708:" she wore a cropped, spangled top and a mini skirt. During the performance of the song, pre-recorded vocals by Jay-Z who is featured on it were played. "Diva" was performed as the sixth song of the set. Prior to the performance of "Naughty Girl", a spoken-word segment about female sexuality was shown with Beyoncé saying "Harnessing the power of your body requires responsibility". During the performance of the song she also included a sample of the groans and coos from Donna Summer's "Love to Love You Baby" and sang a snippet of it as a tribute to the singer following her death. During the performance of the eighth song, "
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512:"Beyonce's name might have been the one on the ticket for the two-hour, 27-song program, but those responsible for its design and staging deserve as much credit as anyone. The show's visual centerpiece was a stage-spanning video display screen offering an endless array of multi-hued shapes and geometric patterns, not to mention crystal-clear wide shots and close-ups of the star. The result was a dramatic presentation befitting a performer of Beyonce's magnitude."
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631:, saying, "I absolutely love to work with Beyoncé and her team and I'm very happy that she is back... She looks more beautiful than ever and it's always a pleasure to work with her!". Co-designer Michael Russo further described his collaboration with Beyoncé, "Beyoncé always delivers energetic performances... It was an absolute pleasure to work with her to create exquisite pieces that dazzle on stage."
597:. Designer Tamara Ralph said Beyoncé asked them to be "really creative" while creating items with "an ultra-glamorous feel to them". The duo's inspiration was "modern showgirl", paying attention to the "comfort and flexibility of each outfit and the ease of getting in and out of the pieces with quick costume changes". All the crystals for the show were provided by
813:" which was played in the background, she said "When I leave this world I'll leave no regrets. I will leave my mark, so everyone will know I was here". Beyoncé went on to perform "Halo" in a red dress which she opened with a performance of Whitney Houston's "I Will Always Love You" as a tribute to her following her death. The show ended with a performance of "
923:— predicated on nothing but the tour de force of its creator. Saturday night's two-hour show featured no gimmicks, no backing tracks, no hard-to-follow narratives, no whipped cream cannons. It was old school Vegas-style Entertainment with a capital E: singing, dancing, and charisma wrapped up in a few sparkly Ralph & Russo outfits." Dan DeLuca of
371:". In it, Beyoncé stated that she is excited, yet nervous about the shows. She said " like going back to my old job and it's a little strange." She continued saying that it was vital for her not to lose herself and still have her own passion even after she became a mother, something she was accomplishing with the shows. Director/Choreographer
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magazine further discussed his statements, "Sure, he's married to her... But upon further reflection, he just might have a point. What other artist out there gives the type of live performance she does on a nightly basis? Who can give you that incredible voice singing power ballads and up-tempo dance
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wrote in his review that Beyoncé gave everything she had for the concert pulling them out as vigorously as she could. He further added "The star gave
Ovation Hall exactly what it wanted, and left the new theater smoking. The problem for Revel now: following it up." In another review, he described the
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described the concert as "phenomenal" further praising the high-energy performance of her up-tempo songs and adding that she "dazzled" her fans. The journalist added that "Though she made it look easy, keeping up to the beat of the vibrant tunes was no easy task" and marked it as " pop queen's return
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was positive about the show, praising the performance of the ballads as well as the up-tempo songs, adding that she was "shimmying, sashaying and gyrating like she had everything to prove." He further said, "Beyoncé didn't shirk on the razzle or the dazzle in this two-hour event. In fact, this run of
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s Elysa
Gardner praised the show, saying that "The singer was all business — that is to say, warm and gracious, glamorous and relentless. Backed by an all-female band and a tireless posse of dancers and backup vocalists, Beyonce reasserted her unique pop persona; she was at once angel and seductress,
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after an exclusive pre-sale one day earlier on
Beyonce.com, Beyoncé's official website. Within one minute, all three shows were sold out. On May 7, 2012, an additional concert was scheduled for May 28, 2012 because of high demand. Tickets were sold in a similar fashion, with an exclusive pre-sale on
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Sasha Fierce for the show. She further said that she is anxious about the show as her team was doing it in two weeks, unlike her previous shows which were prepared in two months. Beyoncé further revealed the concept of the show saying, "What I'm trying to say with the show ... yes, I had a baby, but
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sample used in the song, and the opening drum crack and continued with the song's music video being projected on the screen. Brief snippets of Beyoncé performing
Destiny's Child's "Jumpin', Jumpin'" (2000) followed. "Run the World (Girls)" was performed with a march choreography and a funky version
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who praised Beyoncé's vocals and dance abilities during the concerts calling it her post-pregnancy comeback show. Commercially, the shows were also successful with the tickets for all three shows being sold out in one minute on April 6, 2012, after they were made available for purchase. Later, when
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used for its musical backbone. Beyoncé opened the performance of "If I Were a Boy" saying "We all know how it feels to be hurt and lied to" and later turned it into a guitar-pop song, in which elements of Goo Goo Dolls' adult-alt ballad "Iris" were used. An acoustic cover of "Ex-Factor" originally
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wrote that Beyoncé was in a "fighting shape, breezing through four nights of wickedly aggressive modern R&B" and added that the most "attention-grabbing" moments of the night were the covers of other artists that she performed during the concert. Chuck Darrow of the
Philadelphia Media Network
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Beyonce.com and a
Ticketmaster general sale taking place on May 11, 2012, 10 a.m. EST and May 14, 10 a.m. EST respectively. The fourth date would eventually sell-out as well. Listed for sale at $ 95 – $ 495, ticket prices took a hike up to $ 1,700 through ticket resale companies like
337:"Getting this show together and learning choreography and directing something so huge... For me to do all of this four months after giving birth, I feel like I went from zero to ten and it was really hard, but I did it so I'm hoping that somebody out there can be inspired by that."
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and 1970s mod form" further concluding that the fashion was "all well and good". Chuck Darrow of the
Philadelphia Media Network wrote in his review that the "shape-hugging, leg-baring costumes in which she was garbed were, by today's standards, almost demure." Dan DeLuca of
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who used "sartorial extremism" to call attention to themselves, "It is testament to
Beyonce's star-power that her stage incandescent presence never allowed the visual pyrotechnics behind her or the hyperkinetic dancers beside her to rise above the peripheral." Praising the
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shows featured the flashiest lighting, fiercest dancing and most animated theatrics of her starry career... The assurance of the performance, as well as the enormity of the production, makes it unlikely that Beyoncé's latest show will die with this weekend." Ben
Ratliff of
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said that the show had the potential of being the greatest show of Beyoncé's career. The second behind-the-scenes video detailing the event premiered the next day, on May 25, 2012. During the video, Beyoncé stated that she tried to bring back to life her
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concert as "spellbinding", wrote that everything onstage was perfectly choreographed, down to the "goofy mid-song mugging" that added so much character to her performances. He concluded that no other pop artist sounds "quite as awake" as Beyoncé does.
881:"But right now Beyoncé is owning her brilliance like a boss. The Revel show highlighted how she's become an accomplished multi-instrumentalist — her arsenal includes her powerhouse voice, her toned thighs, her whipping hair, her
1005:, who attended the show said, "Beyoncé stepped up in a way that so many of our celebrities and athletes are stepping up on behalf of this issue, so I love her to death and was glad to be out there moving my body with her."
397:. The stage included several LED screens on which grainy-color videos were shown as well as several black and white geometric patterns. Video interludes with voice-overs recorded by Beyoncé were also shown. Dawn Fallik of
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screeches by revealing a mere glimpse of Blue Ivy during a video montage. She's unlocked the secret to balancing her super-human talent with über-humanizing rhetoric like another megastar who only requires one name:
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cool diva and woman of the people." She noted that with the performance of the concerts, Beyoncé reaffirmed "her solidarity with all her fans" and confirmed that she plans on "sticking around for a good long time."
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magazine noted that there were two highlights of the night, aside from the choreography and vocal prowess; the dynamic between Beyoncé and her fans and the video montages from her personal life. Kyle
Anderson of
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and noted that the "complicated" system of screens which was used to leave an impression that Beyoncé and her dancers were stepping in and out of black-and-white images was influenced by the opening credits of
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noted that the show "relied too much on lesser-known, slower songs that lulled the crowd into their seats instead of bringing them to their feet" and added that "only a couple songs called for much movement".
784:", she asked from the crowd to sing the lines "to the left" along with her and made a competition in singing between sections. The first verse and the chorus were sung solely by the crowd. The intro of "
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Sasha Fierce was brought back to life for the performances and the main concept was that the birth of her first baby made her more grounded. She promoted the shows by projecting images and releasing
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Beyoncé changed costumes five times during the show. Her looks ranged from a sparkling fringed set to a red leotard. Her fashion during the shows received praise from critics. Celia L. Smith of
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were dropped on stage from the roof and dice-shaped beach balls were being tossed through the crowd as dancers in large feathered headdresses performed a choreography in the aisles. During "
673:" as her silhouette appeared in front of a large screen. The performance contained triple-time drumbeats and background vocals from her background singers. A retro-soulful performance of "
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praised Beyoncé's singing with earnest commitment and impassioned intensity further writing that the concert was a "relentlessly entertaining, highly energetic two hours". Jim Farber of
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praised the look of the graphics saying that they were elegant and classic like a zebra's stripes. The light shows during the performances were "modest" as described by Ben Ratliff of
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account to write that everything about the show was "great". Beyoncé's husband and rapper Jay-Z, also wrote on Twitter that Beyoncé was the "best performer in the world". A writer of
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residency in August 2011. Rehearsals began in March, two months prior to the date of the concerts as Beyoncé had to lose sixty pounds for the show after her pregnancy. James Dinh of
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commented that "The show lasted two hours and allowed a dip in the middle for ballads, but otherwise ran rampant, functioning as an almost continuous high point". Celia L. Smith of
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noted that "Beyonce and her small army of supporting singers, dancers and musicians... conjured an impressive onslaught of sight, sound and motion." He further noted that unlike
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also compared the light-up platforms on the stage with the towering cubes used during the Watch the Throne Tour. In another review, he noted, "The light show was as hypnotic as
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magazine described the show as post-pregnancy comeback to the stage and added that "it was her amazing set of throwbacks that cemented the fact that Bey still runs the game."
601:; a team of 20 couturiers worked to complete the looks, which were embellished with more than 500,000 crystals from Swarovski Elements in four weeks. Beyoncé wore shoes by
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to inaugurate the resort and its Ovation Hall, a 5,050-seat concert venue. The concerts were noted as the singer's first performances since giving birth to her daughter,
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wrote that the Revel concerts showed how serious Beyoncé was about picking up her career exactly where she'd left it pre-maternity leave. Melinda Newman of the website
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801:" followed. During the end, the song's beat got transformed into an extended outro. Prior the end of the show a home-video sequence showing Beyoncé biking, drinking a
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commented that Beyoncé was "shedding costumes like a chameleon changing colors" during the show. He went on saying, "There were fashion montages with Beyonce in 1950s
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504:, the costumes glittered like mirror balls, and the bass at Ovation Hall was so booming that I often felt like I was standing in a stiff wind." Chuck Darrow of the
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noted that Beyoncé didn't miss a step during the choreography and added that "Sasha Fierce is alive and well". Writing that she didn't disappoint, a journalist of
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wrote that it was further expected from the concerts to be "much more of a grand spectacle" in comparison with 4 Intimate Nights with Beyoncé, with high-tech
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was released as a bonus disc with the home media release of the documentary on November 25, 2013. The DVD was available for pre-order on November 1, 2013.
763:" was performed in front of an electronic backdrop in which a male dancer was silhouetted in kinetic, black-and-white stripes. A re-arranged version of "
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described it as her "most ambitious live show yet" and noted that "the reason for the shows... was to test herself, as a new mother and an artist."
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Onstage, Beyoncé was backed by her all-female band consisting of eleven members, background vocalists and ten dancers including the French duo
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A sixty-second preview of the performance of "End of Time" at Revel, premiered online on Beyoncé's website on May 27, 2012. Jacob Moore of
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commented that "Sasha Fierce busts out some ferocious moves with her female dancers". Footage of the concert was also used in Beyoncé's
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noted that the stage set offered "a seemingly endless number of screens and levels" for Beyoncé's all-female band. Jim Farber of the
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magazine noted that Beyoncé's show "required something a little more spectacular than her recent dressed-down chic". Dawn Fallik of
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On March 19, 2012, Beyoncé's publicist Yvette Noel-Schure announced that the singer would perform three shows (May 25–27, 2012) at
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744:" saw her singing the song seated on top of a piano and the performance focused on the singer and individual members of her band.
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magazine described Beyoncé's look as "fabulous" while further calling her costumes "dazzling" and "fierce". A writer of
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2760:"Oh, baby! Beyonce set for four sold-out Atlantic City shows a mere four months after giving birth to Blue Ivy Carter"
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noted that her "barely-there" outfits were designed to call attention to Beyoncé's physique "from the derriere down".
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720:", Beyoncé did not sing live but was accompanied vocally by her three backup vocalists and performed a choreographed
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eyes, and of course, her wind machine. And now she's become even more adept at playing our emotions, too, eliciting
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the fourth show was announced, it eventually sold out as well. Footage of the concert was used in Beyoncé's 2013
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praised Beyoncé's dancing and voice during the show saying that they were in "enviable form". Rebecca Thomas of
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wrote: "Beyoncé is the greatest performer of her generation and she knows it well. Her Revel concerts were more
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who designed a panelled bodysuit with lace detailing. Koma described his collaboration during an interview with
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video detailing the event premiered. It showed rehearsals and preparations for the show and a performance of "
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1027:, and even Jay-Z and Kanye West's The Throne bodying stages worldwide, is Beyoncé best performer on earth?".
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board come to life -- packed with bold colors and graphics, elegant modern dance positions and video clips."
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1562:"Beyonce, Revel: Singer's Atlantic City Concerts Mark First Return To Stage Since Blue Ivy Carter Was Born"
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magazine wrote that Beyoncé "prove she's still got it" during the footage of the performance. A writer of
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praised Beyoncé's "incredible" performance even after she gave birth to her first child. Cathy Rainone of
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it just made me more grounded". The concert was also called Back to Business referencing Beyoncé's song "
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magazine noted that Beyoncé's up-tempo songs were performed at the beginning of the concert. Fallik of
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1882:"Beyoncé shows maturity as she dazzles with depth in her first live performance after giving birth"
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2423:"Beyoncé Brings Back Lauryn Hill and Whitney Houston at Revel Concert, Jay-Z Tweets His Support"
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1499:"Beyonce Debuts New Billboard In Times Square: 'Back To Business' After Blue Ivy Carter Birth "
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Beyoncé's performance also received positive response from celebrities and fans. US First Lady
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described the performances included in the film as "dazzling". A DVD from the concert titled
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2536:"Beyonce's post-baby concerts: Whitney Houston tribute, Goo Goo Dolls and Lauryn Hill songs"
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677:" followed with Beyoncé saying "Atlantic City, snap your fingers". As she was performing a
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and the singer was backed by female background vocalists, all-female band and dancers. The
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magazine wrote that, "She sang, danced and put on a show like no other". A writer for
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2589:"Beyonce's Back to Business with Revel Shows: Is She the Baddest Chick in the Game?"
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Tickets for the concerts were made available on April 6, 2012, 10 a.m. EST through
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advertising her show in Revel Atlantic City. On May 24, 2012, the first half of a
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commented that Beyoncé was "fiercer than ever" during the shows. Glenn Gamboa of
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described the performances as a "spectacular fitting her rising icon status".
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2617:"Beyonce Returns to the Live Stage for Revel Premiere on Memorial Day Weekend"
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cuts—while dancing?... In a world with hotshots like Lady Gaga, legends like
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2997:. PR Newswire/Parkwood Entertainment and Columbia Records. November 1, 2013
1778:"Run the World (Showgirls): Beyonce Gets Back to Business in Atlantic City"
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described the show as a "triumphant" return to the stage. Adelle Platon of
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clothing. Some clothes for the show were also designed by Beyoncé's mother
2702:. Beyonceonline.com. Sony Music Entertainment. May 7, 2012. Archived from
1438:"Beyonce Celebrates 60-Pound Weight Loss: "I'm Getting Chocolate Wasted!""
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in an extended vocal showcase the crowd sang along with her. Afterwards, "
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who praised Beyoncé's post-pregnancy performing abilities. A writer of
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clothes. The band wore Alexander Vauthier clothes while The Mamas wore
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238:. She collaborated on outfits with several fashion designers including
2995:""Life Is But A Dream" To Be Released On DVD On November 25 Worldwide"
2290:"Live: Beyoncé Brings The House Down At Atlantic City's Newest Casino"
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2338:"Beyonce Serenades Michelle Obama, Cements Comeback In Atlantic City"
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728:" which featured a strut-heavy footwork. During the performance of "
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2790:. Beyonce.com. Parkwood Entertainment. May 27, 2012. Archived from
2126:. Beyonce.com. Parkwood Entertainment. May 30, 2012. Archived from
1537:. Beyonce.com. Parkwood Entertainment. May 24, 2012. Archived from
1474:. Beyonce.com. Parkwood Entertainment. May 25, 2012. Archived from
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dance. She was wearing a black leotard during the performance of "
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2239:"Beyoncé rocks Revel: Passion, hard work, and a call for respect"
1809:"Beyoncé Covers Whitney Houston, Lauryn Hill at Comeback Concert"
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2097:"Exclusive First Look: Beyoncé's Atlantic City Concert Costumes"
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2949:"Beyonce offers rare personal glimpse in 'Life Is but a Dream'"
2893:"Beyoncé's 'Life Is But A Dream' documentary to air on BBC One"
2643:"Beyonce announces post-baby concerts for Memorial Day weekend"
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wrote that the stage set of massive cubes was similar to the
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Revel Presents: Beyoncé Live received positive reviews from
2841:"Watch Beyonce Perform 'End Of Time' Live In Atlantic City"
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performing during a concert of Revel Presents: Beyoncé Live
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3047:"Beyonce Opening Act Luke James Motivated By Her 'Drive'"
3018:"Luke James Opening for Beyonce, Prepping 'Made to Love'"
2456:"Watch: Beyonce performs at the Revel... She had a baby?"
1642:"Beyonce's 'Back To Business' With Memorial Day Concerts"
1411:"Beyonce's 'Back To Business' With Memorial Day Concerts"
2396:"Beyoncé Returns to the Stage at Atlantic City Concert"
1686:"Beyoncé: Coming Back and Catching Up, Then Conquering"
1379:"Beyonce Announces First Live Dates Since Giving Birth"
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1345:"Beyonce To Perform Three Shows Memorial Day Weekend"
457:" as a tribute to the singers following their deaths.
1849:"Beyonce Returns to Stage As Michelle Obama Watches"
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2700:"Beyoncé Adds Another Date at Revel's Ovation Hall"
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2364:"Michelle Obama, daughters attend Beyonce concert"
1916:"Beyonce roars back from maternity leave at Revel"
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234:", which she recorded with her former girl group
2924:. Beyonce.com. November 26, 2012. Archived from
2484:"Beyonce Dazzles in Her First Post-Baby Concert"
732:", Beyoncé matched the notes of her guitarist's
669:Beyoncé opened the shows with a performance of "
2510:"Beyonce Returns to the Stage in Atlantic City"
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1731:"Beyonce wows in first post-baby performance"
825:The concerts received positive response from
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21:
2727:"Fourth Beyonce show added at Revel May 28"
2061:"Beyoncé Shines in Her Return to the Stage"
1587:"Beyoncé Rehearses for Atlantic City shows"
1529:
1527:
1525:
1523:
1521:
1466:
1464:
1462:
1460:
681:-inspired choreography and sang the song's
540:" (1992) during the performance of "Halo",
3232:
3103:
3089:
3081:
2866:"Beyoncé Performs 'End of Time' at Revel "
2814:"Beyoncé performs "End of Time" at Revel "
2280:
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1673:
1671:
1669:
1667:
1665:
1663:
20:
2947:D. Kennedy, Gerrick (February 14, 2013).
2563:"Michelle Obama Praises Beyoncé on 'GMA'"
2331:
2329:
2327:
2325:
2323:
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1984:
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1724:
1722:
1720:
1718:
1716:
1714:
1712:
1710:
1708:
1706:
1315:C. McKinley Jr., James (March 19, 2012).
3049:. MTV News. MTV Networks. Archived from
2922:"Beyoncé + HBO = A New Documentary Film"
2340:. MTV News. MTV Networks. Archived from
2183:
2181:
1803:
1801:
1644:. MTV News. MTV Networks. Archived from
1413:. MTV News. MTV Networks. Archived from
1307:
129:
2024:
2022:
2020:
2018:
2016:
2014:
2012:
1842:
1840:
1838:
1836:
1834:
1832:
1830:
1615:"Beyoncé Prepares for Revel Concerts "
1404:
1402:
1535:"The Making of a Concert Part 1 of 2"
1472:"The Making of a Concert Part 2 of 2"
1317:"Beyoncé to Resume Performing in May"
1058:Live in Atlantic City (Beyoncé video)
7:
772:performed by Lauryn Hill followed. "
548:" (1975) during the performance of "
520:contained songs from Beyoncé's four
300:The residency concerts were held at
226:contained songs from Beyoncé's four
3897:Events in Atlantic City, New Jersey
2095:McIntyre, Samantha (May 25, 2012).
704:" and during a "giddy" version of "
593:costumes designed by fashion house
3076:Beyoncé Knowles's official website
2891:Jeffery, Morgan (March 13, 2013).
2188:Milligan, Lauren (June 11, 2012).
2158:"Beyoncé's Revel Concert Costumes"
1956:"Beyonce opens Revel with fanfare"
1436:Finlayson, Ariana (May 27, 2012).
14:
2641:Donnelly, Matt (March 19, 2012).
1497:Grant, Katrina (March 20, 2012).
215:footage on her official website.
3860:
3859:
3045:Thomas, Rebecca (June 5, 2012).
2974:"Beyoncé – Life is But a Dream "
2454:Newman, Melinda (May 29, 2012).
2336:Thomas, Rebecca (May 27, 2012).
2190:"David Koma on Dressing Beyoncé"
2156:L. Smith, Celia (May 29, 2012).
1294:Single Ladies (Put a Ring on It)
815:Single Ladies (Put a Ring on It)
427:
418:
40:
3632:The Mrs. Carter Show World Tour
2676:. April 5, 2012. Archived from
2628:American City Business Journals
2534:Anderson, Kyle (May 29, 2012).
2508:Ramirez, Erika (May 29, 2012).
2482:Rainone, Cathy (May 26, 2012).
2421:Platon, Adelle (May 26, 2012).
1991:"Beyonce spellbinding at Revel"
1729:Gardner, Elysa (May 26, 2012).
1560:Makarechi, Kia (May 25, 2012).
1343:Kaufman, Gil (March 19, 2012).
951:to her throne". Dawn Fallik of
230:as well as several covers and "
154:The Mrs. Carter Show World Tour
16:Third residency show by Beyoncé
3688:Super Bowl XLVII halftime show
3678:4 Intimate Nights with Beyoncé
2065:Black Entertainment Television
2029:Darrow, Chuck (May 27, 2012).
1914:Gamboa, Glenn (May 27, 2013).
948:Black Entertainment Television
605:. The dancers were dressed in
322:4 Intimate Nights with Beyoncé
136:4 Intimate Nights with Beyoncé
112:
1:
2839:Moore, Jacob (May 27, 2012).
1847:Fallik, Dawn (May 27, 2012).
1684:Ratliff, Ben (May 26, 2012).
1044:. According to Jim Farber of
437:The show featured covers of "
346:, Behind the Scenes (Part II)
176:by American recording artist
3683:Revel Presents: Beyoncé Live
3673:2011 Glastonbury performance
2758:Farber, Jim (May 23, 2012).
2725:Berman, Marc (May 7, 2012).
2247:. Philadelphia Media Network
2237:DeLuca, Dan (May 28, 2012).
1989:McCal, Tris (May 27, 2012).
1880:Farber, Jim (May 26, 2012).
1776:Ganz, Caryn (May 29, 2012).
1640:Dinh, James (May 25, 2012).
1504:International Business Times
1409:Dinh, James (May 25, 2012).
166:Revel Presents: Beyoncé Live
145:Revel Presents: Beyoncé Live
22:Revel Presents: Beyoncé Live
3892:Beyoncé concert residencies
3693:Super Bowl 50 halftime show
3539:The Beyoncé Experience Live
3415:The Beyoncé Experience Live
989:showcased during the show,
621:. Beyoncé also worked with
528:", which she recorded with
351:On March 20, 2012, several
308:) to celebrate its opening.
218:The stage included several
3918:
3712:Retail products and brands
3016:Rani, Taj (May 25, 2012).
2901:Hachette Filipacchi Médias
2788:"60 Seconds – End of Time"
2035:Philadelphia Media Network
2031:"Beyonce dazzles at Revel"
1055:
506:Philadelphia Media Network
292:Background and development
207:. Beyoncé stated that her
3853:
3823:Let's Move! Flash Workout
3617:Verizon Ladies First Tour
3253:The Writing's on the Wall
3118:
2124:"Beyoncé – Revel Fashion"
1052:Broadcasts and recordings
572:" (1998). Caryn Ganz of
254:and her mother, designer
182:Atlantic City, New Jersey
130:
53:Atlantic City, New Jersey
39:
26:
3887:2012 concert residencies
3642:The Formation World Tour
3612:Dangerously in Love Tour
3323:The Fighting Temptations
2674:Sony Music Entertainment
2166:. Essence Communications
1291:
3344:The Lion King: The Gift
1854:The Wall Street Journal
1010:Christopher J. Christie
953:The Wall Street Journal
788:" began with Beyoncé's
644:The Wall Street Journal
578:The Wall Street Journal
400:The Wall Street Journal
278:; a concert recording,
3828:Parkwood Entertainment
3703:2023 Dubai performance
3652:Renaissance World Tour
3622:The Beyoncé Experience
3525:The Ultimate Performer
3133:Awards and nominations
1997:. Advance Publications
1274:I Will Always Love You
1031:Commercial performance
1007:Governor of New Jersey
896:
756:
538:I Will Always Love You
514:
439:I Will Always Love You
339:
309:
100:May 28, 2012
85:May 25, 2012
3567:Live in Atlantic City
2672:. Beyonceonline.com.
2244:Philadelphia Inquirer
1267:Why Don't You Love Me
1260:Run the World (Girls)
1093:Live in Atlantic City
925:Philadelphia Inquirer
799:Why Don't You Love Me
750:
689:" was performed with
658:Philadelphia Inquirer
546:Love to Love You Baby
510:
471:Watch the Throne Tour
455:Love to Love You Baby
383:Run the World (Girls)
299:
281:Live in Atlantic City
3354:EPs and remix albums
3316:Carmen: A Hip Hopera
3229:Collaborative albums
3184:I Am... Sasha Fierce
2541:Entertainment Weekly
2435:on September 1, 2012
1966:Advance Publications
1541:on December 14, 2012
972:Entertainment Weekly
585:Fashion and wardrobe
342:—Beyoncé Knowles in
3817:EveryBODYisflawless
3507:Life Is But a Dream
3267:8 Days of Christmas
3170:Dangerously in Love
3128:Singles discography
2670:"Presale Today!!!!"
2486:. NBC Connecticut.
2300:Village Voice Media
1566:The Huffington Post
1082:Life Is But a Dream
767:" followed with an
607:Dolce & Gabbana
589:The shows featured
314:Revel Atlantic City
302:Revel Atlantic City
286:Life is But a Dream
275:Life Is But a Dream
248:Dolce & Gabbana
64:Revel Atlantic City
23:
3902:2012 in New Jersey
3647:On the Run II Tour
3553:I Am... World Tour
3429:I Am... World Tour
3294:Everything Is Love
3123:Albums discography
2731:New Jersey On-Line
1690:The New York Times
1322:The New York Times
936:The New York Times
757:
409:The New York Times
389:Stage and set list
310:
126:concert chronology
3874:
3873:
3839:Scaptia beyonceae
3661:Live performances
3461:Above and Beyoncé
3376:Above and Beyoncé
3308:Soundtrack albums
3303:
3302:
3274:Destiny Fulfilled
3138:Live performances
2953:Los Angeles Times
2648:Los Angeles Times
2630:. March 19, 2012.
2295:The Village Voice
1359:on March 20, 2012
1088:Los Angeles Times
962:Erika Ramirez of
844:The Village Voice
821:Critical response
560:" (1998) during "
365:behind-the-scenes
213:behind-the-scenes
174:concert residency
163:
162:
3909:
3863:
3862:
3804:Related articles
3560:Live at Roseland
3337:Cadillac Records
3233:
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2944:
2938:
2937:
2935:
2933:
2928:on March 7, 2013
2918:
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2777:
2775:
2773:
2768:. Daily News L.P
2755:
2746:
2745:
2743:
2741:
2735:Advance Internet
2722:
2716:
2715:
2713:
2711:
2696:
2690:
2689:
2687:
2685:
2680:on April 7, 2012
2666:
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2442:
2440:
2431:. Archived from
2418:
2412:
2411:
2409:
2407:
2392:
2383:
2382:
2380:
2378:
2369:Associated Press
2360:
2354:
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2349:
2333:
2316:
2315:
2313:
2311:
2302:. Archived from
2288:(May 27, 2012).
2282:
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1954:(May 29, 2013).
1948:
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1895:
1893:
1888:. Daily News L.P
1877:
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1863:
1861:
1844:
1825:
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1820:
1805:
1796:
1795:
1793:
1791:
1786:. Spin Media LLC
1773:
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1494:
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1487:
1485:
1483:
1478:on June 29, 2012
1468:
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1450:
1433:
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1422:
1406:
1397:
1396:
1394:
1392:
1387:. March 19, 2012
1375:
1369:
1368:
1366:
1364:
1355:. Archived from
1340:
1334:
1333:
1331:
1329:
1312:
1253:Jumpin', Jumpin'
1077:documentary film
903:
874:
849:
665:Concert synopsis
526:Jumpin', Jumpin'
484:James Bond films
463:Glenn Gamboa of
431:
422:
373:Frank Gatson Jr.
347:
232:Jumpin', Jumpin'
172:) was the third
170:Back to Business
114:
107:
105:
92:
90:
70:Associated album
44:
35:
29:
24:
3917:
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3912:
3911:
3910:
3908:
3907:
3906:
3877:
3876:
3875:
3870:
3849:
3799:
3790:Solange Knowles
3775:Blue Ivy Carter
3758:
3724:House of Deréon
3707:
3656:
3637:On the Run Tour
3600:
3532:Live at Wembley
3512:
3494:
3454:B'Day Anthology
3441:
3402:
3349:
3299:
3279:
3246:Destiny's Child
3237:Destiny's Child
3224:
3157:
3153:Cultural impact
3114:
3109:
3072:
3067:
3066:
3056:
3054:
3053:on June 6, 2012
3044:
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3015:
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2807:
2797:
2795:
2794:on May 29, 2012
2786:
2785:
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2771:
2769:
2757:
2756:
2749:
2739:
2737:
2724:
2723:
2719:
2709:
2707:
2706:on May 13, 2012
2698:
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2693:
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2663:
2653:
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2640:
2639:
2635:
2620:(Press release)
2619:
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2347:
2345:
2344:on May 29, 2012
2335:
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2307:
2306:on May 29, 2012
2286:Johnston, Maura
2284:
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2200:
2198:
2187:
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2131:
2130:on June 2, 2012
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2028:
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2010:
2000:
1998:
1995:The Star-Ledger
1988:
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1961:The Star-Ledger
1950:
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1649:
1648:on May 27, 2012
1639:
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1417:on May 27, 2012
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1221:If I Were a Boy
1113:
1101:
1060:
1054:
1033:
995:The Star-Ledger
905:
898:
872:
847:
823:
792:and moans, the
769:acoustic guitar
667:
603:Stuart Weitzman
595:Ralph and Russo
587:
562:If I Were a Boy
536:'s version of "
534:Whitney Houston
530:Destiny's Child
497:The Star-Ledger
461:
460:
459:
458:
443:Whitney Houston
434:
433:
432:
424:
423:
391:
349:
344:Making of Revel
341:
318:Blue Ivy Carter
294:
240:Ralph and Russo
236:Destiny's Child
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3785:Mathew Knowles
3782:
3777:
3772:
3770:Angela Beyincé
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3369:Irreemplazable
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3070:External links
3068:
3065:
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3037:
3008:
2986:
2965:
2939:
2913:
2883:
2872:. May 27, 2012
2857:
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2820:. May 27, 2012
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2597:. May 28, 2012
2580:
2569:. May 29, 2012
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1815:. May 26, 2012
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1595:. May 24, 2012
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1003:Michelle Obama
907:Caryn Ganz of
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738:Schoolin' Life
722:bump and grind
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3489:Black Is King
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3468:Elements of 4
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1144:Crazy in Love
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782:Irreplaceable
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3795:Tina Knowles
3682:
3627:I Am... Tour
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3390:4: The Remix
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3168:
3055:. Retrieved
3051:the original
3040:
3028:. Retrieved
3021:
3011:
2999:. Retrieved
2989:
2977:. Retrieved
2968:
2956:. Retrieved
2952:
2942:
2930:. Retrieved
2926:the original
2916:
2904:. Retrieved
2886:
2874:. Retrieved
2869:
2860:
2848:. Retrieved
2844:
2834:
2822:. Retrieved
2817:
2808:
2796:. Retrieved
2792:the original
2782:
2770:. Retrieved
2763:
2738:. Retrieved
2720:
2708:. Retrieved
2704:the original
2694:
2682:. Retrieved
2678:the original
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2636:
2611:
2599:. Retrieved
2592:
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2571:. Retrieved
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2545:. Retrieved
2539:
2529:
2517:. Retrieved
2513:
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2491:. Retrieved
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2465:. Retrieved
2459:
2449:
2437:. Retrieved
2433:the original
2426:
2416:
2404:. Retrieved
2399:
2375:. Retrieved
2367:
2358:
2346:. Retrieved
2342:the original
2308:. Retrieved
2304:the original
2293:
2249:. Retrieved
2242:
2199:. Retrieved
2193:
2168:. Retrieved
2161:
2132:. Retrieved
2128:the original
2118:
2106:. Retrieved
2100:
2073:. Retrieved
2069:BET Networks
2038:. Retrieved
1999:. Retrieved
1994:
1969:. Retrieved
1959:
1952:McCall, Tris
1929:. Retrieved
1919:
1890:. Retrieved
1885:
1858:. Retrieved
1852:
1817:. Retrieved
1812:
1788:. Retrieved
1781:
1740:. Retrieved
1734:
1693:. Retrieved
1689:
1650:. Retrieved
1646:the original
1635:
1623:. Retrieved
1618:
1609:
1597:. Retrieved
1590:
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1569:. Retrieved
1565:
1555:
1543:. Retrieved
1539:the original
1508:. Retrieved
1502:
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1480:. Retrieved
1476:the original
1447:. Retrieved
1441:
1431:
1419:. Retrieved
1415:the original
1389:. Retrieved
1382:
1373:
1361:. Retrieved
1357:the original
1353:MTV Networks
1338:
1326:. Retrieved
1320:
1310:
1158:Naughty Girl
1092:
1086:
1080:
1069:
1063:
1061:
1045:
1037:Ticketmaster
1034:
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883:Vaudevillian
880:
867:
863:
842:
836:
830:
824:
759:The ballad "
758:
751:Dancing duo
668:
656:
643:
639:
635:
633:
626:
619:Tina Knowles
588:
577:
573:
550:Naughty Girl
542:Donna Summer
524:as well as "
515:
511:
495:
464:
462:
451:Donna Summer
446:
408:
404:
398:
392:
361:Times Square
350:
343:
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285:
280:
273:
260:
256:Tina Knowles
217:
169:
165:
164:
144:
73:
18:
3595:Renaissance
3407:Live albums
3285:The Carters
3212:Renaissance
3148:Videography
3001:November 3,
2979:November 3,
2897:Digital Spy
2624:PR Newswire
1926:Cablevision
1126:Love On Top
1119:End of Time
1099:Opening act
991:Tris McCall
887:Beatlemania
794:Boyz II Men
683:modulations
679:New Edition
675:Love On Top
671:End of Time
648:cat glasses
615:pin-up girl
566:Lauryn Hill
502:Laser Floyd
492:Tris McCall
330:LED display
271:documentary
220:LED screens
3881:Categories
3588:Homecoming
3581:On the Run
3436:Homecoming
3330:Dreamgirls
3026:. New York
2765:Daily News
1886:Daily News
1302:References
1214:Resentment
1207:I Miss You
1105:Luke James
1046:Daily News
930:Daily News
811:I Was Here
790:ululations
765:Resentment
761:I Miss You
623:David Koma
611:David Koma
479:Kanye West
405:Daily News
353:billboards
252:David Koma
104:2012-05-28
89:2012-05-25
82:Start date
3845:Suga Mama
3719:True Star
3698:Beychella
3362:True Star
3023:Billboard
2932:March 26,
2906:March 26,
2514:Billboard
2493:April 19,
1860:March 26,
1736:USA Today
1510:March 20,
1449:March 26,
1443:Us Weekly
1246:Countdown
1225:Ex-Factor
1012:used his
978:Lady Gaga
965:Billboard
869:USA Today
786:Countdown
753:Les Twins
698:dancehall
691:Bob Fosse
652:headbands
599:Swarovski
570:Ex-Factor
488:Pinterest
395:Les Twins
378:alter ego
244:Swarovski
209:alter ego
157:(2013–14)
28:Residency
3865:Category
3754:SirDavis
3744:Ivy Park
3482:Lemonade
3260:Survivor
3205:Lemonade
2201:June 26,
2170:June 26,
2075:June 28,
1695:June 10,
1349:MTV News
1137:Baby Boy
1111:Set list
987:feminism
957:MTV News
807:Guinness
778:her fans
714:confetti
702:Baby Boy
650:, 1960s
518:set list
508:wrote,
326:MTV News
306:pictured
224:set list
115:of shows
97:End date
49:Location
3811:BeyGood
3475:Beyoncé
3198:Beyoncé
3112:Beyoncé
3057:June 5,
3030:May 28,
2958:May 30,
2876:June 9,
2850:July 6,
2845:Complex
2824:June 9,
2798:June 9,
2772:May 28,
2740:May 28,
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