1382:"Teaching and passing on knowledge is something that has been close to my heart for many years. I have taught in schools, conducted guitar workshops, written columns for various guitar publications, and as already mentioned, have a strong association with the RGT. I was asked to be a patron quite a few years ago. They are bringing out a book of my pieces under the umbrella of The London College of Music. As a self-taught, non-academic musician I'm honoured to now become 'legit' within the hallowed portals of the college with this new publication entitled GRADED GILTRAP. The title itself just makes me smile."
700:, released in 1981, evolved from the lineup of the band with whom Giltrap was performing. This was a different album to any previously produced as Giltrap did not compose every piece. Initially planned as music for TV, radio, film or other non-commercial use the recordings gradually morphed into an album which was eventually released. It didn't sell as well as previous Giltrap recordings and Giltrap himself felt somewhat detached from it as he was going through a difficult time in his life. There were to be no more Giltrap albums released for five years.
1436:"There truly is only one (person I'd like to collaborate with) and that has to be Pete Townshend, not just because he is cited as an influence on the way I play the guitar, but the power and eloquence of his creativity. He really is a towering genius within the annals of rock music and for me the Who were and still are the greatest rock band ever. I had the great pleasure of meeting Pete for the first time in 2017 and a more gracious and generous man you couldn't wish to be with. When I was going through serious health problems, he gifted me one of his
49:
1391:"changed the rave music scene and produced some amazing music, ... (helping to) shape and build the foundations for drum & bass in the days when Coventry was at the forefront of the best all-night rave clubs in the UK every weekend. Thousands traveled from all over the UK to queue for hours to get in. For those who had pleasure to know him or go to one of his sets, it was always a good night."
1504:
403:, decided that it was time for Giltrap to be dragged, initially reluctantly, into the realm of rock music. With this new sound, however, Giltrap found a different audience and gained greater commercial success. The success of this album prompted Giltrap to move on from the singer-songwriter approach and to form the Gordon Giltrap Band, which toured extensively in the UK at that time.
1064:, which was to be released the following year. Giltrap recruited additional musicians to play on the album, the most significant of whom was Bert Jansch himself. Jansch plays on the track "Chambertin". This track had appeared on his previous album but was now considerably lengthened. The album also featured the talents of flautist Hillary Ashe-Roy.
376:. The front cover photographs reflect Giltrap as a proud father blowing bubbles together with his then two-year-old son, Jamie. The opening track, "When I See My Son", further reflected that pride. This was the last album on which he sang lead vocals. As he became less convinced by his lyric writing capabilities he began seeking a different path.
501:". Giltrap later said of the track's creation, "It began with a song I did in the late '60s called 'Starting All Over'. When I lived in London I began to mess around with it and stumbled on the riff for what would become 'Heartsong'. I kept working on it, and eventually recorded the guitar part for it. Then we added the rhythm section from
1287:, which was released in 2010. The title piece appears twice on the album, first as a solo and again as the concluding track which incorporates Wakeman on keyboards. The flautist Hilary Ash-Roy appears once again on "Joy Ride" and "Prayer for Philippa". Another track, "Forever Gold", was written to celebrate
1342:
The album was supported by a tour complete with a full band. Giltrap felt uncomfortable attempting to play all the necessary guitar parts himself which would have involved frequent changes of instrument. For this reason, they drafted in guitarist Nick
Kendall. The band headlined the Summer's End
676:
This album showcased
Giltrap's talents from his strident electric guitar work on the opening track, "Headwind" to the intricacy of second acoustic track "Magpie Rag". This track incorporates a complex, oft-repeated riff around which the whole piece is based. The final track, "Dodo's Dream" has become
707:
Giltrap's life during this time went through a turbulent stage with the loss of his father at age 66, the fact he had two children to bring up and meeting Hilary, who was to become his second wife. He gradually began to get his life back to some sort of order. He was also gigging through this entire
1167:
The violin features on the opening track of the album, "Mrs Singer's Waltz". This is followed by another track, a regular piece in
Giltrap's current live performances, entitled "Maddie Goes West". It features banjo player Madelyn Martyn who was just about to take a trip to America, hence the title.
1370:
which was to prove to be twice as long as expected, Giltrap was very weak and there initially was concern for his future. However, he gradually regained his strength, returning home just a fortnight later. A period of convalescence followed and gradually, despite occasional setbacks, he recovered.
680:
When he finished recording, he embarked on a small tour in his favoured trio format which featured Ric
Sanders on violin and long-term ally Eddie Spence on keyboards. This diversion concluded at a tricky time in his life when his first marriage broke up and his mother, with whom he was very close,
1369:
in
Birmingham. Surgery took place on 6 May 2016 and was considerably more invasive than they had hoped it would be. During this time he was supported by his friend, singer / songwriter Carrie Martin, who helped both himself and Hilary through a very traumatic period of their lives. After surgery,
979:
One of the album's tracks, "Rain in the
Doorway", utilised a beloved baby guitar purchased at a boot sale for £5. It has since been renovated and usually accompanies Giltrap on his gigs, used primarily for the piece "Appalachian Dreaming". The album gained very favourable reviews and sold well.
1386:
On 31 January 2018, Giltrap learnt the devastating news that Jamie, his son, had passed away suddenly after a short illness. He was not considered to be in danger and so this was very unexpected news. Jamie had followed in his father’s footsteps with regard to a keen interest in music but his
1233:
to join them in a tour. This proved extremely successful. In concert, they each played a solo session before the finale where they joined together to play some of Gordon's pieces. The show in the
Symphony Hall in Birmingham in September 2008 was performed to capacity crowd with special guest
852:. Not many of these pieces, composed as the theme tunes for television programmes, had appeared on his albums. The album featured the all-star reworking of "Heartsong" and also a track entitled "Last of England", later to be the title of a highly regarded album, which had been used in the
648:
Giltrap's pieces on this album are less complicated but still feature a full band sound. The whole feel of the album is more upbeat than his previous three. The tracks are shorter in length and, ironically, feature
Giltrap playing more electric guitar than previous albums.
1249:
who recommended him. Giltrap too was also hugely impressed with his talent. Etheridge, however, then committed to the project and Carrol was asked to join the group which then became Four Parts Guitar, thus forming a collaboration which worked well for several more years.
703:
Performing gigs, however, did not stop as income still needed to be earned and
Giltrap was pleased that he had learnt his craft as a solo performer thus not requiring the backing of a large band. During this time, he honed his skills of engaging with an audience.
532:
was composed with a bigger band sound in mind. It appeared occasionally to be more keyboard dominated but
Giltrap was unperturbed by this as the pieces were his own compositions and he was pleased with the arrangements which he had worked on with Rod Edwards and Roger
844:
magazine, Giltrap met Cliff Richard for the first time since the 1970s when he had originally loaned Richard the Fylde. It had an intricately designed inlay of the 'Tree of Life' on the fretboard and Richard loved it. Giltrap decided to present it to him as a gift.
1274:
The duo's collaboration continued when Wakeman undertook a solo tour entitled Grumpy Old Picture Show. It included a previously recorded video conversation with Giltrap, which was worked so that Wakeman appeared to be conversing live with Giltrap on stage.
1086:
piece "The Picnic". This piece became enlivened by Ashe-Roy's skills on the flute and Giltrap was delighted with the result. The flautist's skills were also in evidence on another track, "Crossing the Border", on which the duo were joined by a second guitarist,
368:. This album featured a much larger band. On some of the songs he experimented with early instruments (played by Douglas Wooton and Rod and Joseph Sleeping) and some of his lyrics clearly reflected an interest in historical events. The drummer on this album was
1191:
The album had a sleeve with the lone silhouetted figure of Giltrap looking like a drifter. The photo had been taken by his wife Hilary and they were both delighted with it particularly when they realised that it suited the title of the album perfectly.
517:
part was added, and then Eddie Spence (keyboards) came up with the fast moving synth figure. Edwards and Hand recorded Eddie at half speed, then played it back at normal speed to get the desired effect. That was something they learnt from working with
1373:
Upon recovery, Giltrap continued gigging and he also began to run workshops teaching his guitar pieces to groups of students. These events have proved popular and have become regular, most recently taking place at a large scout hall near his home in
723:
The title track, the longest on the album, was based upon a poem written by Elizabeth Barker, Giltrap's mother-in-law. Giltrap found the poem emotionally moving. On this track, the sound effects generated by the electric guitar are much in evidence.
379:
While popular on the folk and university circuit, Giltrap reached a turning point and received greater recognition during the 1970s. During this time, Giltrap started to concentrate on more purely instrumental pieces, and in 1976 released the album
741:. Shergold later commissioned Giltrap to write music for several further productions. These compositions were never released on album because Giltrap felt they were too intrinsically linked to the plot of the films to work as stand-alone pieces.
1021:, whom he greatly admired. The result was an album comprising six pieces. One of these tracks required vocals which Giltrap himself performed. The track, entitled 'Running From Home', was the first time Giltrap had sung on an album in 17 years.
1482:
and Rod Edwards. In November 2020, he promoted the release of a Christmas song for University Hospitals Birmingham Charity he had helped produce, penned by his friend Carrie Martin and recorded by a choir of hospital staff before the pandemic
1448:
in 2017 and he was delighted to be asked to play on a Who album Townshend was working on. The piece he was asked to contribute to was entitled "She Rocked My World", and Giltrap travelled to Townshend's home to record it. The resultant album,
1490:. This was inspired by the many women who had influenced Giltrap during his life, particularly his wife, Hilary. It is her photograph which graces the album's cover. Many of the tracks were commissions from husbands dedicated to their wives.
1160:, was released in 2004. This featured a very special violin played by John Bradbury. This violin Giltrap had picked up at a boot fair for £20. He asked somebody to look at it to see if it was any good. It turned out to be a violin made by
1335:
This album reacquainted Giltrap with the electric guitar. Despite on many previous occasions revealing considerable skills with this instrument, he still lacked faith in his own abilities. The results he achieved even surprised himself.
1294:
Several older compositions are revisited on the album. One, "Ive's Horizon", first appeared on Giltrap's very first album which was released in 1968. Another, "The Passing Of A Queen", had originally appeared on the 1973 Giltrap album.
763:
In 1992, Giltrap performed at the Warwick Folk Festival when he performed, arguably, his finest live session. Unbeknownst to Giltrap, this was recorded and later released as an album. It was this album which caught the attention of
1208:. This album re-visited some of his favourite romantic pieces. It was basically created to feature the sound of a Rob Armstrong guitar which had been designed as part of a research project and was made entirely out of a plastic
312:. Giltrap played lead guitar in the band and penned several compositions. Whilst his involvement in the band certainly helped to raise his profile he felt impatient to move on to recording further new albums under his own name.
205:(born 6 April 1948) is an English guitarist and composer. His music crosses several genres. He has been described as "one of the most revered guitarists of his generation", and has drawn praise from fellow musicians including
1133:
In 2001, Giltrap met the classical guitarist Raymond Burley. Burley listened to Giltrap‘s work and, liking what he heard, realised that they might be able to make music together. This resulted in a collaborative album called
1395:
In order to help overcome his grief, Giltrap threw himself into other projects. One most dear to his own heart was an album he was working on at the time of Jamie's passing. It had been conceived to help to raise funds for
656:
he decided to retain the big band sound and incorporated many musicians within his pieces with whom he felt comfortable working. For example, the album featured the first of Giltrap's several collaborations with violinist
937:
reached an audience of nearly half a million people during its run and broke box-office records at almost every theatre at which the production was staged. Whilst not popular with critics, a video of the show recorded at
1125:
Giltrap performed most pieces himself but on a couple of tracks he enlisted the help of guitarist Neville Marten and, once again, the flautist Hilary Ashe-Roy. Two of Giltrap’s original tracks featured accompaniment by
1033:", a track which Jansch had played in his unique style and which Giltrap followed faithfully in his interpretation of the song. Another notable track on the album was another piece previously interpreted by Jansch:
1478:, according to his website, Giltrap remained creative in the period of restriction. No longer having to concentrate on his performances, he has been busy composing pieces for new albums, using musicians such as
556:. Another song on the album, "Fast Approaching", was a reworked track, vastly different from the original which had appeared on Giltrap's first album. It was extended to five minutes and featured Giltrap on both
1024:
During this album, Giltrap attempted to demonstrate Jansch's great versatility of skills in the selection of pieces he chose for the album, performing each in Janch's unique style. This is amply demonstrated by
513:"At the time I never thought of this as anything other than a jolly little tune, but my producers Rod Edwards and Roger Hand realized the commercial potential in what we had. The melody really came out when the
1360:
In January the following year, Giltrap’s health began to suffer. He was getting uncomfortable gastric symptoms and these turned out to be very serious when, in June 2015, he was diagnosed with having a GIST or
1079:, who was so impressed with the instrument when Giltrap demonstrated it to him, that he sent one to Harrison as a Christmas present. Harrison loved it too and purchased two more as gifts for his close friends.
1413:
and all proceeds are diverted towards cancer research. The story surrounding its production is detailed on Giltrap’s website which includes a link to purchase a copy. The album is dedicated to Jamie's memory.
241:, South East London spending the first 11 years of his life at 43 Elverson Road, a two up, two down terraced house shared by two households with an outside toilet. His family then moved to Blackwall Lane East
1564:
Giltrap married his first wife Maureen in June 1970 and they had two children. The couple divorced in 1981. Giltrap married his second wife, Hilary, on 22 May 1986. Hilary died on 30 December 2022, aged 83.
398:
was produced by Jon Miller, who along with guitarist Roger Hand and keyboard player Rod Edwards were known as Triumvirate Productions. Hand and Edwards, having listened to demos of some of the material for
1228:
had not been as successful as hoped due to a perceived clash in styles between Burley and Giltrap. The pair, however, convinced their collaboration had a future, enlisted the talented jazz-based guitarist
1400:
in Birmingham where Giltrap himself had been treated. This was his way of saying thank you for the wonderful treatment he had received at the hospital and to the many friends he had made there. Entitled
598:
By this stage in Giltrap's career, he was beginning to be concerned about becoming too predictable. He decided to move away from playing with a band and move back towards solo work. Giltrap's next album
1299:
also features a new version of "Dodo's Dream", which had become a staple of Giltrap’s concerts. This version with overdubbing tries to replicate the feeling given during live performances of the piece.
821:. Giltrap was disappointed that his name did not appear on any advertising poster, nor was he actually remunerated for his performances. These were very well received and resulted in good CD sales.
564:. Giltrap's electric guitar playing is a feature on this album but he was always first and foremost an acoustic guitarist and before too long the electric guitar featured less and less in his work.
1353:
Alongside his performances with the Ravens band, during 2014 Giltrap continued to tour with his Four Parts Guitar ensemble. Later that year he began performing charity shows at St Giles Hospice in
989:
magazine. This led to him meeting Fay Goodman, who was considering producing a series of DVD interviews with prominent musicians. Once employed, Giltrap found himself interviewing stars such as
537:
In this period, albums had to flow from artists at consistent rates and few acts dared to allow time for the public to forget them. Such was the case with Giltrap who released his next album,
1075:". He used a baby Armstrong guitar for this piece and, although he never met George Harrison, he was indirectly the person who introduced him to that guitar. This happened via his friend,
550:
The title track, in shortened form, was released as a single but failed to match the commercial success of "Heartsong". It reached number 48 in the singles charts and the band appeared on
1378:. Events are publicised and sold through his website. Giltrap is a member of the Registry of Guitar Tutors and has long been passionate about sharing guitar techniques with his students.
1164:
who was a celebrated early 20th century violin maker, and was worth £30,000, This instrument was used on three tracks on the album. Giltrap eventually parted with the violin for £23,000.
652:
As previously mentioned, Giltrap had decided at this stage to move away from more commercial music and concentrate solely upon self-penned intricate guitar pieces. Whilst working on
424:. Supported by his full band, they performed "Robes and Crowns/Awakening" and "Lucifer's Cage". Footage of the latter performance can be seen on the program 'Guitar Heroes at the BBC'.
688:
on drums, Rod Edwards on keyboards and 'Bimbo' Acock on saxophone, flute and additional keyboards. The tour was a success and boosted Giltrap at a time when he was feeling really low.
867:
This album also featured a track entitled "The Lord's Seat" which had been written for a television documentary. It still remains a staple of Giltrap gigs. The track was written in a
1171:
The title track, "Drifter", was, interestingly, also recorded on another guitar purchased cheaply at a boot fair. Giltrap's wife, Hilary, helped out with the vocals on this track.
1339:
The track "From the Turn of a Card" featured the vocals of Benoit David with whom Wakeman had worked during his time with the band Yes. The album was well received and sold well.
1417:
Another project which came to fruition around the time of Jamie's passing was the publication of Giltrap's authorised biography by Steve Pilkington. The foreword was written by
289:(1969). Both featured Giltrap on guitar and lead vocals; he has since considered his lyrics "naive". The track "Willow Pattern" from his debut attracted the praise of guitarist
961:
to work on the string arrangements for the album. Newman wanted to produce the album himself to ensure the right balance between his string arrangements and Giltrap's guitar.
794:
Later that year, Giltrap joined Midge Ure on his Out Alone solo tour. Giltrap co-wrote a song with him entitled "Feel So Good" which was eventually released on the 2001 album
3230:
964:
When he heard that the album was going to include a version of "A Misunderstood Man", Cliff Richard approached Giltrap and volunteered to sing backing vocals on the track.
587:. Old stalwarts Rod Edwards and Eddy Spence shared keyboard duties. Singer Shirlie Roden made a guest appearance on '"Innerdream". One of the dates on the tour was at the
328:, which was again a mixture of songs and instrumental pieces. on two future albums. It was to be one of the pieces he chose to play on his first television appearance, on
755:, it was released in 1989. Both artists felt differently about it but both accept there was an instrumental imbalance which could be substantially improved with a remix.
410:
were finished, Giltrap found himself with a three-album record contract with Electric Records. He was then offered a UK tour supporting the English progressive rock band
609:
1267:. The album, divided in two by composer, featured tracks with each adding accompaniment to each other's compositions. Giltrap's pieces were mainly a reworking of his
1387:
interests were of a very different genre. He had begun working as a DJ with dance music using the name DJ Tango. He was well respected and according to one source:
1440:
signature guitars, and we hadn't even met at that time. Brian May did a similar thing to help raise my spirits. I shall never forget both those acts of kindness."
748:, featuring instrumental renditions of well-known and lesser-known Christmas carols. Giltrap enlisted the support of Ric Sanders and his old friend Bimbo Acock.
2946:
489:"Heartsong" has subsequently become the tune for which Giltrap is best known and still features in his live sets. "Heartsong" was eventually nominated for an
1098:
was released. Featuring some original Giltrap recordings, it mostly contains renditions of compositions which influenced the young Giltrap. These included "
308:. Giltrap subsequently formed a band with Partridge called Accolade. Together they released a self-titled album. Partridge later wrote the sleeve notes for
1410:
202:
39:
3107:
1253:
For some time, Giltrap and Rick Wakeman had been planning to make an album together. They decided that the time had now arrived. Giltrap's love of
3147:
1710:
1046:
645: to the Triumvirate team to see if they were interested in another project. Triumvirate felt this was a good project for Giltrap to pursue.
539:
357:. With Newman's influence, the album had a much fuller sound than Giltrap's previous two albums and he regarded it as a significant step forward.
234:
1174:
Giltrap had previously received a call from somebody who worked for music publishing company wondering if he could write a piece in the style of
3250:
1346:
Giltrap also undertook a tour with Oliver Wakeman at this time with both artists showcasing their own material. They were recruited to support
3200:
3245:
771:
In 1993, Giltrap was able to complete a project he had contemplated for some time. He wished to re-record "Heartsong" with famous friends
1397:
1366:
1030:
1962:
253:. Giltrap began to play the guitar at the age of 12 and received no formal tuition, choosing to develop his own style and technique.
3220:
2254:
2083:
1551:
621:
which featured a host of stars. The Triumvirate team had also been working on an album inspired by the book featuring the voices of
560:
and electric guitars. He was now becoming far more familiar with the latter instrument and at this stage really enjoyed playing his
3210:
3205:
3133:
1692:
394:
382:
1853:
with Oliver Wakeman, Paul Manzi, Benoit David, Steve Amadeo and Johanne James (Esoteric Antenna / Cherry Red Records EANTCD1013)
751:
The following year, Giltrap began to performs at gigs with Sanders and the two men began working on an album together. Entitled
3225:
1525:
3240:
1529:
1362:
791:. When completed there was little interest from record companies and it was two years before the track surfaced on an album.
788:
439:
Giltrap was hit by a car and broke his collarbone. As he was then unable to play guitar ,the rest of his tour was cancelled.
293:
for the imagery it portrayed. "Gospel Song", also from his first, features a more aggressive strumming style, influenced by
3215:
910:
1178:. Giltrap duly created a piece entitled "Deco Echo". This piece was later to be used on a television programme about the
3235:
3100:
2795:
1432:. Giltrap has always cited Townshend as being a strong influence on his guitar playing. In a 2019 interview, he stated:
421:
1271:
and these were complemented by versions of the aforementioned "Maddie Goes West" and a piece entitled "By Angle Tarn".
1629:
1245:. Clive Carrol was approached to see if he would step in if required. Having seen Carrol play guitar Festival, it was
297:, which later became a trademark of his style. In 1969, Giltrap was featured in Transatlantic's guitar showcase album
1514:
1180:
972:
musical: "Be With Me Always". The first edition of the album included sleeve notes written by both Cliff Richard and
976:. An important album for Giltrap, many of its tracks are frequently included in his live performances to this day.
1649:
926:
543:, in 1978. At this stage, after the success of his previous two albums, Giltrap was riding on a high. Material for
1533:
1518:
1622:
1602:
1242:
1196:
1099:
572:
416:
1424:
During his years in the music business, Giltrap has attracted admiration from other celebrities, one such being
1812:
1637:
1204:
918:
880:
502:
803:
677:
a standard feature of his live performances in which he uses a looper and overdubbing to build up the piece.
482:
3093:
630:
458:
at No. 29. A single taken from the album, "Heartsong", received extensive airplay and reached No. 21 in the
1903:
925:
for a four-week run before returning to Birmingham for a few pre-Christmas shows. It then travelled to the
3195:
1610:
1307:, decided to change tack and produce a completely different type of album. To this end, he teamed up with
1139:
1195:
No further original Giltrap albums were to be forthcoming for several years but in 2006 a concert at the
1044:
The album concluded with a version of "Roots", Giltrap's own composition which had first appeared on his
3071:
1347:
1332:
as the record label, found recording studios and located a suitable vocalist in the form of Paul Manzi.
1119:
1107:
353:. Thus began a lasting friendship, and later Giltrap wrote the foreword for Newman's 2010 autobiography
278:
3168:
476:. Another of Giltrap's tracks, "The Carnival", was specially commissioned by ITV for the theme tune to
304:
Shortly after the release of his first album, Giltrap joined The Buskers' Tour of the UK, headlined by
1241:
John Etheridge could not totally commit to the tour as he was also working with classical guitar star
48:
3190:
3161:
1458:
Giltrap has continued to tour the UK playing smaller, more intimate venues occasionally supported by
1409:, included his all-star version of "Heartsong". The album is available for purchase only through the
1263:
985:
888:
840:
734:
603:
which was released in 1979, was inspired by a book of the same name. This was in part illustrated by
2312:
1989:
1142:. This was the beginning of a collaboration between the two friends which would last several years.
17:
1633:
1329:
1328:
Giltrap decided that this collaboration was to involve both their writing skills. Wakeman arranged
1161:
1038:
922:
899:
713:
662:
472:
330:
983:
Alongside his continued live performances, Giltrap then began conducting celebrity interviews for
2976:
2971:
2492:
1150:
1076:
1072:
1057:
930:
729:
588:
490:
411:
338:
349:, who also played keyboards. Newman had already worked with many artists of that era including
3067:
2250:
2149:
2079:
1958:
1475:
939:
894:
868:
765:
301:. He was also featured on the second volume released in 1970, and both increased his profile.
210:
2194:
641:. Aldridge appeared to prefer Triumvirates's version and it was he who brought his next book
3154:
3140:
1701:
1445:
1375:
1354:
1318:
1217:
1175:
1111:
879:
Rob Armstrong. Another track on the album, "Brutus", had been used as the theme tune of the
528:
477:
459:
450:
444:
90:
2896:
2282:
2212:
1343:
prog rock festival to great acclaim and, their live show proved to be an enormous success.
390:. Whilst recording, he missed the birth of his daughter Sadie, who was born in March 1975.
2947:"University Hospital Birmingham's choir bring festive cheer with charity Christmas single"
1459:
1254:
1068:
853:
834:
738:
626:
561:
557:
552:
455:
361:
1930:
3076:
2991:
2871:
2574:
1582:
1425:
1308:
1230:
1103:
998:
666:
294:
1050:
album. He included this to show the influence Jansch had had on his own guitar style.
3184:
1908:
1594:
1288:
1246:
1115:
1088:
1041:". This piece (spelt "Angie" on the album) had also influenced Giltrap's early work.
829:
825:
604:
580:
519:
506:
387:
369:
305:
274:
270:
206:
1632:
for his "for services to music and to charity". His award was announced in the 2018
1138:, which was released in 2004. The album was recorded live at Holy Trinity church in
607:
who also painted the colourful cover of the Giltrap album. A previous book entitled
3124:
1606:
1598:
1444:
To his delight, Giltrap and Townshend finally met at a Who concert in Birmingham's
1437:
1235:
1212:. Giltrap released this and amply demonstrated the versatility of that instrument.
1185:
1127:
1034:
1026:
886:
In 1995, Giltrap was invited by Cliff Richard to take part in his West End musical
780:
685:
670:
614:
498:
428:
342:
290:
98:
2025:
2015:
The Contemporary Guitar Sampler Volume 2, Transatlantic Records – TRA SAM 15, 1970
1590:
1578:
1574:
1503:
1451:
1060:' label in 2001. Giltrap was by now working on new material for his next album,
1018:
810:
727:"Sallie's Song" was inspired by a commission Giltrap received for the TV series
709:
658:
638:
634:
618:
575:
on bass, who was active in the early Mersey scene and a top session player, and
432:
373:
350:
321:
266:
246:
2820:
2006:
The Contemporary Guitar Sampler Vol 1, Transatlantic Records – TRA SAM 14, 1969
1421:. The book was published on 5 October 2018 and is dedicated to Jamie's memory.
864:
and featured Giltrap in a cameo role as a newspaper seller strumming a guitar.
2484:
1846:
with Carol Lee Sampson and Martin Green (BigWeb Entertainment Limited BW 4207)
1479:
1418:
1313:
994:
990:
958:
903:
818:
799:
776:
622:
576:
494:
463:
346:
262:
250:
214:
94:
2845:
1258:
1224:
The following year saw the launch of a venture entitled Three Parts Guitar.
861:
814:
784:
772:
584:
242:
226:
79:
3016:
2119:
1221:, was released later in 2007, with which Giltrap himself was very pleased.
436:
1821:
1775:
1725:
448:, consolidated his success, being named one of the best albums of 1977 by
3037:
1462:
or Carrie Martin. He collaborated on two tracks from Martin's 2020 album
973:
514:
238:
1017:
For some time, Giltrap had been considering creating a tribute album to
3080:
2488:
1586:
1429:
1357:. These gigs were well attended and Giltrap found them very uplifting.
1209:
1002:
876:
2921:
2249:(19th ed.). London: Guinness World Records Limited. p. 227.
493:
for the best instrumental/ orchestral piece for that year, losing to
467:
431:. They played several dates in Germany and were also booked to tour
3025:
Music For The Small Screen: 1995 Munchkin Records Label CD - MRCD1
2240:
2238:
2992:"April 2019 News Update - Gordon Giltrap - general - General News"
2846:"Perilous Journey (Steve Pilkington) - Gordon Giltrap - Biography"
1106:'s skills on the guitar. The album also includes Cliff Richard's "
526:
had evolved from acoustic compositions adapted for a bigger band,
3085:
2575:"July 2020 News Update - Gordon Giltrap - general - General News"
1957:, First Edition 2018, Steve Pilkington. p. 31, Wymer Publishing,
2922:"Nov 2017 News Update - Gordon Giltrap - general - General News"
1860:
Charity CD for Birmingham Hospitals (Psychotron Records PR1007)
872:
798:. He also undertook a tour with a guitarist he greatly admired,
427:
A European tour followed at the end of 1976 as a support act to
230:
3089:
2693:
2691:
1091:, with whom Giltrap had toured as a duo several years earlier.
1497:
1311:(one of Rick's sons), who had recently departed from the band
716:. Sanders had already appeared as a guest on Giltrap's' album
2796:"Tributes paid to legendary Cov drum n bass pioneer DJ Tango"
2066:
Perilous Journey 2018 First edition, Steve Pilkington Page 38
1303:
In 2012, Giltrap, reflecting upon the work he had done since
1130:
as these had previously been recorded for a radio programme.
860:. This play was loosely based on the actions of child killer
768:, who had become a self-professed admirer of Giltrap's work.
3060:
1662:(Transatlantic Records) - later reissued on cassette as
1005:. Their encounter was later released as a DVD entitled
921:
in Birmingham in October 1996. The show then headed to
138:
261:
Giltrap's career began in the 1960s performing in the
1839:
with Raymond Burley, John Etheridge and Clive Carroll
1102:" by the Who, as Giltrap had long been an admirer of
360:
His association with Copeland ended when he moved to
637:
both of whom had previously worked extensively with
629:
and it also featured celebrated musicians including
3123:
1705:(The Electric Record Company, catalogue no. TRIX 4)
1696:(The Electric Record Company, catalogue no. TRIX 2)
1149:. This album explored the unusual sound effects of
957:gave Giltrap the chance to approach his old friend
225:Giltrap was born on 6 April 1948 in the village of
181:
153:
133:
129:
121:
104:
86:
63:
58:
34:
942:remained top of the video charts for eight weeks.
1756:(Modern Music) - a collection of Christmas carols
997:. One such interview was with one of his heroes,
828:on "Heartsong" which had been greatly admired by
684:The tour to promote the album comprised Giltrap,
265:scene in London alongside contemporaries such as
2980:(1st supplement). 29 December 2018. p. N18.
2748:. 2018, First edition, Steve Pilkington, p. 208
2724:. 2018, First edition, Steve Pilkington, p.199
2685:. 2018, First edition, Steve Pilkington, p.195
1749:(Filmtrax) - reissued in 2000 by La Cooka Ratcha
933:before its final performance there in May 1997.
2784:. 2018, First edition, Steve Pilkington, p.214
2772:. 2018, First edition, Steve Pilkington, p.210
2760:. 2018, First edition, Steve Pilkington, p.208
2736:. 2018, First edition, Steve Pilkington, p.203
2712:. 2018, First edition, Steve Pilkington, p.197
2700:. 2018, First edition, Steve Pilkington, p.196
2673:. 2018, First edition, Steve Pilkington, p.195
2661:. 2018, First edition, Steve Pilkington, p.194
2649:. 2018, First edition, Steve Pilkington, p.192
2637:. 2018, First edition, Steve Pilkington, p.191
2625:. 2018, First edition, Steve Pilkington, p.184
2613:. 2018, First edition, Steve Pilkington, p.180
2601:. 2018, First edition, Steve Pilkington, p.179
2552:. 2018, First edition, Steve Pilkington, p.171
2528:. 2018, First edition, Steve Pilkington, p.168
2516:. 2018, First edition, Steve Pilkington, p.158
1486:On 31 January 2020, Giltrap released the album
1283:Wakeman also appeared on Giltrap’s next album,
2564:. 2018, First edition, Steve Pilkington, p.172
2540:. 2018, First edition, Steve Pilkington, p.171
2474:. 2018, First edition, Steve Pilkington, p.158
2462:. 2018, First edition, Steve Pilkington, p.153
2450:. 2018, First edition, Steve Pilkington, p.147
2438:. 2018, First edition, Steve Pilkington, p.140
2426:. 2018, First edition, Steve Pilkington, p.135
2414:. 2018, First edition, Steve Pilkington, p.121
2402:. 2018, First edition, Steve Pilkington, p.118
2387:. 2018, First edition, Steve Pilkington, p.111
2375:. 2018, First edition, Steve Pilkington, p.105
2363:. 2018, First edition, Steve Pilkington, p.107
2272:. 2018, First edition, Steve Pilkington, p.164
1082:Another track revisited on this album was the
610:The Butterfly Ball and the Grasshopper's Feast
249:grew up in the same area along with guitarist
3101:
3017:"Music For The Small Screen + The Solo Album"
2351:. 2018, First edition, Steve Pilkington, p.89
2339:. 2018, First edition, Steve Pilkington, p.86
2302:. 2018, First edition, Steve Pilkington, p.71
2232:. 2018, First edition, Steve Pilkington, p.66
2184:. 2018, First edition, Steve Pilkington, p.59
2172:. 2018, First edition, Steve Pilkington, p.57
2139:, First Edition 2018, Steve Pilkington. p. 58
2109:. 2018, First edition, Steve Pilkington, p.56
2097:, First Edition 2017, Steve Pilkington, p. 46
2057:. 2018 First edition, Steve Pilkington, p. 39
2045:. 2018, First edition, Steve Pilkington, p.37
1979:, First Edition 2018, Steve Pilkington. p. 39
1666:(Allegro ALC) with a different track sequence
1153:which was recorded using in-ear microphones.
8:
2897:"February 2019 News Update - Gordon Giltrap"
832:. This guitar is the one he played on BBC's
1532:. Unsourced material may be challenged and
235:The British Hospital for Mothers and Babies
3231:Members of the Order of the British Empire
3108:
3094:
3086:
2076:A Touch From God – It's Only Rock and Roll
1067:Giltrap decided to include his version of
902:. Giltrap's character in the show was the
681:died at age 58 having contracted cancer .
583:and latterly became a full-time member of
355:A Touch From God (It's Only Rock and Roll)
31:
1800:(La Cooka Ratcha) - primarily cover songs
1552:Learn how and when to remove this message
1325:, which was released the following year.
1317:. The pair of them produced together the
838:. Whilst interviewing many musicians for
299:The Contemporary Guitar Sampler, Volume 1
2395:
2393:
2165:
2163:
345:. Strings on the album were arranged by
1877:
1625:, a celebrity charitable organisation.
1621:In 2000, Giltrap was inducted into the
1466:: "Time after Time" and "White Kites".
2485:"Heartsong by The Gordon Giltrap Band"
1636:and the medal was presented to him by
281:and released his debut studio albums,
2495:from the original on 12 December 2021
1897:
1895:
1893:
1891:
1889:
1887:
1885:
1883:
1881:
1628:In 2019, Giltrap was awarded with an
7:
1972:
1970:
1530:adding citations to reliable sources
1202:In 2007, Giltrap released the album
968:also includes another song from the
848:In 1995, Giltrap released the album
571:album with a band that consisted of
414:. He was invited to appear on BBC's
364:, releasing the 1973 album entitled
18:Remember This (Gordon Giltrap album)
1455:, was released on 6 December 2019.
1257:contrasting with Wakeman‘s love of
1031:The First Time Ever I Saw Your Face
949:, was named after his character in
906:. He sang three songs in the show.
579:on drums, who went on to work with
170:
2794:Sandford, Elis (6 February 2018).
1405:, the album, a revised release of
547:was relatively swiftly assembled.
462:. The track was later used as the
435:. Unfortunately, upon arriving in
341:who, amongst others, also managed
237:. Thereafter he was brought up in
25:
1902:Bekki Bemrose (10 January 2019).
813:. a group created by ELO drummer
386:, based on the art and poetry of
337:At this stage, he was managed by
2247:British Hit Singles & Albums
1613:as his main musical influences.
1502:
1365:. He was referred eventually to
744:Later in 1987, Giltrap released
372:, who a decade later would join
177:died December 30, 2022 (aged 83)
47:
2872:"Pete: Recording The Who Album"
2870:Brian Booth (24 January 2019).
166:
1816:(La Cooka Ratcha / Voiceprint)
1363:gastrointestinal stromal tumor
1291:'s 50 years in show business.
1261:resulted in the album's title
909:After some public previews at
871:style and required a special,
27:English guitarist and composer
1:
3251:Transatlantic Records artists
1714:(The Electric Record Company)
809:In 1994, Giltrap toured with
324:and released his next album,
277:. At 18, Giltrap signed with
3201:English classical guitarists
1867:(Angel Air records SJPCD608)
708:time and had joined up with
567:In 1979, Giltrap toured the
3246:Progressive rock guitarists
892:, which was based upon the
817:without the involvement of
320:In 1970, Giltrap signed to
3267:
2213:"Guitar Heroes at the BBC"
1761:Music for the Small Screen
1650:Gordon Giltrap discography
1647:
929:in Manchester and finally
875:-like baby guitar made by
850:Music for the Small Screen
1623:Grand Order of Water Rats
1145:Next came the solo album
858:Will You Love Me Tomorrow
613:had inspired an album by
417:The Old Grey Whistle Test
189:
149:
46:
3221:English male songwriters
1398:Queen Elizabeth Hospital
1367:Queen Elizabeth Hospital
1197:Symphony Hall Birmingham
1110:", as well as pieces by
881:World Bowls Championship
3211:English male guitarists
3206:English folk guitarists
2245:Roberts, David (2006).
2120:"Rod Edwards Music.com"
1156:The next studio album,
919:National Indoor Theatre
591:, where the subsequent
3226:Fingerstyle guitarists
3169:Ravens & Lullabies
2951:solihullobserver.co.uk
1611:Ralph Vaughan Williams
1442:
1393:
1384:
1140:Weston, East Hampshire
945:Giltrap's next album,
802:, along with his band
696:Giltrap's next album,
535:
483:Wish You Were Here...?
59:Background information
3241:People from Brenchley
1825:- with Raymond Burley
1434:
1389:
1380:
1348:Barclay James Harvest
1184:series which starred
1056:was released on the '
737:and directed by
511:
480:'s holiday programme
442:His follow-up album,
279:Transatlantic Records
3216:English male singers
3162:From Brush and Stone
1851:Ravens And Lullabies
1728:- with Martin Taylor
1526:improve this section
1350:on their 2013 tour.
1323:Ravens and Lullabies
1264:From Brush and Stone
595:album was recorded.
3236:Musicians from Kent
2124:Rodedwardsmusic.com
1791:Under This Blue Sky
1779:- with Rick Sanders
1678:A Testament of Time
1162:Giuseppe Pedrazzini
1094:In 2003, the album
1062:Under This Blue Sky
923:Edinburgh Playhouse
824:Giltrap had used a
714:Fairport Convention
712:, the violinist of
663:Fairport Convention
454:. It peaked in the
406:Once the demos for
185:2 (Jamie and Sadie)
2977:The London Gazette
2821:"Steve Pilkington"
1740:In At The Deep End
1617:Awards and honours
1151:binaural recording
1073:Here Comes the Sun
730:Hold the Back Page
589:Oxford Polytechnic
491:Ivor Novello Award
3178:
3177:
1807:(La Cooka Ratcha)
1793:(La Cooka Ratcha)
1719:The Peacock Party
1687:(Philips Records)
1640:on 7 March 2019.
1562:
1561:
1554:
1476:COVID-19 pandemic
1446:Barclaycard Arena
1269:Brotherhood Suite
1147:Live At Ambergate
940:Hammersmith Odeon
931:Hammersmith Odeon
917:premiered at the
895:Wuthering Heights
766:Ritchie Blackmore
654:The Peacock Party
643:The Peacock Party
601:The Peacock Party
326:Testament of Time
211:Ritchie Blackmore
193:
192:
16:(Redirected from
3258:
3155:As It Happens...
3148:Fear of the Dark
3141:Perilous Journey
3110:
3103:
3096:
3087:
3064:
3063:
3061:Official website
3046:
3045:
3034:
3028:
3027:
3013:
3007:
3006:
3004:
3002:
2988:
2982:
2981:
2968:
2962:
2961:
2959:
2957:
2943:
2937:
2936:
2934:
2932:
2918:
2912:
2911:
2909:
2907:
2893:
2887:
2886:
2884:
2882:
2867:
2861:
2860:
2858:
2856:
2842:
2836:
2835:
2833:
2831:
2825:www.facebook.com
2817:
2811:
2810:
2808:
2806:
2791:
2785:
2782:Perilous Journey
2779:
2773:
2770:Perilous Journey
2767:
2761:
2758:Perilous Journey
2755:
2749:
2746:Perilous Journey
2743:
2737:
2734:Perilous Journey
2731:
2725:
2722:Perilous Journey
2719:
2713:
2710:Perilous Journey
2707:
2701:
2698:Perilous Journey
2695:
2686:
2683:Perilous Journey
2680:
2674:
2671:Perilous Journey
2668:
2662:
2659:Perilous Journey
2656:
2650:
2647:Perilous Journey
2644:
2638:
2635:Perilous Journey
2632:
2626:
2623:Perilous Journey
2620:
2614:
2611:Perilous Journey
2608:
2602:
2599:Perilous Journey
2596:
2590:
2589:
2587:
2585:
2571:
2565:
2562:Perilous Journey
2559:
2553:
2550:Perilous Journey
2547:
2541:
2538:Perilous Journey
2535:
2529:
2526:Perilous Journey
2523:
2517:
2514:Perilous Journey
2511:
2505:
2504:
2502:
2500:
2481:
2475:
2472:Perilous Journey
2469:
2463:
2460:Perilous Journey
2457:
2451:
2448:Perilous Journey
2445:
2439:
2436:Perilous Journey
2433:
2427:
2424:Perilous Journey
2421:
2415:
2412:Perilous Journey
2409:
2403:
2400:Perilous Journey
2397:
2388:
2385:Perilous Journey
2382:
2376:
2373:Perilous Journey
2370:
2364:
2361:Perilous Journey
2358:
2352:
2349:Perilous Journey
2346:
2340:
2337:Perilous Journey
2334:
2328:
2327:
2325:
2323:
2313:"Gordon Giltrap"
2309:
2303:
2300:Perilous Journey
2297:
2291:
2290:
2279:
2273:
2270:Perilous Journey
2267:
2261:
2260:
2242:
2233:
2230:Perilous Journey
2227:
2221:
2220:
2209:
2203:
2202:
2191:
2185:
2182:Perilous Journey
2179:
2173:
2170:Perilous Journey
2167:
2158:
2157:
2146:
2140:
2137:Perilous Journey
2134:
2128:
2127:
2116:
2110:
2107:Perilous Journey
2104:
2098:
2095:Perilous Journey
2092:
2086:
2073:
2067:
2064:
2058:
2055:Perilous Journey
2052:
2046:
2043:Perilous Journey
2040:
2034:
2033:
2030:Progarchives.com
2022:
2016:
2013:
2007:
2004:
1998:
1997:
1990:"Gordon Giltrap"
1986:
1980:
1977:Perilous Journey
1974:
1965:
1955:Perilous Journey
1952:
1946:
1945:
1943:
1941:
1931:"Gordon Giltrap"
1927:
1921:
1920:
1918:
1916:
1904:"Gordon Giltrap"
1899:
1844:Echoes Of Heaven
1832:(Floating World)
1813:Secret Valentine
1754:A Midnight Clear
1726:A Matter of Time
1711:Fear of the Dark
1702:Perilous Journey
1557:
1550:
1546:
1543:
1537:
1506:
1498:
1411:hospital charity
1376:Sutton Coldfield
1355:Sutton Coldfield
1218:As It Happens...
1205:Secret Valentine
1176:Django Reinhardt
1112:Django Reinhardt
1047:Fear of the Dark
900:Charlotte Brontë
746:A Midnight Clear
569:Fear of the Dark
545:Fear of the Dark
540:Fear of the Dark
529:Perilous Journey
460:UK Singles Chart
451:The Sunday Times
445:Perilous Journey
174:
172:
168:
145:
142:
140:
91:Progressive rock
77:
73:
71:
51:
32:
21:
3266:
3265:
3261:
3260:
3259:
3257:
3256:
3255:
3181:
3180:
3179:
3174:
3119:
3114:
3079:discography at
3059:
3058:
3055:
3050:
3049:
3036:
3035:
3031:
3015:
3014:
3010:
3000:
2998:
2990:
2989:
2985:
2970:
2969:
2965:
2955:
2953:
2945:
2944:
2940:
2930:
2928:
2920:
2919:
2915:
2905:
2903:
2895:
2894:
2890:
2880:
2878:
2869:
2868:
2864:
2854:
2852:
2844:
2843:
2839:
2829:
2827:
2819:
2818:
2814:
2804:
2802:
2793:
2792:
2788:
2780:
2776:
2768:
2764:
2756:
2752:
2744:
2740:
2732:
2728:
2720:
2716:
2708:
2704:
2696:
2689:
2681:
2677:
2669:
2665:
2657:
2653:
2645:
2641:
2633:
2629:
2621:
2617:
2609:
2605:
2597:
2593:
2583:
2581:
2573:
2572:
2568:
2560:
2556:
2548:
2544:
2536:
2532:
2524:
2520:
2512:
2508:
2498:
2496:
2483:
2482:
2478:
2470:
2466:
2458:
2454:
2446:
2442:
2434:
2430:
2422:
2418:
2410:
2406:
2398:
2391:
2383:
2379:
2371:
2367:
2359:
2355:
2347:
2343:
2335:
2331:
2321:
2319:
2311:
2310:
2306:
2298:
2294:
2281:
2280:
2276:
2268:
2264:
2257:
2244:
2243:
2236:
2228:
2224:
2211:
2210:
2206:
2193:
2192:
2188:
2180:
2176:
2168:
2161:
2148:
2147:
2143:
2135:
2131:
2118:
2117:
2113:
2105:
2101:
2093:
2089:
2074:
2070:
2065:
2061:
2053:
2049:
2041:
2037:
2024:
2023:
2019:
2014:
2010:
2005:
2001:
1988:
1987:
1983:
1975:
1968:
1953:
1949:
1939:
1937:
1929:
1928:
1924:
1914:
1912:
1901:
1900:
1879:
1874:
1673:(Transatlantic)
1654:Studio albums:
1652:
1646:
1619:
1571:
1558:
1547:
1541:
1538:
1523:
1507:
1496:
1472:
1281:
1255:Renaissance art
1069:George Harrison
1015:
854:Adrian Shergold
835:Top of the Pops
761:
739:Adrian Shergold
694:
673:also features.
627:Michael Hordern
562:Gibson Les Paul
553:Top of the Pops
456:UK Albums Chart
362:Philips Records
318:
259:
223:
196:
176:
164:
160:
137:
117:
82:, Kent, England
78:
75:
69:
67:
54:
53:Giltrap in 2019
42:
37:
28:
23:
22:
15:
12:
11:
5:
3264:
3262:
3254:
3253:
3248:
3243:
3238:
3233:
3228:
3223:
3218:
3213:
3208:
3203:
3198:
3193:
3183:
3182:
3176:
3175:
3173:
3172:
3165:
3158:
3151:
3144:
3137:
3129:
3127:
3121:
3120:
3117:Gordon Giltrap
3115:
3113:
3112:
3105:
3098:
3090:
3084:
3083:
3077:Gordon Giltrap
3074:
3068:Gordon Giltrap
3065:
3054:
3053:External links
3051:
3048:
3047:
3029:
3008:
2983:
2963:
2938:
2913:
2888:
2862:
2837:
2812:
2786:
2774:
2762:
2750:
2738:
2726:
2714:
2702:
2687:
2675:
2663:
2651:
2639:
2627:
2615:
2603:
2591:
2566:
2554:
2542:
2530:
2518:
2506:
2476:
2464:
2452:
2440:
2428:
2416:
2404:
2389:
2377:
2365:
2353:
2341:
2329:
2304:
2292:
2274:
2262:
2255:
2234:
2222:
2204:
2186:
2174:
2159:
2141:
2129:
2111:
2099:
2087:
2068:
2059:
2047:
2035:
2026:"progarchives"
2017:
2008:
1999:
1981:
1966:
1963:978-1908724786
1947:
1922:
1876:
1875:
1873:
1870:
1869:
1868:
1861:
1854:
1847:
1840:
1837:4 Parts Guitar
1833:
1826:
1817:
1808:
1801:
1794:
1787:
1784:Down the River
1780:
1771:
1764:
1757:
1750:
1743:
1736:
1729:
1722:
1715:
1706:
1697:
1688:
1681:
1674:
1667:
1664:The Early Days
1660:Gordon Giltrap
1648:Main article:
1645:
1642:
1638:Prince Charles
1618:
1615:
1583:Pete Townshend
1573:Giltrap cites
1570:
1567:
1560:
1559:
1510:
1508:
1501:
1495:
1492:
1471:
1468:
1426:Pete Townshend
1309:Oliver Wakeman
1280:
1277:
1231:John Etheridge
1215:A live album,
1108:Summer Holiday
1104:Pete Townshend
1014:
1011:
1007:Thunderfingers
999:John Entwistle
927:Palace Theatre
804:Hogan's Heroes
796:Little Orphans
760:
757:
693:
690:
667:John Etheridge
593:Live at Oxford
573:John Gustafson
503:Simon Phillips
339:Miles Copeland
317:
314:
295:Pete Townshend
283:Gordon Giltrap
258:
255:
222:
219:
199:Gordon Giltrap
195:Musical artist
194:
191:
190:
187:
186:
183:
179:
178:
162:
159:Hilary Giltrap
158:
157:
155:
151:
150:
147:
146:
135:
131:
130:
127:
126:
123:
119:
118:
116:
115:
112:
108:
106:
102:
101:
88:
84:
83:
65:
61:
60:
56:
55:
52:
44:
43:
38:
36:Gordon Giltrap
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3263:
3252:
3249:
3247:
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3227:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3196:Living people
3194:
3192:
3189:
3188:
3186:
3171:
3170:
3166:
3164:
3163:
3159:
3157:
3156:
3152:
3150:
3149:
3145:
3143:
3142:
3138:
3136:
3135:
3131:
3130:
3128:
3126:
3125:Studio albums
3122:
3118:
3111:
3106:
3104:
3099:
3097:
3092:
3091:
3088:
3082:
3078:
3075:
3073:
3069:
3066:
3062:
3057:
3056:
3052:
3043:
3042:Giltrap.co.uk
3039:
3033:
3030:
3026:
3022:
3021:Giltrap.co.uk
3018:
3012:
3009:
2997:
2996:giltrap.co.uk
2993:
2987:
2984:
2979:
2978:
2973:
2967:
2964:
2952:
2948:
2942:
2939:
2927:
2926:giltrap.co.uk
2923:
2917:
2914:
2902:
2901:Giltrap.co.uk
2898:
2892:
2889:
2877:
2873:
2866:
2863:
2851:
2850:giltrap.co.uk
2847:
2841:
2838:
2826:
2822:
2816:
2813:
2801:
2797:
2790:
2787:
2783:
2778:
2775:
2771:
2766:
2763:
2759:
2754:
2751:
2747:
2742:
2739:
2735:
2730:
2727:
2723:
2718:
2715:
2711:
2706:
2703:
2699:
2694:
2692:
2688:
2684:
2679:
2676:
2672:
2667:
2664:
2660:
2655:
2652:
2648:
2643:
2640:
2636:
2631:
2628:
2624:
2619:
2616:
2612:
2607:
2604:
2600:
2595:
2592:
2580:
2579:giltrap.co.uk
2576:
2570:
2567:
2563:
2558:
2555:
2551:
2546:
2543:
2539:
2534:
2531:
2527:
2522:
2519:
2515:
2510:
2507:
2494:
2490:
2486:
2480:
2477:
2473:
2468:
2465:
2461:
2456:
2453:
2449:
2444:
2441:
2437:
2432:
2429:
2425:
2420:
2417:
2413:
2408:
2405:
2401:
2396:
2394:
2390:
2386:
2381:
2378:
2374:
2369:
2366:
2362:
2357:
2354:
2350:
2345:
2342:
2338:
2333:
2330:
2318:
2317:Giltrap.co.uk
2314:
2308:
2305:
2301:
2296:
2293:
2288:
2287:Songfacts.com
2284:
2278:
2275:
2271:
2266:
2263:
2258:
2256:1-904994-10-5
2252:
2248:
2241:
2239:
2235:
2231:
2226:
2223:
2218:
2214:
2208:
2205:
2200:
2196:
2190:
2187:
2183:
2178:
2175:
2171:
2166:
2164:
2160:
2155:
2151:
2145:
2142:
2138:
2133:
2130:
2125:
2121:
2115:
2112:
2108:
2103:
2100:
2096:
2091:
2088:
2085:
2084:9781906358792
2081:
2077:
2072:
2069:
2063:
2060:
2056:
2051:
2048:
2044:
2039:
2036:
2031:
2027:
2021:
2018:
2012:
2009:
2003:
2000:
1995:
1994:Giltrap.co.uk
1991:
1985:
1982:
1978:
1973:
1971:
1967:
1964:
1960:
1956:
1951:
1948:
1936:
1935:Giltrap.co.uk
1932:
1926:
1923:
1911:
1910:
1909:PRS for Music
1905:
1898:
1896:
1894:
1892:
1890:
1888:
1886:
1884:
1882:
1878:
1871:
1866:
1862:
1859:
1855:
1852:
1848:
1845:
1841:
1838:
1834:
1831:
1827:
1824:
1823:
1822:Double Vision
1818:
1815:
1814:
1809:
1806:
1802:
1799:
1798:Remember This
1795:
1792:
1788:
1785:
1781:
1778:
1777:
1772:
1769:
1765:
1762:
1758:
1755:
1751:
1748:
1744:
1741:
1737:
1734:
1730:
1727:
1723:
1720:
1716:
1713:
1712:
1707:
1704:
1703:
1698:
1695:
1694:
1689:
1686:
1682:
1680:(MCA Records)
1679:
1675:
1672:
1668:
1665:
1661:
1657:
1656:
1655:
1651:
1643:
1641:
1639:
1635:
1631:
1626:
1624:
1616:
1614:
1612:
1608:
1604:
1603:John Williams
1600:
1596:
1595:John Renbourn
1592:
1588:
1584:
1580:
1576:
1568:
1566:
1556:
1553:
1545:
1535:
1531:
1527:
1521:
1520:
1516:
1511:This section
1509:
1505:
1500:
1499:
1494:Personal life
1493:
1491:
1489:
1484:
1481:
1477:
1469:
1467:
1465:
1461:
1456:
1454:
1453:
1447:
1441:
1439:
1433:
1431:
1427:
1422:
1420:
1415:
1412:
1408:
1404:
1399:
1392:
1388:
1383:
1379:
1377:
1371:
1368:
1364:
1358:
1356:
1351:
1349:
1344:
1340:
1337:
1333:
1331:
1326:
1324:
1320:
1316:
1315:
1310:
1306:
1301:
1298:
1292:
1290:
1289:Cliff Richard
1286:
1278:
1276:
1272:
1270:
1266:
1265:
1260:
1256:
1251:
1248:
1247:John Renbourn
1244:
1243:John Williams
1239:
1237:
1232:
1227:
1226:Double Vision
1222:
1220:
1219:
1213:
1211:
1207:
1206:
1200:
1198:
1193:
1189:
1187:
1183:
1182:
1177:
1172:
1169:
1165:
1163:
1159:
1154:
1152:
1148:
1143:
1141:
1137:
1136:Double Vision
1131:
1129:
1123:
1121:
1117:
1116:John Renbourn
1113:
1109:
1105:
1101:
1097:
1096:Remember This
1092:
1090:
1089:Kevin Dempsey
1085:
1080:
1078:
1074:
1070:
1065:
1063:
1059:
1055:
1051:
1049:
1048:
1042:
1040:
1036:
1032:
1028:
1022:
1020:
1012:
1010:
1008:
1004:
1000:
996:
992:
988:
987:
981:
977:
975:
971:
967:
962:
960:
956:
952:
948:
943:
941:
936:
932:
928:
924:
920:
916:
912:
907:
905:
901:
897:
896:
891:
890:
884:
882:
878:
874:
870:
865:
863:
859:
855:
851:
846:
843:
842:
837:
836:
831:
830:Cliff Richard
827:
822:
820:
816:
812:
807:
805:
801:
797:
792:
790:
786:
782:
778:
774:
769:
767:
758:
756:
754:
749:
747:
742:
740:
736:
732:
731:
725:
721:
719:
718:Peacock Party
715:
711:
705:
701:
699:
691:
689:
687:
682:
678:
674:
672:
668:
664:
660:
655:
650:
646:
644:
640:
636:
632:
628:
624:
620:
616:
612:
611:
606:
605:Alan Aldridge
602:
596:
594:
590:
586:
582:
581:Steve Hackett
578:
574:
570:
565:
563:
559:
555:
554:
548:
546:
542:
541:
534:
531:
530:
525:
521:
520:George Martin
516:
510:
508:
507:John G. Perry
504:
500:
496:
492:
487:
485:
484:
479:
475:
474:
469:
465:
461:
457:
453:
452:
447:
446:
440:
438:
434:
430:
425:
423:
419:
418:
413:
409:
404:
402:
397:
396:
391:
389:
388:William Blake
385:
384:
377:
375:
371:
370:Nicko McBrain
367:
363:
358:
356:
352:
348:
344:
340:
335:
333:
332:
327:
323:
315:
313:
311:
307:
306:Don Partridge
302:
300:
296:
292:
288:
284:
280:
276:
275:Mike Oldfield
272:
271:John Renbourn
268:
264:
256:
254:
252:
248:
244:
240:
236:
233:, England at
232:
228:
220:
218:
216:
212:
208:
207:Steve Rothery
204:
200:
188:
184:
180:
156:
152:
148:
144:
136:
132:
128:
124:
120:
113:
110:
109:
107:
103:
100:
96:
93:, classical,
92:
89:
85:
81:
76:(age 76)
66:
62:
57:
50:
45:
41:
33:
30:
19:
3167:
3160:
3153:
3146:
3139:
3132:
3116:
3041:
3032:
3024:
3020:
3011:
2999:. Retrieved
2995:
2986:
2975:
2966:
2954:. Retrieved
2950:
2941:
2929:. Retrieved
2925:
2916:
2904:. Retrieved
2900:
2891:
2879:. Retrieved
2875:
2865:
2853:. Retrieved
2849:
2840:
2828:. Retrieved
2824:
2815:
2803:. Retrieved
2800:CoventryLive
2799:
2789:
2781:
2777:
2769:
2765:
2757:
2753:
2745:
2741:
2733:
2729:
2721:
2717:
2709:
2705:
2697:
2682:
2678:
2670:
2666:
2658:
2654:
2646:
2642:
2634:
2630:
2622:
2618:
2610:
2606:
2598:
2594:
2582:. Retrieved
2578:
2569:
2561:
2557:
2549:
2545:
2537:
2533:
2525:
2521:
2513:
2509:
2497:. Retrieved
2479:
2471:
2467:
2459:
2455:
2447:
2443:
2435:
2431:
2423:
2419:
2411:
2407:
2399:
2384:
2380:
2372:
2368:
2360:
2356:
2348:
2344:
2336:
2332:
2320:. Retrieved
2316:
2307:
2299:
2295:
2286:
2277:
2269:
2265:
2246:
2229:
2225:
2216:
2207:
2198:
2189:
2181:
2177:
2169:
2153:
2144:
2136:
2132:
2123:
2114:
2106:
2102:
2094:
2090:
2075:
2071:
2062:
2054:
2050:
2042:
2038:
2029:
2020:
2011:
2002:
1993:
1984:
1976:
1954:
1950:
1938:. Retrieved
1934:
1925:
1913:. Retrieved
1907:
1864:
1857:
1850:
1843:
1836:
1830:Shining Morn
1829:
1820:
1811:
1804:
1797:
1790:
1783:
1774:
1767:
1760:
1753:
1746:
1739:
1732:
1718:
1709:
1700:
1691:
1684:
1677:
1670:
1663:
1659:
1653:
1634:honours list
1627:
1620:
1607:Edward Elgar
1599:Julian Bream
1572:
1563:
1548:
1539:
1524:Please help
1512:
1487:
1485:
1473:
1463:
1457:
1450:
1443:
1438:Gibson J-200
1435:
1423:
1416:
1407:Shining Morn
1406:
1402:
1394:
1390:
1385:
1381:
1372:
1359:
1352:
1345:
1341:
1338:
1334:
1327:
1322:
1312:
1304:
1302:
1297:Shining Morn
1296:
1293:
1285:Shining Morn
1284:
1282:
1273:
1268:
1262:
1252:
1240:
1236:Rick Wakeman
1225:
1223:
1216:
1214:
1203:
1201:
1199:was filmed.
1194:
1190:
1186:David Suchet
1179:
1173:
1170:
1166:
1157:
1155:
1146:
1144:
1135:
1132:
1128:Rick Wakeman
1124:
1095:
1093:
1083:
1081:
1066:
1061:
1053:
1052:
1045:
1043:
1035:Davey Graham
1027:Ewan MacColl
1023:
1016:
1006:
984:
982:
978:
969:
965:
963:
954:
950:
946:
944:
934:
914:
908:
893:
887:
885:
866:
857:
849:
847:
839:
833:
826:Fylde guitar
823:
808:
795:
793:
781:Rick Wakeman
770:
762:
752:
750:
745:
743:
735:David Warner
728:
726:
722:
717:
706:
702:
697:
695:
686:Clive Bunker
683:
679:
675:
671:Soft Machine
653:
651:
647:
642:
631:Gerry Conway
615:Roger Glover
608:
600:
597:
592:
568:
566:
551:
549:
544:
538:
536:
527:
523:
512:
505:(drums) and
499:Song for Guy
488:
481:
471:
449:
443:
441:
429:Wishbone Ash
426:
415:
407:
405:
400:
393:
392:
381:
378:
365:
359:
354:
343:Wishbone Ash
336:
329:
325:
319:
309:
303:
298:
291:Ralph McTell
286:
282:
260:
245:. Rock star
224:
198:
197:
74:6 April 1948
29:
3191:1948 births
3001:25 November
2972:"No. 62507"
2956:26 November
2931:22 November
2906:4 September
2881:4 September
2805:22 November
2584:22 November
2499:4 September
2283:"Songfacts"
2199:Discogs.com
2154:Discogs.com
1644:Discography
1591:Bert Jansch
1579:the Beatles
1575:Hank Marvin
1474:During the
1460:Nick Hooper
1054:Janschology
1019:Bert Jansch
911:Earls Court
869:Renaissance
811:ELO Part II
789:Neil Murray
710:Ric Sanders
659:Ric Sanders
639:Cat Stevens
635:Bruce Lynch
619:Deep Purple
433:Switzerland
412:Renaissance
374:Iron Maiden
351:Cat Stevens
322:MCA Records
285:(1968) and
267:Bert Jansch
247:Marty Wilde
105:Occupations
3185:Categories
2876:Thewho.com
2855:2 December
2830:2 December
1872:References
1858:Heartsongs
1776:One to One
1768:Troubadour
1763:(Munchkin)
1569:Influences
1542:April 2024
1480:Ian Mosley
1419:Del Newman
1403:Heartsongs
1100:Substitute
1084:Troubadour
1058:Voiceprint
995:Tony Iommi
991:Albert Lee
970:Heathcliff
966:Troubadour
959:Del Newman
955:Troubadour
951:Heathcliff
947:Troubadour
935:Heathcliff
915:Heathcliff
904:Troubadour
889:Heathcliff
819:Jeff Lynne
800:Albert Lee
777:Steve Howe
753:One to One
623:Judi Dench
577:Ian Mosley
522:." Whilst
495:Elton John
464:theme tune
422:Bob Harris
420:hosted by
347:Del Newman
263:folk music
251:Albert Lee
221:Early life
215:Jimmy Page
122:Instrument
70:1948-04-06
3134:Visionary
3038:"Drifter"
2217:Bbc.co.uk
2195:"Discogs"
2150:"Discogs"
1693:Visionary
1513:does not
1319:prog rock
1259:sculpture
1120:J.S. Bach
1077:Joe Brown
986:Guitarist
898:novel by
862:Mary Bell
841:Guitarist
815:Bev Bevan
785:Midge Ure
773:Brian May
733:starring
585:Marillion
524:Visionary
515:mini moog
509:(bass)."
408:Visionary
401:Visionary
395:Visionary
383:Visionary
243:Greenwich
227:Brenchley
111:Guitarist
80:Brenchley
3072:AllMusic
2493:Archived
1733:Airwaves
1671:Portrait
1330:Esoteric
974:Tim Rice
698:Airwaves
558:acoustic
310:Portrait
287:Portrait
239:Deptford
182:Children
114:composer
3081:Discogs
2489:YouTube
1842:2012:
1805:Drifter
1786:(K-tel)
1770:(K-tel)
1685:Giltrap
1587:Donovan
1534:removed
1519:sources
1430:the Who
1210:polymer
1158:Drifter
1003:the Who
877:luthier
473:Holiday
470:series
466:of the
366:Giltrap
331:Disco 2
175:
163:
139:giltrap
134:Website
2322:17 May
2253:
2082:
1961:
1940:5 July
1915:3 June
1835:2011:
1828:2010:
1819:2009
1810:2007:
1803:2004:
1796:2003:
1789:2002:
1782:1998:
1773:1989
1766:1998:
1759:1995:
1752:1987:
1745:1987:
1738:1984:
1731:1982:
1724:1981
1717:1979:
1708:1978:
1699:1977:
1690:1976:
1683:1973:
1676:1971:
1669:1969:
1658:1968:
1464:Entity
1321:album
1181:Poirot
856:drama
468:BBC TV
437:Zurich
273:, and
257:Career
169:
154:Spouse
125:Guitar
99:Celtic
87:Genres
1865:Woman
1863:2020
1856:2018
1849:2013
1747:Elegy
1742:(KPM)
1735:(PVK)
1721:(PVK)
1488:Woman
1470:2020s
1305:Elegy
1279:2010s
1013:2000s
759:1990s
692:1980s
533:Hand.
316:1970s
173:)
165:(
161:
3003:2020
2958:2020
2933:2020
2908:2021
2883:2021
2857:2020
2832:2020
2807:2020
2586:2020
2501:2021
2324:2019
2251:ISBN
2080:ISBN
1959:ISBN
1942:2020
1917:2019
1609:and
1517:any
1515:cite
1118:and
1071:'s "
1039:Anji
1037:'s "
1029:'s "
993:and
873:lute
787:and
665:and
633:and
625:and
497:'s "
231:Kent
213:and
171:1986
95:folk
64:Born
3070:at
1630:MBE
1528:by
1452:Who
1428:of
1314:Yes
1001:of
669:of
661:of
617:of
478:ITV
203:MBE
143:.uk
141:.co
40:MBE
3187::
3040:.
3023:.
3019:.
2994:.
2974:.
2949:.
2924:.
2899:.
2874:.
2848:.
2823:.
2798:.
2690:^
2577:.
2491:.
2487:.
2392:^
2315:.
2285:.
2237:^
2215:.
2197:.
2162:^
2152:.
2122:.
2078:,
2028:.
1992:.
1969:^
1933:.
1906:.
1880:^
1605:,
1601:,
1597:,
1593:,
1589:,
1585:,
1581:,
1577:,
1238:.
1188:.
1122:.
1114:,
1009:.
953:.
913:,
883:.
806:.
783:,
779:,
775:,
720:.
486:.
334:.
269:,
229:,
217:.
209:,
201:,
167:m.
97:,
72:)
3109:e
3102:t
3095:v
3044:.
3005:.
2960:.
2935:.
2910:.
2885:.
2859:.
2834:.
2809:.
2588:.
2503:.
2326:.
2289:.
2259:.
2219:.
2201:.
2156:.
2126:.
2032:.
1996:.
1944:.
1919:.
1555:)
1549:(
1544:)
1540:(
1536:.
1522:.
68:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
