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238: 233: 192: 288: 228: 223: 218: 187: 182: 177: 172: 283: 278: 273: 268: 351:. Since the concept of the album is a criticism of American consumerism, the band considered not releasing it and partly due to this timing the album failed commercially. Despite its lack of commercial success, the album gained an extensive cult following. 29: 721: 731: 936: 931: 851: 130: 800: 774: 682: 883: 926: 694: 348: 307: 303: 106: 99: 41: 699: 655: 332:
loosely centered on perceived American materialism and greed. Song topics include the pressures of
826: 859: 753: 758: 337: 247: 200: 778: 259: 28: 920: 726: 643: 329: 210: 637: 94: 649: 341: 57: 326: 66: 863: 322: 62: 827:"HYBRIDMAGAZINE.COM | REVIEWS | Desaparecidos - Read Music / Speak Spanish" 678: 164: 340:, the desire to always follow the latest fashion or fad, the effect of 306:. Released in February 2002, the record is the forty-second release of 333: 911: 344:
on developing countries, and the mixture of religion and politics.
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The album was recorded in one week, the same week of the
852:"Desaparecidos Makes the Perfect Protest Music (Again)" 884:"Rolling Stone Australia — Rebirth of Desaparecidos" 503: 495: 370: 362: 105: 93: 76: 56: 48: 35: 21: 589:"Survival of the Fittest/It's a Jungle Out There" 445:"Survival of the Fittest/It's a Jungle Out There" 302:is the first studio album by American punk band 523:"Man and Wife, The Former (Financial Planning)" 379:"Man and Wife, The Former (Financial Planning)" 265: 310:. Reviews were mostly positive upon release. 8: 215: 169: 89:(U.S. Version) 35:11 (International Version) 801:"Desaparecidos - Read Music/Speak Spanish" 775:"Desaparecidos – Read Music/Speak Spanish" 556:"Man and Wife, The Latter (Damaged Goods)" 412:"Man and Wife, The Latter (Damaged Goods)" 144: 27: 18: 492: 359: 671: 617: 473: 336:on marriage, the suburban expansion of 16:2002 studio album by Desaparecidos 618: 474: 150: 7: 799:Greenbank, Ben (November 9, 2006). 267: 14: 217: 171: 286: 281: 276: 271: 266: 236: 231: 226: 221: 216: 190: 185: 180: 175: 170: 496: 363: 1: 850:Lincoln, Kevin (2012-09-27). 578:"The Happiest Place on Earth" 434:"The Happiest Place on Earth" 937:Saddle Creek Records albums 932:Desaparecidos (band) albums 953: 607: 596: 585: 574: 563: 552: 541: 530: 519: 508: 500: 463: 452: 441: 430: 419: 408: 397: 386: 375: 367: 158: 155: 113: 26: 695:"Pitchfork Media review" 679:Read Music/Speak Spanish 319:Read Music/Speak Spanish 299:Read Music/Speak Spanish 122:Read Music/Speak Spanish 22:Read Music/Speak Spanish 831:www.hybridmagazine.com 722:"Rolling Stone review" 912:Desaparecidos website 512:"What's New for Fall" 488:International version 907:Saddle Creek Records 805:www.sputnikmusic.com 734:on December 22, 2007 349:September 11 attacks 308:Saddle Creek Records 146:Professional ratings 147: 856:The New York Times 807:. Sputnikmusic.com 145: 661:Matt Baum - drums 628: 627: 567:"Mall of America" 484: 483: 423:"Mall of America" 295: 294: 143: 142: 139: 138: 52:February 12, 2002 944: 894: 893: 891: 890: 880: 874: 873: 871: 870: 847: 841: 840: 838: 837: 823: 817: 816: 814: 812: 796: 790: 789: 787: 785: 770: 764: 763: 750: 744: 743: 741: 739: 730:. Archived from 718: 712: 711: 709: 707: 691: 685: 676: 640:- vocals, guitar 621: 498: 493: 477: 365: 360: 291: 290: 289: 285: 284: 280: 279: 275: 274: 270: 269: 241: 240: 239: 235: 234: 230: 229: 225: 224: 220: 219: 195: 194: 193: 189: 188: 184: 183: 179: 178: 174: 173: 148: 115: 114: 88: 87: 83: 31: 19: 952: 951: 947: 946: 945: 943: 942: 941: 917: 916: 903: 898: 897: 888: 886: 882: 881: 877: 868: 866: 849: 848: 844: 835: 833: 825: 824: 820: 810: 808: 798: 797: 793: 783: 781: 772: 771: 767: 754:"No More Tears" 752: 751: 747: 737: 735: 720: 719: 715: 705: 703: 693: 692: 688: 677: 673: 668: 634: 629: 619: 545:"Greater Omaha" 490: 485: 475: 401:"Greater Omaha" 357: 334:upward mobility 316: 287: 282: 277: 272: 237: 232: 227: 222: 201:Pitchfork Media 191: 186: 181: 176: 134: 125: 85: 81: 80: 44: 17: 12: 11: 5: 950: 948: 940: 939: 934: 929: 919: 918: 915: 914: 909: 902: 901:External links 899: 896: 895: 875: 842: 818: 791: 779:Tiny Mix Tapes 765: 745: 713: 686: 670: 669: 667: 664: 663: 662: 659: 658:- bass, vocals 653: 647: 641: 633: 630: 626: 625: 622: 616: 615: 612: 609: 605: 604: 601: 598: 594: 593: 590: 587: 583: 582: 579: 576: 572: 571: 568: 565: 561: 560: 557: 554: 550: 549: 546: 543: 539: 538: 535: 532: 528: 527: 524: 521: 517: 516: 513: 510: 506: 505: 502: 499: 491: 489: 486: 482: 481: 478: 472: 471: 468: 465: 461: 460: 457: 454: 450: 449: 446: 443: 439: 438: 435: 432: 428: 427: 424: 421: 417: 416: 413: 410: 406: 405: 402: 399: 395: 394: 391: 388: 384: 383: 380: 377: 373: 372: 369: 366: 358: 356: 353: 315: 312: 293: 292: 263: 260:Tiny Mix Tapes 255: 254: 251: 243: 242: 213: 207: 206: 203: 197: 196: 167: 161: 160: 157: 153: 152: 141: 140: 137: 136: 127: 118: 111: 110: 103: 102: 97: 91: 90: 78: 74: 73: 60: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 949: 938: 935: 933: 930: 928: 925: 924: 922: 913: 910: 908: 905: 904: 900: 885: 879: 876: 865: 861: 857: 853: 846: 843: 832: 828: 822: 819: 806: 802: 795: 792: 780: 776: 769: 766: 761: 760: 755: 749: 746: 733: 729: 728: 727:Rolling Stone 723: 717: 714: 702: 701: 696: 690: 687: 684: 680: 675: 672: 665: 660: 657: 656:Landon Hedges 654: 651: 648: 645: 644:Denver Dalley 642: 639: 636: 635: 631: 623: 620:Total length: 613: 611:"Hole in One" 610: 606: 602: 599: 595: 591: 588: 584: 580: 577: 573: 569: 566: 562: 558: 555: 551: 547: 544: 540: 536: 533: 529: 525: 522: 518: 514: 511: 507: 494: 487: 479: 476:Total length: 469: 467:"Hole in One" 466: 462: 458: 455: 451: 447: 444: 440: 436: 433: 429: 425: 422: 418: 414: 411: 407: 403: 400: 396: 392: 389: 385: 381: 378: 374: 361: 355:Track listing 354: 352: 350: 345: 343: 339: 335: 331: 330:concept album 328: 324: 320: 313: 311: 309: 305: 304:Desaparecidos 301: 300: 264: 262: 261: 257: 256: 252: 250: 249: 245: 244: 214: 212: 211:Rolling Stone 209: 208: 204: 202: 199: 198: 168: 166: 163: 162: 154: 151:Review scores 149: 133: 132: 128: 124: 123: 119: 117: 116: 112: 108: 107:Desaparecidos 104: 101: 98: 96: 92: 79: 75: 72: 68: 64: 61: 59: 55: 51: 47: 43: 42:Desaparecidos 38: 34: 30: 25: 20: 887:. Retrieved 878: 867:. Retrieved 855: 845: 834:. Retrieved 830: 821: 809:. Retrieved 804: 794: 782:. Retrieved 768: 757: 748: 736:. Retrieved 732:the original 725: 716: 704:. Retrieved 698: 689: 674: 638:Conor Oberst 346: 318: 317: 298: 297: 296: 258: 246: 129: 121: 120: 100:Saddle Creek 37:Studio album 927:2002 albums 762:. May 2002. 652:- keyboards 650:Ian McElroy 342:consumerism 921:Categories 889:2015-07-14 869:2015-07-14 836:2015-07-14 666:References 600:"$ $ $ $ " 456:"$ $ $ $ " 327:indie-rock 109:chronology 67:indie rock 864:0362-4331 784:March 19, 700:Pitchfork 632:Personnel 63:Punk rock 811:July 14, 683:AllMusic 646:- guitar 534:"Mañana" 390:"Mañana" 205:(4.6/10) 165:AllMusic 49:Released 39: by 706:4 April 135:(2015) 126:(2002) 862:  773:Kern. 738:10 Apr 504:Length 371:Length 159:Rating 156:Source 131:Payola 77:Length 624:35:21 501:Title 480:31:35 368:Title 338:Omaha 321:is a 314:About 95:Label 58:Genre 860:ISSN 813:2015 786:2015 759:Spin 740:2002 708:2002 614:3:08 603:5:10 592:2:56 581:3:02 570:2:41 559:3:39 548:4:14 537:3:24 526:3:16 515:3:46 470:3:08 459:5:10 448:2:56 437:3:02 426:2:41 415:3:39 404:4:14 393:3:24 382:3:16 323:punk 253:9/10 248:Spin 681:at 608:10. 497:No. 364:No. 71:emo 923:: 858:. 854:. 829:. 803:. 777:. 756:. 724:. 697:. 597:9. 586:8. 575:7. 564:6. 553:5. 542:4. 531:3. 520:2. 509:1. 464:9. 453:8. 442:7. 431:6. 420:5. 409:4. 398:3. 387:2. 376:1. 86:32 82:31 69:, 65:, 892:. 872:. 839:. 815:. 788:. 742:. 710:. 325:/ 84::

Index


Studio album
Desaparecidos
Genre
Punk rock
indie rock
emo
Label
Saddle Creek
Desaparecidos
Payola
AllMusic
Pitchfork Media
Rolling Stone
Spin
Tiny Mix Tapes
Desaparecidos
Saddle Creek Records
punk
indie-rock
concept album
upward mobility
Omaha
consumerism
September 11 attacks
Conor Oberst
Denver Dalley
Ian McElroy
Landon Hedges
Read Music/Speak Spanish

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