129:). Some critics contended that the whole series was a cynical attempt to wilfully stir controversy, and in practice many viewers discovered that "softcore" against which campaigners had railed was in fact genuine art cinema (and not the titillation for which they had stayed up late). With viewing figures latterly declining, and press opposition remaining strong, Channel 4 quietly discontinued the red triangle the year after it had been introduced.
651:
More generally, the experiment showed there was a considerable appetite in the
British viewing public for adult, sexually themed programming, and the following decade saw Channel 4 increasingly resorting to more blatantly sexual programmes to attract viewers. By showing that it was possible for TV
93:
in the UK). To prevent viewers who missed the warning at the beginning from later being unwittingly exposed to the adult content of the film, a smaller red triangle was continually displayed in the top left corner of the screen throughout the broadcast. This quickly led to the broadcasts being
88:
The series began in
September 1986 in a very late slot (with most films beginning after midnight). Broadcasts were preceded by a warning, saying "Special Discretion Required" and displaying a full-screen logo of a red triangle with a white centre (the standard scheme used for
639:
Several years later around 1995, Channel 4 instituted a late-night programming slot (entitled "The Red Light Zone") in which it showed a variety of adult-oriented programmes with more overt sexual content, mixing avant-garde material such as the works of photographer
56:
art films in the early hours of the morning as part of the "red triangle" series, gaining unexpectedly large audiences. After lobbying from newspapers and pressure groups this method of identifying such material was discontinued.
124:
synopses sounded racy) gained viewerships of over three million, figures which dwarfed those of the other channels still broadcasting that late (which carried fare of very limited appeal and educational programming from the
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353:
The film centres on a Roman film director who falls in love with a strange noble woman during his research for a new film. She disappears, and he has an affair with an actress. '18' (1983 - theatrical; 1995 - video)
65:
The channel, launched in
November 1982, hoped to gain a reputation as a relatively avant-garde alternative to the existing terrestrial stations. It compiled a list of provocative films, generally
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829:
684:
658:, which notably parodied the red triangle films) went some way to establishing a late-night "after the pub" slot. This continues (particularly on Channel 4 and its competitor
81:'s 'X' (or later '18') certificates, had never been shown on British television before. Their content transcended that which had hitherto been permitted by the UK's TV
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The outcry over the red triangle series had entirely the opposite effect than the objectors had intended; the opening film, the grisly surreal comedy
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This surreal tale of a disgruntled labourer who degenerates into an urban caveman gained an 'X' certificate in 1973. The film includes a
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scene (although the corpse of the policeman who is eaten is quite clearly that of a pig, an obvious joke on the director's part).
38:
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The broadcasts proved to be controversial even before they began. Several newspapers branded some of the films to be shown "
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campaigned vociferously against the broadcasts and lobbied parliament and the IBA, calling for the broadcasts to be ended.
652:
to get viewership of several millions after midnight, the red triangle experiment (along with late-night comedy programme
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over "smut" and "video nasties" had largely subsided, such that the Red Light Zone proceeded without great controversy.
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with more unabashedly salacious content. By this time
Whitehouse's influence had declined, and the general
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and mostly in another language, and entered into negotiation with independent TV regulator the
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in the 1970s (a white rectangle) - to warn viewers of potentially disturbing material.
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of this sort preceded broadcasts, warning viewers that special discretion was required.
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for a brief period from 1986 to 1987. A similar warning had been briefly used by
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Discussion of TV censorship in the UK, with some material on Red
Triangle films
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woman as she writes about her life, giving herself to the castoffs of
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118:, garnered over two million viewers. Later films (mostly those whose
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692:, no. 58855, Times Digital Archive, 8 August 1973, p. 2
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was a content warning system employed by mainstream terrestrial
662:), although the content is more inclined toward the bawdy and
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Usenet discussion containing listing of "red triangle" films
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Rated '15' by the BBFC in 1983; '18' on video in 1988.
101:", and once broadcasts began the morality campaigner
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666:than to the red-triangle series' art house films.
202:Rated '15' by the BBFC (1994 - VHS; 1999 - DVD)
825:Television controversies in the United Kingdom
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284:
246:
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94:informally known as the "red triangle films".
830:Television presentation in the United Kingdom
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347:
8:
107:National Viewers' and Listeners' Association
261:Throw Away Your Books, Rally in the Streets
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416:'18' (1982 - theatrical; 1988 - video)
52:The channel showed a number of mainly
756:, BBFC (details in drop down section)
7:
394:A chilling account of the lives of
820:Rating controversies in television
541:Based on a letter received from a
75:Independent Broadcasting Authority
14:
402:, including harrowing scenes of
79:British Board of Film Censorship
742:, BBFC website (drop down list)
462:Montenegro, or: Pigs and Pearls
795:Channel 4 original programming
1:
810:Media content ratings systems
815:Rating controversies in film
775:A brief history of Channel 4
349:Identificazione di una donna
413:Pixote: A Lei do Mais Fraco
291:
247:
61:The red triangle broadcasts
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800:1986 in British television
292:Sho o Suteyo, Machi e Deyo
725:Identification of a Woman
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305:Identification of a Woman
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336:Michelangelo Antonioni
329:Michelangelo Antonioni
213:Pastoral Hide and Seek
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378:Brazilian Portuguese
105:became involved. her
24:
16:Adult content warning
536:Helma Sanders-Brahms
524:Helma Sanders-Brahms
237:Death in the Country
642:Robert Mapplethorpe
805:1986 controversies
457:14 November 1986
410:. Original title:
239:, original title:
170:19 September 1986
39:British television
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501:28 November 1986
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360:24 October 1986
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346:Original title:
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685:"News in Brief"
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558:Out of the Blue
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208:3 October 1986
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103:Mary Whitehouse
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655:Who Dares Wins
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619:Yılmaz Güney
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391:Jorge Durán
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342:Gérard Brach
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188:No dialogue
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156:Language(s)
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64:
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41:broadcaster
35:red triangle
34:
32:
27:red triangle
26:
18:
646:moral panic
448:Greg Millin
198:cannibalism
789:Categories
753:The Clinic
670:References
436:Australia
426:The Clinic
286:書を捨てよ町へ出よう
696:29 August
690:The Times
660:Channel 5
400:São Paulo
274:Japanese
226:Japanese
159:Director
133:The films
71:art-house
67:cult film
43:Channel 4
613:Turkish,
598:The Wall
571:English
479:Swedish
477:English,
439:English
322:English,
320:Italian,
280:(寺山 修司)
232:(寺山 修司)
711:Themroc
664:laddish
615:French
610:France
608:Turkey,
568:Canada
519:German
472:Sweden,
404:torture
375:Brazil
324:French
317:France
185:France
175:Themroc
162:Writer
153:origin
149:Country
121:TVTimes
115:Themroc
83:censors
739:Pixote
635:Legacy
547:Berlin
530:Rita G
365:Pixote
315:Italy,
271:Japan
223:Japan
165:Notes
143:Title
626:Duvar
242:田園に死す
146:year
140:Date
698:2024
604:1983
564:1980
512:1981
468:1981
432:1982
406:and
371:1980
311:1982
267:1971
219:1974
181:1973
33:The
474:UK
398:in
69:or
47:ATV
791::
688:,
295:)
251:)
151:of
85:.
25:A
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289:(
245:(
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