179:(AAL) and Concordia Teachers College, Marxhausen took his family on a year-long tour of the United States to lead workshops at churches and schools. Leading religious workshops was something Reinhold had been testing out for a while at Saint John's Lutheran church in Seward. He credited Pastor Leonard Heidemann from Saint John for allowing him to meld art and Christianity into a worship service that he would later use on tour. The "Artist at Large" tour was completed in four segments of the United States: northwest, northeast, southeast and southwest. During this time, Marxhausen led hundreds of workshops and was featured on several TV and radio broadcasts. His family spent the entire year traveling and living out of their Winnebago. His main goal was to create a ministry to help people to experience and understand art as well as to break the stereotyping of artists in the art world.
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from doing any artistic type of painting was simply getting permission to do it. Fueled by both the anger at this knowledge and a passion for art, Marxhausen obsessively attended to his studies producing painting after painting. At the suggestion of a fellow
Lutheran, he quit art school and transferred to Valparaiso University. There was no formal art department at Valparaiso, so Marxhausen earned a degree in Biology instead. Immediately after graduation in 1950, a confused Reinhold realized that he had a biology degree, but still desired to be an artist. He went back to Illinois and enrolled in the Art Institute of Chicago. He also took a couple summer workshops at the
203:, who was working at the office at that time, mentioned the impact this slideshow had upon his life in a lecture titled “Out of the Ordinary”. Bankers Life Nebraska also helped sponsor three movies: "A Time to See", "Findings", and "Time Lines". By the 1980s, his popularity and presentations were such a success that Bankers Life Nebraska began scheduling him on tours around the United States to present his thoughts on art and perception. This program was titled "Do you see what I see?" and it was heavily promoted because of the attention it gave to Bankers Life Nebraska. His enlightening personality and artistic perspective won over his crowds during these travels.
406:. In 1964, the Capitol Mural commission decided that mosaics would best fit the décor of the large hallway and started a competition to select the artists creating them. Marxhausen would not have gotten involved if not for a party at the Sheldon Art Museum. While getting coffee, he met and started a conversation with Fred Wells, who was the chairman of the commission at the time. Marxhausen asked if anyone could enter the contest and Fred told him that he could send in some drawings if he wanted. Out of the four artists ultimately chosen to create the foyer mosaics, Marxhausen was the only one from Nebraska.
199:. During the program, Marxhausen presented his "How to See" slide show that he had previously honed during the AAL tour. A Bankers Life Nebraska's director of advertising was in the audience and enjoyed Marx's presentation. The director was looking for a new way the company could better support the arts and soon Reinhold was retained by the company as artist-in-residence. His first act as artist-in-residence was to create a "How to See" slideshow show for their employees based on what he found around their home office. Former Poet Laureate Consultant in Poetry
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along with their students, set about making art based on the location. Sculptures were made out of the debris found on the land, and scenes of the barn or surrounding area were painted. Reinhold went around taking pictures of the area. Everyone in the countryside, especially farmers, was invited to this art show. It was an effort to show the community that the art world did not exist just hanging on the walls of a museum, but that it could be found all around them if they just knew how to see it.
72:, to E.J.A. and Aurelia Marxhausen. His father was a Lutheran pastor who wanted Reinhold to follow in his footsteps and attend the Lutheran seminary. However, Marxhausen always saw his future in the world of art. As a compromise with his father, he went to Dunwoody Technical School to learn interior design. After completing his courses, he ran a painting and wallpapering business. Reinhold was successful enough that by age 20, he had opened a paint store in
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art show, Reinhold decided to try to make a sculpture that incorporated the wires inside the doorknob that could be triggered by other loose wires. He soon synthesized it to be smaller and look more like a small rock. With a small, modest shell of stainless steel, Marxhausen wanted the sculpture to be an embodiment of his philosophy that, "Even the most ordinary can be extraordinary". An interview with Susan
Stanburg on
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a professional artist, Reinhold didn't take it seriously. He threw the offer away in the trash. A second letter later arrived when they never received a reply. Given the second chance, he noticed that they also needed him to fill the position of a biology teacher as well. He decided that it was a sign from God for him to take the job and began a 40-year teaching career for the college.
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symbols is the box of human remains within the lower middle of the piece. Marx's explanation for the inclusion, “Those bones are dedicated to all the deadheads in
Nebraska, the lazy people, the people satisfied with the status quo, the people who are stubbornly determined not to succeed, all who resist change.”
154:. It was there that he began a life of experimentation with sound sculptures. While creating a metal interpretation of the solar system, he welded wires to the back of a door knob and decided to strum his fingers across the wires. He put it next to his ear and noticed that they made a beautiful sound.
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In the spring of 1965, the first three artists were chosen. Reinhold was picked to create “The Spirit of
Nebraska” which he installed in early January 1966. Since “The Spirit of Nebraska” was such an abstract idea, a lot of symbolism was incorporated into the artwork as well. One of these interesting
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In 1973, Marxhausen would do another art show with the same theme at the Hughes
Brothers Factory in Seward. However, this time, employees of the plant as well as college art students were encouraged to participate with their own projects. It was a very successful event thanks to cooperation of Hughes
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Throughout his time at
Concordia, Marxhausen started teaching art appreciation to the communities in and around Seward. On a sunny day in May 1970, his first large publicized event was at an abandoned farmstead south of Seward called Swede Goehner's farm. It was there that the art department faculty,
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During his years at
Concordia, Marxhausen gained repute as a unique and inspiring educator. He constantly encouraged his students to see the beauty in everyday life. In a fundamental art class, he took his students outside in the winter, asking them to sculpt with snow. He took students to the local
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at a barber shop. He showed it to the president of the college, who had mentioned he was looking for a
Lutheran artist. In 1951, the college sent a letter to Marxhausen inviting him to not only become an art instructor for Concordia, but also start the art department. Fully accustomed to the life of
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was a small, round object made out of stainless steel that made a light, tinkling sound when shaken. Earlier
Marxhausen sound sculptures had wires sticking out of doorknobs that could be manipulated to make tones. The wires were a safety concern for public use. In 1980, while creating pieces for an
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In 1977, Marxhausen started to focus on the need for people to relax and play. His answer to this problem was the "Flurry," a slinky like toy of honeycombed paper sandwiched between two pieces of cardboard. The material and machine that made it were invented by Robert
Geshwender, the president of a
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Reinhold returned from war determined to pursue an artistic future. He was surprised to find out that his father had sent out letters and already enrolled him with the Ray-Vogue Community Arts School. In his very first class, he made the realization that the only thing that had been preventing him
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in 1951, teaching there until his retirement in 1991. During this time, he gained national recognition through various exhibits across the country. His most well-known works include two massive mosaic murals in the Nebraska State Capitol and the small sound sculptures called
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and left the public spotlight until his death in 2011. His wife Dorris died in 2015. Reinhold had no fear of death and had given a very memorable church service concerning that topic years before. While standing in a wooden coffin, he recited the following poem.
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dump for a Thanksgiving Day service, highlighting the vast sea of material goods for which to give thanks. Much of his own art consisted of found objects - garden gloves, dryer lint, tire rubber, marbles, and other scraps he picked up around his home.
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He was chosen again in the spring of 1966 to create the mosaic “The Building of the Capitol” which was installed in October 1966. It included a representation of the second State Capitol of Nebraska as well as a quote from the
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boosted the popularity of the piece. He immediately started getting orders from people all around the world. His Stardusts ended up in the possession of numerous celebrities and public figures. Eventually, one was given to
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Lincoln, Nebraska, manufacturing firm called Plumb Creek, Inc. Marxhausen was the one that saw its potential as a toy and came up with the name. Thanks to his presentations for the BCA, Marxhausen had gotten to know
457:. He said, "Why have gothic art in twentieth-century churches? Shouldn't twentieth-century churches have twentieth-century art?" This quote reflects his vision in which every church would have a resident artist.
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luxury stores. The “Flurry” was first made available for sale at Neiman Marcus because of this friendship. It soon began showing up at other stores and became popular enough that
425:, he also incorporated brick and his characteristic burnt wood which he epoxied onto plywood panels that were later butted tightly to one another without the use of grout.
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Much of his art had a Christian message behind it. Marxhausen was a proponent of creating art for churches, and in fact was commissioned to make works for churches in
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34:(April 13, 1922 - April 23, 2011), was an American artist known for his work in sculpture, mosaic, painting, and found object art. Reinhold studied at
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92:. As way to stave off boredom, he made trinkets out of what he found around the islands, such as tin and plastic pieces from destroyed aircraft.
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Since his days at Mills College, Marxhausen had been experimenting with sound sculptures. Some of the created sound sculpture included the
418:, “All men are endowed by their creator with certain unalienable rights among these are life liberty and the pursuit of Happiness”.
191:) in 1973 was another milestone in his life. It began at an arts seminar hosted by the Business Committee for Arts (BCA) at the
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Baker, Janis R., ed. (9 August 1977). "Artist-in-residence expands company's image and involves employees with new art ideas".
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soon ran out and Marxhausen began hitchhiking around the country painting and selling watercolors to make ends meet.
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Brothers and community organizers. Video footage of the art show can be seen in Marxhausen's movie: “Findings”.
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Marxhausen's murals were unconventionally built and unique in the choice of materials. Besides using
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In 1953, Marxhausen married Concordia student Dorris Steinbrueck. They had two sons, Karl and Paul.
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by a band member on the Late Show. After a couple months of intrigue about the strange object, the
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was to receive six murals representing a theme or part of Nebraska history based on the design of
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sought out Marxhausen. He appeared on the show on March 25, 1986, and again on January 17, 1990.
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Gatewood, Becky, ed. (September 1981). "St. Francis Center Coffins Create Nationwide Interest".
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In 1962, Marxhausen took a year-long sabbatical to complete his MFA at Mills College in
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Marxhausen retired from Concordia in 1991. In the late 1990s, he began suffering from
76:. Unfortunately, a little over a year later, he was drafted into the U.S. Army during
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BERENS, CHARLYNE (21 December 1983). "Marxhausen not an Artist in the Purest Sense".
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80:, forcing him to close the business and let his employees go. Marxhausen served in
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MACKLIN, BETH (12 July 1978). "Inventor of Toy Is Serious About 'Enjoying' Life".
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718:"'Nothing Ordinary About a Raindrop' Ted Kooser on Appreciating Everyday Things"
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BAUER, MICHEAL (5 June 1977). "Eccentric Artist Finds Beauty, Leisure in Junk".
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135:. A music teacher at Concordia Teachers College (now Concordia University) in
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HERMAN, DICK (9 January 1966). "Mural Shows Nebraska as a 'Something State".
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ROBERTS, BILL (22 October 1977). "'Flurry' Hits Lincoln; G.I. Next Target".
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Baxter, Jo. Sunday World-Herald Magazine of the Midlands, Sept. 1, 1968.
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The Broadcaster, Concordia Teacher's College, Vol. 27, no. 5, June 1953.
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He achieved a successfully marketable piece of art when he created the
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ALLEN, TOM (23 January 1983). "Sculptor Shapes Extraordinary Sounds".
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NACK, JON (9 February 1990). "from New York... Reinhold Marxhausen".
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616:"Art Day at Hughes Brothers Sun. celebrates working men and women".
590:. Vol. 27, no. 5. Concordia Teacher's College. June 1970.
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Reinhold Marxhausen's involvement with Bankers Life Nebraska (now
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MARCUS, STANLEY (17 November 1987). "Looking may not be seeing".
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STEINAUER, JONEE (1 April 1992). "Stardust Tingles the Ears".
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993:. Lincoln, NE: University of Nebraska Press. pp. 91, 96.
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KRUEGER, PAUL (March–April 1982). "Do you see what I see?".
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in California. He became the first art department chair at
959:"Late Night with David Letterman FULL EPISODE (1/17/90)"
919:"Reinhold Marxhausen on David Letterman, March 25, 1986"
947:. Vol. 26, no. 5. Concordia Teachers College.
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WHITMORE, BOB (January 1990). "Life of Serendipity".
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DENNY, JAMES (5 July 1970). "Art Goes to the Farm".
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become new after death-like these beautiful flowers.
724:. Vol. 64, no. 5. The Library of Congress
671:BOOKER, DAVID L. (Winter 1972). "Artist at Large".
502:NYGREN, JUDITH (2 May 1993). "He Has Sound Ideas".
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Swede Goehner's Farm and Hughes Brothers Art Events
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991:A Harmony of the Arts: The Nebraska State Capitol
476:"Seward artist Reinhold Marxhausen died Saturday"
265:box as a kit, I put it in the garage. I did not
249:Even tho we know that Christ has conquered death.
705:. No. Special Issue. Bankers Life Nebraska.
247:I used to be as afraid of death as anyone else.
690:. Concordia Teachers College. 8 September 1972.
139:, noticed his name and paintings while reading
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603:Sunday World-Herald Magazine of the Midlands
326:A new space capsule for my meeting with God.
317:Farmers don’t throw seeds away. They plant
319:them. Old and shriveled people and seeds
293:surprised and happy. Another day for me.
1114:People from Otter Tail County, Minnesota
291:When I open my eyes in the morning, I’m
263:When it came to my house in a cardboard
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331:This box reminds me every day of God’s
125:Marxhausen sold a few paintings to the
68:Reinhold “Marx” Marxhausen was born in
42:, the Ray-Vogue School in Chicago, and
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1104:Concordia University Nebraska faculty
1034:"Last of Six Murals for Statehouse".
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328:A great new adventure lies before me.
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474:WOLGAMOTT, L. KENT (25 April 2011).
1004:"Unit Picks Artist for New Works".
989:Luebke, Frederick C., ed. (1990).
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394:The Nebraska State Capitol Murals
103:University of Minnesota in Duluth
1049:"Last Capitol Mural in Place".
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398:In the 1960s, the foyer of the
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289:I think about my death often.
284:I stand in it most every day.
177:Aid Association for Lutherans
1124:Valparaiso University alumni
907:. UNL College of Journalism.
586:"THE EVENT: Art in a Barn".
535:"Art... Marx makes it fun".
297:But this day may be my last.
277:I glued the pieces together.
193:Sheldon Memorial Art Gallery
716:URSCHEL, DONNA (May 2005).
557:. Vol. 15, no. 1.
416:Declaration of Independence
224:toys made a version of it.
88:as a processor of Japanese
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686:"MARXHAUSEN: ART TO ALL".
656:"Art day at Hughes Bros".
175:In 1971, sponsored by the
32:Reinhold Pieper Marxhausen
658:Seward County Independent
618:Seward County Independent
537:Seward County Independent
519:Seward County Independent
282:I see it whenever I work.
252:My hair used to be black.
791:. Bankers Life Nebraska.
267:open it for a long time.
105:under the mentorship of
40:Art Institute of Chicago
1036:Sunday Journal and Star
1021:Lincoln Evening Journal
848:"Marshausen, Dorris E."
335:May it be for you also.
1099:Artists from Minnesota
478:. Lincoln Journal Star
404:Hartley Burr Alexander
400:Nebraska State Capitol
286:I am no longer afraid.
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25:Nebraska State Capitol
871:St. Francis CENTERING
372:sound sculpture. The
324:This box is a symbol.
300:I know you are young
280:It sets in my studio.
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1109:Mills College alumni
722:Information Bulletin
312:Some of you will die
261:I paid $ 130 for it.
241:My Capsule Just Fits
819:Dallas Morning News
539:. 23 February 1983.
429:Artistic philosophy
304:To look forward to.
302:Full of life ahead
295:A gift-unexpected.
234:Alzheimer's disease
183:Artist-in-residence
152:Oakland, California
1053:. 23 October 1966.
890:Omaha World Herald
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852:. Retrieved
850:24 June 2015
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766:"Time Lines"
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555:New Horizons
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1089:1922 births
921:. YouTube.
834:Tulsa World
637:. 1974–1975
275:Last summer
228:Later years
216:the CEO of
86:Philippines
1083:Categories
929:2016-03-05
635:"Findings"
461:References
439:California
256:I'm dying.
201:Ted Kooser
141:Ford Times
128:Ford Times
82:New Guinea
64:Early life
945:the Sower
789:The Sower
388:Late Show
366:Stardust.
121:Concordia
115:G.I. Bill
107:Max Weber
59:Biography
963:Archived
923:Archived
703:Lifeline
455:Illinois
447:Nebraska
443:Colorado
374:Stardust
370:Stardust
351:Stardust
189:Ameritas
171:The Tour
84:and the
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969:10 June
854:28 July
309:I’m 59.
273:Finally
772:6 June
768:. 1978
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