Knowledge (XXG)

Raymond Durgnat

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264:) – and the far-left politics which accompanied the latter – saw Durgnat become an outsider figure within British film culture. In 1973 he moved to Canada, beginning a peripatetic teaching career in North America, which took him to New York, San Francisco and Los Angeles. In the late 1970s, he taught film at the 283:
Returning to London at the close of the decade, he launched a series of withering assaults on the linguistics-based film theory that had come to dominate film academia over the previous decade; perhaps as a result, he did not publish another new book until 1999. He did, however, return to write for
88:(1 September 1932 – 19 May 2002) was a British film critic, who was born in London to Swiss parents. During his life he wrote for virtually every major English language film publication. In 1965 he published the first major critical essay on 318:
Durgnat's socio-political approach – strongly supportive of the working classes and, almost as a direct result of this, American popular culture, and dismissive of left-wing intellectuals whom he accused of actually being
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conservatives in disguise, and dismissive of overt politicisation of film criticism, refusing to bring his own left-wing views overtly into his writings on film – can best be described as "radical populist".
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in 1957, often accusing it of elitism, puritanism, and upper-middle-class snobbery, notably in his 1963 essay "Standing Up For Jesus" (which appeared in the short-lived magazine
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on Michael Powell, on whom Durgnat began but did not complete a full-length book. It also includes such rare pieces as "Standing Up for Jesus". The collection was described by
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Durgnat was born in London in 1932 to Swiss parents who had immigrated to England in 1924. Durgnat's family was of
168: 141: 204: 77: 905: 900: 859: 92:, who had hitherto been "fashionably dismissed by critics as a 'technician's director'", as Durgnat put it. 667:"1963 and all that: Raymond Durgnat and the birth of the Great British Phantasmagoria | Sight & Sound" 217: 179:
in Hong Kong, then a British possession. After leaving the army in 1954, he studied English literature at
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BFI Publishing, distributed by The University of California Press, Berkeley, 2002, 248 pages,
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BFI Publishing, distributed by The University of California Press, Berkeley, 1999, 96 pages,
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from 1960. The thesis he wrote there provided the source material for a number of his books.
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at University of California, Los Angeles (UCLA), published in the e-film journal Rouge.com
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Raymond Durgnat: Prolific film critic contemptuous of his trade's doctrinal theories.
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Studio Vista/Dutton Pictureback, New York, 1965, reprinted 1967, 1970, 160 pages
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The rise of structural film (at the LFMC) and of structuralism (in the journal
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in 1991, and contributed to that publication again later in the 1990s.
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Obituary by Charles Barr – The Independent, Saturday, 25 May 2002
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The MIT Press, Cambridge; Faber and Faber, London 1974, 419 pages,
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article by Henry K. Miller about Durgnat and film culture in 1963
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The MIT Press, Cambridge; Faber and Faber, London 1967, 288 pages
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A Mirror for England: British Movies From Austerity to Affluence
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During 1966 and 1967, Durgnat was a major player in the nascent
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but lost his job in 1932; afterwards, he opened a drapery shop.
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A Mirror for England: British Movies from Austerity to Affluence
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The University of California Press, Berkeley, 1988, 382 pages,
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The University of California Press, Berkeley, 1974, 429 pages,
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Sexual Alienation in the Cinema: the dynamics of sexual freedom
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University of California Press, Berkeley, 1977, 176 pages,
652:"Culture Always is a Fog:" Interview with Raymond Durgnat. 376:
Children of Albion: Poetry of the "Underground" in Britain
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The Crazy Mirror: Hollywood Comedy and the American Image
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University of California Press, Berkeley, 1968, 152 pages
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University of California Press, Berkeley, 1968, 144 pages
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as "the essential film book of this or almost any year".
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Critic who carved out new territory in the study of film
232:). From 1960, he was a regular presence in the monthly 247:
on Charing Cross Road, a hub of the emerging British
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They Drive by Night: The Criticism of Manny Farber.
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Durgnat's father worked as a 784:"De Filmkrant :: World Wide Angle" 647: 645: 643: 605: 427:Studio Vista, London, 1972, 320 pages, 210:In the early 1950s, he had written for 891:Alumni of the Slade School of Fine Art 710: 699: 255:, writing the first articles on both. 236:, writing reviews and serial essays. 7: 290:in the years before its merger with 266:University of California, San Diego 395:Praeger, New York, 1969, 144 pages 301:, were also published by the BFI. 14: 110:(1974). He wrote principally for 334:Nouvelle Vague: The First Decade 782:Martin, Adrian (January 2015). 823:A Raymond Durgnat Bibliography 297:His last two books, including 220:publication after the exit of 136:, where his students included 1: 586:The Essential Raymond Durgnat 559:WR: Mysteries of the Organism 303:The Essential Raymond Durgnat 855:Durgnat on Bells are ringing 573:A Long Hard Look at "Psycho" 181:Pembroke College, Cambridge 74:Pembroke College, Cambridge 932: 299:A Long Hard look at Psycho 873:, originally written for 845:‘Culture Always is a Fog' 729:Obituary: Raymond Durgnat 241:London Film-Makers' Co-op 216:, but fell out with this 142:University of East London 205:Slade School of Fine Art 175:, which he spent in the 169:Sir George Monoux School 78:Slade School of Fine Art 750:www.screenonline.org.uk 167:He was educated at the 95:His many books include 709:Cite journal requires 671:British Film Institute 243:(LFMC), then based at 218:British Film Institute 769:Rosenbaum, Jonathan. 522:(Essay in collection) 287:Monthly Film Bulletin 183:. With the filmmaker 125:Monthly Film Bulletin 896:English film critics 438:The Strange Case of 284:the BFI publication 134:Royal College of Art 105:The Strange Case of 794:on 28 December 2014 130:St Martin's College 122:(in the 1970s) and 16:British film critic 871:Jonathan Rosenbaum 727:Kevin Gough-Yates 636:on 1 October 2009. 545:and English Genius 354:Films and Feelings 348:Eros in the Cinema 278:Jonathan Rosenbaum 230:Films and Feelings 97:Films and Feelings 594:978-1-84457-451-3 581:978-0-85170-920-8 568:978-0-85170-720-4 553:978-0-415-03373-2 537:978-0-520-05798-2 520:978-0-85170-086-1 500:978-0-520-03424-2 485:978-0-571-10656-1 472:978-0-520-02283-6 457:978-0-571-09966-5 449:978-0-262-04041-9 433:978-0-289-70261-1 420:978-1-84457-453-7 407:978-0-8180-0701-9 274:Jean-Pierre Gorin 234:Films and Filming 189:Thorold Dickinson 113:Films and Filming 83: 82: 923: 804: 803: 801: 799: 790:. 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Archived from 626: 620: 615: 440:Alfred Hitchcock 173:National Service 116:(in the 1960s), 107:Alfred Hitchcock 54: 41:1 September 1932 40: 38: 21: 931: 930: 926: 925: 924: 922: 921: 920: 881: 880: 869:," an essay by 867:Raymond Durgnat 849:Film Department 838:Sight and Sound 827:Wayback Machine 817:Raymond Durgnat 813: 808: 807: 797: 795: 781: 780: 776: 768: 764: 754: 752: 744: 743: 739: 726: 722: 708: 698: 691: 690: 686: 676: 674: 665: 664: 660: 650: 641: 628: 627: 623: 616: 607: 602: 477:Durgnat on Film 330: 321:petit-bourgeois 292:Sight and Sound 253:Stephen Dwoskin 213:Sight and Sound 200:The Next of Kin 177:Education Corps 154:French Huguenot 150: 86:Raymond Durgnat 70:Alma mater 57:London, England 56: 52: 43:London, England 42: 36: 34: 26: 25:Raymond Durgnat 17: 12: 11: 5: 929: 927: 919: 918: 913: 908: 906:Film educators 903: 901:Film theorists 898: 893: 883: 882: 879: 878: 863: 857: 852: 842: 830: 820: 812: 811:External links 809: 806: 805: 774: 762: 737: 720: 711:|journal= 684: 673:. 21 June 2018 658: 639: 621: 604: 603: 601: 598: 597: 596: 583: 570: 555: 543:Michael Powell 539: 523: 506:Michael Powell 502: 487: 474: 459: 435: 422: 409: 396: 392:Robert Bresson 387: 379: 373: 365: 357: 351: 345: 337: 329: 326: 162:window dresser 149: 146: 90:Michael Powell 81: 80: 71: 67: 66: 63: 59: 58: 55:(aged 69) 49: 45: 44: 32: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 928: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 888: 886: 876: 872: 868: 864: 861: 858: 856: 853: 850: 846: 843: 840: 839: 834: 831: 828: 824: 821: 818: 815: 814: 810: 793: 789: 788:De Film Krant 785: 778: 775: 772: 766: 763: 751: 747: 741: 738: 735:, 24 May 2002 734: 730: 724: 721: 716: 703: 695: 688: 685: 672: 668: 662: 659: 656: 653: 648: 646: 644: 640: 635: 631: 625: 622: 619: 614: 612: 610: 606: 599: 595: 591: 587: 584: 582: 578: 574: 571: 569: 565: 561: 560: 556: 554: 550: 546: 544: 540: 538: 534: 530: 528: 524: 521: 517: 513: 511: 507: 503: 501: 497: 493: 492: 488: 486: 482: 478: 475: 473: 469: 465: 464: 460: 458: 454: 450: 446: 442: 441: 436: 434: 430: 426: 423: 421: 417: 413: 410: 408: 404: 400: 397: 394: 393: 390:The Films of 388: 385: 384: 383:Samuel Fuller 380: 377: 374: 371: 370: 366: 363: 362: 358: 355: 352: 349: 346: 343: 342: 338: 335: 332: 331: 327: 325: 322: 316: 314: 313:Adrian Martin 310: 309: 304: 300: 295: 293: 289: 288: 281: 279: 275: 271: 267: 263: 262: 256: 254: 250: 246: 242: 237: 235: 231: 227: 223: 222:Gavin Lambert 219: 215: 214: 208: 206: 202: 201: 196: 195: 191:(director of 190: 186: 182: 178: 174: 170: 165: 163: 159: 155: 147: 145: 143: 139: 135: 131: 127: 126: 121: 120: 115: 114: 109: 108: 102: 98: 93: 91: 87: 79: 75: 72: 68: 64: 60: 50: 46: 33: 29: 22: 19: 875:Film Comment 874: 836: 796:. Retrieved 792:the original 787: 777: 765: 753:. Retrieved 749: 740: 733:The Guardian 732: 723: 702:cite journal 687: 675:. 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Index

Pembroke College, Cambridge
Slade School of Fine Art
Michael Powell
Alfred Hitchcock
Films and Filming
Film Comment
Monthly Film Bulletin
St Martin's College
Royal College of Art
Tony Scott
University of East London
French Huguenot
Calvinist
window dresser
Sir George Monoux School
National Service
Education Corps
Pembroke College, Cambridge
Don Levy
Thorold Dickinson
Gaslight
The Next of Kin
Slade School of Fine Art
Sight and Sound
British Film Institute
Gavin Lambert
London Film-Makers' Co-op
Better Books
underground
Stephen Dwoskin

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