Knowledge

Red Psalm

Source 📝

29: 326:
than the elaborate cycles and epicycles of the Jancsó world, where everybody — open fields notwithstanding — is imprisoned within rigid limits of the director's rage for abstract patterns."
741: 318:
review that "it is difficult to pinpoint the reasons for the incredible monotony of so much vigorous activity, but surely one reason is that nothing happens in
501: 301:
as "crystal clear and involving: looking for a language in , he found it here and uses it with dazzling precision." Writing for the Chicago-based website
338: 233:, carefully choreographed takes, the film features only 26 shots. Unlike Jancsó's previous films, which used music only sparsely, almost every scene in 736: 205:
centers around a small peasants' revolt in 1890. It draws inspiration from the Hungarian revolutionary movements of the 19th century, including the
711: 756: 659: 494: 731: 726: 675: 611: 716: 619: 721: 683: 206: 487: 523: 643: 420: 751: 746: 342: 322:
except for the benefit of the camera...Nothing could be further, say, from the great fluid camera movements of a
84: 571: 547: 432: 257:"Johnny Is My Darling"). Due to this large number of songs and dances, the movie is sometimes described as a 539: 667: 651: 555: 627: 368: 587: 470: 306: 238: 706: 579: 398: 289: 511: 384: 210: 191: 183: 42: 346: 276: 250: 226: 173: 465: 254: 249:, most famously "Charlie Is My Darling" (a variation on a Scots song later adopted during the 62: 309:
describes the film as "an inversion of Jancsó's earlier work — and his most beautiful film."
635: 603: 246: 242: 52: 563: 531: 409: 314: 284: 271: 74: 28: 700: 345:
and is considered one of his major works. Several critics, most notably the American
94: 258: 479: 237:
features music, usually performed by the on-screen characters. The songs include
213:, the poet whose work the film's Hungarian title references, was a participant. 323: 230: 474: 459: 293:
sees the film as an improvement over Jancsó's "opaque and difficult"
109: 364: 362: 483: 312:
Taking a contrary position, Roger Greenspun wrote in his 1972
380: 378: 376: 410:
CINE-FILE Chicago: Friday, JAN. 23 — Thursday, JAN. 29
394: 392: 157: 149: 139: 116: 100: 90: 80: 70: 58: 48: 38: 21: 495: 421:New York Times: Jancso's "Red Psalm" Screened 8: 186:. The literal translation of the title is " 502: 488: 480: 27: 18: 676:The Last Supper at the Arabian Gray Horse 221:Like most of Jancsó's best-known works, 358: 7: 14: 737:War films based on actual events 225:is loosely based on events from 742:Films directed by Miklós Jancsó 612:Private Vices, Public Pleasures 433:"Festival de Cannes: Red Psalm" 369:Pacific Cinematheque: Red Psalm 712:1970s Hungarian-language films 684:Wake Up, Mate, Don't You Sleep 660:The Lord's Lantern in Budapest 182:) is a 1972 Hungarian film by 1: 349:, consider it his best film. 757:Films set in Austria-Hungary 207:Hungarian Revolution of 1848 524:The Bells Have Gone to Rome 773: 283:"may well be the greatest 190:", a quote from a poem by 518: 471:Még kér a nép (Red Psalm) 385:Chicago Reader: Red Psalm 343:1972 Cannes Film Festival 287:of the 60s and 70s." The 26: 644:Jesus Christ's Horoscope 188:And the People Still Ask 732:Films about rebellions 727:Films set in the 1890s 668:Mother! The Mosquitoes 177: 717:Hungarian drama films 556:The Red and the White 722:Films set in Hungary 307:Ignatiy Vishnevetsky 239:Hungarian folk music 652:God Walks Backwards 437:festival-cannes.com 399:Time Out: Red Psalm 290:Time Out Film Guide 16:1972 Hungarian film 628:The Tyrant's Heart 620:Hungarian Rhapsody 510:Films directed by 347:Jonathan Rosenbaum 277:Jonathan Rosenbaum 265:Critical reception 251:American Civil War 752:Films set in 1890 694: 693: 572:The Confrontation 227:Hungarian history 165: 164: 764: 747:1972 drama films 604:Electra, My Love 504: 497: 490: 481: 447: 446: 444: 443: 429: 423: 418: 412: 407: 401: 396: 387: 382: 371: 366: 269:Writing for the 132: 130: 31: 19: 772: 771: 767: 766: 765: 763: 762: 761: 697: 696: 695: 690: 564:Silence and Cry 514: 508: 456: 451: 450: 441: 439: 431: 430: 426: 419: 415: 408: 404: 397: 390: 383: 374: 367: 360: 355: 337:won Jancsó the 332: 267: 229:. Shot in very 219: 200: 142: 135: 128: 126: 119: 112: 105: 103: 65: 34: 17: 12: 11: 5: 770: 768: 760: 759: 754: 749: 744: 739: 734: 729: 724: 719: 714: 709: 699: 698: 692: 691: 689: 688: 680: 672: 664: 656: 648: 640: 632: 624: 616: 608: 600: 592: 584: 576: 568: 560: 552: 544: 536: 528: 519: 516: 515: 509: 507: 506: 499: 492: 484: 478: 477: 468: 455: 454:External links 452: 449: 448: 424: 413: 402: 388: 372: 357: 356: 354: 351: 331: 328: 315:New York Times 285:Hungarian film 275:, film critic 272:Chicago Reader 266: 263: 218: 215: 199: 196: 163: 162: 159: 155: 154: 151: 147: 146: 143: 140: 137: 136: 134: 133: 122: 120: 117: 114: 113: 108: 106: 101: 98: 97: 92: 88: 87: 82: 78: 77: 72: 71:Cinematography 68: 67: 63:József Madaras 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 769: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 704: 702: 686: 685: 681: 678: 677: 673: 670: 669: 665: 662: 661: 657: 654: 653: 649: 646: 645: 641: 638: 637: 633: 630: 629: 625: 622: 621: 617: 614: 613: 609: 606: 605: 601: 598: 597: 593: 590: 589: 585: 582: 581: 577: 574: 573: 569: 566: 565: 561: 558: 557: 553: 550: 549: 545: 542: 541: 537: 534: 533: 529: 526: 525: 521: 520: 517: 513: 512:Miklós Jancsó 505: 500: 498: 493: 491: 486: 485: 482: 476: 472: 469: 467: 463: 462: 458: 457: 453: 438: 434: 428: 425: 422: 417: 414: 411: 406: 403: 400: 395: 393: 389: 386: 381: 379: 377: 373: 370: 365: 363: 359: 352: 350: 348: 344: 341:prize at the 340: 339:Best Director 336: 329: 327: 325: 321: 317: 316: 310: 308: 304: 300: 296: 292: 291: 286: 282: 278: 274: 273: 264: 262: 260: 256: 252: 248: 244: 241:and songs in 240: 236: 232: 228: 224: 216: 214: 212: 211:Sándor Petőfi 208: 204: 197: 195: 193: 192:Sándor Petőfi 189: 185: 184:Miklós Jancsó 181: 180: 179:Még kér a nép 175: 171: 170: 160: 156: 152: 148: 144: 138: 124: 123: 121: 115: 111: 107: 99: 96: 93: 89: 86: 85:Zoltán Farkas 83: 79: 76: 73: 69: 64: 61: 57: 54: 53:Gyula Hernádi 51: 47: 44: 43:Miklós Jancsó 41: 37: 30: 25: 20: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 602: 595: 594: 586: 580:The Pacifist 578: 570: 562: 554: 548:The Round-Up 546: 538: 530: 522: 460: 440:. Retrieved 436: 427: 416: 405: 334: 333: 319: 313: 311: 302: 298: 294: 288: 280: 279:argues that 270: 268: 234: 222: 220: 202: 201: 187: 178: 168: 167: 166: 141:Running time 118:Release date 540:My Way Home 297:, praising 253:as the pro- 209:, of which 75:János Kende 66:Tibor Orbán 39:Directed by 707:1972 films 701:Categories 442:2009-04-14 353:References 324:Max Ophuls 217:Background 145:87 minutes 102:Production 95:Tamás Cseh 49:Written by 596:Red Psalm 588:Agnus dei 461:Red Psalm 335:Red Psalm 320:Red Psalm 303:Cine-File 299:Red Psalm 295:Agnus Dei 281:Red Psalm 235:Red Psalm 223:Red Psalm 203:Red Psalm 174:Hungarian 169:Red Psalm 161:Hungarian 81:Edited by 33:DVD cover 22:Red Psalm 475:AllMovie 158:Language 91:Music by 59:Starring 532:Cantata 259:musical 247:English 243:Russian 153:Hungary 150:Country 127: ( 104:company 687:(2002) 679:(2001) 671:(2000) 663:(1999) 655:(1991) 647:(1989) 639:(1985) 631:(1981) 623:(1979) 615:(1976) 607:(1974) 599:(1972) 591:(1971) 583:(1970) 575:(1969) 567:(1968) 559:(1967) 551:(1966) 543:(1965) 535:(1963) 527:(1959) 330:Awards 110:Mafilm 255:Union 636:Dawn 466:IMDb 245:and 231:long 198:Plot 129:1972 125:1972 473:at 464:at 703:: 435:. 391:^ 375:^ 361:^ 305:, 261:. 194:. 176:: 503:e 496:t 489:v 445:. 172:( 131:)

Index


Miklós Jancsó
Gyula Hernádi
József Madaras
János Kende
Zoltán Farkas
Tamás Cseh
Mafilm
Hungarian
Miklós Jancsó
Sándor Petőfi
Hungarian Revolution of 1848
Sándor Petőfi
Hungarian history
long
Hungarian folk music
Russian
English
American Civil War
Union
musical
Chicago Reader
Jonathan Rosenbaum
Hungarian film
Time Out Film Guide
Ignatiy Vishnevetsky
New York Times
Max Ophuls
Best Director
1972 Cannes Film Festival

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.