322:
used drum machines and layered his vocals, carefully crafted his albums, explaining to Lydia
Hutchinson in 2013, “I was an engineer, and I loved manipulating the sound. I love the technical side of recording. I had a recording studio back in the days when no one had a home studio. You had to rent a studio that belonged to a big conglomerate.” Cale was very proud that bluegrass musicians Uncle
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was produced by Audie
Ashworth, who would go on to produce Cale until 1983. Cale's second album further developed the “Tulsa sound” that he would become known for: a swampy mix of folk, jazz, shuffling country blues, and rock ‘n’ roll. Although his songs have a relaxed, casual feel, Cale, who often
392:
AllMusic: “...for some, his approach will be too casual; there are many times, when the band is percolating along and Cale is muttering into the microphone, that the music seems to be all background and no foreground. You may find yourself waiting for a payoff that never comes.”
310:, in 1971, which included a slower version of “After Midnight” and the minor hit single “Crazy Mama,” which rose to number 22. Already wary of stardom, Cale toured and recorded at his own pace throughout the decade, oblivious to trends and eschewing publicity.
358:
commenting that it “manages to be both understated and intense here. The same is true of his seemingly offhand singing, which finds him drawling lines like "You get your gun, I'll get mine" with disarming casualness.” Cale covers
346:. And, of course, Josh was the Dobro player on that stuff, and Vassar was 'Mister bluegrass fiddle player', and both of those guys came out to the studio and played that day. They were like
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306:” that Cale had released as a B-side to a Liberty single in 1966. The song became a hit in 1970 and put Cale on the map as a songwriter. He recorded his debut album,
885:
620:– Lead guitar, voice ( tr. 1, 6, 10 - 12 ), rhythm-guitar ( tr. 5, 9 ), Voice, Bass, Piano, Drums, Guitar ( tr. 7 ), Voice, Electric Piano, Lead Guitar ( tr. 8 )
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in the studio; they were so good you just kind of quit playing and dug what they were playing." Cale's guitar work is impressive on
334:, later recalling to Derek Halsey of Swampland.com in 2004, "That was one of the highlights of my life, man. We recorded that out at
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This article is about the J. J. Cale album. For the David Huff album, see
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722:- Drums ( tr. 2 ), congas ( tr. 4, 12, 12 ), percussion ( tr. 6, 10 )
363:’s rock and roll classic “Goin’ Down” and gives a jazzy treatment to
298:’s studio, Cale returned home to Oklahoma gigging in obscurity when
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380:, as a French exclusive 24-track 2-CD album set, as part of
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After several years in
California working as an engineer in
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Muscle Shoals Sound Studio, Muscle Shoals, Alabama (track 1)
629:
Bill
Boatman – Rhythm guitar ( tr. 8 ), guitar ( tr.11 )
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Robert
Tarrant – congas ( tr. 5 ), Tambourine ( tr. 9 )
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Christgau's Record Guide: Rock Albums of the
Seventies
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Quadrophonic Studio, Nashville
Tennessee (tracks 2-4)
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Moss Rose Studio, Nashville
Tennessee (tracks 8,11)
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83:Quinvy Studio, Muscle Shoals, Alabama (tracks 5,9)
665:– Lead guitar ( tr. 5 ), Slide-guitar ( tr. 9 )
1262:Albums recorded at Muscle Shoals Sound Studio
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34:
25:
750:– saxophone (Baritone) ( tr. 1 ), vocals
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374:In 2009 the album was re-released, with
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1141:The Breeze: An Appreciation of JJ Cale
198:
7:
647:– Rhythm-guitar ( tr. 5, 6, 10, 12 )
23:1972 studio album by J. J. Cale
371:,” which is simply called “Mojo."
14:
1257:Albums produced by Audie Ashworth
1134:Rewind: The Unreleased Recordings
219:
875:– via robertchristgau.com.
238:
233:
228:
223:
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897:Hutchinson, Lydia (July 2013).
774:– bass guitar ( tr. 6, 10, 12 )
923:Halsey, Derek (October 2004).
412:
1:
459:"I'll Kiss the World Goodbye"
302:recorded the arrangement of “
738:– bass guitar (tr. 2, 3, 4 )
501:"If You're Ever in Oklahoma"
445:"Everything Will Be Alright"
405:unless otherwise indicated.
671:– bass guitar ( tr. 8, 11 )
626:– Electric piano ( tr. 1 )
354:, with William Ruhlmann of
286:. It was released in 1972.
1278:
744:– bass guitar ( tr. 5, 9 )
704:– Rhythm-guitar ( tr. 1 )
686:Bob Holmes – harmony vocal
653:– violin ( tr. 6, 10, 12 )
15:
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338:, and I was a big fan of
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33:
846:"Consumer Guide '70s: C"
806:JJ Cale official website
692:– bass guitar ( tr. 1 )
250:Christgau's Record Guide
753:Don Sheffield – trumpet
732:– trumpet ( tr. 1, 5 )
563:"Playing in the Street"
91:Mount Juliet, Tennessee
1252:Shelter Records albums
401:All tracks written by
1127:The Road to Escondido
903:Performing Songwriter
716:– harmonica ( tr. 7 )
710:– drums ( tr. 8, 11 )
698:– trombone ( tr. 1 )
677:– dobro ( tr. 6, 12 )
278:is the second studio
886:Rolling Stone review
856:Ticknor & Fields
768:– piano ( tr. 2, 4 )
759:– drums ( tr. 5, 9 )
585:McKinley Morganfield
384:' '2 For 1' series.
194:Professional ratings
18:David Huff (drummer)
925:"JJ Cale interview"
899:"JJ Cale interview"
369:Got My Mojo Working
195:
1221:Christine Lakeland
1166:Call Me the Breeze
961:(list of releases)
954:J.J. Cale – Really
683:– drums ( tr. 1 )
639:Kenneth A. Buttrey
367:' blues standard “
193:
93:(tracks 6,7,10,12)
1247:J. J. Cale albums
1229:
1228:
1148:Live in San Diego
1095:To Tulsa and Back
842:Christgau, Robert
783:- Voice ( tr.1 )
659:– organ ( tr. 5 )
641:– drums ( tr. 3 )
635:– piano ( tr. 3 )
607:
606:
597:"Louisiana Women"
487:"Right Down Here"
382:Universal Records
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59:December 4th 1972
1269:
1204:Related articles
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67:April–July 1972
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1180:After Midnight
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1158:Notable songs
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1081:Closer to You
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812:on 2014-12-31
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781:Joann Sweeney
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515:"Ridin' Home"
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397:Track listing
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262:Rolling Stone
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199:Review scores
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1119:Other albums
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932:. Retrieved
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906:. Retrieved
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871:February 23,
869:. Retrieved
849:
836:
825:
814:. Retrieved
810:the original
805:
796:
757:George Soulé
726:Bob Phillips
669:Gary Gilmore
633:David Briggs
529:"Goin' Down"
400:
391:
375:
373:
365:Muddy Waters
351:
348:Buddy Emmons
344:Earl Scruggs
340:Lester Flatt
331:
318:
317:
307:
300:Eric Clapton
296:Leon Russell
293:
274:
273:
272:
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177:
169:
168:
159:
44:Studio album
1242:1973 albums
1216:Tulsa Sound
1211:Discography
1109:Stay Around
1053:Grasshopper
766:Bobby Woods
696:Bill Humble
675:Josh Graves
645:Jimmy Capps
324:Josh Graves
267:(favorable)
1236:Categories
1088:Guitar Man
1067:Travel-Log
1032:Troubadour
996:J. J. Cale
934:August 22,
865:089919026X
816:2011-03-09
788:References
772:Joe Zinkan
748:Norman Ray
690:David Hood
663:Mac Gayden
618:J. J. Cale
403:J. J. Cale
330:played on
290:Background
284:J. J. Cale
150:chronology
148:J. J. Cale
49:J. J. Cale
1074:Number 10
1011:Naturally
929:Swampland
611:Personnel
473:"Changes"
420:Writer(s)
388:Reception
377:Naturally
314:Recording
308:Naturally
161:Naturally
908:June 23,
844:(1981).
356:AllMusic
213:AllMusic
138:Producer
64:Recorded
56:Released
46: by
1187:Cocaine
1102:Roll On
959:Discogs
802:"Music"
742:Bob Ray
545:"Soulin
533:Don Nix
361:Don Nix
183:(1974)
174:(1972)
165:(1972)
131:Shelter
126:A&M
1046:Shades
1018:Really
862:
600:
566:
552:
518:
504:
490:
476:
462:
448:
434:
431:"Lies"
423:Length
352:Really
332:Really
319:Really
275:Really
207:Rating
204:Source
170:Really
103:Length
72:Studio
29:Really
1173:Clyde
547:'
417:Title
280:album
120:Label
1025:Okie
936:2016
910:2019
873:2019
860:ISBN
603:2:56
589:2:29
579:Mojo
569:1:51
555:2:19
537:3:00
521:2:39
507:2:06
493:3:14
479:2:25
465:1:47
451:3:15
437:2:56
342:and
326:and
179:Okie
129:US:
124:UK:
957:at
594:12.
574:11.
560:10.
413:No.
282:by
1238::
1060:#8
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428:1.
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1039:5
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912:.
819:.
581:"
577:"
549:"
255:B
110::
20:.
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