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250:(1849), Woodville provides a glimpse into a tension-filled scene of generational differences between the old Revolutionary war veteran and the young wounded soldier home from the Mexican War. The interesting aspect of this painting is how Woodville continues to show the differences in these two generations through the objects located throughout this interior scene.
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was commissioned in 1848 by
Baltimore patron John H. B. Latrobe. Like other Woodville paintings, it was reproduced as a popular print. Widely acclaimed by American critics, this painting deals with the "low life" environment of oyster cellars and marginal characters that frequented them. Woodville's
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Woodville was the eldest son born to a prominent
Baltimore family. He displayed early promise in caricatures of his teachers. He attended the University of Maryland Medical School for one year. Woodville would likely have been exposed to the expansive private collection of Baltimore art collector
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in 1851 to spend time in Paris and London. The
American Art-Union came under scrutiny for their lottery fundraising system and was eventually shut down and Woodville lost his American outlet.
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who became a famous
British battle scene painter. Woodville also fathered two children in his first marriage. Woodville left sixteen finished paintings, but no personal letters or journals.
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Simon, Matilda. “Richard Caton
Woodville.” The Shorewood Art Reference Guide, Third ed., Shorewood Publishers, New York, NY, 1970, pp. 447–448.
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Best known for detailed depictions of contemporary interior scenes, Woodville chose subject matter that was often ambiguous. In 1846, he sent
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great attention to detail is very apparent in this painting. In one of his most popular paintings,
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for the next six years (1845–1851) studying with instructor and portrait painter
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Woodville's success as an artist had a lot to do with his relationship with the
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catalog) – evidently attribute to the father some book illustration by the son
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559:, January 22, 1867, Page 2 (see "Fine Arts") at Library of Congress
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This article is about
Richard Caton Woodville Sr. For his son, see
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who spent his professional career in Europe, after studying in
151:(30 April 1825 – 13 August 1855) was an American artist from
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In 1845 Woodville exhibited and sold his first painting,
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Some library records, as assembled online at WorldCat –
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Richard Caton
Woodville: American Painter, Artful Dodger
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Walters Art Museum holds a number of
Woodville paintings
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492:. Princeton: Princeton University Press. pp.
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281:In 1855, Woodville died of a morphine overdose in
167:in London at the age of 30. He was the father of
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333:Self-Portrait (19th Century), Collection of
237:back to the United States to be exhibited.
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391:Crystal Bridges Museum of American Art
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524:Grove Art Online. Oxford Art Online.
519:Elizabeth Johns and Paul Usherwood.
241:was a great success for the artist.
41:Self-Portrait from a Carte de Visite
652:19th-century American male artists
549:Bulletin of the American Art-Union
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622:Kunstakademie Düsseldorf alumni
637:Drug-related deaths in England
612:19th-century American painters
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201:Düsseldorf school of painting
320:Selected works by the artist
163:. He died of an overdose of
587:Richard Caton Woodville Jr.
368:Politics in an Oyster House
302:Politics in an Oyster House
287:Richard Caton Woodville Jr.
243:Politics in an Oyster House
169:Richard Caton Woodville Jr.
21:Richard Caton Woodville Jr.
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446:(c. 1853), Collection of
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316:for exhibition in 2013.
189:Kunstakademie Düsseldorf
647:American genre painters
579:Richard Caton Woodville
565:Richard Caton Woodville
175:Early life and training
159:under the direction of
149:Richard Caton Woodville
632:Painters from Maryland
627:Artists from Baltimore
617:American male painters
484:Wolff, Justin (2002).
427:(1852), Collection of
408:(1849), Collection of
389:(1848), Collection of
370:(1848), Collection of
352:(1846), Collection of
209:Worthington Whittredge
185:Two Figures at a Stove
406:Old '76 and Young '48
306:Old '76 and Young '48
248:Old ’76 and Young ’48
213:John Whetton Ehninger
425:The Sailor's Wedding
387:War News from Mexico
310:The Sailor's Wedding
569:Library of Congress
444:Portrait of a Woman
197:Karl Ferdinand Sohn
161:Karl Ferdinand Sohn
448:Walters Art Museum
429:Walters Art Museum
410:Walters Art Museum
372:Walters Art Museum
335:Walters Art Museum
260:American Art-Union
180:Robert Gilmor Jr.
136:American Art-Union
109:Düsseldorf Academy
551:1848–53 at JSTOR
503:978-0-691-07083-4
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78:(1855-08-13)
607:1855 deaths
602:1825 births
270:Later years
227:Major works
95:Nationality
596:Categories
456:References
276:Düsseldorf
221:Düsseldorf
193:Düsseldorf
157:Düsseldorf
53:1825-04-30
294:Baltimore
254:Patronage
153:Baltimore
130:Patron(s)
105:Education
61:Baltimore
583:WorldCat
575:Warning.
165:morphine
99:American
65:Maryland
314:Walters
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296:based
283:London
215:, and
84:London
67:, U.S.
498:ISBN
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