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and produced one child, Eliza. Shrewsbury died in 1793, and his widow remarried to wealthy tailor
William Mills of Charleston in February 1795. Earl probably painted Rebecca on the occasion of her second marriage between 1794 (when Earl arrived in Charleston) and August 1796 (when Earl died of yellow
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Curator Morgan Lan described this portrait as "one of Earl’s most luminous and eye-catching works: a sumptuous display of rich fabric, genteel refinement, and graceful disposition." The painting features two brunette women seated at similar scale before drawn drapes that open onto a landscape of
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is evident in this portrait. Earl follows
English painting conventions, featuring classical and theatrical elements, indeterminate background landscape, and tempestuous sky, but his richly textured materials and saturated colors are reminscient of Copley and other American artists.
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had painted twenty years earlier) and her daughter, Eliza
Shrewsbury (seated at left), captured in the domestic acts of sewing and reading, respectively. The portrait showcases Earl's penchant for rich drapery and (for the period) animated expressions.
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cloudy sky and marsh with distant green vegetation and an even more distant body of water. The women sit together on a black horsehair sofa, pausing their work to glance up at the viewer.
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Kinship and
Commerce: James Earl and the Business of Portraiture in the Atlantic World, 1785-1796
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Born
Rebecca Pritchard, the mother had married wealthy shipwright Edward Shrewsbury of
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American
Paintings and Related Pictures in the Henry Francis du Pont Winterthur Museum
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101.75 cm × 127.94 cm (40.06 in × 50.37 in)
206:"Rebecca Pritchard Mills (Mrs. William Mills) and Her Daughter Eliza Shrewsbury"
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fever). Eliza
Shrewsbury had married wealthy merchant Isham Williams in 1786.
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Rebecca
Pritchard Mills (Mrs. William Mills) and Her Daughter Eliza Shrewsbury
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This double portrait depicts
Rebecca Pritchard Mills (the sister of
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is an oil-on-canvas portrait created by
American painter
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Rebecca Pritchard Mills and Her Daughter Eliza Shrewsbury
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Collection of the Winterthur Museum, Gallery and Library
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Information about the painting from Winterthur Museum
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The portrait bears a striking resemblance to Earl's
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239:Richardson, Edgar P. (1986).
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185:John Singleton Copley
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254:978-0-8139-1098-7
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154:Description
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192:References
129:Charleston
105:Charleston
101:James Earl
70:Dimensions
40:James Earl
57:1960.0554
54:Catalogue
214:Archived
175:Analysis
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86:Delaware
78:Location
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