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was created with the intention of being presented to
Marquess Francesco Riccardi for approval before being painted in the palace. Currently, ten of the twelve oil studies created between 1682 and 1685 reside in the
232:, a painting in the Macedonian Tomb I in Vergina (Aegae), dating from the mid 4th century BC. This in situ mural is mostly indistinguishable, other than the figures of Hades and Persephone themselves on a chariot.
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157:. Although the painting remains unsigned, the style and composition is highly indicative of being a legitimate Rembrandt. It is currently displayed as a part of
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477:"Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment"
116:. When Persephone was picking flowers in a field, Hades emerged on his chariot from a crack on the earth, and carried off the unwilling Persephone; only
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As part of a set of oil studies intended to be used for painting the ceiling frescoes in the
Palazzo Medici Riccardi in Florence, the
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Bryun, J; Haak, B.; Levie, S.H.; Van Thiel, P.J.J.; Van De
Wetering, E. (1982). "The abduction of Proserpina".
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Erksine, A.; et al., eds. (2017). "THE ROYAL COURT IN ANCIENT MACEDONIA: THE EVIDENCE FOR ROYAL TOMBS".
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For the sculpture by Gian
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311:"The Poetics of Legalism: Ovid and Claudian on the Rape of Proserpina"
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The Rape of
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93:(down). An Apulian red-figure volute krater, c. 340 BC.
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depicted the abduction of
Persephone in a piece entitled
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Stefanakis, Μ. Ι.; Vlavogilakis, Α. (15 February 2014).
193:, and as such was owned by the Spanish Royal family.
73:rather than the potential ensuing sexual violence.
63:refers to the traditional translation of the Latin
137:This painting on a large wooden panel is entitled
124:witnessed the abduction, and later told Demeter.
432:Mythological Scene with the Rape of Proserpine
214:Mythological Scene with the Rape of Proserpine
189:. The piece was intended to decorate the lost
196:This was copied later in the 17th century by
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69:('seized' or 'carried off') which refers to
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27:Narrative of Greek and Roman mythology
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393:A Corpus of Rembrandt Paintings
309:Jones, Brandon (January 2019).
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153:has largely been attributed to
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483:(EXARC Journal Issue 2014/1).
257:Musée Saint-Raymond, Toulouse
59:. In this context, the word
535:Sexuality in ancient Greece
395:. Vol. 1. p. 365.
377:The Abduction of Proserpine
151:The Abduction of Proserpina
139:The Abduction of Proserpine
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181:Created in 1636 and 1637,
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530:Mythological rape victims
149:Painted in around 1631,
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112:to abduct her into the
77:Mythological background
45:Abduction of Persephone
525:Kidnapping in folklore
412:The Rape of Proserpine
287:by the Italian artist
284:The Rape of Proserpina
268:, in the vault of the
262:The Rape of Persephone
253:The Rape of Persephone
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230:The Rape of Persephone
202:El Rapto de Proserpina
187:The Rape of Proserpine
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175:The Rape of Proserpina
159:Gemäldegalerie, Berlin
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448:The Hellenistic Court
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506:at Wikimedia Commons
289:Gian Lorenzo Bernini
89:with his horses and
85:Rape of Persephone.
550:Helios in mythology
270:Piccolomini Library
173:Peter Paul Rubens'
520:Rape of Persephone
504:Rape of Persephone
248:Examples include:
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41:Rape of Persephone
18:Rape of Proserpine
502:Media related to
435:(Ceiling fresco).
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296:References
114:Underworld
91:Persephone
53:Persephone
456:cite book
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236:Sculpture
155:Rembrandt
145:Rembrandt
128:Paintings
49:abduction
374:(1570).
315:Arethusa
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272:in the
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165:Rubens
133:Allori
122:Helios
118:Hecate
66:raptus
333:S2CID
278:Siena
274:Duomo
264:, by
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57:Hades
43:, or
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120:and
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102:Zeus
61:Rape
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