184:"Raquel Bitton's voice is warm and seductive and she has the full measure of Latin rhythms...Rafa Sardina, an 14-time Grammy Award winner, co-produced and engineered the album, and Rhythm of the Heart might put him up to an even dozen. Everything is exactly right, every balance perfect. The overall sound is lush, warm, and seductive, as it must be for this literature, but there is absolutely no lack of detail," says critic Rad Bennett of her latest album.
146:, liked Bitton's low-key treatment as she "served her subject by de-emphasizing the pathos in favour of the craft", using "calm narration". Bitton "did well to concentrate on the great singer as a virtuoso rather than a heroine" as the legend was impossible to live up to, but "a bright interpreter like Ms. Bitton certainly can illuminate it", wrote Powers.
165:"Passion is at the core of the "Piaf" Persona, in this case there is a surrogate, she is RAQUEL BITTON," wrote Anna Kisselgoff in the New York Times. “PIAF..Her story..Her songs”, Piaf and Billie Holiday shared a poignancy in their delivery that few others have mastered; Bitton, here, is one, wrote Phil Elwood in the San Francisco Chronicle.
176:"PIAF...The Resurrection". "Oy Vey! Jesus! (The Ladies of the Thirst Floor)". Plays adapted in French, "Hershey Felder's "Maestro” about Leonard Bernstein". Adapted in English “Zelda” about F. Scott Fitzgerald's wife written by French playwright Sam Vansteen.
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of "Tango
Melodie," from the classic love song, "Tout Bleu," of French composer Henri Bourtayre to the ultimate payback song, "Il Est Trop Tard," "Rhythm of the Heart" is a gem. All sung in French, the songs are as seductive as they are stirring."
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was made into a film which won first place at the 25th
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with her parents and brothers. She began to learn the songs from the French L'Ă‚ge d'or ('Golden Age').
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three times and
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International Film
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