658:
604:
554:
498:
446:
329:
389:
46:
260:
The following table shows the title, tempo marking, voices, time, key and text sources for the seven movements. The information is given for the beginning of the movements. Wilberg maintains triple time signatures throughout the whole work with mostly slow tempi, but he involves frequent, complex key
251:
3 flutes (flute 3 doubles piccolo), 2 oboes (double 2 English horns), 2 clarinets in Bb, 2 bassoons, 4 horns in F, celeste (glockenspiel in absence of celeste), harp, piano, organ (optional), violin 1, violin 2, viola, cello, double bass
215:'s National High School Choral Festival on March 14, 2006. Wilberg later decided to compose other movements to fill the requiem, culminating in its premiere performance in April 2007, and later a CD recording, with the
1089:
The sixth movement is "The Lord is my shepherd." It is set for
Baritone solo. It is interesting to note that Wilberg departs from his traditional
166:
is a large-scale work for chorus, orchestra, a soprano and a baritone soloist. Wilberg began composition in 2006 and it was premiered in 2007 in
1428:
1298:
204:
216:
388:
1323:"Reviewed work: Requiem and Other Choral Works. The Mormon Tabernacle Choir and the Orchestra at Temple Square, Mack Wilberg"
239:
for mixed choir, orchestra, and a soprano and a baritone soloist. Wilberg structured the work in seven movements, similar to
177:
The cover art of the album and the score displays the stained glass of the Chapel of
Thanksgiving in Dallas, TX, created by
657:
603:
553:
497:
445:
328:
1284:
565:
1159:." It set for choir and orchestra, and switches from first an English text to then a Latin text. The choir first sings
614:
1257:
1164:
673:
404:
343:
1359:
1160:
668:
1529:
1290:
171:
138:
195:
in 2007. He called it a "requiem for the living." Wilberg was first inspired to write a full requiem after
170:, Utah. It comprises seven movements, which together last thirty-four minutes. It was published in 2008 by
261:
changes from movement to movement. The source for the details is the vocal score, unless otherwise noted.
920:
The central movement is "How Lovely Is Thy
Dwelling Place." It is set for Mezzo-Soprano with flute solo.
750:. It begins with choir singing in Greek, and then transitions to Baritone soloist singing in English.
220:
1334:
114:
182:
1524:
1294:
453:
336:
240:
200:
984:
The fifth movement is "O nata lux." It is set for choir and orchestra, with harp solo.
167:
1518:
1107:
He shall feed me in a green pastures, and lead me forth beside the waters of comfort.
212:
178:
1168:
687:
196:
157:
65:
36:
31:
1115:
Yea, though I walk through the valley of the shadow of death, I will fear no evil.
1364:
1262:
224:
45:
1398:
505:
459:
398:
862:
He will not suffer thy foot to be moved and he that keepeth will not sleep.
1131:
But thy loving-kindness and mercy shall follow me all the days of my life;
1111:
He shall convert my soul and bring me forth in the paths of righteousness.
694:
511:
1338:
1322:
199:
commissioned him to write an
Introit and Epilogue for a performance of
854:
I will lift up mine eyes until the hills from whence cometh my help.
16:
Musical work for chorus, orchestra, a soprano and a baritone soloist
1153:
The seventh movement is titled "I am the resurrection and the life—
1123:
Thou shalt prepare a table before me against those that trouble me;
243:
of John Rutter. It switches between
English and Latin throughout.
1185:
He that believeth in Me, though he were dead, yet shall he live;
1090:
866:
Behold, he that keepeth Isræl shall neither slumber nor sleep.
934:
My soul longeth, yea, it fainteth for the courts of the Lord.
858:
My help cometh even from the Lord, who made heaven and earth.
1202:
1174:
1096:
987:
923:
847:
753:
700:
930:
How lovely is Thy dwelling place, O Lord, O Lord of Hosts.
1127:
Thou anointed my head with oil, and my cup shall be full.
1189:
And whosover liveth and believeth in me shall never die.
966:
They go from strength to strength, appeareth before God.
950:
Ev'n thine altars, O Lord of Hosts, my King and my God.
1149:
7: I am the resurrection and the life—Requiem aeternum
1103:
The Lord is my shepherd; therefore can I lack nothing.
938:
My heart and my flesh crieth out for the living God.
686:
The first movement consists of the
Introit from the
1181:
946:
and the swallow a nest where she may lay her young,
147:
122:
99:
79:
55:
21:
1135:And I will dwell in the house of the Lord forever.
1067:Look down for the sake of those who are lost.
8:
962:Blessed are those whose strength is in Thee:
890:Yea, it is even He that shall keep thy soul.
1154:
954:Blessed are they that dwell in thine house:
886:The Lord shall preserve thee from all evil.
878:So that the sun shall not burn thee by day,
874:The Lord is thy defense upon thy right hand
627:
523:
355:
298:
63:
22:
44:
18:
1055:Lenient, look down upon our supplication,
1230:and let perpetual light shine upon them.
728:and let perpetual light shine upon them.
263:
1249:
1071:Bring us as members of Thy happy body.
564:An ancient Catholic text used for the
1505:
1493:
1481:
1469:
1457:
1445:
1415:
1385:
942:Yea, the sparrow hath found an house,
894:The Lord shall preserve thy going out
7:
1226:Eternal rest give unto them, O Lord,
724:Eternal rest give unto them, O Lord,
1119:Thy rod and staff, they comfort me.
916:4: How Lovely Is Thy Dwelling Place
626:I am the resurrection and the life—
1258:"A new requiem performed by choir"
902:From this time forth for evermore.
14:
1360:"Music Vital in Bringing Comfort"
1210:Requiem æternam dona eis, Domine:
708:Requiem æternam dona eis, Domine:
217:Tabernacle Choir at Temple Square
1327:Brigham Young University Studies
746:The second movement is entitled
656:
602:
552:
496:
471:How Lovely Is Thy Dwelling Place
444:
387:
327:
305:Slowly, with mystical expression
1429:"2 Esdras, chapter 2, verse 34"
1093:translation of biblical texts.
870:The Lord Himself is thy keeper.
844:. It is set for Baritone solo.
508:with E♭ pentatonic minor melody
265:Movements of Wilberg's Requiem
1:
1051:Jesus Redeemer of the world.
958:They are ever praising Thee.
566:Feast of the Transfiguration
1216:et lux perpetua luceat eis.
836:3: I will lift up mine eyes
714:et lux perpetua luceat eis.
401:, F♯ minor, A melodic minor
1546:
1085:6: The Lord is my shepherd
1007:Dignare clemens supplicum,
882:Neither the moon by night.
795:Hear my cry! Hear my cry!
771:Hear my cry! Hear my cry!
693:This text originates from
407:& English Translation
1399:"O nata lux - ChoralWiki"
1063:Thou that wast once flesh
1025:dignature es pro perditis
1019:Qui carne quondam contegi
1013:laudes preces que sumere.
803:Hear my cry! Hear my cry!
779:Hear my cry! Hear my cry!
665:Multiple, ends in E major
362:With intensity and outcry
287:
284:
281:
278:
275:
272:
269:
43:
30:
1031:Nos membra confer effici
842:I will lift up mine eyes
417:I Will Lift Up Mine Eyes
1291:Oxford University Press
1059:Our prayers and praise.
1047:O Light born from Light
799:Have mercy! Have mercy!
791:Have mercy! Have mercy!
775:Have mercy! Have mercy!
767:Have mercy! Have mercy!
577:The Lord is my shepherd
474:Moderately, with motion
172:Oxford University Press
139:Oxford University Press
104:27 April 2007
1155:
1001:Jesu redemptor sæculi.
840:The third movement is
690:("Requiem aeternam").
628:
621:
572:
524:
518:
466:
412:
356:
350:
299:
293:
64:
23:
1433:www.perseus.tufts.edu
1321:Hansen, Greg (2008).
1293:. 24 September 2008.
1286:Mack Wilberg, Requiem
995:O nata lux de lumine,
477:Soprano w/ flute solo
822:Christ, have mercy!
1037:Tui beati corporis.
682:1: Requiem aeternam
266:
235:Wilberg scored the
221:Frederica von Stade
1161:John 11:25
669:John 11:25
420:With contemplation
264:
256:Table of movements
191:Wilberg completed
115:Salt Lake City, UT
32:Sacred vocal music
1508:, pp. 54–64.
1496:, pp. 45–53.
1484:, pp. 35–53.
1472:, pp. 27–44.
1460:, pp. 21–26.
1448:, pp. 11–20.
1300:978-0-19-380453-1
1240:
1239:
1199:
1198:
1163:-26 and then the
1145:
1144:
1081:
1080:
976:
975:
912:
911:
898:And thy coming in
832:
831:
812:Lord, have mercy!
785:Christe, eleison!
738:
737:
679:
678:
155:
154:
1537:
1509:
1503:
1497:
1491:
1485:
1479:
1473:
1467:
1461:
1455:
1449:
1443:
1437:
1436:
1425:
1419:
1418:, pp. 1–10.
1413:
1407:
1406:
1395:
1389:
1388:, pp. 1–72.
1383:
1377:
1376:
1374:
1372:
1356:
1350:
1349:
1347:
1345:
1318:
1312:
1311:
1309:
1307:
1281:
1275:
1274:
1272:
1270:
1254:
1231:
1227:
1218:
1212:
1203:
1190:
1186:
1182:
1175:
1158:
1156:Requiem aeternum
1136:
1132:
1128:
1124:
1120:
1116:
1112:
1108:
1104:
1097:
1072:
1068:
1064:
1060:
1056:
1052:
1048:
1039:
1033:
1027:
1021:
1015:
1009:
1003:
997:
988:
967:
963:
959:
955:
951:
947:
943:
939:
935:
931:
924:
903:
899:
895:
891:
887:
883:
879:
875:
871:
867:
863:
859:
855:
848:
823:
813:
804:
800:
796:
792:
787:
780:
776:
772:
768:
763:
754:
729:
725:
716:
710:
701:
661:
660:
653:
652:
651:
650:
631:
629:Requiem aeternum
607:
606:
599:
598:
597:
596:
557:
556:
549:
548:
547:
546:
527:
501:
500:
493:
492:
491:
490:
454:harmonic planing
449:
448:
441:
440:
439:
438:
394:
393:
391:
383:
382:
381:
380:
359:
337:harmonic planing
332:
331:
324:
323:
322:
321:
302:
300:Requiem aeternam
267:
207:Dona nobis pacem
201:Vaughan Williams
143:
142:
141:
135:
133:
118:
117:
111:
109:
69:
48:
39:
26:
19:
1545:
1544:
1540:
1539:
1538:
1536:
1535:
1534:
1515:
1514:
1513:
1512:
1504:
1500:
1492:
1488:
1480:
1476:
1468:
1464:
1456:
1452:
1444:
1440:
1427:
1426:
1422:
1414:
1410:
1397:
1396:
1392:
1384:
1380:
1370:
1368:
1358:
1357:
1353:
1343:
1341:
1320:
1319:
1315:
1305:
1303:
1301:
1283:
1282:
1278:
1268:
1266:
1256:
1255:
1251:
1246:
1241:
1233:
1229:
1228:
1225:
1220:
1214:
1213:
1208:
1200:
1192:
1188:
1187:
1184:
1183:
1180:
1151:
1146:
1138:
1134:
1133:
1130:
1129:
1126:
1125:
1122:
1121:
1118:
1117:
1114:
1113:
1110:
1109:
1106:
1105:
1102:
1087:
1082:
1074:
1070:
1069:
1066:
1065:
1062:
1061:
1058:
1057:
1054:
1053:
1050:
1049:
1046:
1041:
1035:
1034:
1029:
1028:
1023:
1022:
1017:
1016:
1011:
1010:
1005:
1004:
999:
998:
993:
982:
977:
969:
965:
964:
961:
960:
957:
956:
953:
952:
949:
948:
945:
944:
941:
940:
937:
936:
933:
932:
929:
918:
913:
905:
901:
900:
897:
896:
893:
892:
889:
888:
885:
884:
881:
880:
877:
876:
873:
872:
869:
868:
865:
864:
861:
860:
857:
856:
853:
838:
833:
825:
821:
820:
819:
818:
817:
816:
815:
814:
811:
806:
802:
801:
798:
797:
794:
793:
790:
789:
788:
783:
782:
781:
778:
777:
774:
773:
770:
769:
766:
765:
764:
761:Kyrie, eleison!
759:
744:
739:
731:
727:
726:
723:
718:
712:
711:
706:
684:
672:
655:
654:
649:
644:
643:
642:
641:
640:
634:With expression
601:
600:
595:
590:
589:
588:
587:
586:
580:With Expression
551:
550:
545:
540:
539:
538:
537:
536:
495:
494:
489:
484:
483:
482:
481:
480:
456:ends in B major
443:
442:
437:
432:
431:
430:
429:
428:
424:
386:
385:
384:
379:
374:
373:
372:
371:
370:
366:
339:
326:
325:
320:
315:
314:
313:
312:
311:
258:
249:
233:
219:, and soloists
189:
137:
131:
129:
127:
126:
113:
107:
105:
103:
95:
75:
62:Parts from the
51:
35:
17:
12:
11:
5:
1543:
1541:
1533:
1532:
1530:Requiem Masses
1527:
1517:
1516:
1511:
1510:
1498:
1486:
1474:
1462:
1450:
1438:
1420:
1408:
1390:
1378:
1351:
1333:(4): 182–184.
1313:
1299:
1276:
1248:
1247:
1245:
1242:
1238:
1237:
1223:
1221:
1206:
1201:
1197:
1196:
1178:
1173:
1150:
1147:
1143:
1142:
1100:
1095:
1086:
1083:
1079:
1078:
1044:
1042:
991:
986:
981:
978:
974:
973:
927:
922:
917:
914:
910:
909:
851:
846:
837:
834:
830:
829:
809:
807:
757:
752:
743:
740:
736:
735:
721:
719:
704:
699:
683:
680:
677:
676:
666:
663:
645:
638:
635:
632:
624:
618:
617:
612:
609:
591:
584:
581:
578:
575:
569:
568:
562:
559:
541:
534:
531:
528:
521:
515:
514:
509:
503:
485:
478:
475:
472:
469:
463:
462:
457:
451:
433:
426:
421:
418:
415:
409:
408:
402:
396:
375:
368:
363:
360:
353:
347:
346:
341:
334:
316:
309:
306:
303:
296:
290:
289:
286:
283:
280:
277:
276:Tempo marking
274:
271:
257:
254:
248:
245:
232:
229:
188:
185:
168:Salt Lake City
153:
152:
149:
145:
144:
124:
120:
119:
101:
97:
96:
94:
93:
90:
87:
83:
81:
77:
76:
74:
73:
70:
59:
57:
53:
52:
49:
41:
40:
28:
27:
15:
13:
10:
9:
6:
4:
3:
2:
1542:
1531:
1528:
1526:
1523:
1522:
1520:
1507:
1502:
1499:
1495:
1490:
1487:
1483:
1478:
1475:
1471:
1466:
1463:
1459:
1454:
1451:
1447:
1442:
1439:
1434:
1430:
1424:
1421:
1417:
1412:
1409:
1404:
1400:
1394:
1391:
1387:
1382:
1379:
1367:
1366:
1361:
1355:
1352:
1340:
1336:
1332:
1328:
1324:
1317:
1314:
1302:
1296:
1292:
1288:
1287:
1280:
1277:
1265:
1264:
1259:
1253:
1250:
1243:
1236:
1232:
1222:
1219:
1217:
1211:
1205:
1204:
1195:
1191:
1177:
1176:
1172:
1170:
1166:
1162:
1157:
1148:
1141:
1137:
1099:
1098:
1094:
1092:
1084:
1077:
1073:
1043:
1040:
1038:
1032:
1026:
1020:
1014:
1008:
1002:
996:
990:
989:
985:
980:5: O nata lux
979:
972:
968:
926:
925:
921:
915:
908:
904:
850:
849:
845:
843:
835:
828:
824:
808:
805:
786:
762:
756:
755:
751:
749:
741:
734:
730:
720:
717:
715:
709:
703:
702:
698:
696:
691:
689:
681:
675:
670:
667:
664:
659:
648:
639:
636:
633:
630:
625:
623:
620:
619:
616:
615:Psalms 23
613:
610:
605:
594:
585:
582:
579:
576:
574:
571:
570:
567:
563:
560:
555:
544:
535:
532:
529:
526:
522:
520:
517:
516:
513:
510:
507:
504:
499:
488:
479:
476:
473:
470:
468:
465:
464:
461:
458:
455:
452:
447:
436:
427:
422:
419:
416:
414:
411:
410:
406:
403:
400:
397:
390:
378:
369:
364:
361:
358:
354:
352:
349:
348:
345:
342:
338:
335:
330:
319:
310:
307:
304:
301:
297:
295:
292:
291:
268:
262:
255:
253:
247:Orchestration
246:
244:
242:
238:
230:
228:
226:
222:
218:
214:
213:Carnegie Hall
210:
209:
208:
202:
198:
194:
186:
184:
183:
180:
179:Gabriel Loire
175:
173:
169:
165:
164:
159:
150:
146:
140:
125:
121:
116:
102:
98:
91:
88:
85:
84:
82:
78:
71:
68:
67:
61:
60:
58:
54:
47:
42:
38:
33:
29:
25:
20:
1501:
1489:
1477:
1465:
1453:
1441:
1432:
1423:
1411:
1403:www.cpdl.org
1402:
1393:
1381:
1369:. Retrieved
1363:
1354:
1342:. Retrieved
1330:
1326:
1316:
1304:. Retrieved
1285:
1279:
1267:. Retrieved
1261:
1252:
1234:
1224:
1215:
1209:
1207:
1193:
1179:
1169:Requiem Mass
1152:
1139:
1101:
1088:
1075:
1045:
1036:
1030:
1024:
1018:
1012:
1006:
1000:
994:
992:
983:
970:
928:
919:
906:
852:
841:
839:
826:
810:
784:
760:
758:
747:
745:
732:
722:
713:
707:
705:
692:
688:Requiem mass
685:
646:
592:
542:
486:
434:
376:
340:ends D major
317:
288:Text source
259:
250:
236:
234:
206:
205:
203:’s cantata,
197:Craig Jessop
192:
190:
176:
162:
161:
158:Mack Wilberg
156:
72:Bible verses
66:Requiem Mass
37:Mack Wilberg
1365:Church News
1263:Church News
241:the setting
225:Bryn Terfel
50:Score Cover
1519:Categories
1506:Score 2008
1494:Score 2008
1482:Score 2008
1470:Score 2008
1458:Score 2008
1446:Score 2008
1416:Score 2008
1386:Score 2008
1244:References
525:O nata lux
108:2007-04-27
1167:from the
697:2:34–35
506:polytonal
460:Psalm 121
399:polytonal
148:Movements
123:Published
100:Performed
1525:Requiems
1339:43044686
742:2: Kyrie
695:4 Esdras
583:Baritone
561:D♯ minor
530:Luminous
512:Psalm 84
425:Baritone
367:Baritone
80:Language
1371:May 14,
1344:May 14,
1306:May 14,
1269:May 14,
1165:Introit
674:Introit
611:F minor
344:Introit
237:Requiem
193:Requiem
187:History
163:Requiem
130: (
106: (
92:English
24:Requiem
1337:
1297:
1235:
1194:
1140:
1076:
971:
907:
827:
733:
637:Chorus
533:Chorus
423:Chorus
365:Chorus
308:Chorus
279:Vocal
273:Title
1335:JSTOR
748:Kyrie
405:Kyrie
357:Kyrie
282:Time
231:Music
211:, at
89:Greek
86:Latin
1373:2023
1346:2023
1308:2023
1295:ISBN
1271:2022
285:Key
270:No.
223:and
132:2008
128:2008
56:Text
1091:KJV
671:-26
662:=66
608:=72
558:=69
502:=76
450:=50
395:=72
333:=46
160:'s
34:by
1521::
1431:.
1401:.
1362:.
1331:47
1329:.
1325:.
1289:.
1260:.
1171:.
227:.
181:.
174:.
136::
112::
1435:.
1405:.
1375:.
1348:.
1310:.
1273:.
647:2
622:7
593:2
573:6
543:2
519:5
487:2
467:4
435:2
413:3
392:.
377:8
351:2
318:2
294:1
151:7
134:)
110:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
