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uncommon but was used in the office of the
Governor of the Reserve Bank. Recessed downlights, both fluorescent and incandescent, were a popular means of lighting areas such as lift lobbies, passages and other public spaces where a softer light than that provided in the general office areas was appropriate, as was the case in the Reserve Bank. Of note was the use of recessed downlights in the cafeteria, set into the interstices of the square grid formed by the shallow cast plaster domes. The lighting of a decorative ceiling was a further area of exploration by architects and lighting engineers of the period. Usually, in the major public area of an office building, elaborate decorative ceilings could be either integrated into the lighting design or the subject of it. The latter was used in the Reserve Bank banking chamber public areas where the lighting is the focus of the decorative ceiling bays. The exterior Reserve Bank emblem was lit by shaped cold
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University); C.D. Osborne, Director of
Architecture Department of Works; R.M. Ure, Chief of Preliminary Planning, Department of Works; F.C. Crocker Architect in charge, Bank Section, Dept. of Works; and G.A. Rowe, Supervising Architect, Bank Section, Dept. of Works. The consulting engineer was D. Rudd and Partners and the builder was E.A. Watts Pty Limited. The site was cleared in 1961 and the building was completed by 1964 ready for occupation in January 1965. It was built to accommodate more than 1850 people at a cost of 10 million dollars.
827:. The Podium sculpture is a 26 ft high freestanding sculpture. It is unnamed and has no banking reference, but was designed to complement the architecture of the building. It is welded sheet copper on a stainless steel structural frame with molten copper decoration. The original design Maquette is also located in the Bank. Other important elements include the brass lettering text of the Bank's 1959 charter set on a black granite wall in the main foyer; the opening commemorative plaque; the Bank emblem originally located on the western
932:(1974–1980), recladding (1993) and internal refitting. The Reserve Bank building is of historical significance in its ability to demonstrate the changing functions and role of the Reserve Bank of Australia, particularly that of the head office, since 1964. The International style of the building represents the post-war cultural shift within the banking industry, away from the traditional architectural emphasis on strength and stability towards a more contemporary and international style.
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891:. The very strong, blank wall of the secure ground floor cash handling area on the external southeastern side of the building is another powerful reminder of its modernist qualities where the internal function gains external expression. Internally the most important space is the banking chamber. It is a symmetrical design with a central entrance under a canopy with black slate entrance floor, converting into carpet once inside the room.
575:. Both sculptors were actively engaged in the post-war period designing works for multi-storied office buildings and there was a high degree of co-operation between the artists and architects at this period. Prestige buildings of this period generally commissioned public art highlighting the high profile of the buildings in company marketing strategies and also possibly arising from benevolent policies of these companies.
405:"The massive walls and pillars used in the past to emphasise the strength and permanence in bank buildings are not seen in the new head office... Here, contemporary design and conceptions express our conviction that a central bank should develop with growing knowledge and a changing institutional structure and adapt its policies and techniques to the changing community within which it works".
883:. The architectural qualities of the Canberra Reserve Bank building rely on the lightness of the structure, the regular structural pattern, the contrast between the marble-faced columns and beams and the receding pattern of the glazing. The vertical effect imparted by the columns extending over two levels gives the low rise building a sense of height and is most effective. The columns are
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the
Banking Act. The Reserve Bank Act 1959 preserved the original corporate body under the name of the Reserve Bank of Australia to carry on the central banking functions of the Commonwealth Bank, but separated commercial banking and savings banking activities into the Commonwealth Bank of Australia. The Reserve Bank has since then been Australia's central bank with its own Board,
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two upper floors with projecting horizontal fins and two floors of full height recessed glazing to the mezzanine below. This contained the two-storey public area and the banking chamber in the mezzanine over. Also included in public areas of a number of office buildings of this period was an auditorium or theatrette, and one was included in the Sydney
Reserve Bank.
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emphasis on strength and stability towards a design that would signify the bank's ability to adapt its policies and techniques to the changing needs of its clientele. Before plans were drawn up representatives of the
Reserve Bank and the Commonwealth Department of Works made detailed studies overseas into Reserve Bank planning and organisation.
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The building's significance has been retained through a major extension (1974–1980), recladding (1993) and internal refitting. Through its prestigious design and function as
Australia's central bank, the building makes an important contribution to the streetscape and character of Martin Place, Macquarie Street and Phillip Street.
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designed with a distinctive character which has now been altered by later refurbishments. The eleventh floor contains the board room (featuring a marble floor), board dining room, board members common room and reception and meeting areas. The twelfth floor contains the governor's suite, reception areas and executive suites.
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well-designed example of the
International style; its construction using high-quality Australian materials; steel and concrete construction; and interior design details and artworks. The building's significance has been retained through a major extension (1974–1980), recladding (1993) and internal refitting
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courts and plant equipment (level 17) and conversion to office use including lowering of the high level windowsills to the north elevation and enlarging of existing recessed marble panels to windows on the south facade; conversion of level 19 ancillary space to office use; and removal of the firing range.
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The
Reserve Bank, Adelaide, was built in 1963-65 to a design by the Commonwealth Department of Works architects C.D. Osborne, R.M. Ure, G.A. Row and F.J. Crocker. It is constructed from largely Australian building materials of high quality including Wombeyan marble, South Australian black granite and
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The service areas were designed for ease of cleaning and minimal maintenance with vinyl and ceramic tile finishes popular for both floors and walls. The
Reserve Bank used ceramic tiles and vinyl to line the walls of service areas and vaults. The floors of the computer and service areas were of vinyl.
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would be suitable for the construction of the head office of the
Reserve Bank, and it was subsequently purchased for this purpose. The Bank's administrators called for a design for the building which was contemporary and international, to exemplify a post-war cultural shift away from an architectural
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multi-storey office buildings in Australia. It is a significant example of a 1960s office building notable as being a well-designed example of the International style; its construction using high-quality Australian materials; steel and concrete construction; and interior design details and artworks.
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In addition to the Head Office, branch offices were constructed in the central business districts of each of the state capital cities, as well as in Canberra and Darwin during the 1960s and 1970s. A number of purpose-designed office buildings were erected to designs by the Commonwealth Department of
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of the tower and extend up to form the supports for the balconies. The use of black polished granite cladding was a popular choice of the time, the Reserve Bank used Imperial Black granite for the columns. The subdivision of the facade into smaller vertical bays was characteristic of buildings where
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being used for the Columns and Italian Bianco Sardo grey granite for the spandrels. The work was designed by Arup Facade Engineering and was designed to have a minimum visual impact on the building. At the same time, the eastern end of the ground floor was modified from a banking chamber to form the
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The detailed aesthetic design input into the building extended beyond the building structure and facade treatments and interior design and included ancillary fixtures, fittings and objects for use specifically within the building. These included artworks specially commissioned for the public spaces,
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The variety of moveable heritage items located throughout the building including furniture, china, flatware, silverware, napery and accessories, pottery, tapestry and artworks are significant having been specifically designed or purchased for the building as well as being of artistic merit in their
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furnishings by Fred Ward are of historical and aesthetic significance. Designed for the building by Ward, who was one of the leaders in modern Australian industrial design at this time, the furnishings are of a simple and functional design which are now considered to be pieces of art in themselves.
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The 16th floor housed two residential flats, but the flats have been removed in recent works. The floor also included the medical centre. The 17th to 19th floors held two squash courts and an observation gallery was located along the northern facade. These were all removed in recent works. The 20th
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In 2000 the Parliamentary Committee on Public Works approved changes to the building included conversion of the staff cafeteria, auditorium and staff facilities (level 3) to office accommodation; demolition of the two residential flats and creation of new cafeteria space; removal of the two squash
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The Reserve Bank was a prestigious and desirable place to work. There was a strong staff hierarchy and senior positions had considerable community status. This status is demonstrated in physical terms by the design of executive and staff areas in the building. In the 1960s the building was known to
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The ground floor, and sometimes mezzanine or first floor levels, of many buildings of this period, accommodated service-based commerce. Often this activity represented a public interface for the owner/occupants of the building. The Reserve Bank was constructed with a four-storey podium divided into
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Internally decorative ceilings which emphasised the structural bays appeared in buildings of the 1960s and were used in the Reserve Bank. Impressive aluminium decorative ceiling panels emphasised the structural bays of the ground floor public space and lift lobby. The entry and forecourt were paved
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The Reserve Bank head office building is associated with successive governors of the Reserve Bank: Dr. H.C. Coombs; J.G. Phillips (KBE); H.M. Knight KBE DSC; R.A. Johnston (AC); B.W. Fraser and I.J. Macfarlane. The building is also associated with personnel of the Commonwealth Department of Works,
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The artworks by Bim Hilder and Margel Hinder are significant examples of Australian modernist sculpture of this period by two significant artists, who were selected as the winners of design competitions by the Reserve Bank. The furnishings by Fred Ward are of historical and aesthetic significance.
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was established by legislation in 1911. The main functions of the bank were to undertake general banking and savings bank activities. In 1945 the bank's powers were formally widened to include exchange control and the administration of monetary and banking policy with the Commonwealth Bank Act and
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over the ground floor. With the first and second floors it forms a podium from which the office tower springs. The third floor housed the staff amenities area with a staff cafeteria and kitchen, an auditorium and staff library and a staff lounge outside the lift foyer. These areas were originally
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were used in the Reserve Bank, where a perimeter strip of recessed fluorescents served to visually detach the ceiling from the wall in the passages and reception area. The opposite effect, that gained by concealing strip fluorescents where they would throw light upwards onto the ceiling, was more
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When constructed elements of the mechanical and electrical services within the building were considered advanced and innovative, and although many elements have been removed or substantially altered, their incorporation in the building is still of interest today, this included the fire sprinkler
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The Reserve Bank building (1964) designed by the Commonwealth Department of Works, Bank and Special Project Section, is highly significant in the development of post World War II multi-storey office buildings in Australia. It is a significant example of a 1960s office building notable as being a
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When constructed elements of the mechanical and electrical services within the building were considered advanced and innovative, and although many elements have been removed or substantially altered, their incorporation in the building is still of interest today, this included the fire sprinkler
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When constructed elements of the mechanical and electrical services within the building were considered advanced and innovative, and although many elements have been removed or substantially altered, their incorporation in the building is still of interest today, this included the fire sprinkler
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The two foyer artworks are of historical and aesthetic significance. The artworks by Bim Hilder and Margel Hinder are significant examples of Australian modernist sculpture of this period by two significant artists, who were selected as the winners of design competitions by the Reserve Bank. The
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In general, the building retains its early appearance and character despite having undergone considerable alterations and modification. Internal finishes have been considerably altered in many locations, and have been replaced with new finishes. Internally the building has been remodelled at the
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The ground floor is symmetrical around the central main vestibule which is a two-storey volume with a general banking chamber on the western side and a public display area on the eastern side. The display area replaces the former Bonds and Stock Banking Chamber of the original design. The ground
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Care was often taken in selecting finishes to areas of staff relaxation, special ceiling finishes were occasionally applied, such as in the case of the Reserve Bank third floor cafeteria where the ceiling was plaster domes in a square grid. Occasionally stone veneers were applied to the walls of
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The tower section above the second floor is set back from the site boundaries on the three street frontages. The rectangular building floor plate surrounds a central bank of lifts. The tower is capped with recessed balconies to level 20. Above this is a roof terrace with full height glazing and
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Prestige areas for the conduct of important company business in buildings of this period generally had ceilings treated in the same manner as general office ceilings, the exception being the board rooms and executive areas, as is the case in the Reserve Bank where shallow, curved plaster vaults
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The Sydney Reserve Bank building was designed by the Commonwealth Department of Works, Bank and Special Project Division (Sydney) in 1959 under the direction of a Design Committee consisting of: C. Mc Growther, Superintendent of Reserve Bank Premises; H.I. Ashworth, Consulting Architect (Sydney
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The basements contain vehicular access areas, the main switchboard as well as the three main strongrooms and a series of voucher stores and cash handling areas. Originally they also contained extensive plant areas. The Strong Rooms are located in the basement originally used for the storage of
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Between 1974 and 1980 the Reserve Bank was extended to the south, this extension to the original building involved substantial additions on each floor to incorporate the adjacent site to the south. The site consisted of two properties Washington House and Federation House, both properties were
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The Reserve Bank building (1964) designed by the Commonwealth Department of Works, Bank and Special Project Section, is highly significant in the development of post World War II multistorey office buildings in Australia. The building's significance has been retained through a major extension
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extension was set aside for the production of a series of commemorative handcrafted pots. These were commissioned from Henry A. Le Grand of Canberra, some were purchased by officers of the Bank and the others were used as decorative elements in the executive suites and remain in the building.
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The materials used in construction of the Reserve Bank were to be of Australian origin and manufacture. Externally, maintenance and durability determined the choice of marble, granite, aluminium and glass. The facade of the tower had the structural and functional columns expressed as vertical
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The furnishings by Fred Ward are of historical and aesthetic significance. Designed for the building by Ward, who was one of the leaders in modern Australian industrial design at this time, the furnishings are of a simple and functional design which are now considered to be pieces of art in
943:
The provision of two residential flats, for use by visitors to the bank; squash courts; and firing range were relatively uncommon for the time (all removed 2001). The two doors to the main strongroom were at the time of construction the largest and most technically advanced in the southern
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Banks and Special Projects branch, responsible for the building's design in particular: C. McGrowther; Professor H.I. Ashworth; C.D. Osborne; R.M. Ure; F.C. Crocker; G.A. Rowe; as well as E.A. Watts (builders for both stages of construction) and Frederick Ward (furniture designer).
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To further enhance the prestige of the building works of art by Australian artists and sculptors were used. Following an Australia-wide competition, the first prize winners were commissioned to execute their works for the Reserve Bank. The lift foyer features a wall relief by
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in Narranderra Grey marble, marble being the most popular stone throughout this period. The ground floor lift lobby walls and internal walls facing the forecourt were clad in Wombeyan marble. The east and west walls of the entry vestibule were clad in Imperial black granite.
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panels. The white marble faced pre-cast concrete spandrel panels alternated with recessed windows between the granite columns. The 1st, 2nd and 3rd-floor perimeter beams were faced with Wombeyan marble with a recessed glazed screen wall to the office areas behind a balcony.
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to the south wall, granite floor, east and west Imperial granite walls including high-level glazing, anodised aluminium ceiling and the south wall relief by Bim Hilder. Alterations include the introduction of a security desk, new entrance doors, and reconfigured glazing.
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upper office levels. The boardroom and the lift foyers have remained largely intact. The ground level double volume spaces are intact; however, there has been substantial alteration to furniture and fittings. The original marble ceiling panel has been replaced in metal.
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In November 1993 the original facades were overclad. The original Wombeyan marble cladding was deteriorating due to a combination of weathering and pollution. The new facade was a combination of Australian and Italian stone, with the original Imperial Black granite from
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and woven in France at the Aubusson workshop in 1968. Entitled "Wide Penetration" the abstract design in blue and yellow was woven in a limited edition of three copies. The tapestry is no longer hung in the Board Room but remains in the Bank's extensive art collection.
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furniture, china, flatware, silverware, napery and accessories specifically selected or designed for use within the building. The interior decor and furniture were designed by the Department of Works R.M. Ure and I. Managan, with Frederick Ward, Industrial designer.
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for display in the Board Room. The tapestry was woven at the Victorian tapestry workshop and the design was inspired by the Bank's Charter and includes elements from the paper 5 dollar note. The tapestry is now hung in the currency display area on the ground floor.
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A requirement of the Reserve Bank Act 1959 was that the head office of the bank must not be in the same building as the head office of the Commonwealth Bank of Australia (CBA) or any other bank. In line with this requirement, separate buildings were constructed in
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The Reserve Bank building is highly significant in the development of post World War II multi-storey office buildings in Australia for its use of high-quality Australian materials; steel and concrete construction; and interior design details and artworks.
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bullion and cash. They have a degree of technical significance for their innovative use of concrete and metal sheet to create an impenetrable surround for the strong rooms. The metal strong room doors are significant for their size and sophistication.
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design department. Around 1961 he resigned from ANU to set up private practice, after being invited by the Reserve Bank Governor Dr H.C. Coombs to undertake the furnishings of several Reserve Bank buildings including Sydney, Canberra, Adelaide and
678:. The garden was flanked on either side by shallow pools and had ornamental gravel surrounds. It was planted with Australian shrubs. This garden feature has now been replaced with landscaping including formal box hedges and flowering shrubs.
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Woodhead International & Noel Bell Ridley Smith & Partners Architects Pty Limited. "Revised Statement of Heritage Impact: Reserve Bank of Australia- Head Office Consolidation, 65 Martin Place, Sydney, New South Wales". Revised May
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beams on the 1st to 3rd floors. The Reserve Bank provides a notable example of a characteristic of buildings of this era on less constrained sites, where the architect utilised the opportunity to define the base from the shaft using a
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The main entrance foyer features an expansive wall relief by Bim Hilder. It is made up of many separate small parts of beaten copper and bronze. One section of it incorporates a six-inch piece of quartz crystal uncovered by geologist
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head office building. After Martin Place was formed the residential land on either side of the street was auctioned in 1936 however, the properties between Phillip and Macquarie Streets were passed in and did not sell until after
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Designed for the building by Ward, who was one of the leaders in modern Australian industrial design at this time, the furnishings are of a simple and functional design which are now considered to be pieces of art in themselves
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The Reserve Bank design is characteristic of buildings of this era on less constrained sites, where the architect utilised the opportunity to define the base from the shaft using a podium. The building was constructed using a
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provide more extensive staff facilities compared with other contemporary buildings. In this building they consisted of the cafeteria, executive and Board dining rooms, the staff lounge, the staff library, a medical suite,
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the Georgian cottage was demolished and the cottage next door and two three-storey terraces were built; one of these was demolished in 1921 and a three-storey brick building known as "Whitehall" was erected on the site.
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The building has social significance being regarded by the Australian community as the home of the Reserve Bank function and the place where significant economic policy is carried out on behalf of the nation.
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Through its prestigious design and function as Australia's central bank, the building makes an important contribution to the streetscape and character of Martin Place, Macquarie Street and Phillip Street.
464:. They were innovative in their use of concrete and metal sheet to create an impenetrable surround for the strong rooms. The metal strongroom doors are also significant for their size and sophistication.
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The Westpac (former Bank of NSW) building erected on the opposite corner to the Reserve Bank occupies a similar footprint and has a similar mass, providing a gateway effect at the top of Martin Place.
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enriched the space. The floor of the board room was paved in Wombeyan white marble. Specially woven heavy-duty wool carpet manufactured in Australia was used in the general office and executive areas.
734:. The building is a 22-storey high-rise tower with three-level basement. It is constructed of a steel frame concrete encased with reinforced concrete slabs. The building contains some unusually long
547:. His furnishings are of a simple and functional design which are now considered to be pieces of art in themselves. Ward also designed the furniture for numerous other important buildings including
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was provided for the training of security guards. The provision of the squash courts and the medical centre would appear to be uncommon facilities provided in multi-storey buildings of this period.
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The Reserve Bank building is at 65 Martin Place, corners with Macquarie and Phillip Streets, Sydney, a prominent corner position fronting Martin Place between Macquarie Street and Phillip Street.
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On Macquarie Street was a setback created to enable the establishment of a formal Australian Native garden which was designed as the result of a public competition won by Melbourne architect,
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Some of the original furniture designed for the building including tables, chairs, couches, credenzas and desks remain within the public spaces, offices and special areas of the building.
864:(sold 2001), Adelaide, Canberra, and Melbourne. The buildings constructed throughout Australia by the Bank during the 1960s reflected a confidence in things Australian and in the future.
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A series of paintings by Australian artists were purchased by the Bank over a period of time and found their permanent home in the executive offices, foyers and hallways of the bank.
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Also included were two residential flats to accommodate senior executives travelling from interstate, a relatively uncommon feature for office buildings of this period.
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The Reserve Bank building (1964) designed by the Commonwealth Department of Works, Bank and Special Project Section, is highly significant in the development of post
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The provision of two residential flats, for use by visitors to the bank; squash courts; and firing range were relatively uncommon for the time (all removed 2001).
277:. The Bank's powers are vested in the Reserve Bank Board and the Payments System Board. In carrying out its responsibilities, the Bank is an active participant in
743:. The Reserve Bank has a four-storey podium divided into two upper floors with projecting horizontal fins and two floors of full height recessed glazing to the
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floor slabs (using lightweight concrete). This was a solution to the need to produce an economical structural system using a combination of steel and concrete.
637:, Sydney); Woden City Plaza, Canberra; the Western Assurance Co. Building, Sydney (1960); and the State Office Block, Sydney (demolished). Hinder received an
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538:. Fred Ward (1900–1990) was one of the leaders in modern Australian industrial design of the 1940s, 1950s and 1960s. During the 1950s, Ward was head of the
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treatment of the building is distinctive and derives from both the modular design created to allow office subdivision which is expressed in the window
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285:. As well as being a policy-making body, the Reserve Bank is a large financial institution which provides selected banking and registry services to
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Royal Australian Institute of Architects, Register of Twentieth Century Buildings of Significance: "Heritage Inventory Report: Reserve Bank, 2000".
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in South Australia's Corunna Hills. Another displays semi-precious stones. The Martin Place forecourt features a freestanding podium sculpture by
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Staples, M. "From Pillar to Post: Regional heritage and the erasure of Modernist architecture" in Rural Society Journal Volume 9 No 1, 1999.
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The two doors to the main strongroom were at the time of construction the largest and most technically advanced in the southern hemisphere.
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were styled "wall enrichments in metal". Aside from the Reserve Bank mural (1962–64) he also designed the large mural on the facade of the
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Taylor, J. "Post World War II Multistoried Office Buildings in Australia (1945–1967)" Report. For the Australian Heritage Commission 1994.
629:. Margel Hinder's work is represented in every major Australian Gallery. Her major commissions include the James Cook Memorial Fountain,
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Noel Bell Ridley Smith & Partners Pty Ltd. "The Reserve Bank 65 Martin Place Sydney 2000 Conservation Management Plan" June 2001.
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Australian Heritage Commission, Register of the National Estate, Place Reports for Reserve Bank, Canberra and Reserve Bank, Adelaide.
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Victorian Harcourt grey granite. Of particular interest is the building's inward curving wall to both the east and west elevations.
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in plan and support a beam carefully separated from the column. The glazed curtain wall is supported on the beam and uses aluminium
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requiring the stripping of all internal finishes, upgrading of building services and fire protection facilities, new ceilings,
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and state government customers and some overseas official institutions. Its assets include Australia's holdings of gold and
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Drill Hall Gallery Catalogue "Fred Ward: A selection of Furniture and Drawings" Drill Hall Gallery: 2 May-16 June 1996.
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and associated amenities, an auditorium and an observation deck on the 20th level for the use of staff and ex-staff. A
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Walls of the period were often timber panelled, in the Reserve Bank special areas had demountable timber panelling in
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385:(Dr Lodge) suggested to the Governor of the Commonwealth Bank that the site at the top of Martin Place, owned by the
245:. The closure of Martin Place to traffic occurred between 1968 and 1978 and it became a pedestrianised civic plaza.
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The Canberra Branch building of the Reserve Bank was the result of an architectural competition, managed by the
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Works Banks and Special Projects Branch as part of the initial establishment of the Reserve Bank of Australia.
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as a floor finish in the toilets. Terrazzo was often used in this way in more prestigious 1960s developments.
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In a press release on the completion of the Reserve Bank headquarters building in Sydney, the then governor,
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The buildings in Darwin and Brisbane have been sold. The Reserve Bank still owns the buildings in Perth and
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demolished for the extension. The addition replicated the original building in height, form, and finishes.
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these areas, such as in the staff lounge of the Reserve Bank, where slate was used as the wall finish.
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panels in grey granite alternated with recessed glazing. The glazing panels stop short of the corner.
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level entrance foyer/vestibule remains substantially intact including internal finishes of Wombeyan
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Margel Hinder (1906–1995) was American born moving later to New South Wales. Along with her husband
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and carpets and the extensive restoration and recladding of the external facade of the building.
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By the mid-1870s following the demolition of the church and school a row of three three-storey
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Australian art focusing on abstraction. They were contemporaries of the Lewers, Ralph Balson,
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The land on which the Reserve Bank is built, was in the 19th century occupied on by the first
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Proposed headquarters, Sydney, for the Reserve Bank of Australia. 1959. Folios F 725.24099441
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system, smoke detectors and fire alarms; interior and signage lighting; and airconditioning.
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system, smoke detectors and fire alarms; interior and signage lighting; and airconditioning.
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system, smoke detectors and fire alarms; interior and signage lighting; and airconditioning.
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wall of the building constructed in cast aluminium with green enamelled finish designed by
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The building was the central distribution point for notes and coin for New South Wales and
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Chapel in 1850, a Wesleyan School House also built in 1821 and purchased in 1843 by the
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A specially woven tapestry, 10 ft by 5 ft for the Board Room was designed by
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and completed in 1965. Also of a contemporary design, the Canberra building is in the
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floor houses staff amenities. Most lift foyers are marble lined, Level 3 is timber.
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and the use of materials including the extensive use of natural stone. The vertical
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and first exhibited his sculptures in 1945. Hilder had worked as a carpenter for
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and the payments system. It is also responsible for the printing and issuing of
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305:. The Bank currently consists of a Head Office, located in Sydney, branches in
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and was widened into a substantial thoroughfare as part of the setting for the
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Martin Place was originally a small lane called Moore Street which ran between
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from Perth won the competition from 131 submissions. It was constructed by
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Clay from the excavations for the Bank from its initial construction and
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terrace with steps to accommodate the site slope and adjacent footpath.
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in 1891. In 1921, Moore Street was renamed Martin Place. In 1926, the
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Architecture in Australia "Reserve Bank of Australia" September 1966.
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835:(now removed); the portrait of Dr H. C Coombs, the first Governor by
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below. The building is entered via a bronzed railed grey and black
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From 1991–1995 upgrading of offices and basement areas, removal of
1250:
City of Sydney, Heritage Database Inventory Report "Reserve Bank".
902:
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The mezzanine is set back from Martin Place frontage creating an
903:
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366:). The Georgian house was demolished and two four-storey late
663:
A second specially commissioned tapestry was made in 1988 by
571:
and the freestanding podium sculpture in Martin Place is by
491:
The Reserve Bank is also notable for the incorporation of a
232:
Streets in anticipation of the extension of Martin Place to
594:(1963) and a memorial fountain to Walter Burley Griffin in
923:
on 22 June 2004 having satisfied the following criteria.
293:. The Bank is wholly owned by the Australian Government.
530:
Interior furnishings including tables, chairs, couches,
359:
terrace houses known as "Lucretia Terrace" was erected (
171:
Location of Reserve Bank of Australia building in Sydney
775:
sun control was a central concern. Between the columns
770:
faced in black granite and aluminium define the eight
578:
Bim (Vernon Arthur) Hilder (1909–1990) trained at the
352:
house occupied by a solicitor and a Georgian cottage.
1285:
Information on Fred Ward from the Drill Hall Gallery.
1351:
Commonwealth Heritage List places in New South Wales
401:
highlighted the contemporary design of the building:
730:The Reserve Bank 1964, is a refined example of the
514:The lighting of the Reserve Bank was also notable.
503:throughout. All working areas of the building were
422:Imperial black granite shafts with Wombeyan marble
321:and representative offices in London and New York.
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1282:Bloomfield Galleries: Information on Margel Hinder
1288:Reserve Bank of Australia Web site www.rba.gov.au
723:The building's address on an exterior wall, 2008
333:Chapel built in 1821 and subsequently used as a
265:The Reserve Bank has two broad responsibilities—
35:Reserve Bank of Australia Building, Sydney, 2008
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1050:Reserve Bank of Australia Building, Canberra
598:area (1965). His work is represented in the
1336:Reserve Bank of Australia building, Sydney
29:
20:
613:, they contributed to the development of
184:is a heritage-listed bank building at 65
633:(1966), Northpoint Tower (1970) (now at
523:which follow the outline of the emblem.
460:and the basement included the vaults or
1061:
869:National Capital Development Commission
370:terrace houses were erected (1891). In
969:Criterion E: Aesthetic characteristics
16:Historic building in Sydney, Australia
921:Australian Commonwealth Heritage List
198:Australian Commonwealth Heritage List
133:
125:
117:
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100:
7:
224:purchased a number of properties in
341:to be used as a school (demolished
1381:Office buildings completed in 1964
1321:, accessed on 23 September 2018.
978:Criterion F: Technical achievement
960:Criterion D: Characteristic values
309:and Canberra, regional offices in
182:Reserve Bank of Australia Building
24:Reserve Bank of Australia building
14:
1361:Bank buildings in New South Wales
348:). There was also a freestanding
273:, including the stability of the
196:, Australia. It was added to the
1376:1964 establishments in Australia
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1297:
1211:"Reserve Bank (Place ID 105456)"
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540:Australian National University's
162:
155:
1011:Criterion H: Significant people
919:Reserve Bank was listed on the
600:Art Gallery of New South Wales
255:Commonwealth Bank of Australia
1:
1306:, entry number 105456 in the
907:Signage on the building, 2008
645:
580:East Sydney Technical College
557:National Library of Australia
371:
360:
342:
1308:Australian Heritage Database
1277:Other sources of information
1216:Australian Heritage Database
732:Post War International style
755:extensive cantilever roof.
682:Alterations to the building
553:Academy of Science Building
534:and desks were designed by
249:History of the Reserve Bank
238:Reserve Bank of Australia's
222:Municipal Council of Sydney
1397:
1356:Office buildings in Sydney
104:Commonwealth Heritage List
1366:Reserve Bank of Australia
1312:Commonwealth of Australia
1002:Criterion G: Social value
604:University of New England
592:Wagga Wagga Civic Theatre
383:Director-General of Works
283:Australian currency notes
150:
146:
142:
97:
28:
881:Stripped classical style
707:public exhibition area.
269:and the maintenance of
122:Listed place (Historic)
927:Criterion A: Processes
908:
724:
484:The Reserve Bank used
407:
1338:at Wikimedia Commons
1221:Australian Government
906:
722:
584:Walter Burley Griffin
493:fire sprinkler system
440:Queensland black bean
403:
339:Roman Catholic Church
287:Australian Government
635:Macquarie University
82:33.8682°S 151.2117°E
1040:Architecture portal
948:Criterion B: Rarity
839:purchased in 1964.
555:, Canberra and the
444:Tasmanian blackwood
416:reinforced concrete
387:Sydney City Council
271:financial stability
218:General Post Office
78: /
909:
873:Howlett and Bailey
725:
639:Order of Australia
135:Reference no.
87:-33.8682; 151.2117
1334:Media related to
1310:published by the
877:Civil & Civic
559:, Canberra (with
325:Reserve Bank site
279:financial markets
200:on 22 June 2004.
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549:University House
458:Papua New Guinea
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291:foreign exchange
234:Macquarie Street
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596:Willoughby City
561:Arthur Robinson
497:smoke detectors
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275:payments system
267:monetary policy
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194:New South Wales
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619:Yvonne Audette
505:airconditioned
399:Dr H.C. Coombs
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573:Margel Hinder
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521:cathode tubes
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470:squash courts
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381:In 1957, the
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210:George Street
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111:Official name
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1371:Martin Place
1328:
1304:Reserve Bank
1296:
1239:Bibliography
1226:23 September
1224:. Retrieved
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944:hemisphere.
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913:World War II
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657:Margo Lewers
654:
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627:Tony Tuckson
608:
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545:Port Morseby
529:
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474:firing range
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243:World War II
207:
186:Martin Place
181:
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130:22 June 2004
114:Reserve Bank
46:Martin Place
18:
1314:2018 under
1293:Attribution
991:own right.
987:themselves
837:Louis Kahan
715:Description
649: 1974
516:Wallwashers
501:fire alarms
462:strongrooms
414:supporting
412:steel frame
375: 1875
364: 1876
346: 1876
262:and staff.
214:Pitt Street
85: /
73:151°12′42″E
61:Coordinates
56:, Australia
1345:Categories
1056:References
852:Comparison
814:Public art
736:cantilever
665:Sue Batten
623:Carl Plate
569:Bim Hilder
509:air plenum
357:Italianate
127:Designated
70:33°52′06″S
1316:CC-BY 4.0
885:cruciform
843:Condition
745:mezzanine
641:in 1979.
631:Newcastle
615:Modernist
536:Fred Ward
532:credenzas
368:Victorian
335:Unitarian
311:Melbourne
226:Macquarie
1024:See also
889:mullions
777:spandrel
764:mullions
696:lighting
692:asbestos
602:and the
486:terrazzo
424:spandrel
350:Georgian
331:Wesleyan
315:Brisbane
307:Adelaide
303:Canberra
260:Governor
41:Location
1319:licence
829:parapet
768:columns
749:granite
230:Phillip
204:History
862:Hobart
797:atrium
789:marble
760:facade
741:podium
625:, and
588:murals
586:. His
299:Darwin
190:Sydney
138:105456
50:Sydney
1272:2001.
611:Frank
319:Perth
1228:2018
772:bays
758:The
499:and
442:and
317:and
301:and
253:The
228:and
212:and
119:Type
563:).
44:65
1347::
1219:.
1213:.
1064:^
871:.
646:c.
621:,
606:.
511:.
495:,
446:.
372:c.
361:c.
343:c.
313:,
192:,
188:,
52:,
48:,
1230:.
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