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was created with the intention of being presented to
Marquess Francesco Riccardi for approval before being painted in the palace. Currently, ten of the twelve oil studies created between 1682 and 1685 reside in the
221:, a painting in the Macedonian Tomb I in Vergina (Aegae), dating from the mid 4th century BC. This in situ mural is mostly indistinguishable, other than the figures of Hades and Persephone themselves on a chariot.
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146:. Although the painting remains unsigned, the style and composition is highly indicative of being a legitimate Rembrandt. It is currently displayed as a part of
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466:"Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment"
105:. When Persephone was picking flowers in a field, Hades emerged on his chariot from a crack on the earth, and carried off the unwilling Persephone; only
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As part of a set of oil studies intended to be used for painting the ceiling frescoes in the
Palazzo Medici Riccardi in Florence, the
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Bryun, J; Haak, B.; Levie, S.H.; Van Thiel, P.J.J.; Van De
Wetering, E. (1982). "The abduction of Proserpina".
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Erksine, A.; et al., eds. (2017). "THE ROYAL COURT IN ANCIENT MACEDONIA: THE EVIDENCE FOR ROYAL TOMBS".
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For the sculpture by Gian
Lorenzo Bernini that depicts this subject, see
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300:"The Poetics of Legalism: Ovid and Claudian on the Rape of Proserpina"
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36:, is a classical mythological subject in Western art, depicting the
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The Rape of
Persephone, musée Saint-Raymond, Toulouse, inv. Ra 152
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82:(down). An Apulian red-figure volute krater, c. 340 BC.
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depicted the abduction of
Persephone in a piece entitled
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Stefanakis, Μ. Ι.; Vlavogilakis, Α. (15 February 2014).
182:, and as such was owned by the Spanish Royal family.
62:rather than the potential ensuing sexual violence.
52:refers to the traditional translation of the Latin
126:This painting on a large wooden panel is entitled
113:witnessed the abduction, and later told Demeter.
421:Mythological Scene with the Rape of Proserpine
203:Mythological Scene with the Rape of Proserpine
178:. The piece was intended to decorate the lost
185:This was copied later in the 17th century by
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58:('seized' or 'carried off') which refers to
449:: CS1 maint: location missing publisher (
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16:Narrative of Greek and Roman mythology
244:from the Roman villa of Chiragan, in
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189:in oil on canvas under the name of
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382:A Corpus of Rembrandt Paintings
298:Jones, Brandon (January 2019).
187:Juan Bautista MartĂnez del Mazo
142:has largely been attributed to
89:Persephone is the daughter of
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472:(EXARC Journal Issue 2014/1).
246:Musée Saint-Raymond, Toulouse
48:. In this context, the word
524:Sexuality in ancient Greece
384:. Vol. 1. p. 365.
366:The Abduction of Proserpine
140:The Abduction of Proserpina
128:The Abduction of Proserpine
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170:Created in 1636 and 1637,
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519:Mythological rape victims
138:Painted in around 1631,
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101:to abduct her into the
66:Mythological background
34:Abduction of Persephone
514:Kidnapping in folklore
401:The Rape of Proserpine
276:by the Italian artist
273:The Rape of Proserpina
257:, in the vault of the
251:The Rape of Persephone
242:The Rape of Persephone
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219:The Rape of Persephone
191:El Rapto de Proserpina
176:The Rape of Proserpine
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164:The Rape of Proserpina
148:Gemäldegalerie, Berlin
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84:Antikensammlung Berlin
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437:The Hellenistic Court
317:10.1353/are.2019.0002
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150:, permanent exhibit.
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495:at Wikimedia Commons
278:Gian Lorenzo Bernini
78:with his horses and
74:Rape of Persephone.
539:Helios in mythology
259:Piccolomini Library
162:Peter Paul Rubens'
509:Rape of Persephone
493:Rape of Persephone
237:Examples include:
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180:Torre de la Parada
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30:Rape of Persephone
491:Media related to
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534:Deeds of Demeter
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549:Iconography
343:to Demeter
166:, 1636-1637
503:Categories
285:References
103:Underworld
80:Persephone
42:Persephone
445:cite book
326:202374163
225:Sculpture
144:Rembrandt
134:Rembrandt
117:Paintings
38:abduction
363:(1570).
304:Arethusa
197:Giordano
261:in the
95:Demeter
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154:Rubens
122:Allori
111:Helios
107:Hecate
55:raptus
322:S2CID
267:Siena
263:Duomo
253:, by
76:Hades
46:Hades
32:, or
451:link
109:and
99:Gaia
93:and
91:Zeus
50:Rape
28:The
312:doi
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
