Revolution (Beatles song)

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partnership with Ono was reflected in a change of appearance and image. In Fortnam's description, a "lean, mean demeanour" had replaced Lennon's "moptop-era puppy fat", while Hertsgaard says the clip presented him as "a serious longhair ... his center-parted locks falling down to his shoulders, and both his vocals and his subject matter further underlined how far he had traveled since the moptop days". Lindsay-Hogg recalled that before filming "Revolution", Lennon looked the worse for wear, yet he turned down a suggestion that he apply some stage makeup to make him appear healthier. Lennon reasoned, "Because I'm John Lennon" – a point Lindsay-Hogg cites as demonstrating that "They had a very different attitude to most stars. They were authentic, they weren't characters in a fiction." In the clip, Lennon plays his

1679:, and Capitol-EMI Records. Capitol-EMI said the lawsuit was groundless because they had licensed the use of "Revolution" with the "active support and encouragement of Yoko Ono Lennon, a shareholder and director of Apple". Ono had expressed approval when the ad was released, saying it was "making John's music accessible to a new generation". Fans were outraged at Nike's appropriation of the song and incensed at Jackson and Ono for allowing the Beatles' work to be commercially exploited in this way. Ono said that McCartney had agreed to the deal, a claim that McCartney denied. Harrison commented in an interview for 502:. Despite his bandmates' reservations, he persevered with the song and insisted it be included on their next single. When released in August, the song was viewed by the political left as a betrayal of their cause and a sign that the Beatles were out of step with radical elements of the counterculture. The release of "Revolution 1" in November indicated Lennon's uncertainty about destructive change, with the phrase "count me out" recorded instead as "count me out – in". Lennon was stung by the criticism he received from the New Left and subsequently espoused the need for 1400: 1311:. The song prompted immediate responses from the New Left and counterculture press, most of whom expressed disappointment in the Beatles. Radicals were shocked by Lennon's use of sarcasm, his contention that things would be "all right", and his failure to engage with their plight. They also objected to his requirement for a "plan" for the revolution, when their aim was to liberate minds and ensure that all individuals entered the decision-making process as a means of personal expression. 1356: 287: 883: 709: 840:'that'!" As the piece continues, Lennon quietly mumbles "Gonna be alright" a few times. Then follows a brief piano riff, some comments from Lennon and Ono on how well the track has proceeded, and final appearances of the tape loops. Most of this coda was lifted for the end of "Revolution 9", with a little more piano at the beginning (which monitor mixes reveal was present in earlier mixes of "Revolution") and minus Lennon's (or Harrison's) joking reply. 859:, and overdubs were recorded and compiled over several sessions almost exclusively by Lennon and Ono, although Harrison provided assistance for spoken overdubs. With more than 40 sources used for "Revolution 9", only small portions of the take 20 coda are heard in the final mix; most prominent from take 20 are Lennon's multiple screams of "right" and "alright", and around a minute near the end featuring Ono's lines up to "you become naked". 643:'s description, the lyrics advocate social change but emphasise that "political actions be judged on moral rather than ideological grounds". The repeated phrase "it's gonna be alright" came directly from Lennon's Transcendental Meditation experiences in India, conveying the idea that God would take care of the human race no matter what happened politically. Another influence on Lennon was his burgeoning relationship with 9577: 1247:, Chris Ingham includes "Revolution" in his list of the essential Beatles songs and calls it a "remarkably cogent" statement. He says that whereas "Revolution 1" resembles a "stoned, bluesy jam", the vibrant quality of the single version "has the effect of making flower-proffering pacifism a dynamic option, rather than a soporifically waved white flag". In his song review for 624: 1392:'s magazine. The magazine's editors warned that, rather than denouncing revolution, "Revolution" was urging Maoists not to "blow it all" through their impatience and was espousing a Lenin-inspired, "Moscow line". In reaction to the song and to Lennon and Ono's performance art activities, the British authorities withdrew the protection they had long afforded the Beatles as 1120:. Two finished clips of "Revolution" were produced, with only lighting differences and other minor variations. The Beatles sang the vocals live over the pre-recorded instrumental track from the single version. Their vocals included elements from "Revolution 1": McCartney and Harrison sang the "shoo-bee-doo-wop" backing vocals, and Lennon sang "count me out – in". Authors 1284: 1104:, four spots ahead of the companion piece "Revolution 9". In an interview following the album's release, Harrison said that "Revolution 1" "has less attack and not as much revolution" as the single B-side, and described it as "the Glenn Miller version". The lyric sheet included with the original LP carried the words "count me out", without the appended "in". 620:. He recalled, "I thought it was about time we spoke about it, the same as I thought it was about time we stopped not answering about the Vietnamese war . I had been thinking about it up in the hills in India." Lennon began writing the song there and completed it in England in May, inspired especially by events in France. 1238:

magazine devoted an article to discussing "Revolution", the first time in the magazine's history that it had done so for a pop song. The writers said the song was "exhilarating hard rock" directed at "radical activists the world over", and that its message would "surprise some, disappoint others, and

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Lennon wanted "Revolution 1" to be the next Beatles single, but McCartney was reluctant to invite controversy, and argued along with Harrison that the track was too slow for a single. Lennon persisted, and rehearsals for a faster and louder remake began on 9 July. Recording started the following day.

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The bootlegged recording starts with engineer Peter Bown announcing the remix as "RM1 of Take ..." and then momentarily forgetting the take number, which Lennon jokingly finishes with "Take your knickers off and let's go!" The first half of the recording is almost identical to the released track

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described "Revolution" as "unashamed rock 'n' roll" but "a cut above the average rock disc, particularly in the thoughtful and highly topical lyric", and "a track that literally shimmers with excitement and awareness". Johnson concluded by stating that the two sides "prove beyond a shadow of a doubt

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and John Winn each describe the performance as "exciting". According to Spizer, it "combines the best elements of the album and single versions", while Hertsgaard writes that, two years after the band had retired from public performances, the clip proved that "the Beatles could rock with the best of

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The Beatles began the recording sessions for their new album on 30 May, starting with "Revolution 1" (simply titled "Revolution" for the first few sessions). At this first session, they concentrated on recording the basic rhythm track. Take 18 lasted 10:17, much longer than the earlier takes, and it

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commented that political detractors of "Revolution" had overlooked the "message" of the music, "which is more powerful than anyone's words". He added: "There is freedom and movement in the music even as there is sterility and repression in the lyrics. The music doesn't say 'cool it' or 'don't fight

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On 21 June, the first part of take 20 received several overdubs and became officially titled "Revolution 1". The overdubs included a lead guitar line by Harrison and a brass section of two trumpets and four trombones. Final stereo mixing was completed on 25 June. The final mix that would ultimately

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The release triggered considerable interest among the media and fans of the group. This version, RM1 (Remix in Mono #1) of take 20, runs to 10 minutes 46 seconds (at the correct speed) and was created at the end of the 4 June session, with a copy taken away by Lennon. It was an attempt by Lennon to

1527:. Hoyland wrote the first letter in late October 1968, expecting that Lennon's drugs bust and the intolerance shown towards Ono, as a Japanese woman in Britain, would make him more sympathetic to a radical agenda. Hoyland said that "Revolution" was "no more revolutionary" than the radio soap opera 1136:

Lindsay-Hogg recalled of the Beatles' approach to their promotion films: "Society was changing and music was in the vanguard. The appearance of the musicians, their clothes, hair, their way of talking was stirring the pot of social revolution." For Lennon, his absorption in a romantic and creative

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Marcus was demonstrating in Berkeley during the weekend of the convention in Chicago. He recalled of the contrasting messages in "Revolution" and "Street Fighting Man": " were ordering us to pack up and go home, but the Stones seemed to be saying that we were lucky if we had a fight to make and a

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revolutions; he also said that the Far Left's complaints demonstrated their "extremer than thou" snobbery and their inability to form a united movement, adding that if radicals of that calibre did lead a revolution, he and the Rolling Stones would "probably be the first ones they'll shoot ... And

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wholeheartedly supported the Beatles, saying that any accusations of "revolutionary heresy" were "absurd", since the band were being "absolutely true to their identity as it has evolved through the last six years". In his review of the White Album, Wenner added: "Rock and roll has indeed become a

1129: 1972:; he added: "Our real decision for picking 'Revolution' was simply because it rocks." After their performance received considerable radio airplay, Stone Temple Pilots recorded a studio version of the song, which was released as a single on 27 November 2001. The single reached number 30 on the US 1689:

Well, from our point of view, if it's allowed to happen, every Beatles song ever recorded is going to be advertising women's underwear and sausages. We've got to put a stop to it in order to set a precedent. Otherwise it's going to be a free-for-all ... It's one thing when you're dead, but we're

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on 10 January 1969, Lennon countered that Hoyland was "on a destruction kick" and challenged him to name a single revolution that had achieved its aims. Lennon closed the letter with a postscript saying, "You smash it – and I'll build around it." The exchange, which included a second letter from

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stated that "You can argue about effectiveness of non-violence as a tactic, but it would be absurd to claim that it is a conservative notion ... The Beatles want to change the world, and they are doing what they can." With the release of "Revolution 1" three months after the single, some student

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magazine – a mainstream publication widely viewed as reflecting establishment views – added to the song's lack of credibility among the far left. Other commentators on the left applauded the Beatles for rejecting radicalism governed by hatred and violence, and for advocating "pacifist idealism".

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guitar, which he had recently stripped back from its sunburst pattern to a plain white finish. MacDonald says this gesture was partly indicative of Lennon's desire for "deglamourised frankness" and that the song inaugurates Lennon's adoption of the "stripped Casino" as a "key part of his image".

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During overdubs which brought the recording to take 20, Lennon took the unusual step of performing his lead vocal while lying on the floor. He also altered one line into the ambiguous "you can count me out, in". He later explained that he included both because he was undecided in his sentiments.

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in the US and topped singles charts in Australia and New Zealand. "Revolution" has received praise from music critics, particularly for the intensity of the performance and the heavily distorted guitar sound. In 1987, the song became the first Beatles recording to be licensed for a television

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Lennon soon decided to divide the existing ten-minute recording into two parts: a more conventional Beatles track and an avant-garde sound collage. Within days after take 20, work began on "Revolution 9" using the last six minutes of the take as a starting point. Numerous sound effects,

816:"Revolution 1". It lacks the electric guitar and horn overdubs of the final version, but features two tape loops in the key of A (same as the song) that are faded in and out at various points. After the final chorus, the song launches into an extended coda similar to that in " 1921:

said that, having grown up in the 1960s when music was "about social change and making the world a better place", he now believed that it had become "tamed by the corporate world" and Live Aid represented "the last great moment of rock and roll fist waving for change".

1303:, "Revolution" inspired the first "serious debate" about the connection between politics and 1960s rock music. The counterculture's reaction was especially informed by news footage of the violent scenes outside the Democratic National Convention on 28 August, and of 1540:

Before writing a reply, Lennon met with two other students from Keele University at his home in Surrey, on 3 December. Referring to Hoyland's letter, he said that a destructive approach to societal change merely makes way for a destructive ruling power, citing the

929:, with Lennon and Harrison's guitars prominent throughout the track. In the words of Paul McCartney, it was played on "a bit of a cheap Gibson", a hollowbody guitar with a laminated maple top that gave it some bite and warmth. The distorted sound was achieved by 667:

their compositions to each other in preparation for recording their next studio album. A recording from that informal session released in the White Album's Super Deluxe version shows that "Revolution" had two of its three verses intact. The lines referencing

1381:, although student activists returned to their colleges after the long summer break motivated to continue the struggle, for many other people, a "feeling of weariness" supplanted their interest, and "by the end of 1968 many people agreed with the Beatles". 1009:

presidential nominee who had pledged to end America's involvement in Vietnam, and coincided with further militant action in Europe. According to author Jonathan Gould, this combination ensured that, contrary to Lennon's doubts about the song's relevance,

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wrote that the Rolling Stones understood the "ambiguous relation of rock to rebellion", but "It takes a lot of chutzpah for a multimillionaire to assure the rest of us, 'You know it's gonna be all right' ... Deep within John Lennon there's a fusty old

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questioned the same lyric as a statement of the Beatles' position: "For them it probably will . But for the rest of us, those words delivered with such genial certainty must seem as consoling as a tract on the glories of national pride written in

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style), but the song has several extra half-length bars during the verses. There are also two extra beats at the end of the last chorus, the result of an accidental bad edit during the mixing process that was left uncorrected at Lennon's request.

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business enterprise, the label was run on counterculture principles and intended to be a form of what McCartney termed "Western communism". The single was one of the four records that were sent in gift-wrapped boxes, marked "Our First Four", to

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Despite Lennon's efforts, McCartney's "Hey Jude" was selected as the A-side of the band's next single. Having sought to reassert his leadership of the Beatles over McCartney, Lennon reluctantly agreed to have "Revolution" demoted to the B-side.

820:". (The album version only features about 40 seconds of this coda.) Beyond the point where the album version fades out, the basic instrumental backing keeps repeating while the vocals and overdubs become increasingly chaotic: Harrison and 945:

just below the point of overheating the console. This was such a severe abuse of the studio equipment that Emerick thought, "If I was the studio manager and saw this going on, I'd fire myself." Lennon overdubbed the opening scream, and

2486:, the film focused on "the relationship between political power and the potency of the rock performer, and its antithesis, the emptiness of fame as a vehicle for image creation". Godard had originally wanted Lennon to play the role of 49: 1929:

to feature Stevens on guitar and was first released in September 1985. It was subsequently issued as a single, backed by the non-album instrumental "The Fourth Sunday". The band made a promotional video for the single, directed by

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in December 1980, Lennon reaffirmed the pacifist message of "Revolution", saying he still wished to "see the plan" for any proposed revolution. With reference to Lennon's comments in this interview, MacDonald wrote in 1994:

1251:, Richie Unterberger calls "Revolution" one of the Beatles' "greatest, most furious rockers" with "challenging, fiery lyrics" where the listener's "heart immediately starts pounding before Lennon goes into the first verse". 1268:

recalled that he had never heard such distorted guitar sounds before, and hearing the song was his "eureka moment" when he decided he wanted to be in a band. The track was ranked at number 13 in a similar list compiled by

1580:" to atone for the perceived apathy of "Revolution", and instead sang: "You say you want a revolution / We better get it on right away." After moving to New York in 1971, he and Ono fully embraced radical politics with 651:

and her espousal of sexual politics as an alternative to Maoist ideas and other hardline philosophies adopted by the political left. Lennon credited Ono with awakening him from his passive mindset of the previous year.

2759: 2426:'out' version" that appeared on the single, in their September 1968 promo clip, "John – singing directly into the camera, baring his teeth at the pivotal moment – followed 'out' with a very clearly enunciated 'in. 1205:

praised the A-side, saying it was a track that took several listens before its full appeal became evident, but he dismissed "Revolution" as "a fuzzy mess, and best forgotten". More impressed, Derek Johnson of the

1396:. On 18 October, Lennon and Ono were arrested on charges of drug possession; Lennon maintained he had been warned of the raid and that the drugs were planted by the arresting officers from the London Drug Squad. 1351:

had been inspired to write after attending the violent rally at Grosvenor Square in March. Despite the ambiguity in Jagger's lyrics, "Street Fighting Man" was perceived to be supportive of a radical agenda.

1623:, which was also the first time that the track was available in stereo. The stereo mix was carried out on 5 December 1969, supervised by Martin. The song was subsequently issued on the Beatles compilations 1298:

Until the events of summer 1968, political activists and far left publications in the US distanced themselves from rock music and had no expectations of its relevance to their cause. According to historian

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repeatedly sing "dada, mama" in a childlike register; Lennon's histrionic vocals are randomly distorted in speed (a little of this can be heard in the fade of "Revolution 1"); and radio tuning noises à la

1996:, to rule America on counterculture principles. In an attempt to initiate this revolution, the Family carried out a series of murders in Los Angeles in August 1969. For the soundtrack of the 1976 TV film 1057:"Hey Jude" topped sales charts around the world, while "Revolution" was a highly popular B-side. In the US, where each side of a single continued to be listed individually, it peaked at number 12 on the 2719: 1475:

was quoted as saying she wanted to "know what the message is" in "Revolution" so that she could perform the song effectively in concert. Instead, she wrote and recorded an answer song, also titled "

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for the song was shot using the backing track from the single version, their appearances reflecting the song's atmosphere, along with live-sung lyrics that more closely resemble the album version.

1042:, the British prime minister. According to music journalist Jim Irvin, the heavily distorted sound of "Revolution" led some record buyers to return their copies, in the belief that "there was bad 993:

The "Hey Jude" / "Revolution" single was issued on 26 August 1968 in the US, with the UK release taking place on 30 August. Two days after the record's US release, violent scenes occurred at the

672:– "But if you go carrying pictures of Chairman Mao / You ain't gone make it with anyone anyhow" – were added in the studio. While filming a promotional clip later that year, Lennon told director 8253: 1377:

radicals – unaware of the chronology of the recordings – welcomed the "count me out, in" lyric as a sign that Lennon had partly retracted his objection to Maoist revolution. According to author

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featured "Revolution" in his 1989 book covering the 1001 greatest singles, describing it as a "gem" with a "ferocious fuzztone rock and roll attack" and a "snarling" Lennon vocal. Writing for

1639:, saying in a 1974 interview that "Revolution" was a "heavy record" in mono but "then they made it into a piece of ice cream!" The song was included as the opening track of the Beatles' 2012 1609:, the ignominious collapse of Soviet communism, and the fact that most of his radical persecutors of 1968–70 now work in advertising have belatedly served to confirm his original instincts." 1393: 1080: 969:

of "Revolution 1". The "shoo-bee-do-wop" backing vocals were omitted in the remake, and an instrumental break was added. "Revolution" was given a climactic ending, as opposed to the

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Lennon was stung by the criticism he received from the New Left. Having campaigned for world peace with Ono throughout 1969, he began to embrace radical politics after undergoing

836:(captured from the studio recording). Ono's piece begins with the words "Maybe, it's not that ...", with her voice trailing off at the end; McCartney jokingly replies, "It 553:, especially among university students. The protests were most prevalent in the United States, and on 17 March, 25,000 demonstrators marched to the American embassy in London's 8042: 8775: 9628: 1917:. The concert was watched by a television audience estimated at 1.5 billion and raised $ 80 million for African famine relief. In a 2017 interview, Thompson Twins singer 1479:", partly based on Lennon's composition. In her lyrics, she challenged Lennon's statements about destruction and "the constitution", and urged him to "clean" his brain. 1084: 7996: 7239: 9623: 4073: 9173: 1675:

The three surviving Beatles, through Apple Corps, filed a lawsuit in July objecting to Nike's use of the song. The suit was aimed at Nike, its advertising agency

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The "Revolution" lawsuit and others involving the Beatles and EMI were settled out of court in November 1989, with the terms kept secret. The financial website

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and Maoist groups to actively support the revolutionary cause. Lennon decided to write a song about the recent wave of social upheaval while the Beatles were

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in early 1968, Lennon's lyrics expressed sympathy with the need for social change but doubt in regard to the violent tactics espoused by some members of the

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augment the full-length version of "Revolution" in a way that satisfied him before he chose to split the piece between the edited "Revolution 1" and the

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included the Nike "Revolution" advertisement campaign in its list of the 100 key business events of the 20th century, as it helped "commodify dissent".

5599: 1537:" when, in the context of 1968, "In order to change the world we've got to understand what's wrong with the world. And then – destroy it. Ruthlessly." 8948: 8815: 7802: 7580: 1411:

Rock critics also entered the political debate over "Revolution", whereas politics had rarely been a subject of interest in their field before 1968.

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style and a vehicle for changing the system. But one of the parts of the system to be changed is 'politics' and this includes 'new Left' politics."

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that it was the most important lyric in the song. By 1972, Lennon had changed his mind, saying: "I should have never said that about Chairman Mao."

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After the band track ends, the song moves into avant-garde territory, with Yoko Ono reciting some prose over a portion of the song "Awal Hamsa" by

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as a prophecy of an upcoming apocalyptic racial war between the establishment and the Black community that would leave him and his followers, the

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in September 1968, Godard said the Beatles were an example of people in Britain who had been "corrupted by money". Soon afterwards, Lennon told

9404: 9397: 9320: 3123: 510:". However, in one of the final interviews he gave before his death in 1980, he reaffirmed the pacifist sentiments expressed in "Revolution". 9507: 9464: 9246: 8126: 8066: 7221: 6848: 6826: 6807: 6755: 6733: 6689: 6620: 6576: 6555: 6488: 6464: 6442: 6423: 6377: 6336: 6317: 6296: 6277: 6243: 6221: 6185: 6166: 6144: 6122: 6096: 6070: 5451: 5955: 1938:, spending five weeks on the chart. In 2004, the Live Aid performance of the song was included on the four-disc DVD release from the event. 9703: 9471: 8913: 8767: 7853: 5683: 5507: 2469: 1854: 1645: 5889: 5479: 5319: 487:". Although the single version was issued first, it was recorded several weeks after "Revolution 1", intended for release as a single. A 8200: 7595: 7269: 7177: 6401: 5771: 1576:

in January 1971, he said of "Revolution": "I made a mistake, you know. The mistake was that it was anti-revolution." Lennon then wrote "

1291: 1046:" on the disc. Irvin recalled of his own experience: "The exasperated assistant explained, for the umpteenth time that Saturday, 'It's 994: 1961: 726: 521:

commercial, which prompted a lawsuit from the surviving members of the group. The song has been covered by numerous artists, including

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feel and fifties-rock instrumentation", adding: "More commercial at first few hearings, but hardly able to stand up against 'Hey Jude.

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Referring to the "mixed messages" relating to this lyric, author Devin McKinney writes that, although the Beatles were promoting the

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said it showed the Beatles to be "the consciousness of the enemies of the revolution". The far left contrasted "Revolution" with

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be included on the "White Album" included the hurried announcement of "take two" by Geoff Emerick at the beginning of the song.

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recorded over the next two sessions. The full take 18 was officially released in 2018, as part of the Super Deluxe Edition of

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Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era

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likened it to "the hawk plank adopted this week in the Chicago convention of the Democratic Death Party". In Britain, the

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that this criticism was "sour grapes" on the director's part, since Godard had been unable to get the band to appear in

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placed "Revolution" at number 16 on its list of "The 101 Greatest Beatles Songs". In his commentary for the magazine,

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and he subsequently denounced revolutionaries and radical politics as useless. In the final interview he gave before

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still around! They don't have any respect for the fact that we wrote and recorded those songs, and it was our lives.

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partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles'

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s chart. The latter peak was achieved while "Hey Jude" was at number 1. The single was listed as a double-sided

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some of the words "so roughly that its careless spontaneity becomes a point in itself", according to author

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Logan, Nick (14 December 1968). "Nina Simone Flies in with a Message ... the Most Important in the World".

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in the 1990s. In 2009, a high-quality version labelled "Revolution Take 20" appeared on the bootleg CD

475:") that originated as the latter part of "Revolution 1" and appears on the same album; and the faster, 452: 413: 180: 6198:(October 1996). "Ten Minutes That Shook the World – Hey Jude/Revolution: masterpiece, turning point". 1506:– Statement made by Lennon in 1980 about how "Revolution" still stood as an expression of his politics 9457: 9299: 9025: 8548: 8470: 8445: 8214: 8091: 7934: 7908: 7749: 7470: 7441: 7107: 6990: 6986: 5718: 5545: 5484: 2542: 2440: 2258: 1957: 1901:. On 13 July that year, in advance of the album's release, the band performed the song with Rodgers, 1534: 1183: 1117: 1035: 673: 613: 3156: 1649:, which the band's website described as a collection of "the Beatles' most influential rock songs". 9603: 9450: 9098: 8990: 8941: 8808: 8554: 8193: 8051: 7912: 7868: 7809: 7591: 7067: 6159:

There's a Riot Going On: Revolutionaries, Rock Stars, and the Rise and Fall of '60s Counter-Culture

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it's him – it's the guy that wrote the letter that'll do it, you know." In his letter published in

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were filmed clubbing Vietnam War protestors. This event came two months after the assassination of

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describes Lennon's opening guitar figure as a musical quote from "Do Unto Others", a 1954 song by

569:. The upheaval reflected the increased politicisation of the 1960s youth movement and the rise of 9502: 9142: 8969: 8962: 8112: 8105: 7956: 7897: 7886: 7857: 7813: 7745: 7690: 7045: 6743: 6630: 5965: 5372: 5281: 5257: 4182: 2550: 2388:, Lennon said "Hey Jude" was worthy of an A-side, "but we could have had both." In 1980, he told 2286: 2050: 2006: 1542: 1501:. Count me out if it's for violence. Don't expect me on the barricades unless it's with flowers. 1389: 1373: 1340: 1215: 1066: 1031: 926: 636: 566: 349: 116: 7613: 7551: 7426: 7320: 5691: 5452:"Eightes pop legends the Thomson Twins on playing Live Aid ... with Madonna as a backing singer" 1388:, an arch-conservative, wrote approvingly of the song, only to then be rebuked by the far-right 1355: 797:

Monitor mixes of the full-length version of "Revolution 1" became available on bootlegs such as

5893: 2720:"Jagger vs Lennon: London's riots of 1968 provided the backdrop to a rock'n'roll battle royale" 1163:

on 19 September 1968. The first US screening of "Revolution" was on the 6 October broadcast of

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was added on 11 July, with final overdubs taking place on 13 July and mono mixing on 15 July.

872:

Writing in 2014, music journalist Ian Fortnam paired "Revolution" with the White Album track "

656: 514: 480: 71: 6435:

The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970

5781: 5713: 5569:"Thompson Twins frontman Tom Bailey says rock and roll has been tamed by the corporate world" 17: 9540: 9039: 8983: 8843: 8659: 8513: 8499: 8492: 8274: 7536: 7371: 7287: 7217: 7063: 7001: 3456: 2505: 2341: 1935: 1520: 1174: 558: 554: 344: 111: 5657: 5536: 925:

The song begins with "a startling machine-gun fuzz guitar riff", according to music critic

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and criticised Lennon for continuing to espouse an ideology the Beatles had expressed in "

1444: 1404: 1330: 1325: 1256: 1234: 1159: 1138: 833: 829:" appear. Several elements of this coda appear in the officially released "Revolution 9". 826: 660: 640: 421: 188: 8165: 7584: 6968: 5851: 5749: 2018: 1660:

paid $ 500,000 for the right to use the song for one year, split between recording owner

5212: 1471:

and so had approached the Stones. On her arrival in London in December, American singer

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chart, was the 77th best-selling single in Canada for 2002, and the 90th best in 2001.

1968:

said that the band had selected the song while on tour in Europe, several weeks before

1888: 1841: 1797: 1732: 1728: 1569: 1422: 1407:(pictured at Berkeley in 1968) was among those who attacked Lennon for his apoliticism. 1378: 974: 947: 934: 821: 751: 585:, purging society of its non-progressive elements, provided a model for social change. 574: 522: 291: 59: 6866:

Full lyrics for the song at the Beatles' official website (archive on Wayback Machine)

6769: 1625: 9597: 9429: 9411: 9313: 9180: 9137: 9012: 8934: 8416: 8306: 8186: 8098: 7780: 7672: 7199: 7074: 6964: 6797: 6658: 6499: 6478: 6452: 6411: 6307: 6209: 6195: 6154: 5398: 4686: 4046:"Watching 'The Smothers Brothers,' 'Laugh-In' and the Democratic National Convention" 3128: 2546: 2483: 2384: 2192: 2132: 2107: 2075:

According to Ian MacDonald, the line-ups on the Beatles' recordings were as follows:

2064: 2055: 2038: 2022: 1993: 1965: 1906: 1695: 1652:

In 1987, "Revolution" became the first Beatles recording to be licensed for use in a

1593: 1589: 1581: 1557: 1494: 1460: 1319: 1308: 1271: 1265: 1222:

s reviewer described "Revolution" as "straight-out rock with lyrical flavor of a pre-

1116:

of "Hey Jude" and "Revolution" took place on 4 September 1968 under the direction of

1043: 1039: 1022: 978: 951: 546: 468: 427: 399: 194: 166: 136: 6871:

John Hoyland article on his discourse with John Lennon regarding "Revolution" (from

5600:"You say you want a 'Revolution': Thompson Twins and 1986's 'most requested videos'" 9443: 9306: 9271: 9117: 8708: 8320: 8313: 7716: 7140: 7030: 6699: 6634: 6545: 6084: 6011: 4571:: 1000 Days of Revolution (The Beatles' Final Years – Jan 1, 1968 to Sept 27, 1970) 4130: 4078: 2538: 2487: 2300: 2060: 2042: 1898: 1827: 1792: 1631: 1417: 1412: 1261: 1244: 1197: 1121: 1072: 849: 664: 472: 394: 214: 161: 33: 5395:"The Basics of Business History: 100 Events That Shaped a Century: Nos. 100 to 81" 2158:

Paul McCartney – bass guitar, piano, Hammond organ, backing vocals

1720: 973:

of "Revolution 1". For this version, Lennon unequivocally sang "count me out". An

6566: 3357: 1956:, a television special in tribute to Lennon that raised funds for victims of the 899: 725: 9562: 8654: 8527: 8402: 8381: 8374: 7978: 7952: 7041: 7034: 6997: 6910: 6765: 6654: 6519: 6106: 6080: 4145:

Johnson, Derek (31 August 1968). "The Beatles 'Hey Jude'/'Revolution' (Apple)".

2119: 2094: 2026: 2010: 1931: 1910: 1585: 1512: 1498: 1472: 1436: 1348: 1202: 1146: 1113: 1026: 958: 942: 691: 644: 601: 589: 488: 448: 444: 357: 304: 201: 124: 63: 5394: 9110: 8639: 8569: 8260: 7569: 7382: 7342: 7100: 6946: 6793: 6474: 5573: 2763: 2617: 2030: 1805: 1657: 1300: 1240: 917: 742: 669: 628: 609: 596:" being their only overtly political track thus far. Viewed as leaders of the 440: 407: 259: 174: 9341: 9285: 9129: 8732: 8299: 8239: 8020: 7606: 7023: 5852:"Rascal Flatts - Revolution Album Reviews, Songs & More | AllMusic" 5480:"Live Aid Turns 30: U2, Madonna, Led Zeppelin Reunion & More Highlights" 5323: 5320:"The Beatles Songs: 'Revolution' – The history of this classic Beatles song" 4240:

Alexander, Phil; et al. (July 2006). "The 101 Greatest Beatles Songs".

2554: 2525: 1984:

Along with White Album tracks such as "Revolution 9", "Helter Skelter" and "

1573: 1101: 856: 623: 592:

had avoided publicly expressing their political views in their music, with "

476: 369: 131: 48: 6681:

Working Class Heroes: Rock Music and British Society in the 1960s and 1970s

2403:

The "Revolution" promo clip is included in the three-disc versions, titled

1290:

film of police officers dragging a protester along the ground outside the

1283: 750:"Revolution 1" has a blues style, performed at a relaxed tempo. The basic 9292: 8349: 7784: 7408: 7173: 7151: 6660:

All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

6391: 5960: 5687: 3322: 2621: 2187: 2098: 1914: 1248: 1169:. The latter show was frequently subjected to censorship by its network, 817: 648: 605: 570: 526: 499: 484: 236: 223: 78: 3317: 8179: 6819:

That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970

6289:

Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde

2390: 2178: 2155:

John Lennon – lead vocals, acoustic guitar, lead guitar

2046: 1985: 1307:, which marked the return of Soviet-style communism and the end of the 1154: 1153:, on the ITV network, the "Revolution" clip was first broadcast on the 966: 962: 930: 561:

concerning other political issues made international news, such as the

503: 495: 9067: 6879: 6214:

Here, There and Everywhere: My Life Recording the Music of The Beatles

1565:

later described it as "a classic New Left/psychedelic Left dialogue".

8207: 7901: 3763:

Petty John, Marge (18 January 1969). "George Explains What Goes On".

3024: 2439:

The John Birch Society paired it with McCartney's White Album track "

2231: 1640: 593: 578: 4102:"The Beatles 1 To Be Reissued With New Audio Remixes ... And Videos" 4074:"How 'Hey Jude' Marked a Change for the Beatles, America, and Music" 1416:

the cops' ... the music dodges the message and comes out in front."

8520: 6253:

Fortnam, Ian (October 2014). "You Say You Want a Revolution ...".

3206:. Apple Corps. pp. "Track by Track" section, no page numbers. 1555:

Hoyland, was syndicated internationally in the underground press.

1398: 1354: 1287: 1282: 1127: 1100:

on 22 November 1968. It was the opening track on side four of the

622: 460: 364: 8589: 6771:

Lennon Remembers (Full interview from Lennon's 1970 interview in

6480:

The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made

5349:

White, Timothy (November 1987). "George Harrison: Reconsidered".

3020:"The Beatles (White Album) [Super Deluxe] by The Beatles" 573:

ideology, in a contrast with the hippie ideology behind the 1967

6137:

Artificial Paradise: The Dark Side of the Beatles' Utopian Dream

5776: 1617:"Revolution" made its LP debut on the 1970 US compilation album 937:. Emerick later explained that he routed the signal through two 565:

against their communist government, and the campus uprisings of

300: 9071: 8593: 8024: 6883: 5652: 5650: 3088: 3086: 5511: 4774: 4164: 4147: 4008: 2443:" as further evidence of the Beatles' "pro-Soviet" sentiments. 1208: 1170: 3950: 3948: 3124:"The Beatles' Experimental 'Revolution 1 (Take 20)' Surfaces" 2161:

George Harrison – lead guitar, backing vocals

1988:", "Revolution 1" was interpreted by Californian cult leader 6457:

Revolution in the Head: The Beatles' Records and the Sixties

4128:

Welch, Chris (31 August 1968). "Yes, They Do Grow on You!".

4027: 4025: 2930: 2928: 2926: 2078: 1672:). Commercials using the song started airing in March 1987. 881: 707: 6178:

You Never Give Me Your Money: The Beatles After the Breakup

4472: 4470: 4354: 4352: 4310: 4308: 3438: 3436: 3434: 3432: 2823: 2821: 2644:"Revisiting the Beatles' First Apple Release, 'Revolution'" 2049:. In 2007, a cover version of the song was featured in the 1443:

The Beatles' apoliticism was attacked by French film-maker

1213:

that the Beatles are still streets ahead of their rivals".

6613:

Lennon: The Man, the Myth, the Music – The Definitive Life

5191: 5189: 4755: 4753: 3618: 3616: 3603: 3601: 3599: 3037: 3035: 2682: 2680: 2678: 8254:

Everybody's Got Something to Hide Except Me and My Monkey

6726:

A Hard Day's Write: The Stories Behind Every Beatles Song

5684:"Stone Temple Pilots Launch 'Revolution' for WTC Victims" 5530: 5528: 5235: 5233: 4847: 4845: 4259: 4257: 4255: 4253: 3407: 3405: 2913: 2911: 908:

Intro and opening verse of the single version of the song

733:

Portion of "Revolution 1", as released on the White Album

6568:

British Invasion: The Crosscurrents of Musical Influence

6351:

A Day in the Life: The Music and Artistry of the Beatles

6236:

The Beatles as Musicians: Revolver through the Anthology

6063:

The Beatles Diary Volume 2: After the Break-Up 1970–2001

4537: 4535: 4533: 4369: 4367: 4327: 4325: 4323: 4199: 4197: 4195: 4193: 3923: 3921: 2850: 2848: 2587: 2585: 2583: 2002:, "Revolution 1" was performed by the band Silverspoon. 1953:

Come Together: A Night for John Lennon's Words and Music

876:" as the Beatles' two "proto-metal experiment" of 1968. 635:

Despite Lennon's antiwar feelings, he had yet to become

4876: 4874: 4872: 3855: 3853: 3780: 3778: 3776: 3710: 3708: 3574: 3572: 3570: 2518:"Revolution" was remixed for the 2006 soundtrack album 2503:

interview with Wenner, later published in book form as

1453:

in London with the Rolling Stones. In an interview for

1025:, their EMI-distributed record label. As part of their 655:

Around the fourth week of May 1968, the Beatles met at

5593: 5591: 3870: 3868: 3359:

Fuzz & Feedback: Classic Guitar Music of the '60s

2186:, Rex Morris, J. Power, Bill Povey – 1511:

Challenged on his political stance, Lennon exchanged

6309:

Can't Buy Me Love: The Beatles, Britain, and America

5991:. Metuchen, NJ: The Scarecrow Press. pp. 32–34. 5422:"Science Fiction: A Brief History of Thompson Twins" 2713: 2711: 2709: 2707: 1132:

The Beatles performing in the "Revolution" film clip

9516: 9495: 9481: 9421: 9256: 9238: 9220: 9151: 9000: 8786: 8751: 8668: 8433: 8366: 8341: 8284: 8224: 8150: 8083: 8076: 7988: 7966: 7944: 7922: 7878: 7845: 7823: 7794: 7772: 7763: 7726: 7704: 7682: 7649: 7517: 7495: 7488: 7451: 7418: 7396: 7363: 7356: 7330: 7308: 7279: 7257: 7231: 7209: 7165: 7132: 7088: 7055: 7011: 6978: 6934: 6927: 1891:recorded "Revolution" for their fifth studio album 1840: 1817: 1803: 1791: 1775: 1760: 1748: 1738: 1727: 1713: 1317:branded the song a "betrayal" of the cause and the 479:version similar to "Revolution 1", released as the 419: 405: 393: 377: 356: 343: 335: 320: 310: 299: 279: 253: 200: 186: 172: 160: 144: 123: 110: 100: 85: 69: 58: 41: 6591:Revolution: The Making of the Beatles' White Album 6265: 6110: 5677: 5675: 5368:"Beatles and Record Label Reach Pact and End Suit" 5313: 5311: 3891: 2553:" had also been used that year in commercials for 2528:version and as a shortened edit on the CD release. 698:coinciding with the album's fiftieth anniversary. 4005:"'The Uncensored Story' Of The Smothers Brothers" 3311: 3309: 1613:Subsequent releases and use in Nike advertisement 1572:in 1970. In a conversation with British activist 6272:. Jackson, MS: University Press of Mississippi. 6002:Goberman, Andy (chart ed.) (28 September 1968). 6501:Magic Circles: The Beatles in Dream and History 5270: 5268: 3885: 3883: 1487: 1177:and commentary on the Vietnam War. In choosing 506:revolution, particularly with his 1971 single " 9174:Tiny Music... Songs from the Vatican Gift Shop 8776:Love On Your Side – The Best of Thompson Twins 5956:"The Beatles: Awards" > "Billboard Singles" 5261:. Associated Press. 5 August 1987. p. 7B. 3385:"The Casino: Epiphone's Iconic Beatles Guitar" 1195:In his contemporary review of the single, for 1050:to sound like that. We've checked with EMI ... 844:Splitting of "Revolution 1" and "Revolution 9" 9639:Music videos directed by Michael Lindsay-Hogg 9083: 8605: 8036: 6895: 6841:The Beatles Encyclopedia: Everything Fab Four 6524:The Beatles Diary Volume 1: The Beatles Years 5628:"Here's to Future Days: Tom Bailey Interview" 5206: 5204: 3423: 3092: 1489:The lyrics stand today ... I want to see the 690:was this take that was chosen for additional 8: 6802:. Urbana, IL: University of Illinois Press. 6291:. Chicago, IL: University of Chicago Press. 3117: 3115: 3113: 2994: 803:Revolution: Take ... Your Knickers Off! 6504:. Cambridge, MA: Harvard University Press. 5890:"Go-Set Australian charts – 9 October 1968" 5714:"Mainstream Rock Tracks (December 1, 2001)" 5156: 4836: 3820: 3150: 3148: 3146: 2878: 1913:in Philadelphia that formed the US part of 1021:The single was the band's first release on 1018:relevant by the onrushing tide of events." 459:, also known as the "White Album": a slow, 32:For the similarly titled Beatles song, see 9090: 9076: 9068: 8760:The Best of Thompson Twins: Greatest Mixes 8612: 8598: 8590: 8080: 8043: 8029: 8021: 7769: 7492: 7360: 6931: 6902: 6888: 6880: 3683:Irvin, Jim (March 2007). "The Big Bang!". 3501: 3457:"Notes on 'Revolution' and 'Revolution 1'" 2934: 2545:commercial. Other artists' recordings of " 2317: 2216: 1719: 1710: 276: 47: 38: 9629:Song recordings produced by George Martin 7803:Komm, gib mir deine Hand / Sie liebt dich 6238:. New York, NY: Oxford University Press. 5864: 5814: 5024: 4976: 4952: 4904: 4863: 4708: 4583: 4512: 4488: 4449: 4409: 4343: 3954: 3699: 3670: 3442: 3264: 2958: 2946: 2890: 2827: 2812: 2745: 2686: 2407:, of the Beatles' 2015 video compilation 2116: – lead guitar, handclaps 1635:. Lennon disliked the stereo mix used on 557:and violently clashed with police. Major 6571:. Lanham, MD: Rowman & Littlefield. 5802: 5302: 5108: 5072: 5060: 4988: 4928: 4892: 4824: 4744: 4655: 4566:Harris, John (2003). "Cruel Britannia". 4524: 4500: 4461: 4421: 4397: 4358: 4314: 3808: 3738: 3646: 3622: 3477: 3288: 3252: 3228: 3189: 3041: 3006: 2839: 2800: 2788: 2591: 2097: – vocals, lead guitar, 1925:"Revolution" was one of three tracks on 577:. For these students and activists, the 5826: 5195: 5048: 5012: 4964: 4940: 4800: 4759: 4720: 4667: 4619: 4607: 4275: 3927: 3893:"Did the Beatles invent the pop video?" 3634: 3411: 3300: 3240: 3077: 2982: 2917: 2603: 2579: 2358: 1737: 1726: 1592:. Lennon abandoned the cause following 957:"Revolution" was performed in a higher 309: 298: 57: 6799:Come Together: John Lennon in His Time 6748:The Unreleased Beatles: Music and Film 6483:. New York, NY: New American Library. 6117:. San Francisco, CA: Chronicle Books. 5989:The Cash Box Singles Charts, 1950–1981 5876: 5838: 5239: 5180: 5168: 5144: 5120: 5096: 5000: 4851: 4812: 4788: 4732: 4553: 4541: 4476: 4385: 4331: 4299: 4287: 4263: 4227: 4203: 4031: 3978: 3939: 3859: 3832: 3784: 3750: 3714: 3658: 3590: 3561: 3549: 3513: 3489: 3276: 3065: 3053: 2902: 2866: 2854: 2669: 2005:"Revolution" has also been covered by 1934:. The song peaked at number 56 on the 941:in series while keeping the amount of 915: 740: 513:"Revolution" reached number 12 on the 467:") included on the album; an abstract 8542:Sgt. Pepper's Lonely Hearts Club Band 8127:The Continuing Story of Bungalow Bill 7997:Sgt. Pepper's Lonely Hearts Club Band 7240:Sgt. Pepper's Lonely Hearts Club Band 7222:You Know My Name (Look Up the Number) 6750:. San Francisco, CA: Backbeat Books. 5036: 4643: 4631: 4595: 4445: 4433: 4373: 4215: 3966: 3844: 3796: 3726: 3607: 3578: 3537: 3525: 3343: 2970: 2698: 2394:he still disagreed with the decision. 1145:While the "Hey Jude" clip debuted on 7: 9664:Music videos directed by Meiert Avis 7854:Norwegian Wood (This Bird Has Flown) 6821:. New York, NY: Three Rivers Press. 6706:. New Orleans, LA: 498 Productions. 6663:. New York, NY: St. Martin's Press. 6393:1968: The Year That Rocked the World 5892:. poparchives.com.au. Archived from 5277:"Nike Calls Beatles Suit Groundless" 5132: 5084: 4916: 4880: 4682:"Review: The Beatles' 'White Album'" 4680:Wenner, Jann S. (21 December 1968). 4003:Bianculli, David (15 October 2010). 3990: 3906:from the original on 12 January 2022 3890:McCormick, Neil (11 November 2015). 3874: 3216: 3177: 3155:McKinney, Devin (24 February 2009). 3104: 2382:In his December 1970 interview with 2195: – brass arrangement 1359:Soviet tanks in Czechoslovakia, 1968 1305:Soviet tanks invading Czechoslovakia 1173:, for its anti-establishment views, 1091:'s five-week run at number 1 there. 9321:Trippin' on a Hole in a Paper Heart 5682:Wiederhorn, Jon (1 November 2001). 5213:"Nike & The Beatles, 1987–1989" 4573:. London: Emap. pp. 41, 44–45. 2177:, Freddy Clayton – 2164:Ringo Starr – drums 2122: – drums, handclaps 1950:performed "Revolution" live during 1292:1968 Democratic National Convention 1181:over more mainstream shows such as 1014:'Revolution' had been rendered all 995:1968 Democratic National Convention 8001:With a Little Help from My Friends 7244:With a Little Help from My Friends 6161:. Edinburgh, UK: Canongate Books. 5772:"Canada's Top 200 Singles of 2002" 5742:"Canada's Top 200 Singles of 2001" 5366:Kozinn, Allan (10 November 1989). 5253:"Nike won't discard Beatles' tune" 4169:. London: IPC Ignite!. p. 51. 3122:Kreps, Daniel (27 February 2009). 2524:, appearing in full length on the 1329:derided the song as "a lamentable 1085:topped New Zealand's singles chart 339:30–31 May and 4 & 21 June 1968 25: 9644:Number-one singles in New Zealand 9634:Songs published by Northern Songs 9624:Songs written by Lennon–McCartney 6593:. Chicago, IL: A Cappella Books. 5780:. 14 January 2003. Archived from 5567:Te Koha, Nui (29 November 2017). 1897:(1985), which was co-produced by 1447:, who had recently made the film 1370:Students for a Democratic Society 1179:The Smothers Brothers Comedy Hour 1166:The Smothers Brothers Comedy Hour 1087:for one week, following "Hey Jude 9576: 9575: 7596:I'm Happy Just to Dance with You 7270:I'm Happy Just to Dance with You 6372:. London: Rough Guides/Penguin. 6268:The Beatles: Image and the Media 5535:Beets, Greg (28 November 2004). 4100:Rowe, Matt (18 September 2015). 3383:Hunter, Dave (3 November 2021). 2758:Dülffer, Meike (26 March 2008). 2106: – bass guitar, 1493:. That is what I used to say to 916:Problems playing this file? See 897: 741:Problems playing this file? See 723: 285: 8677:A Product Of... (Participation) 8201:Why Don't We Do It in the Road? 7662:I Don't Want to Spoil the Party 6843:. Santa Barbara, CA: ABC-CLIO. 6684:. Lanham, MD: Lexington Books. 6312:. New York, NY: Harmony Books. 5508:"Live Aid: Where are they now?" 5506:Patterson, Thom (7 June 2017). 4186:. 7 September 1968. p. 20. 4162:Sutherland, Steve, ed. (2003). 4072:Dillon, John (26 August 2013). 4044:Lloyd, Robert (20 April 2018). 2642:Lifton, Dave (26 August 2015). 1946:In October 2001, the rock band 1094:"Revolution 1" was released on 7931:You're Going to Lose That Girl 7299:Christmas Time (Is Here Again) 6416:The Complete Beatles Chronicle 6396:. New York, NY: Random House. 6370:The Rough Guide to the Beatles 6091:. Milwaukee, WI: Hal Leonard. 5478:Cornell, Jeff (13 July 2015). 5450:Fulton, Rick (10 April 2015). 5275:Pareles, Jon (5 August 1987). 933:of the guitar signal into the 549:spurred increased protests in 1: 9370:All in the Suit That You Wear 6639:. New York, NY: McGraw-Hill. 6264:Frontani, Michael R. (2007). 6087:(2004). Newby, Julian (ed.). 5854:– via www.allmusic.com. 5722:. 1 December 2001. p. 95 5658:"Thompson Twins – Revolution" 3204:The Beatles Super Deluxe book 2760:"1968 – A European Movement?" 2541:" had been used in 1985 in a 563:March 1968 protests in Poland 551:opposition to the Vietnam War 18:Revolution (The Beatles song) 9049:The Thompson Twins Adventure 8907:Don't Mess with Doctor Dream 8134:While My Guitar Gently Weeps 7893:" (Europe, Japan, Australia) 7891:While My Guitar Gently Weeps 7559:Do You Want to Know a Secret 6704:The Beatles on Apple Records 6331:. Jefferson, NC: McFarland. 6089:Paul McCartney: Now and Then 5626:Peel, Ian (September 2018). 5598:Thomas, Bryan (8 May 2017). 5211:Doyle, Jack (27 July 2009). 4569:Mojo Special Limited Edition 3157:"'Revolution 1' in the head" 2718:Burley, Leo (9 March 2008). 2345: 2335: 2306: 2292: 2278: 2264: 2250: 2238: 9704:British rock-and-roll songs 7735:Got to Get You into My Life 7185:The Ballad of John and Yoko 5420:Lent, Jason (5 July 2018). 4180:"Cash Box Record Reviews". 1384:Among the political right, 604:– were under pressure from 439:" is a song by the English 9725: 8802:She's in Love with Mystery 8701:Quick Step & Side Kick 7629:I Should Have Known Better 7464:I Should Have Known Better 6180:. New York, NY: It Books. 5916:"The Beatles - Revolution" 3318:"The Beatles 'Revolution'" 2616:Erlewine, Stephen Thomas. 1764:29 November 1985 1598:1972 presidential election 1368:Among these, the New Left 997:in Chicago, as police and 847: 631:is referenced in the song. 600:, the band – particularly 537:Background and composition 324:22 November 1968 31: 9669:Stone Temple Pilots songs 9571: 9105: 8627: 8480: 8061: 7713:The Long and Winding Road 7266:The Beatles' Movie Medley 7097:Strawberry Fields Forever 6918: 6678:Simonelli, David (2013). 6526:. London: Omnibus Press. 6287:Gendron, Bernard (2002). 6212:; Massey, Howard (2006). 6139:. Westport, CT: Praeger. 6065:. London: Omnibus Press. 3455:Pollack, Alan W. (1997). 3424:Emerick & Massey 2006 3093:Emerick & Massey 2006 2557:' Spanish subsidiary and 2332:New Zealand Singles Chart 1848: 1718: 1519:, a student radical from 1070:Top 100, and number 2 on 1034:and other members of the 618:Transcendental Meditation 284: 271: 258: 249: 208: 46: 9709:Songs of the Vietnam War 9674:Atlantic Records singles 8424:What's the New Mary Jane 8067:50th Anniversary Edition 7508:I Saw Her Standing There 7504:I Want to Hold Your Hand 7405:I Want to Hold Your Hand 6615:. London: Random House. 6498:McKinney, Devin (2003). 6437:. London: Bounty Books. 6433:Lewisohn, Mark (2005) . 6306:Gould, Jonathan (2007). 6216:. New York, NY: Gotham. 5987:Hoffmann, Frank (1983). 5936:. Flavour of New Zealand 2995:Barrow & Bextor 2004 2618:"The Beatles 'Hey Jude'" 1632:Past Masters, Volume Two 1482: 1431:struggling to get out." 939:microphone preamplifiers 545:in the aftermath of the 457:self-titled double album 89:26 August 1968 27:1968 song by the Beatles 9689:Songs about revolutions 9684:British hard rock songs 8949:In the Name of Love '88 8451:Break-up of the Beatles 8441:The Beatles discography 8141:Happiness Is a Warm Gun 7112:Baby, You're a Rich Man 6176:Doggett, Peter (2011). 4622:, pp. 215, 216–18. 3993:, pp. 208–09, 223. 3766:The Dallas Morning News 3202:Howlett, Kevin (2018). 2453:place to take a stand." 1909:at the concert held at 9694:Songs about Mao Zedong 9659:Arista Records singles 8005:Within You Without You 7805:" (Germany, Australia) 6817:Winn, John C. (2009). 6550:. New York, NY: Ecco. 6368:Ingham, Chris (2006). 6327:Greene, Doyle (2016). 6061:Badman, Keith (2001). 5426:Revolutions Per Minute 2314:Thompson Twins version 1974:Mainstream Rock Tracks 1692: 1503: 1408: 1360: 1343:' concurrent single, " 1295: 1133: 886: 799:From Kinfauns to Chaos 712: 632: 525:, who performed it at 494:Inspired by political 53:UK single B-side label 9699:Songs used as jingles 9619:Apple Records singles 9458:Heaven & Hot Rods 8795:Squares and Triangles 8717:Here's to Future Days 7838:" (Europe, Australia) 6565:Philo, Simon (2015). 6547:John Lennon: The Life 6353:. London: Pan Books. 6113:The Beatles Anthology 5258:Eugene Register-Guard 3316:Unterberger, Richie. 2649:Ultimate Classic Rock 1927:Here's to Future Days 1894:Here's to Future Days 1887:The English pop band 1742:Here's to Future Days 1687: 1654:television commercial 1402: 1386:William F. Buckley Jr 1358: 1286: 1239:move many: cool it". 1131: 1083:, while "Revolution" 1081:number 1 in Australia 885: 848:Further information: 711: 663:'s home in Esher, to 626: 9654:Thompson Twins songs 9300:Interstate Love Song 8893:Lay Your Hands on Me 8549:Magical Mystery Tour 8471:Live Phish Volume 13 8446:The Beatles in India 8092:Back in the U.S.S.R. 7935:Tell Me What You See 7909:Back in the U.S.S.R. 7471:Back in the U.S.S.R. 7442:Things We Said Today 7431:If You Love Me, Baby 7108:All You Need Is Love 6035:"New Zealand Charts" 5896:on 29 September 2013 5867:, pp. 245, 259. 5660:. officialcharts.com 5546:The Austin Chronicle 4919:, pp. 228, 229. 4646:, pp. 494, 495. 3969:, pp. 309, 310. 3356:Bacon, Tony (2000). 3279:, pp. 759, 761. 2537:A cover version of " 2482:According to author 2441:Back in the U.S.S.R. 2246:Ultratop 50 Wallonia 2169:Additional musicians 1958:September 11 attacks 1666:ATV Music Publishing 1646:Tomorrow Never Knows 1535:All You Need Is Love 1333:cry of fear", while 1184:The Ed Sullivan Show 1118:Michael Lindsay-Hogg 674:Michael Lindsay-Hogg 451:and credited to the 9451:Tumble in the Rough 9422:Promotional singles 9203:Stone Temple Pilots 9195:Stone Temple Pilots 9099:Stone Temple Pilots 8991:Play with Me (Jane) 8816:In the Name of Love 8693:In the Name of Love 8457:Mother Nature's Son 8247:Mother Nature's Son 7832:Rock and Roll Music 7810:Roll Over Beethoven 6744:Unterberger, Richie 6728:. London: Carlton. 6636:The Beatles Forever 6631:Schaffner, Nicholas 6459:. London: Pimlico. 5784:on 6 September 2004 5694:on 18 December 2001 5217:The Pop History Dig 5123:, pp. 72, 201. 4448:, pp. 138–39; 4034:, pp. 52, 199. 3899:The Daily Telegraph 3028:. 22 November 1968. 2135: – 2127:Additional musician 1948:Stone Temple Pilots 1942:Stone Temple Pilots 1756:"The Fourth Sunday" 1664:and song publisher 1578:Power to the People 1456:International Times 1345:Street Fighting Man 1064:, number 11 on the 614:in Rishikesh, India 583:cultural revolution 531:Stone Temple Pilots 508:Power to the People 9503:Family Values Tour 9488:Dead & Bloated 9143:Chester Bennington 8963:Bombers in the Sky 8507:A Hard Day's Night 8486:The Beatles albums 8113:Ob-La-Di, Ob-La-Da 7957:Here Comes the Sun 7898:Ob-La-Di, Ob-La-Da 7887:Ob-La-Di, Ob-La-Da 7814:Devil in Her Heart 7746:Ob-La-Di, Ob-La-Da 7625:A Hard Day's Night 7438:A Hard Day's Night 7046:We Can Work It Out 6418:. London: Hamlyn. 5829:, pp. 305–06. 5817:, pp. 115–16. 5805:, pp. 190–92. 5752:on 26 January 2003 5373:The New York Times 5318:Fontenot, Robert. 5282:The New York Times 5099:, pp. 185–86. 5087:, pp. 187–88. 5039:, pp. 537–38. 5015:, pp. 400–01. 4979:, pp. 2, 303. 4931:, pp. 205–06. 4907:, pp. 144–45. 4895:, pp. 204–05. 4866:, pp. 109–10. 4803:, pp. 201–02. 4723:, pp. 170–71. 4658:, pp. 198–99. 4491:, pp. 248–49. 4412:, pp. 143–44. 4400:, pp. 205–06. 4346:, pp. 352–53. 4302:, pp. 553–54. 4278:, pp. 216–18. 4230:, pp. 201–02. 3981:, pp. 35, 36. 3847:, pp. 412–13. 3811:, pp. 296–97. 3610:, pp. 493–94. 3362:. Miller Freeman. 3291:, pp. 288–89. 3255:, pp. 138–39. 3243:, pp. 174–75. 3231:, pp. 136–38. 3107:, pp. 171–73. 3056:, pp. 110–11. 3009:, pp. 135–36. 2893:, pp. 247–48. 2869:, pp. 760–61. 2803:, pp. 204–05. 2748:, pp. 219–20. 2701:, pp. 138–39. 2551:We Can Work It Out 2007:Anima Sound System 1962:World Trade Center 1844:singles chronology 1596:'s victory in the 1523:, in the pages of 1409: 1390:John Birch Society 1374:Cornell University 1363:The approval from 1361: 1341:the Rolling Stones 1296: 1279:Cultural responses 1191:Critical reception 1134: 1032:Queen Elizabeth II 999:National Guardsmen 965:, compared to the 927:Richie Unterberger 887: 713: 637:anti-establishment 633: 567:May 1968 in France 529:in July 1985, and 204:singles chronology 9614:The Beatles songs 9589: 9588: 9508:2008 Reunion Tour 9377:Between the Lines 9328:Lady Picture Show 9188:Shangri-La Dee Da 9065: 9064: 8928:Nothing in Common 8837:Love On Your Side 8725:Close to the Bone 8587: 8586: 8337: 8336: 8018: 8017: 8014: 8013: 7759: 7758: 7658:Eight Days a Week 7484: 7483: 7352: 7351: 7248:A Day in the Life 7178:Don't Let Me Down 6991:You Can't Do That 6987:Can't Buy Me Love 6850:978-0-313-39171-2 6828:978-0-307-45239-9 6809:978-0-252-06131-8 6778:. London: Verso. 6757:978-0-87930-892-6 6735:978-1-78097-096-7 6691:978-0-7391-7051-9 6622:978-0-7535-4020-6 6578:978-0-8108-8626-1 6557:978-0-06-075402-0 6490:978-0-452-26305-5 6466:978-0-7126-6697-8 6444:978-0-7537-2545-0 6425:978-0-600-60033-6 6379:978-1-84836-525-4 6338:978-1-4766-6214-5 6319:978-0-307-35337-5 6298:978-0-226-28737-9 6279:978-1-57806-965-1 6259:. pp. 33–46. 6245:978-0-19-512941-0 6223:978-1-59240-179-6 6204:. pp. 54–60. 6187:978-0-06-177418-8 6168:978-1-84195-940-5 6146:978-0-313-34586-9 6124:978-0-8118-2684-6 6098:978-0-634-06919-2 6072:978-0-7119-8307-6 5355:. pp. 58–59. 4991:, pp. 59–60. 4815:, pp. 62–63. 4556:, pp. 50–51. 4479:, pp. 61–62. 4388:, pp. 60–61. 4290:, pp. 37–38. 4107:The Morton Report 4051:Los Angeles Times 2842:, pp. 16–17. 2470:Richard Goldstein 2465:The Village Voice 2350: 2349: 2311: 2310: 2208:Chart performance 2204: 2203: 2015:the Brothers Four 1885: 1884: 1881: 1880: 1873:Nothing in Common 1483:Lennon's reaction 1264:of the punk band 1114:promotional clips 1003:Robert F. Kennedy 903: 728: 433: 432: 294:sheet music cover 275: 274: 245: 244: 16:(Redirected from 9716: 9579: 9578: 9517:Related articles 9349:Days of the Week 9092: 9085: 9078: 9069: 9040:Love Has No Name 9001:Related articles 8844:We Are Detective 8660:Matthew Seligman 8614: 8607: 8600: 8591: 8563:Yellow Submarine 8514:Beatles for Sale 8500:With the Beatles 8493:Please Please Me 8434:Related articles 8342:Non-album single 8275:Long, Long, Long 8194:Don't Pass Me By 8081: 8045: 8038: 8031: 8022: 7975:All Together Now 7913:Don't Pass Me By 7770: 7592:I'll Cry Instead 7526:Please Please Me 7493: 7361: 7079:Yellow Submarine 7064:Paperback Writer 6943:Please Please Me 6932: 6904: 6897: 6890: 6881: 6854: 6832: 6813: 6789: 6761: 6739: 6717: 6695: 6674: 6650: 6626: 6604: 6582: 6561: 6537: 6515: 6494: 6470: 6448: 6429: 6407: 6383: 6364: 6347:Hertsgaard, Mark 6342: 6323: 6302: 6283: 6271: 6260: 6249: 6227: 6205: 6191: 6172: 6150: 6128: 6116: 6102: 6076: 6047: 6046: 6044: 6042: 6031: 6025: 6024: 6022: 6020: 6008: 5999: 5993: 5992: 5984: 5978: 5977: 5975: 5973: 5964:. 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2811: 2807: 2799: 2795: 2787: 2783: 2773: 2771: 2770:on 22 July 2012 2757: 2756: 2752: 2744: 2740: 2730: 2728: 2725:The Independent 2717: 2716: 2705: 2697: 2693: 2685: 2676: 2668: 2664: 2654: 2652: 2641: 2640: 2636: 2626: 2624: 2615: 2614: 2610: 2602: 2598: 2590: 2581: 2571: 2566: 2565: 2561:, respectively. 2559:Hewlett-Packard 2543:Lincoln–Mercury 2536: 2532: 2517: 2513: 2498: 2494: 2481: 2477: 2461: 2457: 2451: 2447: 2438: 2434: 2427: 2423: 2421: 2417: 2402: 2398: 2381: 2377: 2371:Pee Wee Crayton 2364: 2360: 2355: 2325: 2316: 2235:National Top 40 2224: 2215: 2213:Beatles version 2210: 2205: 2147: 2114:George Harrison 2086: 2073: 1982: 1944: 1876: 1867: 1858: 1818: 1804: 1784: 1780: 1779: 1767: 1765: 1749: 1739:from the album 1709: 1704: 1670:Michael Jackson 1615: 1563:Richard Neville 1509: 1505: 1485: 1445:Jean-Luc Godard 1405:Jean-Luc Godard 1331:petty bourgeois 1326:New Left Review 1281: 1227: 1219: 1193: 1160:Top of the Pops 1151:Frost on Sunday 1139:Epiphone Casino 1110: 1088: 1076: 1051: 1011: 991: 923: 922: 914: 912: 911: 910: 909: 906: 898: 895: 888: 882: 869: 852: 846: 834:Farid al-Atrash 827:I Am the Walrus 795: 779: 774: 773: 772: 771: 770: 764: 759: 758: 757: 756: 755: 748: 747: 739: 737: 736: 735: 734: 731: 724: 721: 714: 708: 687: 682: 661:George Harrison 641:Mark Hertsgaard 541:In early 1968, 539: 420: 406: 386: 382: 381: 327: 325: 311:from the album 295: 260: 240: 231: 218: 187: 173: 153: 149: 148: 104: 92: 90: 70: 54: 37: 28: 23: 22: 15: 12: 11: 5: 9722: 9720: 9712: 9711: 9706: 9701: 9696: 9691: 9686: 9681: 9676: 9671: 9666: 9661: 9656: 9651: 9646: 9641: 9636: 9631: 9626: 9621: 9616: 9611: 9606: 9596: 9595: 9587: 9586: 9584: 9583: 9572: 9569: 9568: 9566: 9565: 9560: 9555: 9550: 9549: 9548: 9538: 9537: 9536: 9529:Army of Anyone 9526: 9520: 9518: 9514: 9513: 9511: 9510: 9505: 9499: 9497: 9493: 9492: 9485: 9483: 9479: 9478: 9476: 9475: 9468: 9461: 9454: 9447: 9440: 9433: 9425: 9423: 9419: 9418: 9416: 9415: 9408: 9401: 9394: 9387: 9380: 9373: 9366: 9359: 9352: 9345: 9338: 9331: 9324: 9317: 9310: 9303: 9296: 9289: 9282: 9275: 9268: 9265:Sex Type Thing 9260: 9258: 9254: 9253: 9251: 9250: 9242: 9240: 9236: 9235: 9233: 9232: 9224: 9222: 9221:Extended plays 9218: 9217: 9215: 9214: 9207: 9199: 9191: 9184: 9177: 9170: 9163: 9155: 9153: 9149: 9148: 9146: 9145: 9140: 9134: 9133: 9126: 9121: 9114: 9106: 9103: 9102: 9097: 9095: 9094: 9087: 9080: 9072: 9063: 9062: 9060: 9059: 9052: 9045: 9044: 9043: 9036: 9029: 9022: 9010: 9004: 9002: 8998: 8997: 8995: 8994: 8987: 8980: 8973: 8966: 8959: 8952: 8945: 8938: 8931: 8924: 8917: 8914:King for a Day 8910: 8903: 8896: 8889: 8882: 8875: 8872:You Take Me Up 8868: 8861: 8854: 8847: 8840: 8833: 8826: 8819: 8812: 8805: 8798: 8790: 8788: 8784: 8783: 8781: 8780: 8772: 8764: 8755: 8753: 8749: 8748: 8746: 8745: 8737: 8729: 8721: 8713: 8705: 8697: 8689: 8681: 8672: 8670: 8666: 8665: 8663: 8662: 8657: 8651: 8650: 8647:Alannah Currie 8643: 8636: 8628: 8625: 8624: 8621:Thompson Twins 8619: 8617: 8616: 8609: 8602: 8594: 8585: 8584: 8581: 8580: 8573: 8566: 8559: 8552: 8545: 8538: 8531: 8524: 8517: 8510: 8503: 8496: 8489: 8482: 8481: 8478: 8477: 8475: 8474: 8467: 8464:The Grey Album 8460: 8453: 8448: 8443: 8437: 8435: 8431: 8430: 8428: 8427: 8420: 8413: 8406: 8399: 8392: 8385: 8378: 8370: 8368: 8364: 8363: 8361: 8360: 8353: 8345: 8343: 8339: 8338: 8335: 8334: 8332: 8331: 8324: 8317: 8310: 8303: 8296: 8288: 8286: 8282: 8281: 8279: 8278: 8271: 8268:Helter Skelter 8264: 8257: 8250: 8243: 8236: 8228: 8226: 8222: 8221: 8219: 8218: 8211: 8204: 8197: 8190: 8183: 8176: 8169: 8162: 8159:Martha My Dear 8154: 8152: 8148: 8147: 8145: 8144: 8137: 8130: 8123: 8120:Wild Honey Pie 8116: 8109: 8102: 8095: 8087: 8085: 8078: 8074: 8073: 8071: 8070: 8062: 8059: 8058: 8050: 8048: 8047: 8040: 8033: 8025: 8016: 8015: 8012: 8011: 8009: 8008: 7992: 7990: 7986: 7985: 7983: 7982: 7970: 7968: 7964: 7963: 7961: 7960: 7948: 7946: 7942: 7941: 7939: 7938: 7926: 7924: 7920: 7919: 7917: 7916: 7905: 7894: 7882: 7880: 7876: 7875: 7873: 7872: 7861: 7849: 7847: 7843: 7842: 7840: 7839: 7827: 7825: 7821: 7820: 7818: 7817: 7806: 7798: 7796: 7792: 7791: 7789: 7788: 7776: 7774: 7767: 7761: 7760: 7757: 7756: 7754: 7753: 7742: 7739:Helter Skelter 7730: 7728: 7724: 7723: 7721: 7720: 7708: 7706: 7702: 7701: 7699: 7698: 7686: 7684: 7680: 7679: 7677: 7676: 7665: 7653: 7651: 7647: 7646: 7644: 7643: 7632: 7621: 7618:Nobody's Child 7610: 7603:And I Love Her 7599: 7588: 7581:Sie liebt dich 7577: 7566: 7563:Thank You Girl 7555: 7544: 7533: 7530:From Me to You 7521: 7519: 7515: 7514: 7512: 7511: 7499: 7497: 7490: 7486: 7485: 7482: 7481: 7479: 7478: 7467: 7455: 7453: 7449: 7448: 7446: 7445: 7434: 7422: 7420: 7416: 7415: 7413: 7412: 7400: 7398: 7394: 7393: 7391: 7390: 7379: 7367: 7365: 7358: 7354: 7353: 7350: 7349: 7347: 7346: 7334: 7332: 7328: 7327: 7325: 7324: 7312: 7310: 7306: 7305: 7303: 7302: 7295:Free as a Bird 7291: 7283: 7281: 7277: 7276: 7274: 7273: 7261: 7259: 7255: 7254: 7252: 7251: 7235: 7233: 7229: 7228: 7226: 7225: 7213: 7211: 7207: 7206: 7204: 7203: 7192: 7189:Old Brown Shoe 7181: 7169: 7167: 7163: 7162: 7160: 7159: 7148: 7136: 7134: 7130: 7129: 7127: 7126: 7119:Hello, Goodbye 7115: 7104: 7092: 7090: 7086: 7085: 7083: 7082: 7071: 7059: 7057: 7053: 7052: 7050: 7049: 7038: 7027: 7020:Ticket to Ride 7015: 7013: 7009: 7008: 7006: 7005: 6994: 6982: 6980: 6976: 6975: 6973: 6972: 6961: 6958:Thank You Girl 6954:From Me to You 6950: 6938: 6936: 6929: 6925: 6924: 6919: 6916: 6915: 6909: 6907: 6906: 6899: 6892: 6884: 6878: 6877: 6868: 6861: 6860:External links 6858: 6856: 6855: 6849: 6833: 6827: 6814: 6808: 6790: 6784: 6762: 6756: 6740: 6734: 6718: 6712: 6696: 6690: 6675: 6669: 6651: 6645: 6627: 6621: 6605: 6599: 6583: 6577: 6562: 6556: 6542:Norman, Philip 6538: 6532: 6516: 6510: 6495: 6489: 6471: 6465: 6453:MacDonald, Ian 6449: 6443: 6430: 6424: 6412:Lewisohn, Mark 6408: 6402: 6384: 6378: 6365: 6359: 6343: 6337: 6324: 6318: 6303: 6297: 6284: 6278: 6261: 6250: 6244: 6228: 6222: 6210:Emerick, Geoff 6206: 6196:Du Noyer, Paul 6192: 6186: 6173: 6167: 6155:Doggett, Peter 6151: 6145: 6129: 6123: 6103: 6097: 6077: 6071: 6057: 6049: 6048: 6026: 6004:"100 Top Pops" 5994: 5979: 5968:on 2 June 2012 5947: 5925: 5907: 5881: 5879:, p. 114. 5869: 5865:MacDonald 1998 5857: 5843: 5841:, p. 762. 5831: 5819: 5815:Schaffner 1978 5807: 5795: 5763: 5733: 5705: 5671: 5646: 5618: 5587: 5559: 5524: 5498: 5470: 5442: 5412: 5386: 5358: 5341: 5307: 5305:, p. 142. 5295: 5264: 5244: 5242:, p. 387. 5229: 5200: 5198:, p. 289. 5185: 5183:, p. 377. 5173: 5171:, p. 918. 5161: 5159:, p. 167. 5149: 5147:, p. 134. 5137: 5135:, p. 188. 5125: 5113: 5111:, p. 194. 5101: 5089: 5077: 5065: 5063:, p. 205. 5053: 5041: 5029: 5027:, p. 146. 5025:Schaffner 1978 5017: 5005: 5003:, p. 111. 4993: 4981: 4977:MacDonald 1998 4969: 4957: 4955:, p. 110. 4953:Schaffner 1978 4945: 4943:, p. 200. 4933: 4921: 4909: 4905:Simonelli 2013 4897: 4885: 4883:, p. 228. 4868: 4864:Schaffner 1978 4856: 4854:, p. 192. 4841: 4839:, p. 299. 4829: 4827:, p. 206. 4817: 4805: 4793: 4781: 4764: 4762:, p. 171. 4749: 4747:, p. 250. 4737: 4725: 4713: 4709:MacDonald 1998 4701: 4672: 4670:, p. 196. 4660: 4648: 4636: 4634:, p. 413. 4624: 4612: 4600: 4598:, p. 312. 4588: 4586:, p. 107. 4584:Schaffner 1978 4576: 4558: 4546: 4529: 4527:, p. 207. 4517: 4515:, p. 353. 4513:Kurlansky 2005 4505: 4503:, p. 382. 4493: 4489:MacDonald 1998 4481: 4466: 4464:, p. 217. 4454: 4452:, p. 145. 4450:Simonelli 2013 4438: 4436:, p. 139. 4426: 4414: 4410:Simonelli 2013 4402: 4390: 4378: 4376:, p. 494. 4363: 4361:, p. 204. 4348: 4344:Kurlansky 2005 4336: 4319: 4317:, p. 216. 4304: 4292: 4280: 4268: 4266:, p. 760. 4249: 4232: 4220: 4218:, p. 424. 4208: 4189: 4172: 4154: 4137: 4120: 4092: 4064: 4036: 4021: 3995: 3983: 3971: 3959: 3955:MacDonald 1998 3944: 3932: 3917: 3879: 3877:, p. 208. 3864: 3849: 3837: 3825: 3823:, p. 212. 3813: 3801: 3799:, p. 309. 3789: 3772: 3755: 3753:, p. 102. 3743: 3741:, p. 163. 3731: 3729:, p. 314. 3719: 3704: 3702:, p. 108. 3700:Schaffner 1978 3692: 3675: 3673:, p. 111. 3671:Schaffner 1978 3663: 3651: 3649:, p. 166. 3639: 3637:, p. 173. 3627: 3625:, p. 152. 3612: 3595: 3593:, p. 554. 3583: 3581:, p. 138. 3566: 3554: 3552:, p. 248. 3542: 3540:, p. 307. 3530: 3528:, p. 187. 3518: 3516:, p. 110. 3506: 3504:, p. 249. 3494: 3492:, p. 202. 3482: 3480:, p. 289. 3470: 3447: 3445:, p. 259. 3443:MacDonald 1998 3428: 3426:, p. 253. 3416: 3414:, p. 178. 3401: 3375: 3368: 3348: 3346:, p. 406. 3336: 3305: 3293: 3281: 3269: 3267:, p. 250. 3265:MacDonald 1998 3257: 3245: 3233: 3221: 3219:, p. 180. 3209: 3194: 3192:, p. 135. 3182: 3180:, p. 173. 3170: 3142: 3109: 3097: 3095:, p. 243. 3082: 3080:, p. 174. 3070: 3068:, p. 761. 3058: 3046: 3044:, p. 136. 3031: 3011: 2999: 2987: 2985:, p. 175. 2975: 2973:, p. 481. 2963: 2961:, p. 247. 2959:MacDonald 1998 2951: 2947:MacDonald 1998 2939: 2937:, p. 248. 2922: 2920:, p. 173. 2907: 2905:, p. 201. 2895: 2891:MacDonald 1998 2883: 2881:, p. 298. 2871: 2859: 2857:, p. 191. 2844: 2832: 2830:, p. 109. 2828:Schaffner 1978 2817: 2815:, p. 142. 2813:Simonelli 2013 2805: 2793: 2791:, p. 173. 2781: 2750: 2746:Kurlansky 2005 2738: 2703: 2691: 2689:, p. 248. 2687:MacDonald 1998 2674: 2662: 2634: 2608: 2606:, p. 176. 2596: 2578: 2577: 2570: 2567: 2564: 2563: 2530: 2511: 2492: 2475: 2455: 2445: 2432: 2415: 2396: 2375: 2357: 2356: 2354: 2351: 2348: 2347: 2344: 2338: 2337: 2334: 2328: 2327: 2322: 2315: 2312: 2309: 2308: 2305: 2295: 2294: 2291: 2281: 2280: 2277: 2267: 2266: 2263: 2253: 2252: 2249: 2241: 2240: 2237: 2227: 2226: 2221: 2214: 2211: 2209: 2206: 2202: 2201: 2197: 2196: 2190: 2181: 2166: 2165: 2162: 2159: 2156: 2146: 2145:"Revolution 1" 2143: 2141: 2140: 2139: 2137:electric piano 2124: 2123: 2117: 2111: 2104:Paul McCartney 2101: 2085: 2082: 2077: 2072: 2069: 2035:Reckless Kelly 1999:Helter Skelter 1990:Charles Manson 1981: 1978: 1943: 1940: 1905:and guitarist 1889:Thompson Twins 1883: 1882: 1879: 1878: 1869: 1860: 1855:King for a Day 1846: 1845: 1842:Thompson Twins 1838: 1837: 1836: 1835: 1830: 1823: 1815: 1814: 1809: 1801: 1800: 1795: 1789: 1788: 1777: 1773: 1772: 1762: 1758: 1757: 1754: 1746: 1745: 1736: 1735: 1733:Thompson Twins 1725: 1724: 1716: 1715: 1708: 1707:Thompson Twins 1705: 1703: 1702:Cover versions 1700: 1677:Wieden+Kennedy 1614: 1611: 1570:primal therapy 1486: 1484: 1481: 1423:The New Yorker 1379:Mark Kurlansky 1280: 1277: 1192: 1189: 1109: 1106: 990: 987: 975:electric piano 948:double-tracked 935:mixing console 913: 907: 896: 891: 890: 889: 880: 879: 878: 874:Helter Skelter 868: 867:Single version 865: 845: 842: 822:Paul McCartney 794: 791: 775: 760: 752:time signature 738: 732: 722: 719:"Revolution 1" 717: 716: 715: 706: 705: 704: 686: 685:"Revolution 1" 683: 681: 678: 598:counterculture 588:By and large, 575:Summer of Love 543:media coverage 538: 535: 523:Thompson Twins 463:arrangement (" 431: 430: 425: 417: 416: 411: 403: 402: 397: 391: 390: 379: 375: 374: 373: 372: 367: 360: 354: 353: 347: 341: 340: 337: 333: 332: 322: 318: 317: 308: 307: 297: 296: 292:Northern Songs 290: 282: 281: 280:"Revolution 1" 273: 272: 269: 268: 256: 255: 251: 250: 247: 246: 243: 242: 233: 220: 206: 205: 198: 197: 192: 184: 183: 178: 170: 169: 164: 158: 157: 146: 142: 141: 140: 139: 134: 127: 121: 120: 114: 108: 107: 105:9–13 July 1968 102: 98: 97: 87: 83: 82: 75: 67: 66: 56: 55: 52: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 9721: 9710: 9707: 9705: 9702: 9700: 9697: 9695: 9692: 9690: 9687: 9685: 9682: 9680: 9677: 9675: 9672: 9670: 9667: 9665: 9662: 9660: 9657: 9655: 9652: 9650: 9647: 9645: 9642: 9640: 9637: 9635: 9632: 9630: 9627: 9625: 9622: 9620: 9617: 9615: 9612: 9610: 9607: 9605: 9602: 9601: 9599: 9592: 9582: 9574: 9573: 9570: 9564: 9561: 9559: 9556: 9554: 9551: 9547: 9544: 9543: 9542: 9539: 9535: 9532: 9531: 9530: 9527: 9525: 9522: 9521: 9519: 9515: 9509: 9506: 9504: 9501: 9500: 9498: 9496:Concert tours 9494: 9489: 9484: 9480: 9473: 9469: 9466: 9462: 9459: 9455: 9452: 9448: 9445: 9441: 9438: 9434: 9431: 9430:Wicked Garden 9427: 9426: 9424: 9420: 9413: 9409: 9406: 9402: 9399: 9395: 9392: 9388: 9385: 9381: 9378: 9374: 9371: 9367: 9364: 9360: 9357: 9353: 9350: 9346: 9343: 9339: 9336: 9332: 9329: 9325: 9322: 9318: 9315: 9314:Big Bang Baby 9311: 9308: 9304: 9301: 9297: 9294: 9290: 9287: 9283: 9280: 9276: 9273: 9269: 9266: 9262: 9261: 9259: 9255: 9249: 9248: 9244: 9243: 9241: 9237: 9231: 9230: 9226: 9225: 9223: 9219: 9213: 9212: 9208: 9206: 9204: 9200: 9198: 9196: 9192: 9190: 9189: 9185: 9183: 9182: 9178: 9176: 9175: 9171: 9169: 9168: 9164: 9162: 9161: 9157: 9156: 9154: 9152:Studio albums 9150: 9144: 9141: 9139: 9138:Scott Weiland 9136: 9135: 9132: 9131: 9127: 9125: 9122: 9120: 9119: 9115: 9113: 9112: 9108: 9107: 9104: 9100: 9093: 9088: 9086: 9081: 9079: 9074: 9073: 9070: 9058: 9057: 9053: 9051: 9050: 9046: 9041: 9037: 9034: 9030: 9028: 9027: 9023: 9021: 9020: 9016: 9015: 9014: 9011: 9009: 9006: 9005: 9003: 8999: 8992: 8988: 8985: 8981: 8978: 8974: 8971: 8967: 8964: 8960: 8957: 8953: 8950: 8946: 8943: 8939: 8936: 8935:Get That Love 8932: 8929: 8925: 8922: 8918: 8915: 8911: 8908: 8904: 8901: 8897: 8894: 8890: 8887: 8883: 8880: 8876: 8873: 8869: 8866: 8862: 8859: 8855: 8852: 8848: 8845: 8841: 8838: 8834: 8831: 8827: 8824: 8820: 8817: 8813: 8810: 8806: 8803: 8799: 8796: 8792: 8791: 8789: 8785: 8778: 8777: 8773: 8770: 8769: 8768:Greatest Hits 8765: 8762: 8761: 8757: 8756: 8754: 8750: 8743: 8742: 8738: 8735: 8734: 8730: 8727: 8726: 8722: 8719: 8718: 8714: 8711: 8710: 8706: 8703: 8702: 8698: 8695: 8694: 8690: 8687: 8686: 8682: 8679: 8678: 8674: 8673: 8671: 8669:Studio albums 8667: 8661: 8658: 8656: 8653: 8652: 8649: 8648: 8644: 8642: 8641: 8637: 8635: 8634: 8630: 8629: 8626: 8622: 8615: 8610: 8608: 8603: 8601: 8596: 8595: 8592: 8579: 8578: 8574: 8572: 8571: 8567: 8565: 8564: 8560: 8558: 8557: 8553: 8551: 8550: 8546: 8544: 8543: 8539: 8537: 8536: 8532: 8530: 8529: 8525: 8523: 8522: 8518: 8516: 8515: 8511: 8509: 8508: 8504: 8502: 8501: 8497: 8495: 8494: 8490: 8487: 8484: 8483: 8479: 8473: 8472: 8468: 8466: 8465: 8461: 8459: 8458: 8454: 8452: 8449: 8447: 8444: 8442: 8439: 8438: 8436: 8432: 8425: 8421: 8418: 8417:Sour Milk Sea 8414: 8411: 8407: 8404: 8400: 8397: 8393: 8390: 8386: 8383: 8379: 8376: 8372: 8371: 8369: 8365: 8358: 8354: 8351: 8347: 8346: 8344: 8340: 8329: 8325: 8322: 8318: 8315: 8311: 8308: 8307:Savoy Truffle 8304: 8301: 8297: 8294: 8290: 8289: 8287: 8283: 8276: 8272: 8269: 8265: 8262: 8258: 8255: 8251: 8248: 8244: 8241: 8237: 8234: 8230: 8229: 8227: 8223: 8216: 8212: 8209: 8205: 8202: 8198: 8195: 8191: 8188: 8187:Rocky Raccoon 8184: 8181: 8177: 8174: 8170: 8167: 8163: 8160: 8156: 8155: 8153: 8149: 8142: 8138: 8135: 8131: 8128: 8124: 8121: 8117: 8114: 8110: 8107: 8103: 8100: 8099:Dear Prudence 8096: 8093: 8089: 8088: 8086: 8082: 8079: 8075: 8069: 8068: 8064: 8063: 8060: 8056: 8055:(White Album) 8054: 8046: 8041: 8039: 8034: 8032: 8027: 8026: 8023: 8006: 8002: 7998: 7994: 7993: 7991: 7987: 7980: 7976: 7972: 7971: 7969: 7965: 7958: 7954: 7950: 7949: 7947: 7943: 7936: 7932: 7928: 7927: 7925: 7921: 7914: 7910: 7906: 7903: 7899: 7895: 7892: 7888: 7884: 7883: 7881: 7877: 7870: 7866: 7862: 7860:" (Australia) 7859: 7855: 7851: 7850: 7848: 7844: 7837: 7833: 7829: 7828: 7826: 7822: 7815: 7811: 7807: 7804: 7800: 7799: 7797: 7793: 7786: 7782: 7781:All My Loving 7778: 7777: 7775: 7771: 7768: 7762: 7751: 7747: 7743: 7740: 7736: 7732: 7731: 7729: 7725: 7718: 7714: 7710: 7709: 7707: 7703: 7696: 7692: 7688: 7687: 7685: 7681: 7674: 7673:Act Naturally 7670: 7666: 7663: 7659: 7655: 7654: 7652: 7648: 7641: 7637: 7633: 7630: 7626: 7622: 7619: 7615: 7611: 7608: 7604: 7600: 7597: 7593: 7589: 7586: 7582: 7578: 7575: 7571: 7567: 7564: 7560: 7556: 7553: 7549: 7545: 7542: 7538: 7534: 7531: 7527: 7523: 7522: 7520: 7516: 7509: 7505: 7501: 7500: 7498: 7494: 7491: 7487: 7476: 7472: 7468: 7465: 7461: 7457: 7456: 7454: 7450: 7443: 7439: 7435: 7432: 7428: 7424: 7423: 7421: 7417: 7410: 7406: 7402: 7401: 7399: 7395: 7388: 7384: 7380: 7377: 7373: 7369: 7368: 7366: 7362: 7359: 7355: 7344: 7340: 7336: 7335: 7333: 7329: 7322: 7318: 7314: 7313: 7311: 7307: 7300: 7296: 7292: 7289: 7288:Baby It's You 7285: 7284: 7282: 7278: 7271: 7267: 7263: 7262: 7260: 7256: 7249: 7245: 7241: 7237: 7236: 7234: 7230: 7223: 7219: 7215: 7214: 7212: 7208: 7201: 7200:Come Together 7197: 7193: 7190: 7186: 7182: 7179: 7175: 7171: 7170: 7168: 7164: 7157: 7153: 7149: 7146: 7142: 7138: 7137: 7135: 7131: 7124: 7120: 7116: 7113: 7109: 7105: 7102: 7098: 7094: 7093: 7091: 7087: 7080: 7076: 7075:Eleanor Rigby 7072: 7069: 7065: 7061: 7060: 7058: 7054: 7047: 7043: 7039: 7036: 7032: 7028: 7025: 7021: 7017: 7016: 7014: 7010: 7003: 7002:She's a Woman 6999: 6995: 6992: 6988: 6984: 6983: 6981: 6977: 6970: 6966: 6965:She Loves You 6962: 6959: 6955: 6951: 6948: 6944: 6940: 6939: 6937: 6933: 6930: 6926: 6922: 6917: 6912: 6905: 6900: 6898: 6893: 6891: 6886: 6885: 6882: 6876: 6875:, March 2008) 6874: 6869: 6867: 6864: 6863: 6859: 6852: 6846: 6842: 6838: 6834: 6830: 6824: 6820: 6815: 6811: 6805: 6801: 6800: 6795: 6791: 6787: 6785:1-85984-600-9 6781: 6777: 6776: 6773:Rolling Stone 6772: 6767: 6763: 6759: 6753: 6749: 6745: 6741: 6737: 6731: 6727: 6723: 6722:Turner, Steve 6719: 6715: 6713:0-9662649-4-0 6709: 6705: 6701: 6700:Spizer, Bruce 6697: 6693: 6687: 6683: 6682: 6676: 6672: 6670:0-312-25464-4 6666: 6662: 6661: 6656: 6652: 6648: 6646:0-07-055087-5 6642: 6638: 6637: 6632: 6628: 6624: 6618: 6614: 6610: 6606: 6602: 6600:1-55652-470-6 6596: 6592: 6588: 6584: 6580: 6574: 6570: 6569: 6563: 6559: 6553: 6549: 6548: 6543: 6539: 6535: 6533:0-7119-8308-9 6529: 6525: 6521: 6517: 6513: 6511:0-674-01202-X 6507: 6503: 6502: 6496: 6492: 6486: 6482: 6481: 6476: 6472: 6468: 6462: 6458: 6454: 6450: 6446: 6440: 6436: 6431: 6427: 6421: 6417: 6413: 6409: 6405: 6399: 6395: 6394: 6389: 6385: 6381: 6375: 6371: 6366: 6362: 6360:0-330-33891-9 6356: 6352: 6348: 6344: 6340: 6334: 6330: 6325: 6321: 6315: 6311: 6310: 6304: 6300: 6294: 6290: 6285: 6281: 6275: 6270: 6269: 6262: 6258: 6257: 6251: 6247: 6241: 6237: 6233: 6229: 6225: 6219: 6215: 6211: 6207: 6203: 6202: 6197: 6193: 6189: 6183: 6179: 6174: 6170: 6164: 6160: 6156: 6152: 6148: 6142: 6138: 6134: 6130: 6126: 6120: 6115: 6114: 6108: 6104: 6100: 6094: 6090: 6086: 6085:Bextor, Robin 6082: 6078: 6074: 6068: 6064: 6059: 6058: 6056: 6055: 6036: 6030: 6027: 6014: 6013: 6005: 5998: 5995: 5990: 5983: 5980: 5967: 5963: 5962: 5957: 5951: 5948: 5935: 5934:"The Beatles" 5929: 5926: 5921: 5917: 5911: 5908: 5895: 5891: 5885: 5882: 5878: 5873: 5870: 5866: 5861: 5858: 5853: 5847: 5844: 5840: 5835: 5832: 5828: 5823: 5820: 5816: 5811: 5808: 5804: 5803:Quantick 2002 5799: 5796: 5783: 5779: 5778: 5773: 5767: 5764: 5751: 5747: 5743: 5737: 5734: 5721: 5720: 5715: 5709: 5706: 5693: 5689: 5685: 5678: 5676: 5672: 5659: 5653: 5651: 5647: 5635: 5634: 5629: 5622: 5619: 5607: 5606: 5601: 5594: 5592: 5588: 5576: 5575: 5570: 5563: 5560: 5548: 5547: 5542: 5540: 5531: 5529: 5525: 5513: 5509: 5502: 5499: 5487: 5486: 5481: 5474: 5471: 5459: 5458: 5453: 5446: 5443: 5431: 5427: 5423: 5416: 5413: 5401:. 19 May 1999 5400: 5399:TheStreet.com 5396: 5390: 5387: 5375: 5374: 5369: 5362: 5359: 5354: 5353: 5345: 5342: 5329: 5325: 5321: 5314: 5312: 5308: 5304: 5303:Quantick 2002 5299: 5296: 5284: 5283: 5278: 5271: 5269: 5265: 5260: 5259: 5254: 5248: 5245: 5241: 5236: 5234: 5230: 5218: 5214: 5207: 5205: 5201: 5197: 5192: 5190: 5186: 5182: 5177: 5174: 5170: 5165: 5162: 5158: 5153: 5150: 5146: 5141: 5138: 5134: 5129: 5126: 5122: 5117: 5114: 5110: 5109:Lewisohn 2005 5105: 5102: 5098: 5093: 5090: 5086: 5081: 5078: 5075:, p. 60. 5074: 5073:Du Noyer 1996 5069: 5066: 5062: 5061:Courrier 2009 5057: 5054: 5050: 5045: 5042: 5038: 5033: 5030: 5026: 5021: 5018: 5014: 5009: 5006: 5002: 4997: 4994: 4990: 4989:Du Noyer 1996 4985: 4982: 4978: 4973: 4970: 4967:, p. 89. 4966: 4961: 4958: 4954: 4949: 4946: 4942: 4937: 4934: 4930: 4929:Frontani 2007 4925: 4922: 4918: 4913: 4910: 4906: 4901: 4898: 4894: 4893:Frontani 2007 4889: 4886: 4882: 4877: 4875: 4873: 4869: 4865: 4860: 4857: 4853: 4848: 4846: 4842: 4838: 4833: 4830: 4826: 4825:Courrier 2009 4821: 4818: 4814: 4809: 4806: 4802: 4797: 4794: 4791:, p. 62. 4790: 4785: 4782: 4777: 4776: 4768: 4765: 4761: 4756: 4754: 4750: 4746: 4745:Frontani 2007 4741: 4738: 4735:, p. 79. 4734: 4729: 4726: 4722: 4717: 4714: 4711:, p. 23. 4710: 4705: 4702: 4689: 4688: 4687:Rolling Stone 4683: 4676: 4673: 4669: 4664: 4661: 4657: 4656:Frontani 2007 4652: 4649: 4645: 4640: 4637: 4633: 4628: 4625: 4621: 4616: 4613: 4610:, p. 55. 4609: 4604: 4601: 4597: 4592: 4589: 4585: 4580: 4577: 4572: 4570: 4562: 4559: 4555: 4550: 4547: 4544:, p. 63. 4543: 4538: 4536: 4534: 4530: 4526: 4525:Courrier 2009 4521: 4518: 4514: 4509: 4506: 4502: 4501:McKinney 2003 4497: 4494: 4490: 4485: 4482: 4478: 4473: 4471: 4467: 4463: 4462:McKinney 2003 4458: 4455: 4451: 4447: 4442: 4439: 4435: 4430: 4427: 4424:, p. 58. 4423: 4422:Du Noyer 1996 4418: 4415: 4411: 4406: 4403: 4399: 4398:Courrier 2009 4394: 4391: 4387: 4382: 4379: 4375: 4370: 4368: 4364: 4360: 4359:Frontani 2007 4355: 4353: 4349: 4345: 4340: 4337: 4334:, p. 60. 4333: 4328: 4326: 4324: 4320: 4316: 4315:McKinney 2003 4311: 4309: 4305: 4301: 4296: 4293: 4289: 4284: 4281: 4277: 4272: 4269: 4265: 4260: 4258: 4256: 4254: 4250: 4246:. p. 90. 4245: 4244: 4236: 4233: 4229: 4224: 4221: 4217: 4212: 4209: 4206:, p. 51. 4205: 4200: 4198: 4196: 4194: 4190: 4185: 4184: 4176: 4173: 4168: 4166: 4165:NME Originals 4158: 4155: 4150: 4149: 4141: 4138: 4134:. p. 17. 4133: 4132: 4124: 4121: 4109: 4108: 4103: 4096: 4093: 4081: 4080: 4075: 4068: 4065: 4053: 4052: 4047: 4040: 4037: 4033: 4028: 4026: 4022: 4010: 4006: 3999: 3996: 3992: 3987: 3984: 3980: 3975: 3972: 3968: 3963: 3960: 3956: 3951: 3949: 3945: 3942:, p. 35. 3941: 3936: 3933: 3930:, p. 41. 3929: 3924: 3922: 3918: 3905: 3901: 3900: 3894: 3886: 3884: 3880: 3876: 3871: 3869: 3865: 3862:, p. 36. 3861: 3856: 3854: 3850: 3846: 3841: 3838: 3835:, p. 52. 3834: 3829: 3826: 3822: 3817: 3814: 3810: 3809:Lewisohn 2000 3805: 3802: 3798: 3793: 3790: 3787:, p. 61. 3786: 3781: 3779: 3777: 3773: 3768: 3767: 3759: 3756: 3752: 3747: 3744: 3740: 3739:Lewisohn 2005 3735: 3732: 3728: 3723: 3720: 3717:, p. 32. 3716: 3711: 3709: 3705: 3701: 3696: 3693: 3689:. p. 79. 3688: 3687: 3679: 3676: 3672: 3667: 3664: 3661:, p. 43. 3660: 3655: 3652: 3648: 3647:Frontani 2007 3643: 3640: 3636: 3631: 3628: 3624: 3623:Lewisohn 2005 3619: 3617: 3613: 3609: 3604: 3602: 3600: 3596: 3592: 3587: 3584: 3580: 3575: 3573: 3571: 3567: 3564:, p. 50. 3563: 3558: 3555: 3551: 3546: 3543: 3539: 3534: 3531: 3527: 3522: 3519: 3515: 3510: 3507: 3503: 3498: 3495: 3491: 3486: 3483: 3479: 3478:Lewisohn 2000 3474: 3471: 3459:. Soundscapes 3458: 3451: 3448: 3444: 3439: 3437: 3435: 3433: 3429: 3425: 3420: 3417: 3413: 3408: 3406: 3402: 3390: 3389:Guitar Player 3386: 3379: 3376: 3371: 3369:9780879306120 3365: 3361: 3360: 3352: 3349: 3345: 3340: 3337: 3325: 3324: 3319: 3312: 3310: 3306: 3303:, p. 44. 3302: 3297: 3294: 3290: 3289:Lewisohn 2000 3285: 3282: 3278: 3273: 3270: 3266: 3261: 3258: 3254: 3253:Lewisohn 2005 3249: 3246: 3242: 3237: 3234: 3230: 3229:Lewisohn 2005 3225: 3222: 3218: 3213: 3210: 3205: 3198: 3195: 3191: 3190:Lewisohn 2005 3186: 3183: 3179: 3174: 3171: 3159:. HeyDullBlog 3158: 3151: 3149: 3147: 3143: 3131: 3130: 3129:Rolling Stone 3125: 3118: 3116: 3114: 3110: 3106: 3101: 3098: 3094: 3089: 3087: 3083: 3079: 3074: 3071: 3067: 3062: 3059: 3055: 3050: 3047: 3043: 3042:Lewisohn 2005 3038: 3036: 3032: 3027: 3026: 3021: 3015: 3012: 3008: 3007:Lewisohn 2005 3003: 3000: 2997:, p. 74. 2996: 2991: 2988: 2984: 2979: 2976: 2972: 2967: 2964: 2960: 2955: 2952: 2948: 2943: 2940: 2936: 2931: 2929: 2927: 2923: 2919: 2914: 2912: 2908: 2904: 2899: 2896: 2892: 2887: 2884: 2880: 2875: 2872: 2868: 2863: 2860: 2856: 2851: 2849: 2845: 2841: 2840:Quantick 2002 2836: 2833: 2829: 2824: 2822: 2818: 2814: 2809: 2806: 2802: 2801:Courrier 2009 2797: 2794: 2790: 2789:Frontani 2007 2785: 2782: 2769: 2765: 2761: 2754: 2751: 2747: 2742: 2739: 2727: 2726: 2721: 2714: 2712: 2710: 2708: 2704: 2700: 2695: 2692: 2688: 2683: 2681: 2679: 2675: 2672:, p. 46. 2671: 2666: 2663: 2651: 2650: 2645: 2638: 2635: 2623: 2619: 2612: 2609: 2605: 2600: 2597: 2594:, p. 59. 2593: 2592:Du Noyer 1996 2588: 2586: 2584: 2580: 2576: 2575: 2568: 2560: 2556: 2552: 2548: 2547:She Loves You 2544: 2540: 2534: 2531: 2527: 2523: 2522: 2515: 2512: 2508: 2507: 2502: 2501:Rolling Stone 2496: 2493: 2489: 2485: 2484:Peter Doggett 2479: 2476: 2471: 2467: 2466: 2459: 2456: 2449: 2446: 2442: 2436: 2433: 2419: 2416: 2412: 2411: 2406: 2400: 2397: 2393: 2392: 2387: 2386: 2385:Rolling Stone 2379: 2376: 2372: 2368: 2365:Music critic 2362: 2359: 2352: 2343: 2340: 2339: 2333: 2330: 2329: 2323: 2321:Chart (1985) 2320: 2319: 2313: 2304:100 Top Pops 2303: 2302: 2297: 2296: 2289: 2288: 2283: 2282: 2276: 2274: 2269: 2268: 2261: 2260: 2255: 2254: 2247: 2243: 2242: 2236: 2234: 2229: 2228: 2222: 2219: 2218: 2212: 2207: 2200: 2194: 2193:George Martin 2191: 2189: 2185: 2182: 2180: 2176: 2175:Derek Watkins 2173: 2172: 2171: 2170: 2163: 2160: 2157: 2154: 2153: 2152: 2151: 2144: 2142: 2138: 2134: 2133:Nicky Hopkins 2131: 2130: 2129: 2128: 2121: 2118: 2115: 2112: 2109: 2108:Hammond organ 2105: 2102: 2100: 2096: 2093: 2092: 2091: 2090: 2083: 2081: 2080: 2076: 2070: 2068: 2066: 2065:Rascal Flatts 2062: 2059:performed by 2058: 2057: 2056:Evan Almighty 2052: 2048: 2044: 2040: 2039:Stereophonics 2036: 2032: 2028: 2024: 2023:Jools Holland 2020: 2016: 2012: 2008: 2003: 2001: 2000: 1995: 1994:Manson Family 1991: 1987: 1980:Other artists 1979: 1977: 1975: 1971: 1970:Come Together 1967: 1966:Scott Weiland 1963: 1959: 1955: 1954: 1949: 1941: 1939: 1937: 1933: 1928: 1923: 1920: 1916: 1912: 1908: 1907:Steve Stevens 1904: 1900: 1896: 1895: 1890: 1874: 1870: 1865: 1861: 1856: 1852: 1851: 1847: 1843: 1839: 1834: 1831: 1829: 1826: 1825: 1824: 1821: 1816: 1813: 1810: 1807: 1806:Songwriter(s) 1802: 1799: 1796: 1794: 1790: 1778: 1774: 1763: 1759: 1755: 1752: 1747: 1744: 1743: 1734: 1730: 1722: 1717: 1712: 1706: 1701: 1699: 1697: 1696:TheStreet.com 1691: 1686: 1684: 1683: 1678: 1673: 1671: 1667: 1663: 1659: 1655: 1650: 1648: 1647: 1642: 1638: 1634: 1633: 1628: 1627: 1622: 1621: 1612: 1610: 1608: 1603: 1599: 1595: 1594:Richard Nixon 1591: 1590:Abbie Hoffman 1587: 1583: 1582:Chicago Seven 1579: 1575: 1571: 1566: 1564: 1560: 1559: 1553: 1548: 1544: 1538: 1536: 1532: 1531: 1526: 1522: 1518: 1514: 1508: 1502: 1500: 1496: 1495:Abbie Hoffman 1492: 1480: 1478: 1474: 1470: 1466: 1465:Rolling Stone 1462: 1461:Jonathan Cott 1458: 1457: 1452: 1451: 1446: 1441: 1438: 1434: 1433:Rolling Stone 1430: 1425: 1424: 1419: 1414: 1406: 1401: 1397: 1395: 1391: 1387: 1382: 1380: 1375: 1371: 1366: 1357: 1353: 1350: 1346: 1342: 1338: 1337: 1332: 1328: 1327: 1322: 1321: 1320:Berkeley Barb 1316: 1315: 1310: 1309:Prague Spring 1306: 1302: 1293: 1289: 1285: 1278: 1276: 1274: 1273: 1272:Rolling Stone 1267: 1266:the Buzzcocks 1263: 1259: 1258: 1252: 1250: 1246: 1242: 1237: 1236: 1231: 1225: 1218: 1217: 1211: 1210: 1204: 1200: 1199: 1190: 1188: 1186: 1185: 1180: 1176: 1172: 1168: 1167: 1162: 1161: 1156: 1152: 1148: 1143: 1140: 1130: 1126: 1123: 1119: 1115: 1107: 1105: 1103: 1099: 1098: 1092: 1086: 1082: 1075: 1074: 1069: 1068: 1063: 1061: 1055: 1049: 1045: 1044:surface noise 1041: 1040:Harold Wilson 1037: 1033: 1028: 1024: 1023:Apple Records 1019: 1017: 1008: 1004: 1000: 996: 988: 986: 982: 980: 979:Nicky Hopkins 976: 972: 968: 964: 960: 955: 953: 952:Ian MacDonald 949: 944: 940: 936: 932: 928: 921: 919: 894: 877: 875: 866: 864: 860: 858: 851: 843: 841: 839: 835: 830: 828: 823: 819: 813: 811: 810: 804: 800: 792: 790: 787: 778: 763: 753: 746: 744: 720: 703: 699: 697: 693: 684: 679: 677: 675: 671: 666: 662: 658: 653: 650: 646: 642: 638: 630: 625: 621: 619: 615: 611: 607: 603: 599: 595: 591: 586: 584: 580: 576: 572: 568: 564: 560: 556: 552: 548: 547:Tet Offensive 544: 536: 534: 532: 528: 524: 519: 517: 511: 509: 505: 501: 497: 492: 490: 486: 482: 478: 474: 470: 469:sound collage 466: 462: 458: 454: 450: 447:, written by 446: 442: 438: 429: 428:George Martin 426: 423: 418: 415: 412: 409: 408:Songwriter(s) 404: 401: 398: 396: 392: 380: 376: 371: 368: 366: 363: 362: 361: 359: 355: 351: 348: 346: 342: 338: 334: 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