3119:
3113:
3112:
3108:
3106:
3103:
3101:
3098:
3096:
3093:
3091:
3088:
3086:
3083:
3081:
3078:
3076:
3073:
3071:
3068:
3066:
3063:
3061:
3058:
3056:
3053:
3051:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3020:Merleau-Ponty
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2968:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2906:
2903:
2901:
2898:
2896:
2893:
2891:
2888:
2886:
2883:
2881:
2878:
2876:
2873:
2871:
2868:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2835:Abhinavagupta
2833:
2832:
2830:
2826:
2820:
2819:
2815:
2813:
2810:
2808:
2805:
2803:
2800:
2798:
2795:
2793:
2790:
2788:
2787:Postmodernism
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2768:
2765:
2763:
2760:
2758:
2755:
2753:
2750:
2748:
2745:
2744:
2742:
2738:
2732:
2729:
2727:
2724:
2722:
2719:
2717:
2714:
2712:
2709:
2707:
2704:
2702:
2699:
2697:
2694:
2692:
2689:
2687:
2684:
2682:
2679:
2678:
2676:
2672:
2668:
2661:
2656:
2654:
2649:
2647:
2642:
2641:
2638:
2626:
2623:
2621:
2618:
2616:
2613:
2612:
2610:
2606:
2600:(tranquility)
2599:
2596:
2593:
2590:
2587:
2584:
2581:
2578:
2575:
2572:
2569:
2566:
2563:
2560:
2557:
2554:
2551:
2548:
2547:
2545:
2541:
2537:
2530:
2525:
2523:
2518:
2516:
2511:
2510:
2507:
2501:, V. Raghavan
2500:
2497:
2494:
2491:
2488:
2484:
2481:
2478:
2474:
2471:
2468:
2465:
2464:
2460:
2454:
2448:
2444:
2443:
2437:
2433:
2431:90-04-03978-3
2427:
2423:
2422:
2417:
2413:
2409:
2403:
2399:
2398:
2392:
2388:
2382:
2378:
2377:
2371:
2367:
2361:
2357:
2356:
2350:
2346:
2342:
2337:
2333:
2327:
2323:
2322:
2316:
2312:
2308:
2304:
2300:
2296:
2292:
2287:
2286:
2282:
2274:
2272:0-521-62980-2
2268:
2264:
2260:
2256:
2255:
2247:
2244:
2239:
2233:
2229:
2225:
2221:
2220:
2212:
2209:
2204:
2198:
2194:
2193:
2185:
2182:
2170:
2164:
2161:
2156:
2154:81-7080-076-5
2150:
2146:
2139:
2136:
2133:, p. 24.
2132:
2127:
2124:
2120:
2115:
2113:
2109:
2104:
2102:81-7080-076-5
2098:
2094:
2093:
2085:
2082:
2077:
2071:
2067:
2066:
2058:
2055:
2050:
2044:
2040:
2039:
2031:
2028:
2023:
2017:
2013:
2012:
2004:
2002:
1998:
1994:
1988:
1982:
1978:
1977:
1969:
1966:
1962:
1961:Rigveda 1.187
1956:
1950:
1946:
1945:
1937:
1934:
1929:
1923:
1919:
1918:
1910:
1908:
1906:
1904:
1902:
1900:
1896:
1891:
1887:
1883:
1879:
1875:
1871:
1867:
1860:
1857:
1852:
1848:
1844:
1840:
1836:
1829:
1827:
1823:
1818:
1812:
1808:
1807:
1799:
1796:
1791:
1785:
1781:
1780:
1772:
1769:
1764:
1758:
1754:
1753:
1745:
1742:
1738:
1732:
1729:
1724:
1718:
1714:
1713:
1705:
1702:
1697:
1691:
1687:
1686:
1678:
1675:
1671:
1666:
1663:
1659:
1655:
1649:
1646:
1642:
1637:
1635:
1631:
1626:
1620:
1616:
1615:
1607:
1605:
1603:
1599:
1594:
1588:
1584:
1583:
1575:
1573:
1569:
1564:
1558:
1554:
1553:
1545:
1543:
1541:
1539:
1535:
1531:
1526:
1523:
1519:
1514:
1512:
1508:
1503:
1497:
1493:
1492:
1484:
1481:
1476:
1470:
1466:
1465:
1457:
1455:
1451:
1446:
1440:
1436:
1431:
1430:
1421:
1419:
1417:
1413:
1410:
1405:
1403:
1401:
1397:
1393:
1389:
1383:
1380:
1376:
1371:
1369:
1367:
1363:
1359:
1353:
1351:
1347:
1340:
1332:
1327:
1323:
1319:
1315:
1314:
1309:
1303:
1300:
1296:
1292:
1288:
1287:
1282:
1276:
1273:
1269:
1265:
1261:
1255:
1252:
1245:
1241:
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1220:Natya Shastra
1218:
1216:
1213:
1212:
1207:
1203:
1199:
1197:
1179:
1177:
1175:
1171:
1170:Sanjeev Kumar
1167:
1162:
1161:(1955–1959).
1160:
1159:
1154:
1150:
1146:
1142:
1135:
1130:
1127:
1124:
1121:
1118:
1115:
1112:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1085:
1084:
1083:
1081:
1077:
1073:
1065:
1060:
1057:
1054:
1051:
1048:
1045:
1042:
1039:
1036:
1033:
1030:
1027:
1024:
1021:
1018:
1015:
1014:
1013:
1011:
1007:
1006:
1001:
993:
990:
988:
977:
975:
971:
967:
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2570:(compassion)
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65:Bharata Muni
58:
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36:
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18:
5236:WikiProject
5108:Persecution
5096:Nationalism
5086:Iconography
4966:Ratha Yatra
4877:Janmashtami
4872:Rama Navami
4800:Vanaprastha
4751:Varnashrama
4727:Ritushuddhi
4712:Vidyarambha
4702:Chudakarana
4692:Nishkramana
4667:Garbhadhana
4308:Thirukkural
4303:Thiruppugal
4231:Nāradasmṛti
4194:Mahabharata
3972:Atharvaveda
3850:Vaisheshika
3737:Puruṣārthas
3370:(c. 335 BC)
3360:(c. 390 BC)
3339:Work of art
3292:Picturesque
3148:Avant-garde
3105:Winckelmann
2980:Kierkegaard
2905:Collingwood
2875:Baudrillard
2802:Romanticism
2772:Historicism
2706:Mathematics
2625:Sthayibhava
2536:Rasa theory
2261:, pp.
2145:Natyasastra
2092:Natyasastra
1530:Rowell 2015
1113:(Trembling)
1072:Natyasastra
1000:Natyasastra
918:Śāntam rasa
749:Nātyasāstra
701:Natyasastra
693:Natyasastra
685:Natyasastra
622:called the
540:Atharvaveda
513:sahṛidayata
484:Sahṛidayata
408:Sabdatattva
245:Role in art
88:Indian arts
5251:Categories
4937:Kumbh Mela
4905:Gudi Padwa
4850:Durga Puja
4835:Shivaratri
4707:Karnavedha
4687:Namakarana
4649:Tirthatana
4416:Dattatreya
4253:Subhashita
4226:Manusmriti
4103:Dhanurveda
4036:Taittiriya
4021:Kaushitaki
4008:Upanishads
3781:Aparigraha
3683:Philosophy
3309:Recreation
3287:Perception
3180:Creativity
2880:Baumgarten
2870:Baudelaire
2752:Classicism
2667:Aesthetics
1341:References
1331:atma-jnana
1196:Indic text
1117:Vaivaranya
1105:Svarabheda
1095:(Sweating)
968:(stable),
876:Bhayānakam
624:rasa sutra
566:theory of
553:Upanishads
396:Bhartrhari
307:Kudiyattam
100:literature
90:including
37:sahṛidaya,
5160:Theosophy
5091:Mythology
5071:Criticism
5039:Etymology
4997:Svādhyāya
4896:New Year
4845:Navaratri
4817:Festivals
4795:Grihastha
4768:Kshatriya
4742:Antyeshti
4717:Upanayana
4682:Jatakarma
4672:Pumsavana
4659:Sanskaras
4624:Naivedhya
4578:Practices
4523:Mahavidya
4491:Saraswati
4478:Goddesses
4436:Kartikeya
4333:Athichudi
4288:Tirumurai
4141:Vyākaraṇa
4108:Natyaveda
4056:Chandogya
3981:Divisions
3962:Yajurveda
3314:Reverence
3220:Eroticism
3190:Depiction
3163:Masculine
3065:Santayana
3025:Nietzsche
2970:Hutcheson
2960:Heidegger
2945:Greenberg
2900:Coleridge
2865:Balthasar
2850:Aristotle
2812:Theosophy
2807:Symbolism
2782:Modernism
2767:Formalism
2588:(heroism)
2580:Bhayānaka
2576:(disgust)
1890:1079-9265
1851:0378-1143
1225:Rasa lila
1076:anubhavas
1055:(Disgust)
861:Bībhatsam
697:Natyaveda
590:-samskrti
570:, are of
523:The word
441:Anubhavas
295:Kuchipudi
287:Kathakali
279:aesthetic
5216:Category
5167:Glossary
5135:Buddhism
5101:Hindutva
5061:Calendar
4942:Haridwar
4920:Vaisakhi
4915:Puthandu
4805:Sannyasa
4722:Keshanta
4553:Shashthi
4389:Trimurti
4216:Nitisara
4189:Ramayana
4184:Itihasas
4156:Jyotisha
4098:Ayurveda
4090:Upavedas
4071:Mandukya
4016:Aitareya
3998:Aranyaka
3993:Brahmana
3967:Samaveda
3892:Charvaka
3692:Concepts
3673:Timeline
3665:Glossary
3648:Hinduism
3589:Category
3521:Axiology
3390:(c. 500)
3380:(c. 100)
3255:Judgment
3210:Emotions
3205:Elegance
3185:Cuteness
3158:Feminine
3121:Concepts
3090:Tanizaki
3070:Schiller
3055:Richards
3045:Rancière
3015:Maritain
2950:Hanslick
2890:Benjamin
2762:Feminism
2731:Theology
2711:Medieval
2701:Japanese
2696:Internet
2594:(wonder)
2582:(horror)
2574:Bībhatsa
2418:(1974).
2174:22 April
1293:वै सः ।
1215:Abhinaya
1180:See also
1168:, where
1119:(Pallor)
1099:Romancha
1066:Sattvika
1049:(Terror)
1043:(Energy)
1031:(Sorrow)
974:sattvika
970:sanchari
924:Navarasa
905:Adbhutam
867:Mahakala
846:Kāruṇyam
800:Śṛṅgāraḥ
782:Sringara
722:Sringāra
712:Elements
648:—
639:anubhava
600:—
576:Brahmana
568:Hinduism
490:sahṛdaya
453:Uddipana
449:Alambana
437:Vibhavas
423:deploys
383:Hrsikesa
303:Manipuri
179:Alankara
161:Concepts
108:Ramayana
69:Shaivite
55:Sanskrit
29:Sanskrit
5205:Outline
5155:Sikhism
5150:Judaism
5145:Jainism
5026:Related
5002:Namaste
4855:Ramlila
4785:Ashrama
4773:Vaishya
4763:Brahmin
4586:Worship
4538:Rukmini
4528:Matrika
4501:Parvati
4496:Lakshmi
4486:Tridevi
4441:Krishna
4426:Hanuman
4421:Ganesha
4372:Deities
4258:Tantras
4248:Stotras
4201:Puranas
4146:Nirukta
4136:Chandas
4131:Shiksha
4123:Vedanga
4076:Prashna
4066:Mundaka
3988:Samhita
3957:Rigveda
3888:Nāstika
3873:Advaita
3860:Vedanta
3855:Mīmāṃsā
3835:Samkhya
3823:Schools
3811:Akrodha
3730:Saṃsāra
3710:Ishvara
3700:Brahman
3584:Outline
3499:Related
3366:Poetics
3334:Tragedy
3324:Sublime
3297:Quality
3282:Mimesis
3240:Harmony
3225:Fashion
3200:Ecstasy
3195:Disgust
3111:more...
3080:Scruton
3005:Lyotard
2940:Goodman
2920:Deleuze
2855:Aquinas
2845:Alberti
2818:more...
2797:Realism
2777:Marxism
2757:Fascism
2740:Schools
2726:Science
2681:Ancient
2608:Related
2592:Adbhuta
2568:Kāruṇya
2558:(mirth)
2550:Śṛṅgāra
2487:Archive
2477:Archive
2311:3204783
1260:Agastya
1129:Pralaya
1125:(Tears)
1111:Vepathu
1087:Stambha
1059:Vismaya
1053:Jugupsa
1037:(Anger)
1025:(Mirth)
983:transl.
831:Raudram
695:as the
635:vibhava
551:in the
534:Rigveda
519:History
472:), the
433:Krishna
348:sringar
316:, each
201:Sangita
5226:Portal
5130:Baháʼí
5034:Hindus
5012:Tilaka
4981:Others
4957:Ujjain
4952:Prayag
4947:Nashik
4887:Pongal
4825:Diwali
4778:Shudra
4737:Vivaha
4644:Dhyāna
4619:Bhajan
4609:Bhakti
4594:Temple
4548:Shakti
4456:Varuna
4399:Vishnu
4394:Brahma
4243:Sutras
4179:Agamas
3935:Smriti
3866:Dvaita
3831:Āstika
3776:Asteya
3771:Ahimsa
3757:Moksha
3742:Dharma
3655:topics
3490:(2009)
3480:(1977)
3470:(1946)
3460:(1939)
3450:(1935)
3440:(1934)
3430:(1933)
3420:(1891)
3410:(1835)
3400:(1757)
3267:Kitsch
3245:Humour
3175:Comedy
3153:Beauty
3095:Vasari
3085:Tagore
3060:Ruskin
3000:Lukács
2990:Langer
2935:Goethe
2860:Balázs
2840:Adorno
2721:Nature
2686:Africa
2564:(fury)
2562:Raudra
2552:(love)
2449:
2428:
2404:
2383:
2362:
2328:
2309:
2269:
2234:
2199:
2151:
2099:
2072:
2045:
2018:
1983:
1951:
1924:
1888:
1849:
1813:
1786:
1759:
1719:
1692:
1621:
1589:
1559:
1498:
1471:
1441:
1313:bhasya
1268:रसानां
1041:Utsaha
1035:Krodha
1019:(Love)
994:Sthayi
966:sthayi
941:Vishnu
934:Śāntam
911:Brahma
891:Veeram
816:Hāsyam
807:Vishnu
784:. The
758:Indian
494:Locana
429:bhakti
412:Sphota
404:Dhvani
352:bhakti
299:Odissi
291:Kathak
169:Shruti
5140:Islam
5118:India
5007:Bindi
4990:Other
4930:Ugadi
4925:Vishu
4758:Varna
4639:Tapas
4629:Yajna
4599:Murti
4533:Radha
4513:Durga
4508:Bhumi
4451:Surya
4431:Indra
4404:Shiva
4166:Other
4151:Kalpa
4041:Katha
3945:Vedas
3930:Śruti
3915:Texts
3845:Nyaya
3801:Damah
3791:Satya
3747:Artha
3725:Karma
3715:Atman
3669:Index
3579:Index
3348:Works
3329:Taste
3319:Style
3100:Wilde
3040:Plato
3035:Pater
2995:Lipps
2955:Hegel
2925:Dewey
2915:Danto
2895:Burke
2716:Music
2691:India
2674:Areas
2598:Śānta
2586:Veera
2556:Hāsya
2543:Rasas
2307:JSTOR
1437:–17.
1246:Notes
1123:Ashru
1093:Sveda
1047:Bhaya
1023:Hasya
1010:rasas
950:yogis
897:Indra
837:Rudra
823:Shiva
778:Hāsya
737:Durga
620:sutra
529:Vedic
478:rasas
328:ragas
206:Vadya
174:Svara
96:music
92:dance
57:text
44:bhava
5182:List
5044:List
4971:Teej
4900:Bihu
4882:Onam
4830:Holi
4634:Homa
4614:Japa
4604:Puja
4564:more
4558:Sita
4543:Sati
4518:Kali
4467:more
4461:Vayu
4446:Rama
4411:Agni
4381:Gods
4061:Kena
4031:Isha
3840:Yoga
3806:Dayā
3796:Dāna
3766:Niti
3752:Kama
3720:Maya
3303:Rasa
3261:Kama
3235:Gaze
3170:Camp
3050:Rand
2985:Klee
2975:Kant
2965:Hume
2885:Bell
2447:ISBN
2426:ISBN
2402:ISBN
2381:ISBN
2360:ISBN
2326:ISBN
2267:ISBN
2232:ISBN
2197:ISBN
2176:2012
2149:ISBN
2097:ISBN
2070:ISBN
2043:ISBN
2016:ISBN
1981:ISBN
1949:ISBN
1922:ISBN
1886:ISSN
1847:ISSN
1811:ISBN
1784:ISBN
1757:ISBN
1717:ISBN
1690:ISBN
1619:ISBN
1587:ISBN
1557:ISBN
1496:ISBN
1469:ISBN
1439:ISBN
1358:Rasa
1326:rasa
1308:rasa
1281:rasa
1174:Rasa
1153:Rasa
1141:Rasa
1070:The
1029:Soka
1017:Rati
998:The
883:Kāla
853:Yama
786:Aura
774:rasa
770:rasa
762:rasa
706:rasa
677:The
672:rasa
664:rasa
631:Rasa
616:rasa
610:The
588:atma
564:rasa
549:rasa
545:rasa
525:rasa
474:rasa
443:and
425:rasa
410:and
400:rasa
392:rasa
361:Rasa
344:rasa
340:rasa
336:rasa
332:rasa
324:rasa
319:raga
268:Rasa
259:rasa
255:rasa
253:, a
194:Tala
189:Rasa
184:Raga
116:Java
114:and
112:Bali
104:rasa
77:Rasa
51:rasa
49:The
25:rasa
23:, a
5056:Law
3230:Fun
3010:Man
2930:Fry
2341:doi
2299:doi
2263:1–4
2224:doi
1878:doi
1295:रसँ
1291:रसो
1264:रसा
1078:or
1012::
645:).
492:in
431:of
354:).
312:In
19:In
5253::
3890::
3833::
3705:Om
3458:"
3448:"
3418:"
2305:.
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2293:.
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2257:,
2230:.
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2000:^
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1874:12
1872:.
1868:.
1843:75
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1825:^
1633:^
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1571:^
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1453:^
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