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385:, oud player John Bilezikjian recalls to author Anthony Reynolds: "Sessions started in the afternoon and we'd go into the evenings. No drinking, that I saw, no visitors. Finished at a reasonable time, no early hours stuff...He let me do whatever it was I wanted to do. He trusted my sense of musicality. He would be with a microphone and headphones and we'd all be wired up in our separate booths and we'd listen and add our part." The album had a largely acoustic, Eastern-tinged flavor and was augmented by the singing of Jennifer Warnes and newcomer 1923: 22: 644: 639: 594: 634: 629: 624: 589: 584: 579: 574: 441:
band on the song, which is arguably the only cheerful sonic outburst on what is otherwise a languid album (the Mariachi band is also employed more subtly on "The Guests" and "The Ballad of the Absent Mare"). Cohen's 2004 song "The Faith" is based on the same folk tune as "Un Canadien errant", with
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that began with the welcoming introduction of 'The Guests'...The album was full of references to absence and dislocation, but Cohen deliberately countered them with humor." Cohen biographer Anthony Reynolds took a dim view of the collection in 2010: "For all its artistry,
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had: he had a lot of faith in the singer and he just let it happen. He introduced me to the group Passenger...Things had changed - these were my own songs and the musical ideas were specifically mine. I'd always wanted to combine those
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poem and was chosen to open the album because of the enthusiastic response it had evoked when Cohen played it to friends. The album also features Cohen's interpretation of "Un Canadien errant", a song written in 1842 by
330:, a chaotically recorded album that would garner Cohen the worst reviews of his career, the singer decided to produce his next album himself with assistance from Henry Lewy, who had previously worked regularly with 676:
without something to offer...and at least four or five tunes are full-fledged masterpieces. I wish I had a tape loop of; 'The Guests' which features a hold-your-breath, haunting melody." The
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The painting of Cohen on the album cover is by the artist Dianne Lawrence. It is inspired by the album cover portrait taken by photographer, Hazel Field for Leonard Cohen's 2001 release,
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and it was appropriate that I worked with a Los Angeles producer. Joni Mitchell introduced me to him. He had produced several of her early records. He had that great quality that
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said it provided "an ideal musical idiom for his idiosyncrasies" and listed it among its top ten records of 1979. In the original 1980
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appeared prominently in vocal tracks. Members of the band Passenger, whom Cohen also met through Mitchell, played on four of the songs.
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The ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts Vol. 24 Iss. 1 (2017) p. 29 - 58. DOI: 10.16995/ane.131]
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sounded bland and MOR...the album as a whole ploughed a self-indulgent, middling trough." The LP peaked at # 24 in
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with Cohen served as his tour band later that year, highlights of which can be heard on the 2001 release
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Roshi for inspiring one of the songs: "I owe my thanks to Joshu Sasaki upon whose exposition of an early
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text I based 'Ballad of the Absent Mare.'" The metaphoric lyrics are based on the twelfth-century
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observes, "His writing had become increasingly bitter and angry during the 1970s in the books
424:). According to Anthony Reynolds 2010 Cohen memoir, "The Guests" was based on a 13th-century 262: 183: 1050: 1706: 1548: 1322: 1096: 1091: 1046: 912: 878: 656:
received warm reviews and was viewed as a return to form by many critics after the shocking
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Raffi Hakopian, Agostin Cervantes, Armando Quintero, Luiz Briseño, Miguel Sandoval – violin
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panned the "heavy touches of a Dylanesque vocal inflection on his more country numbers."
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the best. The producer was Henry Levy - I was studying with Roshi at the time in
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violin player Raffi Hakopian, English string arranger Jeremy Lubbock, Armenian
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s Sylvie Simmons in 2001, Cohen was effusive in his praise for the album:
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performs a cover version of the song "The Traitor" in the tribute film
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as well as in his lyrics, but there was a new equanimity in these
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or Eastern European sounds with the rhythmic possibilities of a
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in the spring of 1979, sounds lucid by comparison. In the book
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of 1837–38. Curiously, Cohen and Levy opted to use a Mexican
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Jeremy Lubbock – string and horns arrangements and conductor
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All songs written by Leonard Cohen, except where noted.
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in concert, such as "The Guests", "The Window", and the
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Unlike the psychodrama evident on the Spector-dominated
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Christgau's Record Guide: Rock Albums of the Seventies
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Mitch Watkins, Ricardo Gonzalez, Filipe Perez – guitar
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review, Debra Rae Cohen said: "There's not a cut on
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Mr. Leonard Cohen 1475:Tower of Song: The Songs of Leonard Cohen 290:, it was a return to his normal acoustic 106:Learn how and when to remove this message 1728:Stranger Music: Selected Poems and Songs 758:has covered the song on several albums ( 1020:Artist Website with Quote from L. Cohen 999: 869:Leonard Cohen – vocals, acoustic guitar 660:. At the time of the album's release, 946:Luiz Briseño – Mariachi band conductor 118:1979 studio album by Leonard Cohen 1830:Marianne & Leonard: Words of Love 732:(as "Ballad of a Runaway Horse") and 552: 7: 927:Jose Perez, Pablo Sandoval – trumpet 710:(where it went gold) and hit #56 in 44:adding citations to reliable sources 1369:Field Commander Cohen: Tour of 1979 789:Matador: The Songs of Leonard Cohen 530:Field Commander Cohen: Tour of 1979 473:Field Commander Cohen: Tour of 1979 446:acknowledging in a 2005 interview ( 350:band. Long-time Cohen collaborator 1964:Albums recorded at A&M Studios 1496:The Songs of Leonard Cohen Covered 859:"Ballad of the Absent Mare" – 6:26 782:performs covers of "The Window", " 14: 1598:Hey, That's No Way to Say Goodbye 818:"Came So Far for Beauty" (Cohen, 623: 573: 484:"The Smokey Life". Speaking with 1922: 1921: 1080:– via robertchristgau.com. 776:Ich hab gelacht, ich hab geweint 642: 637: 632: 627: 622: 592: 587: 582: 577: 572: 383:Leonard Cohen: A Remarkable Life 342:player (located in Los Angeles) 20: 31:needs additional citations for 1383:Live at the Isle of Wight 1970 1171:, from The Leonard Cohen Files 1155:. Retrieved 24 November 2016. 1: 1969:Albums produced by Henry Lewy 1260:New Skin for the Old Ceremony 846:"Our Lady of Solitude" – 3:13 395:New Skin for the Old Ceremony 282:is the sixth studio album by 1513:Leonard Cohen Tour 2008–2010 1100:. No. 7. p. 26-27. 986: 974: 875:Everado Sandoval – guitarrón 362:also appeared on the album. 1816:Leonard Cohen: I'm Your Man 1556:Dance Me to the End of Love 1482:Leonard Cohen: I'm Your Man 1443:The Essential Leonard Cohen 921:Paul Ostermayer – saxophone 885:, John Miller – bass guitar 751:Leonard Cohen: I'm Your Man 466:The musicians who recorded 298:-driven experimentation of 1985: 1679:Let Us Compare Mythologies 1436:More Best of Leonard Cohen 900:Bill Ginn – electric piano 1916: 1422:The Best of Leonard Cohen 1212: 979: 967: 960: 957: 897:– Yamaha piano, accordion 560: 557: 316:Recording and composition 238: 128: 1714:Selected Poems 1956–1968 1153:GfK Entertainment Charts 1051:"Consumer Guide '70s: C" 924:Edgar Lustgarten – cello 856:"The Smokey Life" – 5:19 812:"Humbled in Love" – 5:15 604:Christgau's Record Guide 373:, which was recorded at 1959:Columbia Records albums 1577:First We Take Manhattan 778:. The Canadian singer 422:Ten Ox-herding Pictures 1907:The Holy or the Broken 1781:Beware of a Holy Whore 1686:The Spice-Box of Earth 1535:Ain't No Cure for Love 1267:Death of a Ladies' Man 1253:Songs of Love and Hate 1239:Songs of Leonard Cohen 658:Death of a Ladies' Man 435:Lower Canada Rebellion 367:Death of a Ladies' Man 323:Death of a Ladies' Man 301:Death of a Ladies' Man 245:Death of a Ladies' Man 891:– piano, arrangements 695:Death of a Lady's Man 442:Cohen's collaborator 402:for a project called 334:. The album included 1954:Leonard Cohen albums 1570:Famous Blue Raincoat 1518:Old Ideas World Tour 1461:Famous Blue Raincoat 1337:Thanks for the Dance 1061:Ticknor & Fields 909:Steve Meador – drums 843:"The Traitor" – 6:16 831:Antoine Gérin-Lajoie 825:"The Lost Canadian ( 780:Patricia O'Callaghan 691:The Energy of Slaves 685:William Ruhlmann of 548:Professional ratings 448:Old Ideas: Notes on 431:Antoine Gérin-Lajoie 304:, but now with many 40:improve this article 1809:Looking for Leonard 1759:Film and television 1390:Songs from the Road 815:"The Window" – 5:56 809:"The Guests" – 6:40 549: 346:and even a Mexican 1749:A Ballet of Lepers 1700:Flowers for Hitler 1693:The Favourite Game 1661:You Want It Darker 1330:You Want It Darker 982:Offizielle Top 100 930:Earl Dumler – oboe 827:Un Canadien errant 792:released in 2012. 663:The New York Times 547: 154:September 27, 1979 1936: 1935: 1886:Julie Christensen 1844:So Long, Marianne 1633:So Long, Marianne 1612:In My Secret Life 1429:So Long, Marianne 1281:Various Positions 1246:Songs from a Room 1092:Williamson, Nigel 1047:Christgau, Robert 1006:Green, Ronald S. 991: 990: 968:Austrian Albums ( 829:)" (Traditional, 768:I'll Remember You 746:Martha Wainwright 651: 650: 404:Songs For Rebecca 275: 274: 271: 270: 263:Various Positions 184:Contemporary folk 116: 115: 108: 90: 1976: 1925: 1924: 1707:Beautiful Losers 1584:The Gypsy's Wife 1549:Bird on the Wire 1323:Popular Problems 1199: 1192: 1185: 1176: 1156: 1146: 1140: 1134: 1128: 1127: 1119: 1113: 1108: 1102: 1101: 1088: 1082: 1081: 1079: 1077: 1043: 1037: 1028: 1022: 1017: 1011: 1004: 958:Chart (1979–80) 955: 913:John Bilezikjian 879:Abraham Laboriel 851:The Gypsy's Wife 784:The Gypsy's Wife 760:Song for Liberty 729:Cowgirl's Prayer 647: 646: 645: 641: 640: 636: 635: 631: 630: 626: 625: 597: 596: 595: 591: 590: 586: 585: 581: 580: 576: 575: 550: 344:John Bilezikjian 320:After recording 294:sound after the 240: 239: 201: 200: 196: 162:April – May 1979 133: 121: 111: 104: 100: 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Studio album
Leonard Cohen
A&M
Genre
Contemporary folk
Label
Columbia
Producer
Henry Lewy
Leonard Cohen
Death of a Ladies' Man
Various Positions
Leonard Cohen
Henry Lewy
folk music
Phil Spector
Death of a Ladies' Man
jazz

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