Knowledge (XXG)

Revenge (T.S.O.L. album)

Source πŸ“

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Allmusic's Robert Gabriel gave the album two stars out of five in a retrospective review, criticizing the hard rock direction the band took: "T.S.O.L. was barely hanging on to the last strands of its punk rock past. sound began to resemble the morbid
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is a driving, often provocative work that shows the group's musical base extending beyond mere punk thrash. Although a couple of up-tempo tunes prove that the band can still muster blasts of raw punk power,
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scene. However, singer/guitarist Joe Wood insisted that "no matter how much the music changes, our roots are still punk because we never played any instruments before punk." The band recorded
777: 667: 1017: 384:." He remarked that, despite the presence of a few fast-paced songs, the more hard rock-oriented tracks on the album "continued the trend toward rock simplicity. 218:-influenced sound of their past in favor of simpler rock numbers. To promote the album, two songs were used in film soundtracks: "Nothin' for You" in 1081: 1074: 799: 884: 816: 1166: 961: 996: 601: 303: 284: 220: 989: 771: 661: 170: 1134: 317:
was filmed that included scenes from the movie. A second music video was filmed for the song "Colors (Take Me Away)".
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predicted that it could give T.S.O.L. their shot at radio airplay: "Even more than its predecessorβ€”1984's
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Ron Goudie. Several additional engineers assisted in the recording, and the tracks were
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much more than the sarcastic resistance rock of California counterparts such as the
297:(catalog number 73211), under a new nationwide distribution deal between Enigma and 905: 794: 377: 369: 345: 230:(1986). "Revenge" and "Colors (Take Me Away)" were also made into the band's first 114: 1049: 808: 575: 314: 257: 231: 215: 82: 931: 924: 615:
Chris Grayson – recording engineer ("Nothin' for You" and "Everybody's a Cop")
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Robert Feist – recording engineer ("Nothin' for You" and "Everybody's a Cop")
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is really not much more than a record aimed to appease the juvenile mind."
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T.S.O.L. toured for almost two years in support of their 1984 album
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Jeff Woodruff – additional engineering, mix engineer
1116: 1091: 1066: 1034: 953: 414: 406: 307:. The album's title track was included in the film 198:(True Sounds of Liberty), released in 1986 through 138: 126: 113: 97: 81: 70: 55: 42: 21: 260:, began to take on elements of the area's growing 1018:Life, Liberty & the Pursuit of Free Downloads 325:Prior to the album's release, Randy Lewis of the 248:, becoming quite popular in their home region of 776:: CS1 maint: others in cite AV media (notes) ( 666:: CS1 maint: others in cite AV media (notes) ( 878: 352:on album rock stations." Bradley Torreano of 8: 789: 787: 624:Mike Kloster – additional second engineering 723:"T.S.O.L. Reaching Out to Broader Audience" 190:is the fourth studio album by the American 885: 871: 863: 683: 681: 679: 677: 27: 18: 830: 828: 403: 750: 748: 746: 744: 716: 714: 712: 710: 637: 528: 769: 659: 37:, Joe Wood, Mike Roche, and Mitch Dean 529: 7: 397:All tracks are written by Joe Wood, 344:blazing guitar work and the raging, 800:American Hardcore: A Tribal History 293:was released by June 20, 1986, by 14: 1082:Hell and Back Together: 1984–1990 16:1986 studio album by T.S.O.L. 1075:Thoughts of Yesterday: 1981–1982 612:Randy Burns – recording engineer 210:, the band moved away from the 74:1986 at Music Grinder Studios, 407: 1: 304:The Return of the Living Dead 221:The Return of the Living Dead 401:, Mike Roche, and Mitch Dean 268:at Music Grinder Studios in 33:Left to right on the cover: 1135:An American Demon: A Memoir 758:(CD liner notes). T.S.O.L. 721:Lewis, Randy (1986-05-30). 648:(CD liner notes). T.S.O.L. 1183: 900: 518: 507: 496: 485: 474: 463: 452: 441: 430: 419: 411: 146: 26: 238:Background and recording 224:(1985) and "Revenge" in 456:"Colors (Take Me Away)" 59:June 20, 1986 760:El Segundo, California 656:. 1999. 01877-72971-2. 650:El Segundo, California 627:Scarpati – photography 206:scene in their native 1167:Enigma Records albums 690:"Biography: T.S.O.L." 1057:Live from Long Beach 1025:The Trigger Complex 969:Beneath the Shadows 772:cite AV media notes 688:Torreano, Bradley. 662:cite AV media notes 522:"Everybody's a Cop" 356:remarked that with 250:Southern California 208:Southern California 1067:Compilation albums 766:. 1986. CDE-73211. 608:recording engineer 368:of groups such as 281:recording engineer 1144: 1143: 1107:Weathered Statues 835:Gabriel, Robert. 728:Los Angeles Times 539: 538: 434:"Nothin' for You" 328:Los Angeles Times 310:Dangerously Close 227:Dangerously Close 183: 182: 179: 178: 1174: 1117:Related articles 1011:Divided We Stand 887: 880: 873: 864: 857: 856: 854: 853: 832: 823: 822: 791: 782: 781: 775: 767: 752: 739: 738: 736: 735: 718: 705: 704: 702: 701: 685: 672: 671: 665: 657: 654:Restless Records 642: 532: 500:"Still the Same" 409: 404: 148: 147: 109: 108: 104: 66: 64: 31: 19: 1182: 1181: 1177: 1176: 1175: 1173: 1172: 1171: 1157:T.S.O.L. albums 1147: 1146: 1145: 1140: 1112: 1087: 1062: 1030: 949: 940:Marshall Rohner 896: 891: 861: 860: 851: 849: 834: 833: 826: 819: 811:. p. 326. 793: 792: 785: 768: 754: 753: 742: 733: 731: 720: 719: 708: 699: 697: 687: 686: 675: 658: 644: 643: 639: 634: 545: 540: 530: 394: 323: 299:Capitol Records 240: 174: 165: 156: 106: 102: 101: 62: 60: 51: 38: 17: 12: 11: 5: 1180: 1178: 1170: 1169: 1164: 1159: 1149: 1148: 1142: 1141: 1139: 1138: 1131: 1126: 1120: 1118: 1114: 1113: 1111: 1110: 1103: 1095: 1093: 1089: 1088: 1086: 1085: 1078: 1070: 1068: 1064: 1063: 1061: 1060: 1053: 1046: 1038: 1036: 1032: 1031: 1029: 1028: 1021: 1014: 1007: 1000: 993: 986: 979: 972: 965: 957: 955: 951: 950: 948: 947: 942: 936: 935: 928: 921: 916: 909: 901: 898: 897: 892: 890: 889: 882: 875: 867: 859: 858: 824: 817: 783: 764:Enigma Records 740: 706: 673: 636: 635: 633: 630: 629: 628: 625: 622: 619: 616: 613: 610: 604: 590: 589: 585: 584: 578: 572: 566: 552: 551: 544: 541: 537: 536: 533: 527: 526: 523: 520: 516: 515: 512: 509: 505: 504: 501: 498: 494: 493: 490: 489:"Change Today" 487: 483: 482: 479: 476: 472: 471: 468: 465: 461: 460: 457: 454: 450: 449: 446: 443: 439: 438: 435: 432: 428: 427: 424: 421: 417: 416: 413: 410: 395: 393: 390: 322: 319: 295:Enigma Records 239: 236: 200:Enigma Records 181: 180: 177: 176: 167: 158: 144: 143: 136: 135: 130: 124: 123: 117: 111: 110: 99: 95: 94: 85: 79: 78: 72: 68: 67: 57: 53: 52: 47: 40: 39: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1179: 1168: 1165: 1163: 1160: 1158: 1155: 1154: 1152: 1137: 1136: 1132: 1130: 1129:The Joykiller 1127: 1125: 1122: 1121: 1119: 1115: 1109: 1108: 1104: 1102: 1101: 1097: 1096: 1094: 1090: 1084: 1083: 1079: 1077: 1076: 1072: 1071: 1069: 1065: 1059: 1058: 1054: 1052: 1051: 1047: 1045: 1044: 1040: 1039: 1037: 1033: 1027: 1026: 1022: 1020: 1019: 1015: 1013: 1012: 1008: 1006: 1005: 1001: 999: 998: 994: 992: 991: 987: 985: 984: 980: 978: 977: 976:Change Today? 973: 971: 970: 966: 964: 963: 962:Dance with Me 959: 958: 956: 954:Studio albums 952: 946: 945:Anthony Biuso 943: 941: 938: 937: 934: 933: 929: 927: 926: 922: 920: 917: 915: 914: 910: 908: 907: 903: 902: 899: 895: 888: 883: 881: 876: 874: 869: 868: 865: 848: 847: 842: 840: 831: 829: 825: 820: 818:0-922915-71-7 814: 810: 806: 805:New York City 802: 801: 796: 795:Blush, Steven 790: 788: 784: 779: 773: 765: 761: 757: 751: 749: 747: 745: 741: 730: 729: 724: 717: 715: 713: 711: 707: 696: 695: 691: 684: 682: 680: 678: 674: 669: 663: 655: 651: 647: 646:Change Today? 641: 638: 631: 626: 623: 620: 617: 614: 611: 609: 606:Ron Goudie – 605: 603: 599: 595: 594:Howard Benson 592: 591: 587: 586: 583: 580:Mitch Dean – 579: 577: 574:Mike Roche – 573: 570: 567: 565: 561: 557: 554: 553: 549: 548: 547: 542: 534: 531:Total length: 524: 521: 517: 513: 510: 506: 502: 499: 495: 491: 488: 484: 480: 477: 473: 469: 466: 462: 458: 455: 451: 447: 444: 440: 436: 433: 429: 425: 422: 418: 405: 402: 400: 392:Track listing 391: 389: 387: 383: 382:Dead Kennedys 379: 375: 371: 367: 361: 359: 355: 351: 347: 343: 338: 334: 333:Change Today? 330: 329: 320: 318: 316: 312: 311: 306: 305: 300: 296: 292: 288: 286: 282: 278: 277:Howard Benson 275: 271: 267: 263: 259: 255: 251: 247: 246: 245:Change Today? 237: 235: 233: 229: 228: 223: 222: 217: 213: 209: 205: 201: 197: 193: 189: 188: 173: 172: 168: 164: 163: 159: 155: 154: 153:Change Today? 150: 149: 145: 141: 137: 134: 133:Howard Benson 131: 129: 125: 121: 118: 116: 112: 100: 96: 93: 89: 86: 84: 80: 77: 73: 69: 58: 54: 50: 45: 41: 36: 30: 25: 20: 1133: 1105: 1098: 1080: 1073: 1055: 1048: 1041: 1023: 1016: 1009: 1002: 997:Strange Love 995: 988: 982: 981: 974: 967: 960: 930: 923: 918: 911: 906:Jack Grisham 904: 850:. 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Retrieved 692: 645: 640: 602:mix engineer 546: 396: 385: 378:Circle Jerks 370:Alice Cooper 362: 357: 346:Jim Morrison 336: 332: 326: 324: 308: 302: 290: 289: 265: 243: 241: 232:music videos 225: 219: 186: 185: 184: 169: 161: 160: 151: 44:Studio album 1162:1986 albums 1124:Discography 1035:Live albums 990:Hit and Run 809:Feral House 576:bass guitar 511:"Your Eyes" 350:heavy metal 315:music video 287:by Benson. 258:gothic rock 216:gothic rock 171:Hit and Run 1151:Categories 932:Chip Hanna 925:Greg Kuehn 919:Mike Roche 852:2012-01-25 734:2012-02-02 700:2012-01-25 632:References 588:Production 467:"Madhouse" 445:"Memories" 142:chronology 63:1986-06-20 1004:Disappear 913:Ron Emory 837:"Review: 569:Ron Emory 543:Personnel 478:"Revenge" 423:"No Time" 399:Ron Emory 366:cock rock 321:Reception 270:Hollywood 262:hard rock 254:punk rock 204:hard rock 92:punk rock 88:Hard rock 76:Hollywood 35:Ron Emory 1100:T.S.O.L. 1050:Live '91 894:T.S.O.L. 846:Allmusic 797:(2001). 694:Allmusic 598:producer 571:– guitar 556:Joe Wood 380:and the 354:Allmusic 313:, and a 274:producer 196:T.S.O.L. 140:T.S.O.L. 128:Producer 71:Recorded 56:Released 49:T.S.O.L. 46: by 983:Revenge 839:Revenge 756:Revenge 386:Revenge 358:Revenge 342:Emory's 337:Revenge 291:Revenge 266:Revenge 187:Revenge 175:(1987) 166:(1986) 162:Revenge 157:(1984) 122:(73211) 61: ( 22:Revenge 815:  564:guitar 560:vocals 415:Length 374:Danzig 214:- and 120:Enigma 98:Length 582:drums 535:31:43 412:Title 285:mixed 272:with 194:band 115:Label 83:Genre 1043:Live 813:ISBN 778:link 668:link 550:Band 525:2:34 514:3:43 503:3:48 492:2:17 481:3:07 470:3:53 459:4:10 448:3:07 437:2:28 426:2:36 372:and 279:and 256:and 212:punk 192:rock 1092:EPs 519:10. 408:No. 335:LPβ€” 1153:: 843:. 827:^ 807:: 803:. 786:^ 774:}} 770:{{ 762:: 743:^ 725:. 709:^ 676:^ 664:}} 660:{{ 652:: 600:, 596:– 562:, 558:– 508:9. 497:8. 486:7. 475:6. 464:5. 453:4. 442:3. 431:2. 420:1. 234:. 107:43 103:31 90:, 886:e 879:t 872:v 855:. 841:" 821:. 780:) 737:. 703:. 670:) 105:: 65:)

Index


Ron Emory
Studio album
T.S.O.L.
Hollywood
Genre
Hard rock
punk rock
Label
Enigma
Producer
Howard Benson
T.S.O.L.
Change Today?
Hit and Run
rock
T.S.O.L.
Enigma Records
hard rock
Southern California
punk
gothic rock
The Return of the Living Dead
Dangerously Close
music videos
Change Today?
Southern California
punk rock
gothic rock
hard rock

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