Marina Abramović - Knowledge (XXG)

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allowed to use in any way that they chose; a sign informed them that they held no responsibility for any of their actions. Some of the objects could give pleasure, while others could be wielded to inflict pain, or to harm her. Among them were a rose, a feather, honey, a whip, olive oil, scissors, a scalpel, a gun and a single bullet. For six hours the artist allowed audience members to manipulate her body and actions without consequences. This tested how vulnerable and aggressive human subjects could be when actions have no social consequences. At first the audience did not do much and was extremely passive. However, as the realization began to set in that there was no limit to their actions, the piece became brutal. By the end of the performance, her body was stripped, attacked, and devalued into an image that Abramović described as the "Madonna, mother, and whore." As Abramović described it later: "What I learned was that ... if you leave it up to the audience, they can kill you. ... I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation."

660:, who went by the single name Ulay. They began living and performing together that year. When Abramović and Ulay began their collaboration, the main concepts they explored were the ego and artistic identity. They created "relation works" characterized by constant movement, change, process and "art vital". This was the beginning of a decade of influential collaborative work. Each performer was interested in the traditions of their cultural heritage and the individual's desire for ritual. Consequently, they decided to form a collective being called "The Other", and spoke of themselves as parts of a "two-headed body". They dressed and behaved like twins and created a relationship of complete trust. As they defined this phantom identity, their individual identities became less accessible. In an analysis of phantom artistic identities, Charles Green has noted that this allowed a deeper understanding of the artist as performer, since it revealed a way of "having the artistic self made available for self-scrutiny". 771:. After each of us walked 2500 km, we met in the middle and said good-bye." She has said that she conceived this walk in a dream, and it provided what she thought was an appropriate, romantic ending to a relationship full of mysticism, energy, and attraction. She later described the process: "We needed a certain form of ending, after this huge distance walking towards each other. It is very human. It is in a way more dramatic, more like a film ending ... Because in the end, you are really alone, whatever you do." She reported that during her walk she was reinterpreting her connection to the physical world and to nature. She felt that the metals in the ground influenced her mood and state of being; she also pondered the Chinese myths in which the Great Wall has been described as a "dragon of energy". It took the couple eight years to acquire permission from the Chinese government to perform the work, by which time their relationship had completely dissolved. 1106:

The line attracted no attention from museum security until the last day of the exhibition, when a visitor vomited in line and another began to disrobe. Tensions among visitors in line could have arisen from an understanding that for every minute each person in line spent with Abramović, there would be that many fewer minutes in the day for those further back in line to spend with the artist. Due to the strenuous nature of sitting for hours at a time, art-enthusiasts have speculated as to whether Abramović wore an adult diaper to eliminate the need to move to urinate. Others have highlighted the movements she made in between sitters as a focus of analysis, as the only variations in the artist between sitters were when she would cry if a sitter cried and her moment of physical contact with Ulay, one of the earliest visitors to the exhibition. Abramović sat across from 1,545 sitters, including

547:, in which rhythmic knife jabs are aimed between the splayed fingers of one's hand. Each time she cut herself, she would pick up a new knife from the row of twenty she had set up, and record the operation. After cutting herself twenty times, she replayed the tape, listened to the sounds, and tried to repeat the same movements, attempting to replicate the mistakes, merging past and present. She set out to explore the physical and mental limitations of the body – the pain and the sounds of the stabbing; the double sounds from the history and the replication. With this piece, Abramović began to consider the state of consciousness of the performer. "Once you enter into the performance state you can push your body to do things you absolutely could never normally do." 58: 559:

clippings into the flames, creating a burst of light each time. Burning the communist five-pointed star or pentagram represented a physical and mental purification, while also addressing the political traditions of her past. In the final act of purification, Abramović leapt across the flames into the center of the large pentagram. At first, due to the light and smoke given off by the fire, the observing audience did not realize that the artist had lost consciousness from lack of oxygen inside the star. However, when the flames came very near to her body and she still remained inert, a doctor and others intervened and extricated her from the star.

744:, where both balanced each other on opposite sides of a drawn bow and arrow, with the arrow pointed at Abramović's heart. With almost no effort, Ulay could easily kill Abramović with one finger. This seems to symbolize the dominance of men and what kind of upper hand they have in society over women. In addition, the handle of the bow is held by Abramović and is pointed at herself. The handle of the bow is the most significant part of a bow. This would be a whole different piece if it were Ulay aiming a bow at Abramović, but by having her hold the bow, it is almost as if the she is supporting him while taking her own life. 1183: 608:, when the audience interfered in the performance, led to her devising specific plans so that her loss of consciousness would not interrupt the performance before it was complete. Before the beginning of her performance, Abramović asked the cameraman to focus only on her face, disregarding the fan. This was so the audience would be oblivious to her unconscious state, and therefore unlikely to interfere. Ironically, after several minutes of Abramović's unconsciousness, the cameraman refused to continue and sent for help. 390:, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art. 794: 782:

that Ulay was entitled to royalties of 20% net on the sales of their works, as specified in the original 1999 contract, and ordered Abramović to backdate royalties of more than €250,000, as well as more than €23,000 in legal costs. Additionally, she was ordered to provide full accreditation to joint works listed as by "Ulay/Abramović" covering the period from 1976 to 1980, and "Abramović/Ulay" for those from 1981 to 1988.

586:, to force them to change the positions of their bodies.' The medication caused her muscles to contract violently, and she lost complete control over her body while remaining aware of what was going on. After a ten-minute break, she took a second medication 'given to schizophrenic patients with violent behavior disorders to calm them down.' The performance ended after five hours when the medication wore off. 1392:

public would enter the space and be asked to take off all of their clothes and give them to Abramović. The individuals would then wait around as she would wash, dry and iron their clothes for them, and once she was done, she would give them back their clothing, and they could get dressed and then leave. She proposed this in 1969 for the Galerija Doma Omladine in Belgrade. The proposal was refused.

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not allowed to leave the house after 10 o'clock at night until I was 29 years old. ... ll the performances in Yugoslavia I did before 10 o'clock in the evening because I had to be home then. It's completely insane, but all of my cutting myself, whipping myself, burning myself, almost losing my life in 'The Firestar'—everything was done before 10 in the evening."

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video is filmed with its own sound, creating an overlap. As the skeleton becomes cleaner, Abramović becomes covered in the grayish dirt that was once covering the skeleton. This three-hour performance is filled with metaphors of the Tibetan death rites that prepare disciples to become one with their own mortality. The piece consists of a three-piece series.

1350:. According to the Academy, the exhibition would "bring together works spanning her 50-year career, along with new works conceived especially for these galleries. As Abramović approaches her mid-70s, her new work reflects on changes to the artist's body, and explores her perception of the transition between life and death." On reviewing this exhibition 895:. She then incorporated these interviews into her piece, as well as clips of the hands of her father, her father holding a pistol and her mother showing empty hands then crossed hands. Abramović is dressed as a doctor recounting the story of the rat-catcher. While this is happening, Abramović sits among a large pile of bones and tries to wash them. 630:

powerful message. Abramović's art also represents the objectification of the female body, as she remains motionless and allows spectators to do as they please with her body; the audience pushes the limits of what one would consider acceptable. By presenting her body as an object, she explores the elements of danger and physical exhaustion.

1134:; sitters were asked not to touch or speak to the artist. By the end of the exhibit, hundreds of visitors were lining up outside the museum overnight to secure a spot in line the next morning. Abramović concluded the performance by slipping from the chair where she was seated and rising to a cheering crowd more than ten people deep. 1396:

take the clothing one by one and change into them, then stand to face the public for a while. "From the right pocket of my skirt I take a gun. From the left pocket of my skirt I take a bullet. I put the bullet into the chamber and turn it. I place the gun to my temple. I pull the trigger." The performance had two possible outcomes.

891:. She remembers other artists reacting immediately, creating work and protesting about the effects and horrors of the war. Abramović could not bring herself to create work on the matter so soon, as it was too close to home for her. Eventually, Abramović returned to Belgrade, where she interviewed her mother, her father, and a 778:, in which she shared a period of silence with each stranger who sat in front of her. Although "they met and talked the morning of the opening", Abramović had a deeply emotional reaction to Ulay when he arrived at her performance, reaching out to him across the table between them; the video of the event went viral. 1105:

with them. Visitors began crowding the atrium within days of the show opening, some gathering before the exhibit opened each morning to rush for a more preferable place in the line to sit with Abramović. Most visitors sat with the artist for five minutes or less, a few sat with her for an entire day.

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In 1970 she proposed a similar idea to the same gallery that was also refused. The piece was untitled. Abramović would stand in front of the public dressed in her regular clothing. Present on the side of the stage was a clothes rack adorned with clothing that her mother wanted her to wear. She would

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saw the show and publicized it, Abramović found a new audience: "So the kids from 12 and 14 years old to about 18, the public who normally don't go to the museum, who don't give a shit about performance art or don't even know what it is, started coming because of Lady Gaga. And they saw the show and

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installation. This was originally installed in the Zerynthia Associazione per l'Arte Contemporanea in Rome, Italy, and included white gallery walls with "enigmatically violent recipe instructions" painted in pig's blood. According to Alexxa Gotthardt, the work is "a comment on humanity's reliance on

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Life in Abramović's parental home under her mother's strict supervision was difficult. When Abramović was a child, her mother beat her for "supposedly showing off". In an interview published in 1998, Abramović described how her "mother took complete military-style control of me and my brother. I was

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in 1996. These "recipes" were meant to be "evocative instructions for actions or for thoughts". For example, one of the recipes calls for "13,000 grams of jealousy", while another says to "mix fresh breast milk with fresh sperm milk." The work was inspired by the popular belief that ghosts feed off

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In November 2015, Ulay took Abramović to court, claiming she had paid him insufficient royalties according to the terms of a 1999 contract covering sales of their joint works and a year later, in September 2016, Abramović was ordered to pay Ulay €250,000. In its ruling, the court in Amsterdam found

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In her works, Abramović affirms her identity through the perspective of others; however, more importantly, by changing the roles of each player, the identity and nature of humanity at large is unraveled and showcased. By doing so, the individual experience morphs into a collective one and creates a

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Abramović was raised by her grandparents until she was six years old. Her grandmother was deeply religious and Abramović "spent childhood in a church following grandmother's rituals—candles in the morning, the priest coming for different occasions". When she was six, her brother was born, and she

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In celebration of her 70th birthday on November 30, 2016, Abramović took over the Guggenheim museum (eleven years after her previous happening there) for her birthday party entitled "Marina 70". Part one of the evening, titled "Silence," lasted 70 minutes, ending with the crash of a gong struck by

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the two artists devised a piece in which they connected their mouths and took in each other's exhaled breaths until they had used up all of the available oxygen. Nineteen minutes after the beginning of the performance they pulled away from each other, their lungs having filled with carbon dioxide.

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To test the limits of the relationship between performer and audience, Abramović developed one of her most challenging and best-known performances. She assigned a passive role to herself, with the public being the force that would act on her. Abramović placed on a table 72 objects that people were

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had links with the occult. In a 2013 Reddit Q&A, in response to a question about occult in contemporary art, she said: "Everything depends on which context you are doing what you are doing. If you are doing the occult magic in the context of art or in a gallery, then it is the art. If you are

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Abramović had proposed some solo performances during her career that never were performed. One such proposal was titled "Come to Wash with Me". This performance would take place in a gallery space that was to be transformed into a laundry with sinks placed all around the walls of the gallery. The

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consisted of five monitors playing footage in which Abramović scrubs a grimy human skeleton in her lap. She vigorously brushes the different parts of the skeleton with soapy water. Each monitor is dedicated to one part of the skeleton: the head, the pelvis, the ribs, the hands, and the feet. Each

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ideologies, Abramović/Ulay explored extreme states of consciousness and their relationship to architectural space. They devised a series of works in which their bodies created additional spaces for audience interaction. In discussing this phase of her performance history, she has said: "The main

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In this performance, Abramović sought to re-evoke the energy of extreme bodily pain, using a large petroleum-drenched star, which the artist lit on fire at the start of the performance. Standing outside the star, Abramović cut her nails, toenails, and hair. When finished with each, she threw the

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The performance occurred in Venice in 1997. Abramović remembered the horrible smell – for it was extremely hot in Venice during the summer – and that worms emerged from the bones. She has explained that the idea of scrubbing the bones clean, trying to remove the blood, is impossible. The point

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was performed at the Galleria Diagramma in Milan. In this piece, Abramović knelt alone and naked in a room with a high-power industrial fan. She approached the fan slowly, attempting to breathe in as much air as possible to push the limits of her lungs. Soon after she lost consciousness.

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under the floorboards of a gallery as visitors walked overhead. It is argued that Abramović re-performed these works as a series of homages to the past, though many of the performances were altered from their originals. All seven performances were dedicated to Abramović's late friend

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statement, Abramović herself denies considering this as a conscious concept. Her body studies, she insists, have always been concerned primarily with the body as the unit of an individual, a tendency she traces to her parents' military pasts. Rather than concerning themselves with

1588:. She allowed Jay-Z to adapt "The Artist Is Present" under the condition that he would donate to her institute. Abramović stated that Jay-Z did not live up to his end of the deal, describing the performance as a "one-way transaction". However, two years later in 2015, Abramović 1100:

Abramović sat in a rectangle drawn with tape in the floor of the second floor atrium of the MoMA; theater lights shone on her sitting in a chair and a chair opposite her. Visitors waiting in line were invited to sit individually across from the artist while she maintained

730:(1978) the two artists stood opposite each other and made long sounds with their mouths open. They gradually moved closer and closer, until they were eventually yelling directly into each other's mouths. This piece demonstrated their interest in endurance and duration. 875:

In this piece, Abramović vigorously scrubbed thousands of bloody cow bones over a period of four days, in reference to the ethnic cleansing that had taken place in the Balkans during the 1990s. This performance piece earned Abramović the Golden Lion award at the

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to incorporate a state of unconsciousness in a performance. She performed the work at the Gallery of Contemporary Art in Zagreb, in 1974. In Part I, which had a duration of 50 minutes, she ingested a medication she describes as 'given to patients who suffer from

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Abramović is trying to make is that blood can't be washed from bones and hands, just as the war can't be cleansed of shame. She wanted to allow the images from the performance to speak for not only the war in Bosnia, but for any war, anywhere in the world.

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In an interview published in 2013, Abramović said, "My mother and father had a terrible marriage." Describing an incident when her father smashed 12 champagne glasses and left the house, she said, "It was the most horrible moment of my childhood."

699:(1977) had the pair driving their car inside of a museum for 365 laps; a black liquid oozed from the car, forming a kind of sculpture, each lap representing a year. (After 365 laps the idea was that they entered the New Millennium.) 1097:, a 736-hour and 30-minute static, silent piece, in which she sat immobile in the museum's atrium while spectators were invited to take turns sitting opposite her. Ulay made a surprise appearance at the opening night of the show. 4281: 1648:, Microsoft eventually pulled the advertisement. Abramović responded to the criticism, appealing to people to stop harassing her, arguing that her performances are just the art that she has been doing for 50 years of her life. 3631: 4969: 685:

problem in this relationship was what to do with the two artists' egos. I had to find out how to put my ego down, as did he, to create something like a hermaphroditic state of being that we called the death self."

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and introducing a new performance on the last night. The performances were arduous, requiring both the physical and the mental concentration of the artist. Included in Abramović's performances were recreations of

723:(1977, reenacted in 2010) two performers of opposite sexes, both completely nude, stand in a narrow doorway. The public must squeeze between them in order to pass, and in doing so choose which one of them to face. 706:(1977) they sat back to back, tied together by their ponytails for sixteen hours. They then allowed the public to enter the room to see if they could use the energy of the public to push their limits even further. 6979: 5159: 1608:

is a high sugar diet that bloats their bodies) and sticklike legs". She responded to the controversy on Facebook, writing, "I have the greatest respect for the Aborigine people, to whom I owe everything."

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In 1988, after several years of tense relations, Abramović and Ulay decided to make a spiritual journey that would end their relationship. They each walked the Great Wall of China, in a piece called

1210:– "each possess a passion for making work that is inseparable from their devotion to New York", according to the publisher. Abramović is also the subject of an independent documentary film entitled 2355: 1149:

then they started coming back. And that's how I get a whole new audience." In September 2011, a video game version of Abramović's performance was released by Pippin Barr. In 2013, Dale Eisinger of

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doing it in different context, in spiritual circles or private house or on TV shows, it is not art. The intention, the context for what is made, and where it is made defines what art is or not".

1555:" on November 10. Furthermore, both have collaborated on projects supporting the Marina Abramović Institute, including Gaga's participation in an 'Abramović Method' video and a nonstop reading of 7029: 1847:, artist, Abramović; authors Abramović, Toni Stooss, Thomas McEvilley, Bojana Pejic, Hans Ulrich Obrist, Chrissie Iles, Jan Avgikos, Thomas Wulffen, Velimir Abramović; English ed. (Charta, 1998) 442:

began living with her parents while also taking piano, French, and English lessons. Although she did not take art lessons, she took an early interest in art and enjoyed painting as a child.

1580:" for six straight hours. During the performance, Abramović and several figures in the art world were invited to dance with him standing face to face. The footage was later turned into the 4892: 1493:

The institute continues to operate as a traveling organization. To date, MAI has partnered with many institutions and artists internationally, traveling to Brazil, Greece, and Turkey.

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Abramović later commented upon this experience: "I was very angry because I understood there is a physical limit. When you lose consciousness you can't be present, you can't perform."

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campaign. The campaign was funded by more than 4,000 contributors, including Lady Gaga and Jay-Z. The building project was canceled in October 2017 due to its high anticipated cost,

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in New York City. On seven consecutive nights for seven hours she recreated the works of five artists first performed in the 1960s and 1970s, in addition to re-performing her own

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the artist. Then came the more conventional part two: "Entertainment", during which Abramović took to the stage to make a speech before watching English singer and visual artist

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took portraits of every person who sat opposite Abramović, which were published on Flickr, compiled in a book and featured in an exhibition at the Danziger Gallery in New York.

3882: 3333: 1214:, which is based on her life and performance at her retrospective "The Artist Is Present" at the Museum of Modern Art in 2010. The film was broadcast in the United States on 543:

In her first performance in Edinburgh in 1973, Abramović explored elements of ritual and gesture. Making use of twenty knives and two tape recorders, the artist played the

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Abramović sparked controversy in August 2016 when passages from an early draft of her memoir were released, in which—based on notes from her 1979 initial encounter with

1907:, fifteen artists, Fondazione Ratti; coauthors Abramović, Anna Daneri, Giacinto Di Pietrantonio, Lóránd Hegyi, Societas Raffaello Sanzio, Angela Vettese (Charta, 2002) 524: 7039: 5145: 4221: 2426: 3148: 7044: 6964: 3705: 3311: 1137:

A support group for the "sitters", "Sitting with Marina", was established on Facebook, as was the blog "Marina Abramović made me cry". The Italian photographer

763:, starting from the two opposite ends and meeting in the middle. As Abramović described it: "That walk became a complete personal drama. Ulay started from the 4429: 3473:

Marco Anelli: Portraits in the Presence of Marina Abramovic: Marina Abramovic, Klaus Biesenbach, Chrissie Iles, Marco Anelli: 9788862082495: Amazon.com: Books

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Originally set to open on September 26, 2020, her first major exhibition in the UK at the Royal Academy of Arts was rescheduled for autumn 2021 due to the

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was a message from Abramović to Podesta's brother discussing an invitation to a spirit cooking, which was interpreted by conspiracy theorists such as

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held a major retrospective and performance recreation of Abramović's work, the biggest exhibition of performance art in MoMA's history, curated by

6857: 6785: 6388: 6122: 5065: 3103: 1734: 4452: 6018: 1947:; the 2002 piece of the same name, in which Abramović lived on three open platforms in a gallery with only water for 12 days, was reenacted in 1032: 3076: 6984: 5540: 3678: 3283: 3258: 2660: 2635: 2610: 2038: 2024: 2010: 1992: 1968: 1944: 1926: 1912: 1898: 1880: 1866: 1852: 1839: 1722: 1478:. Abramović purchased the site for the institute in 2007. Located in Hudson, New York, the building was built in 1933 and has been used as a 1354:, writing for Culture Whisper, described it thus: “It’s intense, it’s discomfiting, it’s memorable, and it’s performance art at its finest". 1086:. Biesenbach also provided the title for the performance, which referred to the fact that during the entire performance "the artist would be 4838: 7019: 3819: 2833:"Lovers Abramović & Ulay Walk the Length of the Great Wall of China from opposite ends, Meet in the Middle and BreakUp – Kickass Trips" 2939: 4729: 4385: 4248: 7049: 6939: 4677: 3771: 4193: 4122: 3904: 6974: 6563: 3480: 3414: 2459: 2380: 2253: 6908: 6298: 3602: 2122: 716:

This personal piece explored the idea of an individual's ability to absorb the life of another person, exchanging and destroying it.

6639: 5289: 5101: 3864: 3341: 2427:"Famous for The Artist Is Present, Abramovic will share The Life and Death of Marina Abramovic and more with Toronto June 14 to 23" 1668:. "When people ask me where I am from," she says, "I never say Serbia. I always say I come from a country that no longer exists." 1471:(MAI) is a performance art organization with a focus on performance, long durational works, and the use of the "Abramovic Method". 693:(1976) they ran into each other repeatedly for an hour – mixing male and female energy into the third component called "that self". 57: 4995: 4652: 3723: 6994: 6453: 5533: 4607: 864:

later evolved into a form of dinner party entertainment that Abramovic occasionally lays on for collectors, donors, and friends.

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The work of Abramović and Ulay tested the physical limits of the body and explored male and female principles, psychic energy,

4556: 1791:(2012; not to be confused with the Silver and Golden Bear at the Berlin Film Festival; a cultural award of the German tabloid 410:, on November 30, 1946. In an interview, Abramović described her family as having been "Red bourgeoisie". Her great-uncle was 7034: 6949: 6742: 5625: 3950: 459: 106: 4225: 1786: 1182: 5893: 4503: 3154: 2872: 516: 431: 4626: 6146: 6034: 3557: 947: 931: 88: 4144: 3303: 2493: 6885: 6833: 6778: 6190: 6154: 6098: 5169: 4627:"Microsoft Just Pulled an Ad Featuring Marina Abramovic After Right-Wing Conspiracy Theorists Accused Her of Satanism" 1807: 1754: 1714: 1373: 1269: 1000: 5301: 5137: 4530: 1781: 1604:—she compared them to dinosaurs and observed that "they have big torsos (just one bad result of their encounter with 3665: 3453: 7009: 6313: 6026: 5946: 5253: 5217: 5056: 4893:"FRANCIS SCHAEFFER ANALYZES ART AND CULTURE Part 41 Sarvepalli Radhakrishnan (Featured artist is Marina Abramović)" 4354: 4328: 3232: 1761: 1292: 711: 512: 427: 411: 328: 4100: 1709: 7014: 6644: 5970: 5641: 1318: 664: 435: 355: 5092: 3793: 2322: 7004: 6849: 6737: 6178: 6002: 5994: 5962: 5886: 5825: 1548: 1351: 1246: 1144:

Abramović said the show changed her life "completely – every possible element, every physical emotion". After

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In 2023, she was the first woman in 255 years to be invited to give a solo show in the main galleries of the

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A world premiere installation by Abramović was featured at Toronto's Trinity Bellwoods Park as part of the

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cookbook, containing comico-mystical, self-help instructions that are meant to be just poetry.

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during her life, and has said that having children would have been a "disaster" for her work.

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and she subsequently launched the US edition of the book at the Museum of Modern Art in 2018.

911: 202: 3209: 1939:, Thomas McEvilley, Cindy Carr, Chrissie Iles, RosaLee Goldberg, Peggy Phelan (Charta, 2004) 6679: 6614: 6558: 6533: 6478: 6438: 5729: 5633: 5585: 5361: 5355: 5313: 5265: 5247: 5229: 3372: 3299: 2544: 2405: 2164: 1949: 1921:, artist Abramović, vari; authors Abramović, Miguel Fernandez-Cid, students; (Charta, 2002) 1793: 1556: 1475: 1425: 1327: 1265: 1107: 1083: 4918: 3994: 3924:

Parkinson, Hannah Jane (September 29, 2023). "At long last, the female artist is present".

6278: 6238: 6213: 5909: 5705: 5649: 5478: 5466: 5257: 5205: 4060:"marina abramović launches kickstarter campaign for the marina abramović institute by OMA" 3980: 3966: 3627: 3537: 2001:, artist Abramović; authors Kristine Stiles, Klaus Biesenbach, Chrissie Iles, Abramović; ( 1703: 1625: 1605: 1561: 877: 753: 379: 129: 5809: 5769: 5753: 5454: 5127: 4944:"СВЕТОГРЂЕ! Вучић на Сретење доделио орден Марини Абрамовић! Ево свих 170 имена (СПИСАК)" 3746: 3496: 2999: 840:

Abramović worked with Jacob Samuel to produce a cookbook of "aphrodisiac recipes" called

4680:[Marina Abramović: I'm neither a Serb, nor a Montenegrin, I am an ex-Yugoslav]. 2989:

Abramovic, M., & von Drathen, D. (2002). Marina Abramovic. Fondazione Antonio Ratti.

6913: 6817: 6809: 6671: 6593: 6518: 6513: 6358: 6268: 6263: 6258: 6233: 6050: 5986: 5849: 5841: 5745: 5617: 5494: 5413: 5269: 5241: 3909: 3731: 2292: 2111: 1890: 1613: 1589: 1502: 1482:

and community tennis center. The building was to be renovated according to a design by

1336: 1195: 672: 375: 269: 223: 5107: 793: 6928: 6794: 6722: 6702: 6553: 6538: 6498: 6493: 6468: 6448: 6433: 6428: 6418: 6348: 6328: 6318: 6114: 5954: 5793: 5785: 5777: 5689: 5557: 5482: 5401: 5395: 5283: 5273: 5199: 5121: 2176: 2002: 1984: 1813: 1486:

and Shohei Shigematsu of OMA. The early design phase of this project was funded by a

1224: 1219: 988: 926: 657: 493: 387: 149: 4755: 3517: 2084: 1861:, artist Abramović, authors Abramović, Pablo J. Rico, Thomas Wulffen (Charta, 1998) 1264:(MAI), a nonprofit foundation for performance art, in a 33,000 square-foot space in 6903: 6707: 6634: 6629: 6598: 6588: 6508: 6463: 6443: 6413: 6408: 6383: 6378: 6353: 6293: 6283: 6273: 6248: 6243: 6208: 6203: 5673: 5504: 5407: 5235: 3531:

Pippin Barr, Man Behind the Marina Abramovic Video Game, Weighs in on His Creation.

2569: 1661: 1585: 1577: 1573: 1513: 1483: 1340: 1322: 1234: 1167: 1138: 1123: 1119: 1111: 1027: 1007: 995: 983: 973: 964: 963:, which required lying on a bed frame suspended over a grid of lit candles, and of 921: 5697: 5525: 3820:"Marina Abramović: An art made of trust, vulnerability and connection | TED Talk" 3104:"The Story behind the Marina Abramović Performance That Contributed to Pizzagate" 2626:

Pejic, Bojana; Abramovic, Marina; McEvilley, Thomas; Stoos, Toni (July 2, 1998).

6898: 6752: 6654: 6548: 6473: 6398: 6223: 6138: 5833: 5817: 5801: 5681: 5601: 5472: 5419: 5365: 5343: 4730:"Marina Abramović says having children would have been 'a disaster for my work'" 2804:"Documenting the performance art of Marina Abramović in pictures | Art | Agenda" 1699: 1683: 1581: 1487: 1207: 1102: 968: 892: 888: 764: 653: 4329:"James Franco, Marina Abramović Talk Performance Art, Eating Gold, And Dessert" 3439: 3179: 6619: 6528: 6483: 6423: 6393: 6373: 6363: 6308: 5609: 5593: 5383: 4678:"Marina Abramović: Nijesam ni Srpkinja, ni Crnogorka, ja sam eks-Jugoslovenka" 3679:"'The Life and Death of Marina Abramovic' Opera Arrives At Armory In December" 2914:"Marina Abramović sued by former lover and collaborator Ulay | Art and design" 2886: 2701: 2155:

Demaria, Cristina (August 2004). "The Performative Body of Marina Abramovic".

2062: 1772: 1637: 1617: 1544: 1443: 1418: 1203: 1199: 1062: 768: 544: 479: 3384: 3376: 2438: 2265: 2168: 2132: 1624:

ritual, and presented by Jones and others as proof that Democratic candidate

1447:, a compilation of erotic films made in 2006. In 2008 she directed a segment 6727: 6717: 6503: 6333: 6288: 6218: 6066: 5924: 5377: 5093:

47-minute in-depth interview – Marina Abramović: Electricity Passing Through

3471:

Anelli, Marco; Abramović, Marina; Biesenbach, Klaus; Iles, Chrissie (2012).

3398:

de Yampert, Rick (June 11, 2010). "Is it art? Sit down and think about it".

2497: 1768: 1665: 1633: 1534: 1145: 1017: 956: 756:. They sat silently across from each other in chairs for seven hours a day. 741: 644: 583: 505: 483: 403: 139: 4583:"Marina Abramović mention in Podesta emails sparks accusations of satanism" 4430:"Lady Gaga Gets Completely Naked to Support the Marina Abramovic Institute" 3603:"An Artist Who Explores Emotional Pain Inspires a Novel That Does the Same" 5041: 2601:

Dezeuze, Anna; Ward, Frazer (2012). "Marina Abramovic: Approaching zero".

6841: 6697: 6488: 6403: 6228: 6090: 6082: 6074: 5713: 3077:"Fame, Celebrity and Performance: Marina Abramović—Contemporary Art Star" 3027:"No, John Podesta didn't drink bodily fluids at a secret Satanist dinner" 1672: 1645: 1621: 1527: 1311: 1242: 1131: 1115: 676: 620: 487: 399: 383: 167: 144: 134: 84: 4035:"Special Chairs and Lots of Time: Marina Abramovic Plans Her New Center" 3584:"Stella prize 2017: Heather Rose's The Museum of Modern Love wins award" 3150:

Fame, Celebrity and Performance: Marina Abramović--Contemporary Art Star

1474:

In its early phases, it was a proposed multi-functional museum space in

1194:

and a book of the same name. The five featured artists – also including

17: 6568: 5665: 3055:"From theatre to time capsule: art at Jan Fabre's Troubleyn/Laboratory" 2966:"Marina Abramović ex-partner Ulay claims victory in case of joint work" 1552: 1362: 916: 1875:, artist Abramović, authors Abramović, Dobrila Denegri (Charta, 1998) 6712: 5939: 2356:"Marina Abramović: The grandmother of performance art on her 'brand'" 2326: 1801: 1539: 1304: 1300: 853:

ritual to organize and legitimize our lives and contain our bodies".

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and from 1997 to 2004 she was a professor for performance-art at the

475: 4608:"r/IAmA – I am performance artist Marina Abramovic. Ask me anything" 2940:"Ulay v Marina: how art's power couple went to war | Art and design" 2736:(second ed.). University of California Press. pp. 808–809. 2603:

The "Do-It-Yourself" Artwork: Participation from Fluxus to New Media

1640:

which featured Abramović. However, due to accusations by right-wing

1253:, which had its North American premiere at the festival, and at the 4557:"Marina Abramovic Made Some Pretty Racist Statements in Her Memoir" 3079:. Case Western Reserve University. pp. 117–118. Archived from 2651:

Danto, Arthur; Iles, Chrissie; Abramovic, Marina (April 30, 2010).

1987:, Erika Fischer-Lichte, Sandra Umathum, Abramović; (Charta, 2007). 519:. From 1992 to 1996 she also served as a visiting professor at the 5878: 4478: 4145:"Lady Gaga and Jay-Z help Marina Abramovic reach Kickstarter goal" 3706:"For Her Next Piece, a Performance Artist Will Build an Institute" 2861:. March 16, 2010. Archived from the original on November 30, 2018. 1657: 1569: 1238:

mentions a style of performance art pieces known as "abramovics".

1181: 1061: 915: 792: 643: 372: 4479:"Jay-Z Raps at Marina Abramović, or the Day Performance Art Died" 4407: 3363:

Marcus, S. (2015). "Celebrity 2.0: The Case of Marina Abramovi".

2408:, "Stages of Energy: Performance Art Ground Zero?" in Abramović, 1190:

In 2009, Abramović was featured in Chiara Clemente's documentary

6763: 6649: 6583: 4653:"Marina Abramovic Just Wants Conspiracy Theorists to Let Her Be" 1245:

Festival in June 2013. Abramović is also co-creator, along with

1222:

in 2012. In January 2011, Abramović was on the cover of Serbian

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Couple in The Cage: Two Undiscovered Amerindians Visit the West

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to perform a piece and then decided to move there permanently.

4222:"Pippin Barr wants you to feel the pain for a longer Duration" 2520:"Biografie von Marina Abramović – Marina Abramović auf artnet" 1954: 1314:

titled, "An art made of trust, vulnerability and connection".

1215: 486:

and, from 1973 to 1975, taught at the Academy of Fine Arts at

5111: 2605:. Manchester: Manchester University Press. pp. 132–144. 511:

From 1990 to 1995, Abramović was a visiting professor at the

4996:"Conceptual performance artist is awarded the Sonning Prize" 4839:"University of Plymouth unveils 2009 Honorary Degree Awards" 4249:"Marina Abramovic Cancels Plan for Hudson Performance Place" 4194:"Digital Marina Abramovic Institute provides a virtual tour" 4008: 3652: 2381:"Biography of Marina Abramović – Moderna Museet i Stockholm" 2306:

Stated on "The Eye of the Beholder", Season 5, Episode 9 of

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stating she was never informed of Jay-Z's sizable donation.

4970:"Marina Abramović, Princess of Asturias Award for the Arts" 3905:"Marina Abramovic: An artist for Ukraine – DW – 03/27/2022" 3747:"Marina Abramovic: Audience in tears at 'empty space' show" 1291:, (December 6, 2014) participants are blindfolded and wear 2887:"Video of Marina Abramović and Ulay at MoMA retrospective" 2117:. Larass, Petra., Klier, Melanie, 1970–. Munich: Prestel. 821:#2 consists of 90 minutes performed at Oxford University. 6980:

Recipients of the Austrian Decoration for Science and Art

3153:(Thesis). Case Western Reserve University. Archived from 1778:

The Karić brothers award (category art and culture), 2012

4504:"Marina Abramovic says Jay Z "just completely used" her" 1186:

Marina Abramović at the 72nd Annual Peabody Awards, 2013

5075:

Marina Abramović & Ulay: Living Doors of the Museum

4799:

Phelan, Peggy. "Marina Abramovic: Witnessing Shadows".

2085:"Marina Abramovic pushes the limits of performance art" 1576:

in New York City. He performed his art-inspired track "

1335:

The episode, titled "Waiting for the Artist", starred

1093:

During the run of the exhibition, Abramović performed

652:

In 1976, after moving to Amsterdam, Abramović met the

422:-born parents, Danica Rosić and Vojin Abramović, were 1163:) in his list of the greatest performance art works. 774:

At her 2010 MoMA retrospective, Abramović performed

7030:

Academic staff of the Berlin University of the Arts

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Sistema de Orquesta Juvenil e Infantil de Venezuela

5044:

MoMA Audio: Marina Abramović: The Artist Is Present

4865:"Marina Abramović | Artist | Royal Academy of Arts" 4303: 4123:"Marina Abramovic Kickstarter Campaign Passes Goal" 3454:"Marina Abramović: The Artist Is Present—Portraits" 1834:, artist Abramović, author Abramović (Wiley, 1995) 1331:parodied Abramović's work and the documentary film 1275:In June 2014 she presented a new piece at London's 938:Beginning on November 9, 2005, Abramović presented 845:intangible things like light, sound, and emotions. 335: 324: 307: 296: 229: 219: 158: 122: 99: 67: 41: 5036: 4886: 4884: 2110: 1412:Dark pink heavy flannel slip – three sizes too big 979:A full list of the works performed is as follows: 430:. After the war, Abramović's parents were awarded 340: 4531:"Marina Abramović Has Issued An Apology To Jay Z" 3865:"Marina Abramovic, Royal Academy of Arts, review" 1543:. Gaga's work with Abramović, as well as artists 671:. While some critics have explored the idea of a 462:in Belgrade from 1965 to 1970. She completed her 3558:"The 25 Best Performance Art Pieces of All Time" 2964:Quinn, Ben; Charney, Noah (September 21, 2016). 2545:"Marina Abramović CV | Artists | Lisson Gallery" 1887:Public Body: Installations and Objects 1965–2001 3334:"Klaus Biesenbach on the AbramovicUlay Reunion" 3278:. New York: Crown Archetype. pp. 298–299. 2855:"Klaus Biesenbach on the AbramovicUlay Reunion" 2220:designboom | architecture & design magazine 1731:, Best Show in a Commercial Gallery Award, 2003 1682:says that Abramović has a lifelong interest in 1261: 4795: 4793: 3995:"Antony and the Johnsons : Cut the World" 2570:"Media Art Net – Abramovic, Marina: Rhythm 10" 1961:Marina Abramović: The Biography of Biographies 6779: 5894: 5541: 5153: 4919:"Poemes de Jovan Dučić / Песме Јована Дучића" 4355:"James Franco Meets Marina Abramović At MoMA" 3648:Marina Abramović to be the subject of a movie 2827: 2825: 1455:. She also acted in a five-minute short film 1166:Her performance inspired Australian novelist 573:Prompted by her loss of consciousness during 490:while launching her first solo performances. 8: 7025:Members of the Royal Swedish Academy of Arts 4773:"La Biennale di Venezia – Awards since 1986" 4101:"Marina Abramovic's New Hudson River School" 2033:, author Abramović (Crown Archetype, 2016). 1526:in 2010, and the two also attended the 2012 1512:Abramović maintains a friendship with actor 1501:In her youth, she was a performer in one of 5024:, April 18, 2011. Retrieved April 26, 2011. 3794:"Marina Abramović Celebrates 70th Birthday" 3636:, Charta webpage. Retrieved April 26, 2011. 2776: 2774: 2772: 2770: 1656:Abramović claims she feels "neither like a 525:Hochschule für bildende Künste Braunschweig 504:(between 1970 and 1976), Abramović went to 6960:Academic staff of the École des Beaux-Arts 6786: 6772: 6764: 5901: 5887: 5879: 5548: 5534: 5526: 5433: 5178: 5160: 5146: 5138: 3253:. New York: Crown Archetype. p. 298. 2734:Theories and Documents of Contemporary Art 748:Between 1981 and 1987, the pair performed 56: 38: 5066:Marina Abramović: Advice to Young Artists 4891:III, Everette Hatcher (January 8, 2015). 3651:, "MARINA" the film, 2010, archived from 2674: 2672: 2488: 2486: 2484: 2482: 2480: 2150: 2148: 2146: 2144: 2142: 1572:showcased an Abramović-inspired piece at 1361:, at the site of a Holocaust massacre in 6990:Serbian expatriates in the United States 6866:Mattress Performance (Carry That Weight) 6043:Mattress Performance (Carry That Weight) 4760:World Religions and Spirituality Project 4192:Farokhmanesh, Megan (October 26, 2013). 3520:, The Talks. Retrieved January 16, 2013. 2017:When Marina Abramović Dies: A Biography. 1729:International Association of Art Critics 1333:Marina Abramović: The Artist Is Present. 967:'s 1972 performance in which the artist 848:In 1997, Abramović created a multimedia 648:Marina Abramović and Uwe Laysiepen, 1978 7040:Yugoslav expatriates in the Netherlands 5438:Princess of Asturias Award for the Arts 3233:A Rebel Form Gains Favor. Fights Ensue. 3188:Marina Abramović: The Artist Is Present 3174: 3172: 3102:Gotthardt, Alexxa (December 22, 2016). 2653:Marina Abramovic: The Artist is Present 2075: 1935:, artist Abramović; authors Abramović, 1735:Austrian Decoration for Science and Art 1505:'s performances which were part of the 1399:The list of Mother's clothes included: 1212:Marina Abramović: The Artist Is Present 6019:How to Explain Pictures to a Dead Hare 5133:Royal Academy of Arts Marina Abramović 5128:Marina Abramović at the Lisson Gallery 5122:Marina Abramovic Institute, Hudson, NY 5084:The Story of Marina Abramović and Ulay 2864: 2784:. Blogs.uoregon.edu. February 12, 2015 2682:. Blogs.uoregon.edu. February 10, 2015 1767:July 13' Lifetime Achievement Awards, 1457:Antony and the Johnsons: Cut the World 1251:The Life and Death of Marina Abramović 1033:How to Explain Pictures to a Dead Hare 521:Hochschule für bildende Künste Hamburg 7045:Serbian people of Montenegrin descent 6965:Honorary members of the Royal Academy 5183:Prince of Asturias Award for the Arts 4555:Gabriella Paiella (August 15, 2016). 4477:Steinhauer, Jillian (July 10, 2013). 4382:"The Met Costume Institute Gala 2012" 4169:Cutter, Kimberly (October 10, 2013). 4073:Genocchio, Benjamin (April 6, 2008). 3582:Convery, Stephanie (April 18, 2017). 2893:from the original on November 2, 2021 2727: 2725: 2723: 2420: 2418: 2350: 2348: 2346: 2344: 1800:Golden Medal for Merits, Republic of 1723:New York Dance and Performance Awards 1357:In 2021, she inaugurated a monument, 1310:In March 2015, Abramović presented a 366: 7: 5170:Prince or Princess of Asturias Award 5042:Hear the artist speak about her work 4508:FACT Magazine: Music News, New Music 4075:"Seeking to Create a Timeless Space" 3601:Rychter, Tacey (November 26, 2018). 3499:. Danziger Gallery. October 27, 2012 3475:. Distributed Art Pub Incorporated. 3415:"Marina Abramovic: The Power of One" 3400:Daytona Beach News-Journal, The (FL) 2247: 2245: 2243: 2241: 2239: 2237: 2046:Films by Abramović and collaborators 2019:Author James Westcott. (MIT, 2010). 1826:Books by Abramović and collaborators 1551:, was displayed at an event titled " 1533:In July 2013, Abramović worked with 1307:" while wearing a large black hood. 4974:The Princess of Asturias Foundation 4814:"Reply to a parliamentary question" 4625:Kinsella, Eileen (April 15, 2020). 3529:Gray, Rosie (September 16, 2011). " 2782:"Ulay/Abramović – Marina Abramović" 2425:Ouzounian, Richard (May 31, 2013). 2157:European Journal of Women's Studies 2083:Roizman, Ilene (November 5, 2018). 1845:Artist Body: Performances 1969–1998 1522:in 2009. Franco visited her during 1078:From March 14 to May 31, 2010, the 604:Abramović's previous experience in 500:In 1976, following her marriage to 4803:. Vol. 56, Number 4. December 2004 4581:Lee, Benjamin (November 4, 2016). 4171:"Marina Abramović Saves The World" 4121:Sulcas, Roslyn (August 26, 2013). 3945:. Milano: Charta. pp. 54–55. 3413:Elmhurst, Sophie (July 16, 2014). 3314:from the original on June 25, 2010 2680:"Rhythm Series – Marina Abramović" 1748:Honorary Royal Academician (HonRA) 1339:as Isabella Barta (Abramović) and 1295:in an exploration of nothingness. 394:Early life, education and teaching 25: 4651:Marshall, Alex (April 21, 2020). 3704:Lyall, Sarah (October 19, 2013). 3214:, BLOUINARTINFO, November 9, 2005 2286:Thurman, Judith (March 8, 2010). 2252:O'Hagan, Sean (October 2, 2010). 2216:"MAI: marina abramovic institute" 1636:released a promotional video for 1406:White cotton blouse with red dots 577:, Abramović devised the two-part 4099:Ebony, David (August 13, 2012). 3556:Eisinger, Dale (April 9, 2013). 3545:'. Retrieved September 19, 2011. 2912:Esther Addley and Noah Charney. 2113:50 women artists you should know 1537:on the pop singer's third album 1409:Light pink bra – 2 sizes too big 1228:, photographed by Dušan Reljin. 482:, in 1972. Then she returned to 434:and were given positions in the 285: 256: 4684:(in Montenegrin). July 27, 2016 4384:. Omg.yahoo.com. Archived from 4247:Rogers, Pat (October 8, 2017). 3885:. Haaretz.com. October 21, 2021 3842:"Marina Abramović | Exhibition" 3231:Kino, Carol (March 10, 2010). " 3128:The MIT Press (June 28, 2017). 2109:Christiane., Weidemann (2008). 1782:Berliner Bär (B.Z.-Kulturpreis) 1090:in the gallery or the museum." 634:Works with Ulay (Uwe Laysiepen) 371:; born November 30, 1946) is a 281: 252: 6743:Survival Research Laboratories 5626:Richard von Coudenhove-Kalergi 5290:Francisco Javier Sáenz de Oiza 5016:"Gatecrasher" (staff writer), 4451:Minsker, Evan (May 19, 2015). 4432:. E! Online UK. August 7, 2013 4380:Busacca, Larry (May 7, 2012). 4062:. designboom. August 23, 2013. 3745:Savage, Mark (June 11, 2014). 3440:"Marina Abramović Made Me Cry" 3025:Ohlheiser (November 4, 2016). 2889:. YouTube. December 15, 2012. 1810:in the category of Arts, 2021. 1437:Abramović directed a segment, 1260:In 2007 Abramović created the 359: 107:Academy of Fine Arts, Belgrade 1: 4033:Ryzik, Melena (May 6, 2012). 3724:"Live Art Development Agency" 2628:Marina Abramovic: Artist Body 2254:"Interview: Marina Abramović" 1983:, artist, Abramović; authors 1933:The House with the Ocean View 1249:of the theatrical production 817:, consisting of three hours. 517:Berlin University of the Arts 454:Education and teaching career 49: 6985:Serbian contemporary artists 6640:LaBeouf, Rönkkö & Turner 4304:"Marina Abramovic Institute" 3943:Marina Abramovic Artist Body 3822:. TED.com. November 30, 2015 3518:"I've Always Been A Soldier" 3497:"Marco Anelli – Exhibitions" 3075:Lacis, Indra K. (May 2014). 2066:(Offhollywood Digital, 2006) 2060:, as producer and director, 2031:Walk Through Walls: A Memoir 1889:, artist Abramović, authors 1760:Honorary Doctorate of Arts, 1740:Honorary Doctorate of Arts, 1710:Niedersächsischer Kunstpreis 1451:in another film compilation 1403:Heavy brown pin for the hair 497:(1975 performative artwork) 432:Order of the People's Heroes 368:[marǐːnaabrǎːmovitɕ] 113:Academy of Fine Arts, Zagreb 7020:Serbian performance artists 5062:at the Serpentine Galleries 3239:. Retrieved April 16, 2010. 2325:. Lacan.com. Archived from 1893:, Abramović (Charta, 2001) 1755:American Federation of Arts 1753:Cultural Leadership Award, 1374:Russian invasion of Ukraine 1372:In 2022, she condemned the 1270:Live Art Development Agency 1012:Action Pants: Genital Panic 856:Abramovic also published a 7066: 7050:Serbian anti-war activists 6940:20th-century women artists 5947:Breathing in/breathing out 5117:Marina Abramović on Artnet 4308:Marina Abramovic Institute 4013:Marina Abramovic Institute 3941:Abramovic, Marina (1998). 3666:72nd Annual Peabody Awards 3274:Abramović, Marina (2016). 3249:Abramović, Marina (2016). 3190:. The Museum of Modern Art 3006:. The Museum of Modern Art 2385:Moderna Museet i Stockholm 2195:Marina Abramovic Institute 2054:, (Pierre Coulibeuf, 1999) 1808:Princess of Asturias Award 1762:Instituto Superior de Arte 1590:publicly issued an apology 1516:, who interviewed her for 1469:Marina Abramović Institute 1463:Marina Abramović Institute 1415:Dark blue skirt – mid-calf 1293:noise-canceling headphones 1262:Marina Abramović Institute 909: 712:Breathing In/Breathing Out 637: 618: 412:Varnava, Serbian Patriarch 329:Varnava, Serbian Patriarch 29: 27:Serbian performance artist 6975:Film people from Belgrade 6645:Los Angeles Urban Rangers 5564: 5443: 5432: 5188: 5177: 4819:(in German). p. 1879 3981:"Stories on Human Rights" 3304:"Bringing Marina Flowers" 2871:: CS1 maint: unfit URL ( 2806:. Phaidon. Archived from 2732:Stiles, Kristine (2012). 1421:heavy synthetic stockings 1232:'s science fiction novel 1172:The Museum of Modern Love 665:transcendental meditation 458:She was a student at the 55: 48: 6738:Performance art in China 6003:Empathy and Prostitution 5826:Hans Magnus Enzensberger 3377:10.1215/08992363-2798331 3147:Lacis, Indra K. (2014). 2169:10.1177/1350506804044464 1671:Abramović has had three 813:#1 was performed at the 740:in an art exhibition in 733:In 1980, they performed 438:Yugoslavian government. 30:Not to be confused with 6995:Serbian philanthropists 6874:The Death of The Artist 6131:The Death of The Artist 6027:I'm too sad to tell you 5254:Victoria de los Ángeles 4278:static1.squarespace.com 3728:www.thisisliveart.co.uk 2288:"Walking Through Walls" 1519:The Wall Street Journal 1453:Stories on Human Rights 1048:Entering the Other Side 669:nonverbal communication 513:Académie des Beaux-Arts 416:Serbian Orthodox Church 6579:Mierle Laderman Ukeles 5971:Ceci N'est Pas Un Viol 5642:Willem Visser 't Hooft 3844:. Royal Academy of Art 3772:"Generator Exhibition" 3626:Clemente, Chiara, and 1859:The Bridge / El Puente 1744:UK, September 25, 2009 1742:University of Plymouth 1644:of her having ties to 1620:as an invitation to a 1602:Aboriginal Australians 1359:Crystal wall of crying 1187: 1075: 935: 802: 649: 398:Abramović was born in 7035:Serbian women artists 6950:Artists from Belgrade 6858:The Artist Is Present 6826:Five Day Locker Piece 6171:Untitled (Rape Scene) 6123:The Artist Is Present 5933:Amen or The Pederasty 5302:Fernando Fernán Gómez 5050:The Artist Is Present 4870:Royal Academy of Arts 3536:May 30, 2015, at the 2572:. September 20, 2021. 2549:www.lissongallery.com 2329:on September 17, 2013 1957:series' sixth season. 1524:The Artist Is Present 1185: 1157:The Artist Is Present 1095:The Artist Is Present 1068:The Artist Is Present 1066:Abramović performing 1065: 1056:The Artist Is Present 920:Abramović performing 919: 887:as a response to the 796: 776:The Artist Is Present 647: 464:post-graduate studies 210:The Artist Is Present 6314:Guillermo Gómez-Peña 5762:Krzysztof Kieślowski 5449:Francis Ford Coppola 5338:Krzysztof Penderecki 5224:Luis García Berlanga 5218:Antonio López García 4388:on December 16, 2013 3782:on January 27, 2016. 3130:"Marina Abramovic's 3083:on December 20, 2016 3053:Sels, Nadia (2011). 2500:on February 21, 2015 1764:, Cuba, May 14, 2012 1750:, September 27, 2011 1642:conspiracy theorists 1606:Western civilization 1230:Kim Stanley Robinson 1080:Museum of Modern Art 1072:Museum of Modern Art 825:#3 was performed at 815:Museum of Modern Art 799:Museum of Modern Art 697:Relation in Movement 675:state of being as a 515:in Paris and at the 472:Academy of Fine Arts 466:in the art class of 460:Academy of Fine Arts 382:. Her work explores 284: 2005; 255: 1971; 6369:Natalie Jeremijenko 6011:Food for the Spirit 5858:Svetlana Alexievich 5022:New York Daily News 4877:on August 21, 2023. 4845:. September 8, 2009 4762:, January 15, 2017. 4682:Cafe del Montenegro 4359:The Huffington Post 4333:The Huffington Post 4228:on January 17, 2014 3927:The Guardian Weekly 3734:on October 3, 2011. 3685:. February 19, 2013 3683:The Huffington Post 3655:on February 9, 2010 3344:on November 1, 2013 3308:The Huffington Post 3180:"Marina Abramović. 3032:The Washington Post 3000:"Marina Abramović. 2810:on February 6, 2015 2746:Quoted in Green, 37 2708:. February 11, 2019 1725:(The Bessies), 2002 1632:On April 10, 2020, 1586:aforementioned song 823:Cleaning the Mirror 819:Cleaning the Mirror 811:Cleaning the Mirror 806:Cleaning the Mirror 787:Cleaning the Mirror 656:performance artist 184:Cleaning the Mirror 6748:Viennese Actionism 6625:COUM Transmissions 6544:Carolee Schneemann 6389:Ragnar Kjartansson 6163:Three Weeks in May 5722:Simone de Beauvoir 5556:Recipients of the 5511:Joan Manuel Serrat 5326:Santiago Calatrava 5296:Alicia de Larrocha 5262:Montserrat Caballé 5212:Orfeón Donostiarra 5104:Sean Kelly Gallery 5057:Marina Abramović: 5048:Marina Abramović: 4998:. January 19, 2023 4777:www.labiennale.org 4657:The New York Times 4284:on August 27, 2021 4274:"The Art of Truth" 4143:Gibsone, Harriet. 4079:The New York Times 4039:The New York Times 3800:. December 9, 2016 3776:Sean Kelly Gallery 3710:The New York Times 3607:The New York Times 3276:Walk Through Walls 3251:Walk Through Walls 3237:The New York Times 2835:. January 14, 2015 2630:. Milano: Charta. 2494:"Marina Abramović" 2460:"Marina Abramovic" 2323:"Marina Abramović" 2309:Finding Your Roots 2058:Balkan Erotic Epic 1832:Cleaning the House 1757:, October 26, 2011 1507:Viennese actionism 1439:Balkan Erotic Epic 1367:Babi Yar memorials 1303:perform the song " 1285:Sean Kelly Gallery 1277:Serpentine Gallery 1255:Park Avenue Armory 1188: 1159:ninth (along with 1128:Jennifer Carpenter 1076: 936: 883:Abramović created 827:Pitt Rivers Museum 803: 650: 424:Yugoslav Partisans 380:performance artist 7010:Endurance artists 6922: 6921: 6761: 6760: 6733:Participatory art 6574:Melati Suryodarmo 6459:Charlotte Moorman 6107:Seven Easy Pieces 5876: 5875: 5578:Albert Schweitzer 5570:Winston Churchill 5523: 5522: 5519: 5518: 5461:William Kentridge 5428: 5427: 5332:Barbara Hendricks 5320:Sebastião Salgado 5194:Jesús López Cobos 5168:Laureates of the 5097:Louisiana Channel 5088:Louisiana Channel 5079:Louisiana Channel 5070:Louisiana Channel 4923:Serbica Americana 4529:Muller, Marissa. 4173:. Harper's Bazaar 3543:The Village Voice 3460:. March 28, 2010. 3419:Harpers Bazaar UK 3300:Arboleda, Yazmany 3285:978-1-101-90504-3 3260:978-1-101-90504-3 3064:. pp. 77–83. 2706:The Theatre Times 2662:978-0-87070-747-6 2637:978-88-8158-175-7 2612:978-0-7190-8747-9 2222:. August 23, 2013 2039:978-1-101-90504-3 2025:978-0-262-23262-3 2011:978-0-7148-4802-0 1993:978-88-8158-626-4 1981:Seven Easy Pieces 1969:978-88-8158-495-6 1945:978-88-8158-436-9 1927:978-88-8158-449-9 1913:978-88-8158-365-2 1899:978-88-8158-295-2 1881:978-88-8158-160-3 1867:978-84-482-1857-7 1853:978-88-8158-175-7 1840:978-1-85490-399-0 1775:, October 1, 2012 1568:Also that month, 1387:Refused proposals 1348:COVID-19 pandemic 948:Guggenheim Museum 940:Seven Easy Pieces 932:Guggenheim Museum 912:Seven Easy Pieces 904:Seven Easy Pieces 750:Nightsea Crossing 691:Relation in Space 349: 348: 203:Seven Easy Pieces 78:November 30, 1946 62:Abramović in 2024 16:(Redirected from 7057: 7015:Yugoslav artists 6894:Marina Abramović 6788: 6781: 6774: 6765: 6680:Kusama: Infinity 6559:Barbara T. Smith 6534:Rachel Rosenthal 6479:Pauline Oliveros 6199:Marina Abramović 5903: 5896: 5889: 5880: 5869: 5866:Marina Abramović 5861: 5853: 5845: 5837: 5829: 5821: 5813: 5805: 5797: 5789: 5781: 5773: 5765: 5757: 5749: 5741: 5733: 5730:William Heinesen 5725: 5717: 5709: 5701: 5693: 5685: 5677: 5669: 5661: 5653: 5645: 5637: 5634:Laurence Olivier 5629: 5621: 5613: 5605: 5597: 5589: 5586:Bertrand Russell 5581: 5573: 5550: 5543: 5536: 5527: 5489:Marina Abramović 5434: 5362:Maya Plisetskaya 5314:Vittorio Gassman 5230:Eduardo Chillida 5179: 5162: 5155: 5148: 5139: 5108:Marina Abramović 5037:Official website 5025: 5014: 5008: 5007: 5005: 5003: 4992: 4986: 4985: 4983: 4981: 4966: 4960: 4959: 4957: 4955: 4940: 4934: 4933: 4931: 4929: 4914: 4908: 4907: 4905: 4903: 4888: 4879: 4878: 4873:. Archived from 4861: 4855: 4854: 4852: 4850: 4835: 4829: 4828: 4826: 4824: 4818: 4810: 4804: 4797: 4788: 4787: 4785: 4783: 4769: 4763: 4756:Marina Abramović 4752: 4746: 4745: 4743: 4741: 4726: 4720: 4719: 4717: 4715: 4700: 4694: 4693: 4691: 4689: 4674: 4668: 4667: 4665: 4663: 4648: 4642: 4641: 4639: 4637: 4622: 4616: 4615: 4614:. July 30, 2013. 4604: 4598: 4597: 4595: 4593: 4578: 4572: 4571: 4569: 4567: 4552: 4546: 4545: 4543: 4541: 4526: 4520: 4519: 4517: 4515: 4500: 4494: 4493: 4491: 4489: 4474: 4468: 4467: 4465: 4463: 4448: 4442: 4441: 4439: 4437: 4426: 4420: 4419: 4417: 4415: 4404: 4398: 4397: 4395: 4393: 4377: 4371: 4370: 4368: 4366: 4351: 4345: 4344: 4342: 4340: 4325: 4319: 4318: 4316: 4314: 4300: 4294: 4293: 4291: 4289: 4280:. Archived from 4270: 4264: 4263: 4261: 4259: 4253:Hamptons Art Hub 4244: 4238: 4237: 4235: 4233: 4224:. Archived from 4220:Johnson, Jason. 4217: 4211: 4210: 4208: 4206: 4189: 4183: 4182: 4180: 4178: 4166: 4160: 4159: 4157: 4155: 4140: 4134: 4133: 4131: 4129: 4118: 4112: 4111: 4109: 4107: 4096: 4090: 4089: 4087: 4085: 4070: 4064: 4063: 4056: 4050: 4049: 4047: 4045: 4030: 4024: 4023: 4021: 4019: 4005: 3999: 3998: 3991: 3985: 3984: 3977: 3971: 3970: 3963: 3957: 3956: 3938: 3932: 3931: 3921: 3915: 3914: 3901: 3895: 3894: 3892: 3890: 3879: 3873: 3872: 3860: 3854: 3853: 3851: 3849: 3838: 3832: 3831: 3829: 3827: 3816: 3810: 3809: 3807: 3805: 3790: 3784: 3783: 3778:. Archived from 3768: 3762: 3761: 3759: 3757: 3742: 3736: 3735: 3730:. Archived from 3720: 3714: 3713: 3701: 3695: 3694: 3692: 3690: 3675: 3669: 3663: 3657: 3656: 3643: 3637: 3624: 3618: 3617: 3615: 3613: 3598: 3592: 3591: 3579: 3573: 3572: 3570: 3568: 3553: 3547: 3527: 3521: 3515: 3509: 3508: 3506: 3504: 3493: 3487: 3486: 3468: 3462: 3461: 3450: 3444: 3443: 3436: 3430: 3429: 3427: 3425: 3410: 3404: 3403: 3395: 3389: 3388: 3360: 3354: 3353: 3351: 3349: 3340:. Archived from 3330: 3324: 3323: 3321: 3319: 3302:(May 28, 2010). 3296: 3290: 3289: 3271: 3265: 3264: 3246: 3240: 3229: 3223: 3222: 3221: 3219: 3211:Marina Abramović 3206: 3200: 3199: 3197: 3195: 3176: 3167: 3166: 3164: 3162: 3157:on April 4, 2020 3144: 3138: 3137: 3136:. The MIT Press. 3125: 3119: 3118: 3116: 3114: 3099: 3093: 3092: 3090: 3088: 3072: 3066: 3065: 3059: 3050: 3044: 3043: 3041: 3039: 3022: 3016: 3015: 3013: 3011: 2996: 2990: 2987: 2981: 2980: 2978: 2976: 2961: 2955: 2954: 2952: 2950: 2935: 2929: 2928: 2926: 2924: 2909: 2903: 2902: 2900: 2898: 2883: 2877: 2876: 2870: 2862: 2851: 2845: 2844: 2842: 2840: 2829: 2820: 2819: 2817: 2815: 2800: 2794: 2793: 2791: 2789: 2778: 2765: 2762: 2756: 2753: 2747: 2744: 2738: 2737: 2729: 2718: 2717: 2715: 2713: 2702:"Audience To Be" 2698: 2692: 2691: 2689: 2687: 2676: 2667: 2666: 2648: 2642: 2641: 2623: 2617: 2616: 2598: 2592: 2589: 2583: 2580: 2574: 2573: 2566: 2560: 2559: 2557: 2555: 2541: 2535: 2534: 2532: 2530: 2516: 2510: 2509: 2507: 2505: 2496:. Archived from 2490: 2475: 2474: 2472: 2470: 2456: 2450: 2449: 2447: 2445: 2431:The Toronto Star 2422: 2413: 2406:Thomas McEvilley 2402: 2396: 2395: 2393: 2391: 2377: 2371: 2370: 2368: 2366: 2352: 2339: 2338: 2336: 2334: 2319: 2313: 2312:, April 2, 2019. 2304: 2298: 2297: 2283: 2277: 2276: 2274: 2272: 2249: 2232: 2231: 2229: 2227: 2212: 2206: 2205: 2203: 2201: 2187: 2181: 2180: 2152: 2137: 2136: 2116: 2106: 2100: 2099: 2097: 2095: 2080: 1999:Marina Abramović 1977:, (Skira, 2006). 1950:Sex and the City 1905:Marina Abramović 1790: 1718: 1559:'s sci-fi novel 1476:Hudson, New York 1426:orthopedic shoes 1343:as Dimo (Ulay). 1328:Documentary Now! 1266:Hudson, New York 1108:Klaus Biesenbach 1084:Klaus Biesenbach 1058:: March–May 2010 1046:Abramović's own 1039:Abramović's own 1022:The Conditioning 961:The Conditioning 942:commissioned by 829:for five hours. 801:, New York, 2010 704:Relation in Time 370: 365: 361: 360:Марина Абрамовић 356:Serbian Cyrillic 352:Marina Abramović 345: 342: 289: 287: 283: 260: 258: 254: 161: 81: 77: 75: 60: 50:Марина Абрамовић 43:Marina Abramović 39: 21: 7065: 7064: 7060: 7059: 7058: 7056: 7055: 7054: 7005:Walking artists 6925: 6924: 6923: 6918: 6880: 6850:Untitled , 2008 6797: 6792: 6762: 6757: 6686: 6659: 6603: 6339:Newton Harrison 6279:James Lee Byars 6239:Rebecca Belmore 6214:Laurie Anderson 6185: 6179:Untitled , 2008 6051:One & Other 5912: 5910:Performance art 5907: 5877: 5872: 5864: 5856: 5848: 5840: 5832: 5824: 5816: 5808: 5800: 5792: 5784: 5776: 5768: 5760: 5752: 5744: 5738:Jürgen Habermas 5736: 5728: 5720: 5712: 5706:Hermann Gmeiner 5704: 5696: 5688: 5680: 5672: 5664: 5658:Halldór Laxness 5656: 5650:Arthur Koestler 5648: 5640: 5632: 5624: 5616: 5608: 5600: 5592: 5584: 5576: 5568: 5560: 5554: 5524: 5515: 5479:Ennio Morricone 5467:Martin Scorsese 5439: 5424: 5372:Pedro Almodóvar 5308:Joaquín Rodrigo 5278:Plácido Domingo 5258:Teresa Berganza 5206:Eusebio Sempere 5184: 5173: 5166: 5033: 5028: 5015: 5011: 5001: 4999: 4994: 4993: 4989: 4979: 4977: 4968: 4967: 4963: 4953: 4951: 4942: 4941: 4937: 4927: 4925: 4916: 4915: 4911: 4901: 4899: 4897:The Daily Hatch 4890: 4889: 4882: 4863: 4862: 4858: 4848: 4846: 4837: 4836: 4832: 4822: 4820: 4816: 4812: 4811: 4807: 4801:Theatre Journal 4798: 4791: 4781: 4779: 4771: 4770: 4766: 4753: 4749: 4739: 4737: 4736:. July 26, 2016 4728: 4727: 4723: 4713: 4711: 4710:. July 27, 2016 4708:The Independent 4702: 4701: 4697: 4687: 4685: 4676: 4675: 4671: 4661: 4659: 4650: 4649: 4645: 4635: 4633: 4624: 4623: 4619: 4606: 4605: 4601: 4591: 4589: 4580: 4579: 4575: 4565: 4563: 4554: 4553: 4549: 4539: 4537: 4528: 4527: 4523: 4513: 4511: 4502: 4501: 4497: 4487: 4485: 4476: 4475: 4471: 4461: 4459: 4450: 4449: 4445: 4435: 4433: 4428: 4427: 4423: 4413: 4411: 4406: 4405: 4401: 4391: 4389: 4379: 4378: 4374: 4364: 4362: 4353: 4352: 4348: 4338: 4336: 4327: 4326: 4322: 4312: 4310: 4302: 4301: 4297: 4287: 4285: 4272: 4271: 4267: 4257: 4255: 4246: 4245: 4241: 4231: 4229: 4219: 4218: 4214: 4204: 4202: 4191: 4190: 4186: 4176: 4174: 4168: 4167: 4163: 4153: 4151: 4142: 4141: 4137: 4127: 4125: 4120: 4119: 4115: 4105: 4103: 4098: 4097: 4093: 4083: 4081: 4072: 4071: 4067: 4058: 4057: 4053: 4043: 4041: 4032: 4031: 4027: 4017: 4015: 4007: 4006: 4002: 3993: 3992: 3988: 3979: 3978: 3974: 3965: 3964: 3960: 3953: 3940: 3939: 3935: 3923: 3922: 3918: 3903: 3902: 3898: 3888: 3886: 3881: 3880: 3876: 3869:Culture Whisper 3862: 3861: 3857: 3847: 3845: 3840: 3839: 3835: 3825: 3823: 3818: 3817: 3813: 3803: 3801: 3792: 3791: 3787: 3770: 3769: 3765: 3755: 3753: 3744: 3743: 3739: 3722: 3721: 3717: 3703: 3702: 3698: 3688: 3686: 3677: 3676: 3672: 3664: 3660: 3645: 3644: 3640: 3633:Our City Dreams 3628:Dodie Kazanjian 3625: 3621: 3611: 3609: 3600: 3599: 3595: 3581: 3580: 3576: 3566: 3564: 3555: 3554: 3550: 3538:Wayback Machine 3528: 3524: 3516: 3512: 3502: 3500: 3495: 3494: 3490: 3483: 3470: 3469: 3465: 3452: 3451: 3447: 3438: 3437: 3433: 3423: 3421: 3412: 3411: 3407: 3397: 3396: 3392: 3371:(1 75): 21–52. 3362: 3361: 3357: 3347: 3345: 3332: 3331: 3327: 3317: 3315: 3298: 3297: 3293: 3286: 3273: 3272: 3268: 3261: 3248: 3247: 3243: 3230: 3226: 3217: 3215: 3208: 3207: 3203: 3193: 3191: 3178: 3177: 3170: 3160: 3158: 3146: 3145: 3141: 3127: 3126: 3122: 3112: 3110: 3101: 3100: 3096: 3086: 3084: 3074: 3073: 3069: 3057: 3052: 3051: 3047: 3037: 3035: 3024: 3023: 3019: 3009: 3007: 2998: 2997: 2993: 2988: 2984: 2974: 2972: 2963: 2962: 2958: 2948: 2946: 2938:Charney, Noah. 2937: 2936: 2932: 2922: 2920: 2911: 2910: 2906: 2896: 2894: 2885: 2884: 2880: 2863: 2853: 2852: 2848: 2838: 2836: 2831: 2830: 2823: 2813: 2811: 2802: 2801: 2797: 2787: 2785: 2780: 2779: 2768: 2763: 2759: 2754: 2750: 2745: 2741: 2731: 2730: 2721: 2711: 2709: 2700: 2699: 2695: 2685: 2683: 2678: 2677: 2670: 2663: 2650: 2649: 2645: 2638: 2625: 2624: 2620: 2613: 2600: 2599: 2595: 2590: 2586: 2581: 2577: 2568: 2567: 2563: 2553: 2551: 2543: 2542: 2538: 2528: 2526: 2518: 2517: 2513: 2503: 2501: 2492: 2491: 2478: 2468: 2466: 2458: 2457: 2453: 2443: 2441: 2424: 2423: 2416: 2403: 2399: 2389: 2387: 2379: 2378: 2374: 2364: 2362: 2360:The Independent 2354: 2353: 2342: 2332: 2330: 2321: 2320: 2316: 2305: 2301: 2285: 2284: 2280: 2270: 2268: 2251: 2250: 2235: 2225: 2223: 2214: 2213: 2209: 2199: 2197: 2189: 2188: 2184: 2154: 2153: 2140: 2125: 2108: 2107: 2103: 2093: 2091: 2082: 2081: 2077: 2073: 2048: 1891:Celant, Germano 1873:Performing Body 1828: 1823: 1784: 1712: 1704:Venice Biennale 1696: 1654: 1626:Hillary Clinton 1598: 1499: 1465: 1449:Dangerous Games 1435: 1389: 1192:Our City Dreams 1180: 1060: 914: 908: 878:Venice Biennale 873: 838: 791: 767:and I from the 642: 636: 623: 617: 595: 571: 556: 541: 533: 468:Krsto Hegedušić 456: 406:, then part of 396: 363: 339: 320: 314:Vojin Abramović 292: 291: 288: 2009) 279: 275: 272: 262: 259: 1976) 250: 246: 243: 215: 159: 154: 130:Performance art 118: 95: 82: 79: 73: 71: 63: 51: 44: 35: 32:Marina Abràmova 28: 23: 22: 15: 12: 11: 5: 7063: 7061: 7053: 7052: 7047: 7042: 7037: 7032: 7027: 7022: 7017: 7012: 7007: 7002: 6997: 6992: 6987: 6982: 6977: 6972: 6967: 6962: 6957: 6952: 6947: 6942: 6937: 6927: 6926: 6920: 6919: 6917: 6916: 6914:Tehching Hsieh 6911: 6906: 6901: 6896: 6890: 6888: 6882: 6881: 6879: 6878: 6870: 6862: 6854: 6846: 6838: 6830: 6822: 6814: 6810:Cut Piece 1964 6805: 6803: 6799: 6798: 6793: 6791: 6790: 6783: 6776: 6768: 6759: 6758: 6756: 6755: 6750: 6745: 6740: 6735: 6730: 6725: 6720: 6715: 6710: 6705: 6700: 6694: 6692: 6688: 6687: 6685: 6684: 6676: 6672:Mondo New York 6667: 6665: 6661: 6660: 6658: 6657: 6652: 6647: 6642: 6637: 6632: 6627: 6622: 6617: 6611: 6609: 6605: 6604: 6602: 6601: 6596: 6594:Robert Whitman 6591: 6586: 6581: 6576: 6571: 6566: 6561: 6556: 6551: 6546: 6541: 6536: 6531: 6526: 6521: 6519:Dorothy Podber 6516: 6514:Petr Pavlensky 6511: 6506: 6501: 6496: 6491: 6486: 6481: 6476: 6471: 6466: 6461: 6456: 6451: 6446: 6441: 6436: 6431: 6426: 6421: 6416: 6411: 6406: 6401: 6396: 6391: 6386: 6381: 6376: 6371: 6366: 6361: 6359:Tehching Hsieh 6356: 6351: 6346: 6341: 6336: 6331: 6326: 6321: 6316: 6311: 6306: 6301: 6296: 6291: 6286: 6281: 6276: 6271: 6269:Nancy Buchanan 6266: 6261: 6259:Stuart Brisley 6256: 6251: 6246: 6241: 6236: 6234:Matthew Barney 6231: 6226: 6221: 6216: 6211: 6206: 6201: 6195: 6193: 6187: 6186: 6184: 6183: 6175: 6167: 6159: 6151: 6143: 6135: 6127: 6119: 6111: 6103: 6095: 6087: 6079: 6071: 6063: 6055: 6047: 6039: 6031: 6023: 6015: 6007: 5999: 5991: 5983: 5975: 5967: 5959: 5951: 5943: 5937: 5929: 5920: 5918: 5914: 5913: 5908: 5906: 5905: 5898: 5891: 5883: 5874: 5873: 5871: 5870: 5862: 5854: 5850:Lars von Trier 5846: 5842:Michael Haneke 5838: 5830: 5822: 5814: 5806: 5798: 5790: 5782: 5774: 5766: 5758: 5750: 5746:Ingmar Bergman 5742: 5734: 5726: 5718: 5710: 5702: 5694: 5686: 5678: 5670: 5662: 5654: 5646: 5638: 5630: 5622: 5618:Dominique Pire 5614: 5606: 5598: 5590: 5582: 5574: 5565: 5562: 5561: 5555: 5553: 5552: 5545: 5538: 5530: 5521: 5520: 5517: 5516: 5514: 5513: 5507: 5501: 5495:Carmen Linares 5491: 5485: 5475: 5469: 5463: 5457: 5451: 5444: 5441: 5440: 5437: 5430: 5429: 5426: 5425: 5423: 5422: 5416: 5414:Michael Haneke 5410: 5404: 5398: 5392: 5386: 5380: 5374: 5368: 5358: 5352: 5350:Miquel Barceló 5346: 5340: 5334: 5328: 5322: 5316: 5310: 5304: 5298: 5292: 5286: 5280: 5270:Pilar Lorengar 5250: 5244: 5242:Oscar Niemeyer 5238: 5232: 5226: 5220: 5214: 5208: 5202: 5196: 5189: 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May 12, 2020 4961: 4950:. May 19, 2015 4935: 4909: 4880: 4856: 4830: 4805: 4789: 4764: 4754:Nikola Pešić, 4747: 4721: 4695: 4669: 4643: 4617: 4599: 4573: 4547: 4521: 4510:. May 19, 2015 4495: 4469: 4443: 4421: 4399: 4372: 4361:. May 10, 2010 4346: 4335:. 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Both of her 395: 392: 347: 346: 337: 333: 332: 326: 322: 321: 319: 318: 315: 311: 309: 305: 304: 298: 294: 293: 277: 273: 270:Paolo Canevari 268: 267: 266: 265: 248: 244: 241:Neša Paripović 239: 238: 237: 236: 233: 231: 227: 226: 224:Conceptual art 221: 217: 216: 214: 213: 207: 199: 196:Balkan Baroque 193: 190:Spirit Cooking 187: 181: 174: 164: 162: 156: 155: 153: 152: 147: 142: 137: 132: 126: 124: 123:Known for 120: 119: 117: 116: 110: 103: 101: 97: 96: 93:FPR Yugoslavia 83: 69: 65: 64: 61: 53: 52: 46: 45: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7062: 7051: 7048: 7046: 7043: 7041: 7038: 7036: 7033: 7031: 7028: 7026: 7023: 7021: 7018: 7016: 7013: 7011: 7008: 7006: 7003: 7001: 6998: 6996: 6993: 6991: 6988: 6986: 6983: 6981: 6978: 6976: 6973: 6971: 6970:Living people 6968: 6966: 6963: 6961: 6958: 6956: 6953: 6951: 6948: 6946: 6943: 6941: 6938: 6936: 6933: 6932: 6930: 6915: 6912: 6910: 6907: 6905: 6902: 6900: 6897: 6895: 6892: 6891: 6889: 6887: 6883: 6876: 6875: 6871: 6868: 6867: 6863: 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