500:
men against whom I had fought — that I was able to visit studios and get an insight into production conditions. I am convinced that it is impossible for anybody to teach
England to make pictures: the producers don't want to learn: the English distributors don't want Australian films: and if we ever get a market there, our productions will have to be through Australian channels. That has already been demonstrated by the fact that English distributors have not accepted a single Australian film, even under the quota laws, whereas the American distributors operating in the British Isles have taken eight or ten — and paid cash for them!
440:
picture show will be heard to remark to his mate: “s’wonderful the way they get these things up, ain’t it, nowadays.' He has been looking at oit in a speculative light, but not so the woman. She says nothing, but she wipes the tears from her eyes, tears of real sympathy, indicative of pure appreciation, and for days thereafter, thinks, not of the construction of the plot, nor its cleverness, but of the varied experiences and emotions through which the hero and heroine have passed.
665:
is the
Australian film industry's highest accolade for an individual based on their contributions to "unwavering commitment over many years to excellence in the film and television industries and has, through their body of work to date, contributed substantially to the enrichment of Australian screen
499:
For years and years I fought for the
English industry. For years and years I battled and agitated against the Americans. But now, after seeing the English film men at work, I am sorry to say that I backed the wrong side. It was only through the kindness of the American executives in London — the very
570:
In 1935, he established
Mastercraft Film Corporation Ltd to take advantage of the 1935 NSW Quota Act, but the hoped-for boom in production did not eventuate, and Mastercraft never received the subscribers they needed to become viable; therefore, they made no movies. The company was eventually bought
487:
Longford appeared in bankruptcy court in 1929 but managed to tour Europe the following year, spending 18 months touring various filmmaking facilities. "Naturally the talkies have revolutionised everything", he said. "And to some extent I now feel as if I am returning to my original occupation — the
625:, but he could not marry her because Melena refused to divorce him until 1926, the year after Lyell died. Melina was influenced by her father, William Henry Keen, who did not approve of divorce. William Keen died in 1922. In 1933, Longford married for a second time, to Emilie Elizabeth Anschutz.
439:
You see, one might say that three parts of your picture audience is composed of women, and women, above everything else, are impressionists. It is the human, and not the spectacular side of a film that captures their attention and win their sympathy and admiration. A man coming out of a
255:, the son of John Walter Longford, a civil servant originally from Sydney, and his English wife, Charlotte Maria. His family soon started referring to him as "Ray". By 1880, they briefly moved to Paynesville, then went to Sydney when Longford's father became a warder at
266:. In the early 1900s he toured Australia and New Zealand with Edwin Geach's Popular Dramatic Organisation, and Clarke and Meynell companies. He was a stage manager for the Liliam Meyers Dramatic Company. Longford often appeared alongside a young actress called
562:(1934), although he missed the premiere due to an illness which required hospitalization. In the same year, he was elected head of the New South Wales Talking Picture Producers Association with the aim of promoting a quota for Australian films.
33:
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317:, adapted from a play in which Longford had appeared on stage and starring Lyell. Made quickly, with a limited budget and small crew, it was a major financial success and launched his career behind the camera.
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for who he made a feature and a number of shorts, however, they eventually ended the contract after
Longford became involved in a lawsuit following the making of the highly popular
211:; 23 September 1878 – 2 April 1959) was a prolific Australian film director, writer, producer, and actor during the silent era. Longford was a major director of the
476:
In 1926, it was announced
Longford would serve on the board of the film company Phillips Film Productions Ltd, but little seems to have come of this. He gave evidence at the 1928
378:
He made another number of shorts for a variety of companies and taught film acting. He then made two films in New
Zealand and also became embroiled in another legal battle over
594:, which brought local production to an almost complete halt. During the war, he was a clerk for the U.S. military stationed in Australia; then he became a tally man and
2333:
1448:
Wasson, Mervyn J., 'Longford, Raymond John Walter Hollis (1878–1959)', Australian
Dictionary of Biography, National Centre of Biography, Australian National University
466:
As the 1920s went on, Longford again found difficulties securing finance and/or distribution for his films. He and Lyell formed a company, and he made some movies for
422:(1919). This was an enormous critical and popular success, and is regarded as one of the greatest Australian films of all time. Longford followed it with another hit,
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The popularity of these two movies saw
Longford move away from melodramatic convention to more realistic treatment of subject matter. He said around this time:
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was discovered and screened at the Sydney and
Melbourne Film Festivals, bringing renewed attention to Longford. He died on 2 April 1959 at the age of 80.
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359:(which absorbed Spencer's old company). This left Longford without his main backer and he found it increasingly difficult to secure funding for a time.
344:. Lyell appeared in most of these and also made increasingly important contributions behind the scene as a writer, editor, producer, and co-director.
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621:, on 5 February 1900. They had one child, a son, Victor Hollis Longford. Longford and Melena later separated, and he started a relationship with
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293:, probably the first movie Longford was involved in. He then began appearing in movies for Spencer as an actor under the direction of
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384:(1917). Longford had lifted the story from a book published in the 1880s. The substantial profits from his film that he made for
311:
Rolfe eventually left Spencer's company to make films elsewhere, so in 1911 Spencer hired Longford to direct his first feature,
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412:(1918) (despite the film being banned in New South Wales) which enabled him to get finance for an adaptation of the poetry of
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Longford managed to stay employed in the film industry during the 1930s but found this impossible with the advent of
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Longford became a sailor and spent his early life at sea. He started acting on the stage in India under the name
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four unnamed projects for Mastercraft films in the 1930s, which were to be made under Longford's supervision.
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led to well-received sequels which were also directed by Longford. He and Lyell had another hit with
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480:, where he urged the introduction of a quota for local movies and complained about the influence of
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1988:. Perth: National Library of Australia. 18 December 1931. p. 11 Edition: HOME (FINAL) EDITION
1932:. Perth: National Library of Australia. 18 December 1931. p. 11 Edition: HOME (FINAL) EDITION
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In the early 1930s, Longford worked steadily as an actor and assistant director on such films as
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219:. His contributions to Australian cinema with his ongoing collaborations with Lyell, including
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2260:"Variety - Lantern: Search, Visualize & Explore the Media History Digital Library"
2128:. National Library of Australia. 31 May 1934. p. 9 Supplement: Women's Supplement
402:
Longford's career revived towards the end of World War I when he helped establish the
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2365:. Australian Academy of Cinema and Television Arts. 22 November 2011. Archived from
320:
Longford followed this up with several other play adaptations for Spencer including
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2568:. Rockhampton, Qld.: National Library of Australia. 13 February 1936. p. 15
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In 1925, Lottie Lyell died of tuberculosis; Longford's career never recovered.
2680:. Broken Hill, NSW: National Library of Australia. 23 November 1910. p. 5
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2624:. Rockhampton, Qld.: National Library of Australia. 12 March 1936. p. 14
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eventually withdrew from Australian film production due to the formation of
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STAGE JOTTINGS. Auckland Star, Volume LXIV, Issue 5, 7 January 1933, Page 2
2512:. Lismore, NSW: National Library of Australia. 29 September 1908. p. 1
2484:. Grafton, NSW: National Library of Australia. 22 September 1908. p. 4
512:
On his return to Australia, Longford sought financing for a film about the
1764:. Hobart, Tas.: National Library of Australia. 12 November 1926. p. 3
2540:. Lismore, NSW: National Library of Australia. 26 January 1909. p. 1
2428:. Cairns, Qld.: National Library of Australia. 10 January 1907. p. 2
1057:
The Life and Adventures of John Vane, the Notorious Australian Bushranger
2847:
2652:. Lismore, NSW: National Library of Australia. 26 August 1910. p. 2
2044:. Bathurst, NSW: National Library of Australia. 26 March 1930. p. 4
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He was an early member of the Australian actors union, a forerunner to
2310:. Bathurst, NSW: National Library of Australia. 31 May 1938. p. 2
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In September 1916, he worked for Crick and Jones preparing scenarios.
1960:. Sydney: National Library of Australia. 13 February 1930. p. 15
1649:. Sydney: National Library of Australia. 10 September 1916. p. 5
1595:. Sydney: National Library of Australia. 10 September 1916. p. 5
2776:. Melbourne: National Library of Australia. 5 March 1930. p. 21
2708:. Qld.: National Library of Australia. 30 September 1922. p. 2
1792:. Adelaide: National Library of Australia. 18 June 1927. p. 14
1713:. Sydney: National Library of Australia. 11 March 1923. p. 17
1538:. Sydney: National Library of Australia. 24 March 1915. p. 15
1426:. Sydney: National Library of Australia. 29 March 1913. p. 10
659:
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Longford married Melena Louisa Keen at St Luke's Anglican Church,
1398:. Sydney: National Library of Australia. 29 April 1911. p. 3
2900:
2596:. Qld.: National Library of Australia. 26 March 1910. p. 2
1317:
Among the projects Longford planned but did not film included:
1228:
by McLeod Loder (1908) – starring May Renno – also played with
406:
in South Australia. He enjoyed a large box office success with
2456:. Qld.: National Library of Australia. 13 July 1908. p. 2
601:
In October 1950, Longford was profiled by Ernest Harrison for
2748:. National Library of Australia. 23 December 1927. p. 12
2156:. National Library of Australia. 30 November 1934. p. 10
1848:. National Library of Australia. 19 September 1929. p. 9
1820:. National Library of Australia. 29 November 1927. p. 12
1482:. National Library of Australia. 24 September 1914. p. 5
1210:
by Lingford Carson (1908) – Edwin Geach Dramatic Organisation
2072:. National Library of Australia. 28 October 1931. p. 11
478:
Royal Commission on the Moving Picture Industry in Australia
2184:. National Library of Australia. 4 December 1934. p. 4
2100:. National Library of Australia. 19 August 1933. p. 19
1876:. National Library of Australia. 24 October 1929. p. 8
1510:. National Library of Australia. 6 November 1914. p. 5
2804:. National Library of Australia. 13 April 1935. p. 17
2212:. National Library of Australia. 16 April 1935. p. 15
1904:. National Library of Australia. 3 October 1929. p. 8
2016:. National Library of Australia. 5 March 1930. p. 10
1395:
The Newsletter: an Australian Paper for Australian People
2826:. St.Leonards, NSW: Allen & Unwin/AFC. p. 325.
2400:. National Library of Australia. 2 March 1907. p. 6
2240:. National Library of Australia. 25 June 1935. p. 5
605:
magazine; then, in 1955, a complete 35 mm print of
504:
Longford said UFA were the most advanced studio he saw.
2282:. National Library of Australia. 31 May 1938. p. 6
1567:. National Library of Australia. 15 May 1915. p. 1
578:
In 1939, Longford sued some Mastercraft executives for
338:(1912); Longford also wrote an original for the screen
2859:
Raymond Longford & Lottie Lyell by William M. Drew
549:(1934) (according to contemporary reports he directed
666:
culture". Since the introduction of the award by the
1896:"LAW REPORT. (Continued from page 6.) IN BANKRUPTCY"
1840:"LAW REPORT. (Continued from page 8.) IN BANKRUPTCY"
482:
the Combine of Australasian Films and Union Theatres
270:, who would become Longford's key creative partner.
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491:He returned to Australia in February 1930 and told
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135:
127:
101:
93:
74:
48:
23:
239:, inaugurated in 1968, to be named in his honour.
658:Named in Longford and Lottie Lyell's honour, the
2334:Australian Academy of Cinema and Television Arts
2891:Footage of an interview with Longford from 1958
285:In 1907, Longford worked on a film produced by
291:the fight between Tommy Burns and Jack Johnson
2912:
2279:Newcastle Morning Herald and Miners' Advocate
1333:, a tale of the Australian Lighthorse in the
8:
1375:Phillip Dutchak, "Raymond Hollis Longford",
364:Fraser Film Release and Photographic Company
1242:(1909) – directed for the May Renno Company
1073:Captain Starlight, or Gentleman of the Road
388:, were given to the original books author.
3040:We'll Take Her Children in Amongst Our Own
2919:
2905:
2897:
833:We'll Take her Children in amongst our own
31:
20:
16:Australian filmmaker and actor (1878–1959)
1669:Australian Cinema: The First Eighty Years
1371:
1369:
375:Longford had an operation in March 1915.
2952:The Romantic Story of Margaret Catchpole
1443:
1441:
739:The Romantic Story of Margaret Catchpole
323:The Romantic Story of Margaret Catchpole
247:John Walter Hollis Longford was born in
213:silent film era of the Australian cinema
1350:
770:Naming the Federal Capital of Australia
2204:"MASTERCRAFT FILM CORPORATION LIMITED"
556:He managed to direct another feature,
3307:20th-century Australian screenwriters
648:Longford Lyell Life Achievement Award
7:
632:, at the age of 80. He is buried at
2360:"Raymond Longford Award recipients"
404:Southern Cross Feature Film Company
215:. He formed a production team with
2868:Australian Dictionary of Biography
14:
628:Longford died on 2 April 1959 in
455:The Blue Mountains Murder Mystery
1667:Graham Shirley and Brian Adams,
160:
2877:National Film and Sound Archive
1065:Captain Midnight, the Bush King
772:(1913) – 1,020-foot documentary
670:in 1968, winners have included
300:Captain Midnight, the Bush King
183:
156:
2481:Clarence and Richmond Examiner
37:Portrait of Raymond Longford,
1:
2621:The Central Queensland Herald
2565:The Central Queensland Herald
1226:The Greatest Scoundrel Living
86:North Sydney, New South Wales
38:
3302:Australian waterside workers
3008:The Silence of Dean Maitland
1335:Sinai and Palestine Campaign
1150:It's a Long Way to Tipperary
809:The Silence of Dean Maitland
428:(1920), from the stories of
369:The Silence of Dean Maitland
3254:The Man They Could Not Hang
2822:Murray, Scott, ed. (1994).
2420:"LILIAN MEYERS DRAMATIC CO"
1124:(1940) as Electoral Officer
1041:The Man They Could Not Hang
1036:(1934) (assistant director)
1028:(1933) (assistant director)
1012:(1933) (associate director)
1004:(1933) (associate director)
559:The Man They Could Not Hang
209:John Walter Hollis Longford
53:John Walter Hollis Longford
3328:
3131:The Blue Mountains Mystery
2992:Pommy Arrives in Australia
2729:accessed 11 September 2013
1671:, Currency Press 1989 p 32
1641:"VOLUNTARY WORK ON SUNDAY"
1587:"VOLUNTARY WORK ON SUNDAY"
1266:Her Love Against the World
1236:(1908) – Longford directed
945:Australia Land of Sunshine
913:The Blue Mountains Mystery
785:Pommy Arrives in Australia
651:
582:and settled out of court.
237:AFI Raymond Longford Award
228:The Blue Mountains Mystery
3287:Australian film producers
3277:Australian film directors
3155:An Australian by Marriage
2801:The Sydney Morning Herald
2745:The Sydney Morning Herald
2237:The Sydney Morning Herald
2209:The Sydney Morning Herald
2181:The Sydney Morning Herald
2153:The Sydney Morning Herald
2125:The Sydney Morning Herald
2069:The Sydney Morning Herald
2013:The Sydney Morning Herald
1901:The Sydney Morning Herald
1873:The Sydney Morning Herald
1845:The Sydney Morning Herald
1817:The Sydney Morning Herald
1564:The Sydney Morning Herald
1507:The Sydney Morning Herald
1479:The Sydney Morning Herald
1450:accessed 6 February 2012.
1201:The Worst Woman in London
1105:Dad and Dave Come to Town
937:An Australian by Marriage
668:Australian Film Institute
233:Australian Film Institute
173:Emilie Elizabeth Anschutz
30:
3282:Australian screenwriters
3072:The Church and the Woman
3056:The Mutiny of the Bounty
2330:"Raymond Longford Award"
1194:Saturday Night in London
1145:(1908) – 4,000-foot film
865:The Church and the Woman
849:The Mutiny of the Bounty
381:The Church and the Woman
362:He went to work for the
3312:Male actors from Sydney
3249:(1934) (assoc director)
3241:(1933) (assoc director)
3233:(1933) (assoc director)
3225:(1933) (assoc director)
2960:Sweet Nell of Old Drury
2476:"May Ronno Dramatic Co"
2448:"HIS MAJESTY'S THEATRE"
2092:"The World of Pictures"
1234:The Professor's Dilemma
1143:Burns and Johnson Fight
1092:(1933) as Von Schieling
1081:The Life of Rufus Dawes
1020:(1933) (assoc director)
747:Sweet Nell of Old Drury
634:Macquarie Park cemetery
613:Personal life and death
329:Sweet Nell of Old Drury
264:Raymond Hollis Longford
97:Raymond Hollis Longford
3179:Peter Vernon's Silence
3048:Ma Hogan's New Boarder
2148:"AUSTRALIAN PRODUCERS"
1188:The Power of the Cross
969:Peter Vernon's Silence
841:Ma Hogan's New Boarder
598:on the Sydney wharfs.
537:with the direction of
514:Australian Light Horse
502:
442:
353:Charles Cozens Spencer
287:Charles Cozens Spencer
3088:The Sentimental Bloke
2893:at Stateline Canberra
2849:The Sentimental Bloke
2307:The National Advocate
2041:The National Advocate
1737:, Everyones Ltd, 1920
1619:Sydney Morning Herald
1291:(1910) – toured with
1158:The Sentimental Bloke
881:The Sentimental Bloke
607:The Sentimental Bloke
497:
484:on local production.
437:
419:The Sentimental Bloke
397:The Sentimental Bloke
231:(1921), prompted the
222:The Sentimental Bloke
3123:Rudd's New Selection
3000:'Neath Austral Skies
2976:The Midnight Wedding
2705:The Brisbane Courier
2593:The Brisbane Courier
2453:The Brisbane Courier
2397:The Brisbane Courier
2097:The Brisbane Courier
2008:"LIGHT HORSE TALKIE"
1705:"THE MOVIE KNOW-ALL"
1459:"Raymond Longford",
1321:a screen version of
1258:The Midnight Wedding
1247:An Englishman's Home
948:(1923) – documentary
940:(1923) – documentary
932:(1923) – documentary
905:Rudd's New Selection
793:'Neath Austral Skies
763:The Midnight Wedding
663:Longford Lyell Award
654:Longford Lyell Award
335:The Midnight Wedding
159: 1900;
3064:A Maori Maid's Love
3016:The Swagman's Story
2644:"THE FATAL WEDDING"
2232:"THE FILM INDUSTRY"
1784:"THE FILM INDUSTRY"
1390:"Theatrical Gossip"
1379:, March 1991 p25-31
1337:during World War I;
1275:(1910) – with Lyell
1261:(1910) – with Lyell
1208:The Heart of a Hero
1108:(1938) as Policeman
857:A Maori Maid's Love
801:The Swagman's Story
386:the Pugliese family
307:Move into directing
3230:Diggers in Blighty
2927:Films directed by
2064:"AUSTRALIAN FILMS"
1980:"AUSTRALIAN FILMS"
1952:"SCREEN AND STARS"
1924:"AUSTRALIAN FILMS"
1686:, W. McLeod], 1907
1474:"NO. 1 JURY COURT"
1463:, January 1974 p51
1324:Robbery Under Arms
1308:(1932) – Melbourne
1272:Why Men Love Women
1166:His Royal Highness
1089:Diggers in Blighty
1017:Diggers in Blighty
530:Diggers in Blighty
468:Australasian Films
146:Melena Louisa Keen
67:Hawthorn, Victoria
3264:
3263:
3080:The Woman Suffers
3024:Taking his Chance
2968:The Tide of Death
2944:The Fatal Wedding
2824:Australian Cinema
2677:The Barrier Miner
2649:The Northern Star
2537:The Northern Star
2509:The Northern Star
2302:"CLAIM FOR £5000"
2036:"MAKING A TALKIE"
1812:"FILM COMMISSION"
1530:"MOVING PICTURES"
1331:The Desert Legion
1313:Unfilmed projects
1293:The Fatal Wedding
1280:The Fatal Wedding
1240:Who is the Woman?
1214:The Midnight Hour
1084:(1911) as Gabbett
873:The Woman Suffers
817:Taking his Chance
755:The Tide of Death
731:The Fatal Wedding
409:The Woman Suffers
341:The Tide of Death
314:The Fatal Wedding
257:Darlinghurst Gaol
202:
201:
128:Years active
63:23 September 1878
3319:
3246:Splendid Fellows
3222:Waltzing Matilda
3171:The Bushwhackers
3139:The Dinkum Bloke
3107:On Our Selection
3032:Trooper Campbell
2929:Raymond Longford
2921:
2914:
2907:
2898:
2873:Raymond Longford
2864:Raymond Longford
2837:
2814:
2813:
2811:
2809:
2792:
2786:
2785:
2783:
2781:
2768:"ENTERTAINMENTS"
2764:
2758:
2757:
2755:
2753:
2740:"THE EXHIBITION"
2736:
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2718:
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2685:
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2640:
2634:
2633:
2631:
2629:
2616:"OLD PROGRAMMES"
2612:
2606:
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2584:
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2577:
2575:
2573:
2560:"OLD PROGRAMMES"
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2416:
2410:
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2407:
2405:
2392:"ENTERTAINMENTS"
2388:
2382:
2381:
2379:
2377:
2371:
2364:
2356:
2350:
2349:
2347:
2345:
2336:. Archived from
2326:
2320:
2319:
2317:
2315:
2298:
2292:
2291:
2289:
2287:
2274:"ACTION SETTLED"
2270:
2264:
2263:
2256:
2250:
2249:
2247:
2245:
2228:
2222:
2221:
2219:
2217:
2200:
2194:
2193:
2191:
2189:
2172:
2166:
2165:
2163:
2161:
2144:
2138:
2137:
2135:
2133:
2116:
2110:
2109:
2107:
2105:
2088:
2082:
2081:
2079:
2077:
2060:
2054:
2053:
2051:
2049:
2032:
2026:
2025:
2023:
2021:
2004:
1998:
1997:
1995:
1993:
1976:
1970:
1969:
1967:
1965:
1957:The Evening News
1948:
1942:
1941:
1939:
1937:
1920:
1914:
1913:
1911:
1909:
1892:
1886:
1885:
1883:
1881:
1864:
1858:
1857:
1855:
1853:
1836:
1830:
1829:
1827:
1825:
1808:
1802:
1801:
1799:
1797:
1780:
1774:
1773:
1771:
1769:
1752:
1746:
1745:
1744:
1742:
1729:
1723:
1722:
1720:
1718:
1710:The Sunday Times
1701:
1695:
1694:
1693:
1691:
1678:
1672:
1665:
1659:
1658:
1656:
1654:
1646:The Sunday Times
1637:
1631:
1630:
1628:
1626:
1611:
1605:
1604:
1602:
1600:
1592:The Sunday Times
1583:
1577:
1576:
1574:
1572:
1555:
1549:
1547:
1545:
1543:
1526:
1520:
1519:
1517:
1515:
1498:
1492:
1491:
1489:
1487:
1470:
1464:
1457:
1451:
1445:
1436:
1435:
1433:
1431:
1423:The Evening News
1414:
1408:
1407:
1405:
1403:
1386:
1380:
1373:
1364:
1358:Raymond Longford
1355:
1288:Every Inch a Man
1230:A Woman's Honour
1116:(1940) as Peters
1113:Wings of Destiny
1100:(1937) as Warren
1033:Splendid Fellows
1009:Waltzing Matilda
961:The Bushwhackers
921:The Dinkum Bloke
897:On Our Selection
825:Trooper Campbell
546:Splendid Fellows
488:talking stage."
425:On Our Selection
205:Raymond Longford
187:
185:
164:
162:
158:
94:Other names
81:
62:
60:
43:
40:
35:
25:Raymond Longford
21:
3327:
3326:
3322:
3321:
3320:
3318:
3317:
3316:
3267:
3266:
3265:
3260:
3209:
3147:Australia Calls
3094:
2984:Australia Calls
2931:
2925:
2844:
2834:
2821:
2818:
2817:
2807:
2805:
2794:
2793:
2789:
2779:
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2766:
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2738:
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2711:
2709:
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2683:
2681:
2670:
2669:
2665:
2655:
2653:
2642:
2641:
2637:
2627:
2625:
2614:
2613:
2609:
2599:
2597:
2586:
2585:
2581:
2571:
2569:
2558:
2557:
2553:
2543:
2541:
2530:
2529:
2525:
2515:
2513:
2502:
2501:
2497:
2487:
2485:
2474:
2473:
2469:
2459:
2457:
2446:
2445:
2441:
2431:
2429:
2418:
2417:
2413:
2403:
2401:
2390:
2389:
2385:
2375:
2373:
2372:on 4 March 2016
2369:
2362:
2358:
2357:
2353:
2343:
2341:
2328:
2327:
2323:
2313:
2311:
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2272:
2271:
2267:
2258:
2257:
2253:
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2241:
2230:
2229:
2225:
2215:
2213:
2202:
2201:
2197:
2187:
2185:
2174:
2173:
2169:
2159:
2157:
2146:
2145:
2141:
2131:
2129:
2118:
2117:
2113:
2103:
2101:
2090:
2089:
2085:
2075:
2073:
2062:
2061:
2057:
2047:
2045:
2034:
2033:
2029:
2019:
2017:
2006:
2005:
2001:
1991:
1989:
1978:
1977:
1973:
1963:
1961:
1950:
1949:
1945:
1935:
1933:
1922:
1921:
1917:
1907:
1905:
1894:
1893:
1889:
1879:
1877:
1868:"IN BANKRUPTCY"
1866:
1865:
1861:
1851:
1849:
1838:
1837:
1833:
1823:
1821:
1810:
1809:
1805:
1795:
1793:
1782:
1781:
1777:
1767:
1765:
1754:
1753:
1749:
1740:
1738:
1731:
1730:
1726:
1716:
1714:
1703:
1702:
1698:
1689:
1687:
1680:
1679:
1675:
1666:
1662:
1652:
1650:
1639:
1638:
1634:
1624:
1622:
1613:
1612:
1608:
1598:
1596:
1585:
1584:
1580:
1570:
1568:
1557:
1556:
1552:
1541:
1539:
1528:
1527:
1523:
1513:
1511:
1500:
1499:
1495:
1485:
1483:
1472:
1471:
1467:
1458:
1454:
1446:
1439:
1429:
1427:
1418:"ONCE AN ACTOR"
1416:
1415:
1411:
1401:
1399:
1388:
1387:
1383:
1374:
1367:
1356:
1352:
1347:
1315:
1306:Treasure Island
1176:
1174:Theatre credits
1139:
1052:
1047:
929:Australia Calls
777:Australia Calls
725:
720:
656:
650:
619:Concord, Sydney
615:
588:
573:Stuart F. Doyle
568:
510:
464:
400:
350:
309:
283:
245:
190:
189:
186: 1933)
181:
177:
174:
166:
163: 1926)
154:
150:
147:
123:
89:
83:
79:
70:
64:
58:
56:
55:
54:
44:
41:
26:
17:
12:
11:
5:
3325:
3323:
3315:
3314:
3309:
3304:
3299:
3294:
3289:
3284:
3279:
3269:
3268:
3262:
3261:
3259:
3258:
3250:
3242:
3234:
3226:
3217:
3215:
3211:
3210:
3208:
3207:
3199:
3191:
3183:
3175:
3167:
3163:Fisher's Ghost
3159:
3151:
3143:
3135:
3127:
3119:
3111:
3102:
3100:
3096:
3095:
3093:
3092:
3084:
3076:
3068:
3060:
3052:
3051:(1915) (short)
3044:
3043:(1915) (short)
3036:
3035:(1914) (short)
3028:
3027:(1914) (short)
3020:
3012:
3004:
2996:
2988:
2980:
2972:
2964:
2956:
2948:
2939:
2937:
2933:
2932:
2926:
2924:
2923:
2916:
2909:
2901:
2895:
2894:
2888:
2879:
2870:
2861:
2856:
2843:
2842:External links
2840:
2839:
2838:
2832:
2816:
2815:
2787:
2759:
2731:
2719:
2691:
2663:
2635:
2607:
2579:
2551:
2523:
2495:
2467:
2439:
2411:
2383:
2351:
2340:on 27 May 2012
2321:
2293:
2265:
2251:
2223:
2195:
2167:
2139:
2111:
2083:
2055:
2027:
1999:
1985:The Daily News
1971:
1943:
1929:The Daily News
1915:
1887:
1859:
1831:
1803:
1789:The Advertiser
1775:
1756:"Cinema Notes"
1747:
1724:
1696:
1673:
1660:
1632:
1606:
1578:
1550:
1521:
1493:
1465:
1452:
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1409:
1381:
1365:
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1346:
1343:
1342:
1341:
1338:
1328:
1314:
1311:
1310:
1309:
1303:
1295:
1284:
1276:
1262:
1254:
1250:(1909) – with
1243:
1237:
1223:
1220:The Woman Pays
1217:
1211:
1205:
1197:
1191:
1184:
1175:
1172:
1171:
1170:
1162:
1154:
1146:
1138:
1135:
1134:
1133:
1125:
1117:
1109:
1101:
1093:
1085:
1077:
1069:
1061:
1051:
1048:
1046:
1045:
1037:
1029:
1021:
1013:
1005:
997:
989:
981:
973:
965:
957:
953:Fisher's Ghost
949:
941:
933:
925:
917:
909:
901:
893:
885:
877:
869:
861:
853:
845:
844:(1915) – short
837:
836:(1915) – short
829:
828:(1914) – short
821:
820:(1914) – short
813:
805:
797:
789:
781:
773:
767:
759:
751:
743:
735:
726:
724:
721:
719:
716:
712:Cate Blanchett
688:David Stratton
652:Main article:
649:
646:
614:
611:
596:night watchman
587:
584:
567:
564:
535:Beaumont Smith
533:. He assisted
509:
506:
463:
460:
399:
393:
349:
346:
308:
305:
282:
279:
251:, a suburb of
244:
241:
200:
199:
196:
192:
191:
179:
175:
172:
171:
170:
169:
152:
148:
145:
144:
143:
142:
139:
137:
133:
132:
129:
125:
124:
122:
121:
118:
115:
112:
109:
105:
103:
99:
98:
95:
91:
90:
84:
82:(aged 80)
76:
72:
71:
65:
52:
50:
46:
45:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
3324:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3274:
3272:
3256:
3255:
3251:
3248:
3247:
3243:
3240:
3239:
3235:
3232:
3231:
3227:
3224:
3223:
3219:
3218:
3216:
3212:
3205:
3204:
3203:Hills of Hate
3200:
3197:
3196:
3192:
3189:
3188:
3184:
3181:
3180:
3176:
3173:
3172:
3168:
3165:
3164:
3160:
3157:
3156:
3152:
3149:
3148:
3144:
3141:
3140:
3136:
3133:
3132:
3128:
3125:
3124:
3120:
3117:
3116:
3112:
3109:
3108:
3104:
3103:
3101:
3097:
3090:
3089:
3085:
3082:
3081:
3077:
3074:
3073:
3069:
3066:
3065:
3061:
3058:
3057:
3053:
3050:
3049:
3045:
3042:
3041:
3037:
3034:
3033:
3029:
3026:
3025:
3021:
3018:
3017:
3013:
3010:
3009:
3005:
3002:
3001:
2997:
2994:
2993:
2989:
2986:
2985:
2981:
2978:
2977:
2973:
2970:
2969:
2965:
2962:
2961:
2957:
2954:
2953:
2949:
2946:
2945:
2941:
2940:
2938:
2934:
2930:
2922:
2917:
2915:
2910:
2908:
2903:
2902:
2899:
2892:
2889:
2887:
2883:
2880:
2878:
2874:
2871:
2869:
2865:
2862:
2860:
2857:
2855:
2851:
2850:
2846:
2845:
2841:
2835:
2833:1-86373-311-6
2829:
2825:
2820:
2819:
2803:
2802:
2797:
2791:
2788:
2775:
2774:
2769:
2763:
2760:
2747:
2746:
2741:
2735:
2732:
2728:
2723:
2720:
2707:
2706:
2701:
2700:"Advertising"
2695:
2692:
2679:
2678:
2673:
2667:
2664:
2651:
2650:
2645:
2639:
2636:
2623:
2622:
2617:
2611:
2608:
2595:
2594:
2589:
2588:"Advertising"
2583:
2580:
2567:
2566:
2561:
2555:
2552:
2539:
2538:
2533:
2532:"Advertising"
2527:
2524:
2511:
2510:
2505:
2504:"Advertising"
2499:
2496:
2483:
2482:
2477:
2471:
2468:
2455:
2454:
2449:
2443:
2440:
2427:
2426:
2421:
2415:
2412:
2399:
2398:
2393:
2387:
2384:
2368:
2361:
2355:
2352:
2339:
2335:
2331:
2325:
2322:
2309:
2308:
2303:
2297:
2294:
2281:
2280:
2275:
2269:
2266:
2261:
2255:
2252:
2239:
2238:
2233:
2227:
2224:
2211:
2210:
2205:
2199:
2196:
2183:
2182:
2177:
2171:
2168:
2155:
2154:
2149:
2143:
2140:
2127:
2126:
2121:
2115:
2112:
2099:
2098:
2093:
2087:
2084:
2071:
2070:
2065:
2059:
2056:
2043:
2042:
2037:
2031:
2028:
2015:
2014:
2009:
2003:
2000:
1987:
1986:
1981:
1975:
1972:
1959:
1958:
1953:
1947:
1944:
1931:
1930:
1925:
1919:
1916:
1903:
1902:
1897:
1891:
1888:
1875:
1874:
1869:
1863:
1860:
1847:
1846:
1841:
1835:
1832:
1819:
1818:
1813:
1807:
1804:
1791:
1790:
1785:
1779:
1776:
1763:
1762:
1757:
1751:
1748:
1736:
1735:
1728:
1725:
1712:
1711:
1706:
1700:
1697:
1685:
1684:
1683:The Lone hand
1677:
1674:
1670:
1664:
1661:
1648:
1647:
1642:
1636:
1633:
1621:. 5 July 1918
1620:
1616:
1610:
1607:
1594:
1593:
1588:
1582:
1579:
1566:
1565:
1560:
1559:"Advertising"
1554:
1551:
1537:
1536:
1531:
1525:
1522:
1509:
1508:
1503:
1497:
1494:
1481:
1480:
1475:
1469:
1466:
1462:
1461:Cinema Papers
1456:
1453:
1449:
1444:
1442:
1438:
1425:
1424:
1419:
1413:
1410:
1397:
1396:
1391:
1385:
1382:
1378:
1377:Cinema Papers
1372:
1370:
1366:
1363:
1359:
1354:
1351:
1344:
1339:
1336:
1332:
1329:
1326:
1325:
1320:
1319:
1318:
1312:
1307:
1304:
1301:
1300:
1296:
1294:
1290:
1289:
1285:
1282:
1281:
1277:
1274:
1273:
1268:
1267:
1263:
1260:
1259:
1255:
1253:
1249:
1248:
1244:
1241:
1238:
1235:
1231:
1227:
1224:
1221:
1218:
1215:
1212:
1209:
1206:
1203:
1202:
1198:
1195:
1192:
1190:
1189:
1185:
1183:
1182:
1178:
1177:
1173:
1168:
1167:
1163:
1160:
1159:
1155:
1152:
1151:
1147:
1144:
1141:
1140:
1136:
1131:
1130:
1126:
1123:
1122:
1118:
1115:
1114:
1110:
1107:
1106:
1102:
1099:
1098:
1094:
1091:
1090:
1086:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1053:
1049:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1011:
1010:
1006:
1003:
1002:
998:
995:
994:
993:Hills of Hate
990:
987:
986:
982:
979:
978:
974:
971:
970:
966:
963:
962:
958:
955:
954:
950:
947:
946:
942:
939:
938:
934:
931:
930:
926:
923:
922:
918:
915:
914:
910:
907:
906:
902:
899:
898:
894:
891:
890:
886:
883:
882:
878:
875:
874:
870:
867:
866:
862:
859:
858:
854:
851:
850:
846:
843:
842:
838:
835:
834:
830:
827:
826:
822:
819:
818:
814:
811:
810:
806:
803:
802:
798:
795:
794:
790:
787:
786:
782:
779:
778:
774:
771:
768:
765:
764:
760:
757:
756:
752:
749:
748:
744:
741:
740:
736:
733:
732:
728:
727:
722:
717:
715:
713:
709:
708:Geoffrey Rush
705:
704:Jack Thompson
701:
697:
696:Phillip Adams
693:
692:George Miller
689:
685:
681:
677:
673:
669:
664:
661:
655:
647:
645:
643:
639:
635:
631:
626:
624:
620:
612:
610:
608:
604:
599:
597:
593:
585:
583:
581:
576:
574:
565:
563:
561:
560:
554:
552:
548:
547:
542:
541:
536:
532:
531:
525:
523:
522:Desert Legion
519:
515:
507:
505:
501:
496:
494:
489:
485:
483:
479:
474:
471:
469:
461:
459:
457:
456:
451:
447:
441:
436:
433:
431:
427:
426:
421:
420:
415:
411:
410:
405:
398:
395:Career peak:
394:
392:
389:
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2672:"AMUSEMENTS"
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2176:"FILM QUOTA"
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1502:"LAW REPORT"
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680:Tim Burstall
657:
642:Lottie Lyell
640:, alongside
630:North Sydney
627:
623:Lottie Lyell
616:
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272:
268:Lottie Lyell
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217:Lottie Lyell
208:
204:
203:
114:screenwriter
80:(1959-04-02)
78:2 April 1959
18:
3297:1959 deaths
3292:1878 births
3115:Ginger Mick
2796:"NEW FILMS"
2712:1 September
2544:1 September
2516:1 September
2488:1 September
2460:1 September
2404:20 February
2314:26 November
2286:26 November
2244:1 September
2132:26 November
2104:26 November
2076:26 November
2048:26 November
2020:26 November
1992:26 November
1964:26 November
1936:1 September
1880:1 September
1761:The Mercury
1717:1 September
1653:28 November
1615:"IN EQUITY"
1599:1 September
1571:1 September
1542:28 November
1535:The Referee
1514:28 November
1486:28 November
1430:28 November
1299:Officer 666
1232:(1908) and
1137:Crew member
1129:Racing Luck
1097:The Avenger
1001:Harmony Row
889:Ginger Mick
718:Filmography
700:Barry Jones
672:Ken G. Hall
586:Later years
566:Mastercraft
543:(1933) and
518:World War I
430:Steele Rudd
348:Freelancing
281:Film career
225:(1919) and
102:Occupations
88:, Australia
69:, Australia
42: 1935
3271:Categories
2808:6 February
2780:6 February
2752:6 February
2684:6 February
2656:6 February
2628:6 February
2600:6 February
2572:6 February
2432:6 February
2376:7 December
2344:7 December
2216:6 February
2188:6 February
2160:6 February
2120:"PERSONAL"
1908:6 February
1852:6 February
1824:6 February
1796:6 February
1768:6 February
1345:References
1050:Actor only
676:Peter Weir
638:North Ryde
59:1878-09-23
2882:Biography
2773:The Argus
1734:Everyones
508:Sound era
450:Selection
253:Melbourne
243:Biography
131:1911–1941
1741:25 March
1625:7 August
1548:Download
723:Director
372:(1914).
326:(1911),
303:(1911).
297:such as
249:Hawthorn
195:Children
108:Director
3195:Sunrise
2886:Austlit
1181:Camille
985:Sunrise
462:Decline
188:
180:
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165:
153:
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136:Spouses
3257:(1934)
3206:(1926)
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2830:
1690:4 June
1302:(1922)
1283:(1910)
1222:(1908)
1216:(1908)
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1196:(1907)
1169:(1932)
1161:(1932)
1153:(1915)
1132:(1941)
1076:(1911)
1068:(1911)
1060:(1910)
1044:(1934)
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710:, and
495:that:
289:about
207:(born
117:editor
3214:1930s
3099:1920s
2936:1910s
2370:(PDF)
2363:(PDF)
660:AACTA
580:libel
446:Bloke
444:Both
182:(
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111:actor
2854:IMDb
2828:ISBN
2810:2012
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1994:2014
1966:2014
1938:2013
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1770:2012
1743:2019
1719:2013
1692:2018
1655:2014
1627:2024
1601:2013
1573:2013
1544:2014
1516:2014
1488:2014
1432:2014
1404:2013
1362:IMDb
1269:and
571:out
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
