536:, calling the four solo pieces "a series of blues-based pieces in line with music he had previously recorded" and the second section ("Requiem for Molly") as sounding "a bit dated, largely because his source material... sounds heavy-handed and trite in retrospect." Olewnick summarizes the release writing "Requia doesn't rank up with the absolute best of his releases, but contains enough fine and interesting work to recommend it to Fahey fans."
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After eschewing the rustic trappings of his earliest music for a series of highly experimental recordings — including the musique concrete eye-opener Requia and Other
Compositions for Guitar Solo — Fahey began trying on and discarding various musical
305:, I composed cerebral symphonies every day. It was a pleasant pastime. But suddenly in 1953 I needed a full orchestra at my command—me playing every instrument in that impossible ensemble." He labeled the first two songs and "Requiem for Molly" as
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at number 89 in their list of "The 101 Weirdest Albums of All Time"; contributor John
Robinson wrote that Fahey's "singular oddness" derived in part from his humour, and commented that the album blends his distinctive meditative guitar soli with
652:
as a precursor to new-age, calling the mixture of folk and blues "as fresh and evocative" as the genre. However, he preferred the short tracks on side one to "Requiem for Molly", whose "ominous" sound effects he found distracting. A reviewer for
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543:, author Michael Long referred to Fahey as a pioneer and wrote "His personal aesthetic was easily translatable to the revisionist morbid aesthetic, most notably with respect to
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Vanguard producer and archivist Samuel
Charters shared Fahey's love of the blues ... Somewhat perversely, Fahey gave the folk/roots label a musique concrete album, called
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experimentation via "Requieum for Molly", in which Fahey's guitar is "mixed deep into a shifting music concrete soundworld of sucking reverb,
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After beginning with three solo guitar pieces, the four-part "Requiem for Molly" begins with solo guitar interspersed and accompanied by
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274:. A short hymn-like song, "Fight On Christians, Fight On", based on "Christians, Fight On, Your Time Ain't Long" by
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626:"dense with eccentricity." The album received new attention when re-released in 1985 by Terra Records, a pastoral
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Fahey signed with
Vanguard Records in 1967, although he only recorded two albums for the company, including the
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285:, but it's not very good and I don't really like that one. It was a good learning experience though."
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was mixed and often hostile, with many puzzled by the album's lengthy musique concrète centrepiece.
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All the songs, minus the parts 1 and 2 of "Requiem for Molly" are included in the
Vanguard release
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All the songs, minus the four-part "Requiem for Molly" are included in the
Vanguard CD reissue of
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612:, Pierre-Rene Noth referred to "Requiem for Molly" as " worst.. a horrid mix." In his piece for
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of effects" that predated sampling with its mixture of musical interpolations and "snatches of
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ranked the album at number 396 in their list of "The 500 Greatest Albums of the 1960s".
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review, critic Brian
Olewnick describes the distinct differences in the two parts of
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In his original liner notes, Fahey wrote "Since 1948, after seeing the movie,
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203:. Released in November 1967, it was the first of Fahey's two releases on the
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and "When the
Catfish Is in Bloom" and "Fight on Christians, Fight On" as
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said that the album would impress those who dismiss new-age music as "
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Georgia Stomps, Atlanta Struts and Other
Contemporary Dance Favorites
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and one on
Riverboat Records, Fahey signed a two-album contract with
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for the '80s", describing Fahey as "quirky and quiet" but engaging.
1822:
Sea Changes & Coelacanths: A Young Person's Guide to John Fahey
1174:
The great folk discography. Volume 1, Pioneers & early legends
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1941:
Screamin' and Hollerin' the Blues: The Worlds of Charley Patton
1848:
Your Past Comes Back To Haunt You: The Fonotone Years 1958–1965
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The Great San Bernardino Birthday Party & Other Excursions
215:
experimentation. It has since been recognised as precursor to
1382:
1894:
The Revenge of Blind Joe Death: The John Fahey Tribute Album
1264:
Beautiful Monsters: Imagining the Classic in Musical Media
843:(Concise ed.). London: Omnibus Press. p. 1,039.
1230:
Weisbard, Eric; Marks, Craig, eds. (1995). "John Fahey".
634:, as part of a series of releases exploring the roots of
1901:
The Great Koonaklaster Speaks: A John Fahey Celebration
1836:
Twilight on Prince Georges Avenue: Essential Recordings
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has similarly cited "Requiem for Molly" as a "deranged
278:, played on bottleneck guitar concludes the recording.
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The Return of the Repressed: The John Fahey Anthology
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was reissued on CD in 1998 in the United Kingdom by
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The Dance of Death & Other Plantation Favorites
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207:label. It originally received hostile reviews from
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266:and sound effects. The melody found in Part 3 is "
975:"The Legend of John Fahey & Blind Joe Death"
250:, excerpts of both string and brass orchestras,
70:Hollywood Sound Recorders, Hollywood, California
1445:Death Chants, Breakdowns & Military Waltzes
1315:"A 60's Original With a New Life on the Fringe"
1267:. University of California Press. p. 132.
1037:Of Rivers and Religion 2001 reissue liner notes
1880:I Am the Resurrection: A Tribute to John Fahey
288:"Requiem for John Hurt" refers to influential
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901:Requia And Other Compositions For Guitar Solo
868:Requia and Other Compositions for Guitar Solo
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1611:Old Girlfriends and Other Horrible Memories
1577:Popular Songs For Christmas and New Year's
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759:"Requiem for Russell Blaine Cooper" – 8:56
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20:
1815:The Best of John Fahey, Vol. 2: 1964–1983
1934:Anthology of American Folk Music, Vol. 4
1529:Fare Forward Voyagers (Soldier's Choice)
1359:"The Greatest 500 Albums of the 1960s".
1757:Leo Kottke, John Fahey & Peter Lang
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705:was reissued on CD in 1997 by Vanguard.
281:Fahey stated " was my first attempt at
1459:The Transfiguration of Blind Joe Death
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777:"Fight On Christians, Fight On" – 1:57
192:and other compositions for guitar solo
1583:Rain Forests, Oceans and Other Themes
762:"When the Catfish Is in Bloom" – 7:42
326:
7:
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1069:
1057:
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915:Sprague, David (February 23, 2001).
231:After six releases on his own label
1344:"101 Weirdest Albums of All Time".
1062:The Fahey Files notes on the songs.
597:, as well as self-recorded seals."
18:1967 studio album by John Fahey
1988:New-age albums by American artists
1203:Raeburn, Paul (December 8, 1985).
195:) is the eighth album by American
14:
1699:The Great Santa Barbara Oil Slick
1550:John Fahey Visits Washington D.C.
1543:Christmas with John Fahey Vol. II
1143:The Encyclopedia of Popular Music
841:The Encyclopedia of Popular Music
774:"Requiem for Molly, Pt. 4" – 3:00
771:"Requiem for Molly, Pt. 3" – 2:33
768:"Requiem for Molly, Pt. 2" – 7:46
765:"Requiem for Molly, Pt. 1" – 7:40
473:
423:
416:The Encyclopedia of Popular Music
385:
347:
1787:The Best of John Fahey 1959–1977
884:"John Fahey: Blood on the Frets"
638:. Reviewing the reissue for the
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1288:Noth, Pierre-Rene (July 1974).
1171:Strong, Martin Charles (2010).
947:The John Fahey Handbook, Vol. 1
882:Pouncey, Edward (August 1998).
790:Special effects by John Fahey,
515:According to Edward Pouncey of
1808:The Best of the Vanguard Years
1604:The John Fahey Christmas Album
1004:Pouncey, Edwin (August 1998).
756:"Requiem for John Hurt" – 5:10
730:The Best of the Vanguard Years
1:
1801:The Legend of Blind Joe Death
1233:Spin Alternative Record Guide
504:Spin Alternative Record Guide
262:recordings and various other
1968:John Fahey (musician) albums
973:Needs, Kris (October 2007).
521:, contemporary reception to
1729:The Epiphany of Glenn Jones
1378:Original album liner notes.
945:Guerrieri, Claudio (2013).
917:"Guitarist John Fahey Dead"
800:Cover photo by Marvin Lyons
685:and – just in time for the
270:", a recent Top 40 hit for
2004:
1590:I Remember Blind Joe Death
1361:Uncut Ultimate Music Guide
1236:(1st ed.). New York:
689:– Adolf Hitler." In 2022,
454:The Great Folk Discography
1918:American primitive guitar
1740:John Fahey Trio, Vol. One
1420:
1118:: 22–23. October 13, 1985
752:All songs by John Fahey.
555:, and musique concrète."
334:
331:
272:The Mamas & the Papas
145:
28:
1887:Friends of Fahey Tribute
1855:Proofs & Refutations
1780:The Essential John Fahey
1292:The Essential John Fahey
1146:(5th concise ed.).
711:The Essential John Fahey
603:The Essential John Fahey
1978:Musique concrète albums
1973:Vanguard Records albums
1873:A Tribute to John Fahey
1597:God, Time and Causality
1480:The Voice of the Turtle
211:, particularly for its
170:The Voice of the Turtle
1515:Of Rivers and Religion
1348:(238): 70. March 2017.
1261:Long, Michael (2008).
835:Larkin, Colin (2007).
1656:The Fonotone Sessions
1313:Ratliff, Ben (1997).
1033:Unterberger, Richie.
294:Mississippi John Hurt
292:singer and guitarist
197:fingerstyle guitarist
1829:Vanguard Visionaries
1735:John Fahey Trio KBOO
1209:Reno Gazette-Journal
1006:"Blood on the Frets"
743:in 2007 by Vanguard.
641:Reno Gazette-Journal
630:subsidiary label of
606:in the July 3, 1974
466:Reno Gazette-Journal
322:Professional ratings
1557:Yes! Jesus Loves Me
1501:The New Possibility
1494:The Yellow Princess
1363:. October 27, 2022.
787:John Fahey – guitar
323:
302:The Thief of Bagdad
268:California Dreaming
62:January 24–25, 1967
1774:The Early Sessions
1536:Old Fashioned Love
1320:The New York Times
739:was reissued on a
615:The New York Times
541:Beautiful Monsters
321:
1950:
1949:
1473:Days Have Gone By
1299:Milwaukee Journal
1274:978-0-520-22897-9
1157:978-0-85712-595-8
1076:Olewnick, Brian.
956:978-0-9853028-0-1
609:Milwaukee Journal
513:
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276:Bo Weavil Jackson
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152:Days Have Gone By
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1983:Folk jazz albums
1928:Revenant Records
1911:Related articles
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54:November 1967
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1767:Compilations
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1749:Split albums
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1324:. Retrieved
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1225:
1213:. Retrieved
1208:
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1120:. Retrieved
1115:
1089:. Retrieved
1082:> Review"
1079:
1042:. Retrieved
1039:> Review"
1036:
1028:
1016:. Retrieved
1009:
982:. Retrieved
978:
946:
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931:
924:. Retrieved
920:
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891:. Retrieved
887:
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867:
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854:. Retrieved
840:
837:"John Fahey"
830:
796:Barry Hansen
792:Sam Charters
751:
736:
728:
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709:
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690:
679:tape collage
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667:
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646:Paul Raeburn
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539:In his book
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300:
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256:choral music
252:Adolf Hitler
245:
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191:
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185:
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168:
160:
159:
150:
132:Sam Charters
39:Studio album
15:
1963:1967 albums
1677:Live albums
1649:78s and EPs
1423:Discography
1215:November 8,
1122:November 8,
1112:"Pop Music"
722:Ace Records
683:white noise
620:Ben Ratliff
591:brass bands
258:, scratchy
248:white noise
241:Denny Bruce
189:(subtitled
1957:Categories
1414:John Fahey
1326:January 5,
1116:Daily News
984:October 8,
926:October 9,
893:October 8,
856:October 8,
822:References
656:Daily News
648:described
557:Kris Needs
378:Daily News
264:tape loops
254:speeches,
201:John Fahey
141:chronology
139:John Fahey
44:John Fahey
1661:Double 78
1639:Red Cross
1290:"Review:
1091:March 26,
1044:March 26,
1018:March 15,
933:garments.
782:Personnel
666:In 2017,
628:folk jazz
317:Reception
223:in 1998.
1625:Womblife
1564:Railroad
1140:(2011).
1086:AllMusic
1011:The Wire
888:The Wire
805:See also
741:vinyl LP
697:Reissues
632:Vanguard
549:sampling
530:AllMusic
518:The Wire
341:AllMusic
205:Vanguard
127:Producer
120:Vanguard
59:Recorded
51:Released
41: by
1508:America
811:Requiem
672:ranked
622:called
553:looping
528:In his
311:Cantica
227:History
174:(1968)
165:(1967)
156:(1967)
1706:On Air
1632:Hitomi
1571:Let Go
1487:Requia
1271:
1244:
1181:
1154:
1080:Requia
953:
866:album
847:
737:Requia
718:Requia
703:Requia
674:Requia
650:Requia
624:Requia
567:mosaic
545:Requia
534:Requia
523:Requia
335:Rating
332:Source
307:Requia
260:78-rpm
186:Requia
161:Requia
98:Length
67:Studio
24:Requia
1346:Uncut
1014:(174)
691:Uncut
669:Uncut
661:Muzak
587:hymns
575:blues
115:Label
76:Genre
1328:2010
1269:ISBN
1242:ISBN
1217:2022
1211:: 76
1179:ISBN
1152:ISBN
1124:2022
1093:2009
1046:2009
1020:2010
986:2022
951:ISBN
928:2022
895:2022
858:2022
845:ISBN
794:and
593:and
573:and
571:jazz
509:7/10
459:5/10
84:Folk
559:of
221:Ace
1959::
1336:^
1317:.
1296:.
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1101:^
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994:^
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965:^
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107:44
103:44
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105::
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