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revenue, regional theaters rely on donations from patrons and businesses, season ticket subscriptions, and grants from foundations and government. Some have criticized regional theaters for being conservative in their selection of shows to accommodate the demographics of their subscribers and donors.
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When the first national organization of nonprofit theaters was formed in 1961, there were only 23 regional theaters in the U.S. By 2003, the number of regional theaters had grown to 1,800. As non-profits, they rely heavily on donations from patrons, and some theaters have been accused of "pandering
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was a precursor of the
Regional Theater Movement; it was started by theater artists interested in experimentation and exploring social issues through the dramatic arts. The movement altered the face of the American stage and allowed room for new works and new audiences.
117:, often work to move their productions to Broadway venues in New York. They may also educate young audiences through educational outreach programs. Cooperative programs with nearby university theater programs are also common at regional theaters. For example, the
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magazine praised regional theaters for their enrichment of the theater culture in the United States. Some regional theaters serve as the "out-of-town tryout" for
Broadway-bound shows, and some will accept touring Broadway shows.
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140:(TCG). These organizations encourage communication and good relations between their members and in the community, as well as promoting a larger public interest and support of regional theater.
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to the audience," subordinating their artistic ideals to the need for donations. Nonetheless, nonprofit theaters are under less pressure than commercial theaters.
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477:"Composing Ourselves": The Little Theatre Movement and the American Audience, Dorothy Chansky. Carbondale: Southern Illinois University Press, 2004
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In the second and third decades of the twentieth century, there was a push to get away from the conservative, mainstream ideology of
Broadway. The
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The two major organizations that help to maintain the general welfare of resident theater in the United States are the
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Dower, David. "Putting the
Regional in Regional Theater." Arena Stage: New Play Blog. 11 April 2009. <
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The TCG’s mission is similar. TCG’s constituency has grown to encompass more than 700
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55:. The term "playhouse" is often used to specifically denote this type of theater.
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http://npdp.arenastage.org/2009/04/putting-the-regional-in-regional-theater.html
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and works that do not necessarily have the commercial appeal required of a
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Going
National: How America’s Regional Theatre Movement Changed the Game
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A look at the regional theaters fighting to save their historic art form
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In recognition of the importance of regional theaters in
America, the
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There are currently 74 LORT theaters located in 29 states and the
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193:. This recipient is selected based on a recommendation by the
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Florida State
University/Asolo Conservatory for Actor Training
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89:) for smaller, more experimental productions. In addition to
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Envisioning the Future of
Theater for Young Audiences
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online employment bulletin, and dramatic literature.
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most often refers to a professional theater outside
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374:League of Resident Theatres, <www.lort.org>
556:America’s regional theaters – Annotated directory
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262:- for the other main category of American theatre
331:Chapman, Jonathan Shmidt; Halpern, Emma (2019).
43:company that produces its own seasons. The term
166:throughout the United States. They publish the
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189:to one regional theater each year during the
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561:The Special Tony® Award For Regional Theatre
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352:"Who We Are | League of Resident Theatres"
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39:is a professional or semi-professional
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869:Chicago Shakespeare Theater
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191:Tony Awards
506:2022-09-02
464:2018-10-03
411:2018-10-03
361:2018-10-03
301:2008-05-30
267:References
155:, and the
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981:1976–2000
816:2001–2025
647:1976–2000
501:0362-4331
175:ARTSEARCH
53:unionized
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568:Articles
420:cite web
356:lort.org
223:See also
185:gives a
59:Overview
164:members
41:theater
35:in the
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937:(2019)
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172:, the
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497:ISSN
432:help
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