287:, an immersive futuristic court room drama at The Town Hall Hotel in London. London's evening standard previewed the production in Top 5 Autumn London shows, as did Buzzfeed including the production in its "cultured as fuck" section. West End Wilma highlighted the importance of the production stating "This was the absolute epitome of âimmersiveâ theatre, relying heavily on the input of an audience, without whom the production would be impossible to operate. As the drama played out, it was fascinating to observe how the twists and turns of the plot inspired mounting participation and passion from members of the audience, forcing us to confront our own moral and ethical viewpoints. It revealed the complexities of the justice system, and the challenges involved with sentencing a defendant. It was deeply satisfying to walk away from a piece of theatre feeling challenged, both intellectually and emotionally."
214:, where "Writer/director/actor Richard Crawford and his international band of performers who comprise the Brooklyn Studio Lab are performing Diary of a Sociopathic Freakazoid in Hollywood after a successful premiere at New York's View Theatre." In an interview with Amy Tofte at the LA Bitter Lemon Magazine, Crawford explained the move to Hollywood, ""I like the theatre scene in LA because it's underground and you're doing something that isn't necessarily commercially appealing to everyone," Crawford says. "The people who do it here really want to fucking do it. It reminds me of Edinburgh."
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expect the sex, drugs, and rock and roll indicative of the period," This controversial take on Hamlet proved highly successful with
Timeout giving it a 4/5 star average stating "I found this Hamlet to be fresh, lively and provocative." London Hot Hot Magazine also praised the productions risky modern take with critic Cameron Yorke stating "Whether or not you have a passion for Hamlet, this production will have you riveted throughout the entire performance with its connection to today's lifestyle and above all is a thoroughly enjoyable, witty Show.!"
203:
that "despite
Crawford's valiant attempt at engaging the audience, however, Edward Scissorhands is simply a story better told on film than on stage." Free Willamsburg, on the other hand, lauded the production stating "What's cool then is you aren't just watching another re-enactment of a storyline hashed out over years of rebuttals, but a first-time staging, done by friends, not for money or fame, but led by their passion for the stage, and perhaps spooked themselves by the tragic story of the underdeveloped stranger with scissors for his hands."
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expressed "Secret
Theatreâs Hamlet boasts a very natural performance and it earns its stars for a fresh take on the play, and the energy and interactive connection of its direction and most of its performers." Three Weeks also praised the production and the performances giving it 4 stars and stating "All of the cast do an excellent job, with the actor playing Hamlet delivering a mesmerising performance. " Audience Fringe reviews were also very positive with Cristina Olsson writing "One of the best Hamlet I have seen! Brilliant!"
218:
nominated for best
International play. Notoriously tough LA Weekly critic Bill Raden singled the show out as one of the highlights of the Hollywood theatre offerings stating, "By the end of this unrelentingly Dostoyevskian descent into vice, self-abasement, caddishness and appalling personal betrayal, Dominic (Crawford) successfully sweeps such emotional encumbrances from his life with a fierce and frightening finality. A hilariously scathing serenade to the all-consuming self-absorption of the artistic ego."
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229:. The production aimed to help charities including Shelter and Save The Wild Tigers, journalist Emma Stone stated in an interview with Crawford "The commitment and passion Richard speaks of his production with is a breath of fresh air amidst a climate dominated by profit and recession, with the ever increasing cuts to arts funding marring the potential of original British theatre."
195:, opened in London and Hong Kong in 2017, described by the Londonist as "an enjoyable, high-energy hit of dystopian underworld" and the South China Morning Post stated "Secret Theatre will deal a brutal body blow to any preconceptions you may have about a night out at the theatre with its latest Hong Kong production, Project Mayhem a show that will leave you sweating for more."
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online games that pretend to be âimmersive theatre experiencesâ as a waste of time. Now here comes this thrillingly macabre mashup of horror film, gameshow and Zoom meeting, to prove me wrong. If you want something different and genuinely hair-raising, I can wholeheartedly recommend
Redemption Room. Even if it does mean facing a critic's worst fear: eating my words."
249:, who stated "It was refreshing and remarkable for a production company that has previously performed Reservoir Dogs and Edward Scissorhandâs would choose to take a risk with new material. The topics hit raw nerves. Highly relatable and disturbingly spot on, the ending cuts deep." The raw nerves caused some audience members to walk out, with
221:
In 2013 Crawford returned to London and collaborated with fellow New York
Strasberg alumnus Brooke Johnston and co-directed Shakespeare's Hamlet with a Method influence at The Drayton Theatre in Kensington. London Theatre profiled the production "Set in the swinging sixties with Mad Men era costumes
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Crawford wrote and directed the show which was well received across the world, with chief culture critic from The
Guardian Arifa Akbar stating the show "delivers a satisfying adrenaline high" Nick Curtis at London's Evening Standard was especially impressed stating "Less than a week ago I wrote off
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giving it a 5-star review and stating, "The wildly successful Secret
Theatre project returns to Hong Kong! Touted as one of the cityâs best (or worst) kept undercover cultural events last year, 2015âs production saw a production of Seven out on Lamma Island. As the location and theme of this yearâs
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stating "we can see he why
Crawfordâs work is compared to the likes of Bret Easton Ellis. In this case it drew more parallels with Less Than Zero but his style is as eerie and entertaining as the American writerâs.] The show was not to everyones taste with critic Anna Forsyth describing the show as
144:
In 2022 Crawford wrote and directed a new immersive theatrical experience, Nights at Studio 54 which ran for a record breaking 3 months in Hong Kong. The production was set on the last night of the infamous club and included many celebrities of the era. Crawford had expressed "âItâs a dream of mine
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at
Garricks Temple in London in July 2014, co-directed by Richard Crawford and Brooke Johnston, the production, originally performed at The Drayton Theatre in London in 2013, transferred to Edinburgh for the Fringe Festival in August 2014. The production gained 4 stars from Edinburgh Spotlight who
202:
helm in New York, saying "There's a mystique around this project" Describing the project in an interview with the New York Times he said "It's not Broadway, It's everyone pitching in and doing their bit for the love of the art, really." The production had mixed reviews, Show Business Weekly stated
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In 2022 Crawford adapted, directed and acted in The Great Gatsby in the Spanish capital Madrid, his first production in Spanish. The production was one of the first signature immersive productions to take place in the city and was a critical success with La Razon stating "âWhat Secret Theatre has
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stating "They totally turn the table over with this yearâs production, which is a transfer of their original production done in London a few months ago. An immersive piece really successfully done with a gripping structure and acquired aesthetic taste. I finally can see the brilliant skills of Mr
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The show was also a success in Australia and America with Sydney based culture critic Kate Herbert stating "You canât escape the Dark Entity in Redemption Room, a wild, hilarious and, by the end, scary live and interactive theatre experience." New York critic Ryan Davis agreed stating "Redemption
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The show described as "a relentless exploration of the mind of a twenty something sociopath and his family and friends in Manhattan, a theatrical experience that will explore and express the mind of a sociopath using theatrical, musical and installation elements," was well received in LA and was
236:
split critics, with Dominic Maxwell at The Times stating "Sell the sizzle not the steak," and The Stage noting "Crawford's dialogue is punchy enough but his adaptations defuse the power of Tarantino's blistering script." whilst Everything Theatre stated the production was "Edgy and exciting.
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is a British theatre director and actor known for the Secret Theatre Project. His productions are typically site specific and immersive. He is credited for pioneering immersive theatrical productions such Reservoir Dogs in London, Fight Club in Hong Kong and Edward Scissorhands in New York.
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Lifestyle Asia previewed the show "The story goes: Six disgraced celebrities â in true Black Mirror-style â faces the live, virtual-studio audience as they seek redemption for their so-called âcrimesâ â from sexual harassment and the consumption of illicit drugs to lying, cheating and other
156:
in Hong Kong. The production opened to much hype in the city, featured as Vogue Magazine's show to see, and Tatler Magazine's event of the quarter. The production went on to sell out in record time for the city and became the most successful International production in 2021.
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in May at The Proud Archivist in London as part of Secret Theatre. The production, which was site-specific in an East End art gallery where you watched the artist have a personal breakdown as performance art, sold out and gained a 5-star review in
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The production in Singapore went on to become the Singapore Tatler Magazine Number 1 show getting rave reviews from publications such as Honeycombers, "Here's the takeaway: the Secret Theatre Project is one wild ride you won't want to miss."
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behaviours that warrant cancellation. To be âredeemedâ, the celebrity must confront â in accordance to the audience's votes â their greatest fear â be it spiders, ghosts or Ouija boards. An evil entity disrupts the evening. Chaos ensues.
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at Dusk Till Dawn a Tarantino-inspired immersive, site-specific vampire thriller that opened in London and then transferred to Hong Kong that year. The show opened with a lot of buzz, selling out quickly in both cities, with
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Room combines the clever premise of horror movies like Anonymous Killers and Circle, and effectively rivals other online scare fests like Host with sheer theatricality and impressive stagecraft.
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achieved is not just a representation of the work of F.Scott Fitzgerald. It is in fact, a pioneering way of doing theatre in Spain, and one that places the city at the forefront of culture.â
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Tarantino is a big name to live up to, and this production does him justice." The production quickly sold out and gained a cult following and a five star average user rating with Time Out.
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254:"Unsubtle. This might sound odd, but the most subtle acting and story (and my favourite parts of the show) came from trans prostitute Nadia, a six foot something wonder in heels."
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production is secret until the purchase of your ticket, youâve got to pay out to find out!" The production again pushed the boundaries of immersive theatre, with cult commentary
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to travel back to Studio 54âI have been obsessed with that particular time in New York for a while and have always wanted to create a show set in that era,â
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In 2015 Crawford produced and directed the world stage premier of SE7EN (Deadly Sins) in London and Hong Kong. The production featured on the front cover of
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In July 2013 Crawford became the artistic director of Secret Theatre London and adapted and directed the London stage premier of Quentin Tarantino's
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Crawfordâs directions. Everything is designed closely to the venue, from the play structure to the design of the costumes and the use of lighting."
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He is the Artistic Director of the Brooklyn Studio Lab, a collective of film and theatre artists based in
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500:"AsĂ es el estreno nacional de 'The Great Gatsby', un show inmersivo en el Mandarin Oriental Ritz"
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956:"Hollywood Fringe Profile: Freakazoid Creator sees the Edinburgh in LA : LA Bitter Lemons"
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1113:"Tarantino Movie Will Get the 'Secret Treatment' with Secret Theatre in London, Oct 29-Nov 30"
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In 2021 Crawford adapted, directed and starred in Secret Theatre's immersive, site specific
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http://www.thestage.co.uk/reviews/review.php/39126/secret-theatre-london-reservoir-dogs-
335:"Q&A: Secret Theatre's Richard Crawford on Redemption Room and virtual-live events"
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718:"Secret Studio Lab Presents: Something Incredible I Cant Talk About! - ONIN London"
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765:"The world's most secretive theater experience is finally coming to Singapore"
479:"The Peninsula Brings New York's Glamorous Studio 54 to Hong Kong This Autumn"
136:, New York, and he is also a founding member of The New York Rebel Film Club.
586:"A Night Out with Jay Gatsby: The Great Gatsby Immersive Dining Experience"
113:
Recent career highlights include his 2021 live online cinematic experience
1417:"Theatre Review: Secret Theatre Project Hong Kong 2 » The Typewriter"
1221:"Secret Theatre - Diary of a Sociopathic Freakozoid - the Proud Archivist"
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349:"Redemption Room review â fear is the winner in scary celebrity gameshow"
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812:"Review: The Secret Theatre Project's Singapore debut is worth the hype"
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1023:"2012 Hollywood Fringe Reviews â Los Angeles â Arts â Public Spectacle"
418:"Secret Theatre Presents REDEMPTION ROOM Theater Review â Live Thrills"
376:"Redemption Room review: Immersive online show offers genuine scares"
790:"The Tatler Social Calendar: What To Do This May | Singapore Tatler"
558:"Hong Kong Food News: Menu Updates, Pop-ups and Collabs in November"
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1000:"Turnstyle " Fringe Freak Awardsâ The Best of the Hollywood Fringe"
978:"The Hollywood Fringe Festival â diary of a sociopathic freakazoid"
572:"The Peninsula Launches a Great Gatsby Immersive Dining Experience"
1460:"19 Things To Do In London This Autumn That Are Cultured As Fuck"
458:"The Peninsula Hong Kong brings the spirit of Studio 54 to Felix"
856:"Review: Secret Theatre's new Hong Kong show Project Mayhem"
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In 2018 he signed up to open a new production in Singapore.
1131:"Secret Theatre: London's latest (hidden) theatrical gem"
1324:"Hamlet | Theatre | Edinburgh Festival Fringe"
648:"Edward Scissorhands Opens (Off Off Broadway World.Com)"
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He directed the Brooklyn Studio Lab's world premiere of
117:, which won Best Virtual experience at the SCAR Awards.
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1299:"Secret Theatre, Secret Location, East London â Review"
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2015 also saw the Crawford-produced Secret Studio Lab
1045:"Hamlet by The Ouroboros Players at Drayton Theatre"
522:"AsĂ es una invitaciĂłn a la mansiĂłn del Gran Gatsby"
283:In 2016 Crawford also wrote, produced and directed
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321:"Winners announced for 2021 ScareCON SCAR Awards"
210:, Crawford opened his third play in three years,
1371:"Hamlet (Secret Theatre) - ThreeWeeks Edinburgh"
929:. Free Williamsburg. 1 July 2010. Archived from
265:In 2016 Crawford adapted, produced and directed
650:. Offoffbroadway.broadwayworld.com. 7 June 2010
544:"The Great Gatsby Immersive Dining Experience"
8:
958:. Losangeles.bitter-lemons.com. 19 June 2012
624:. Playbill.Com. 23 June 2010. Archived from
307:"REVIEW: CODE 2021 (Secret Studio Lab) â
â
â
â
"
1200:"Secret Theatre London - Theatre in London"
31:
20:
1396:"Secret Theatre - Theatre in Hong Kong"
1154:"Reservoir Dogs at the Rag Factory, E1"
434:. Brooklynstudiolab.com. Archived from
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672:. Time Out (Hong Kong). Archived from
7:
1152:Maxwell, Dominic (8 November 2013).
257:After a site-specific production of
834:"Are You Ready For Project Mayhem?"
16:British theatre director and actor
14:
1002:. Turnstylenews.com. 25 June 2012
212:Diary of a Sociopathic Freakazoid
1186:"Secret Theatre London - Review"
740:"The Justice Gap is coming soon"
602:. Theatermania.com. 23 June 2010
240:2014 saw Crawford open his play
1163:– via www.thetimes.co.uk.
698:. Expat Living. 9 November 2015
1021:Leigh, Steven (13 June 2012).
877:Itzkoff, Dave (24 June 2010).
177:on a secret Island in London.
1:
1273:"I'm the Revolution - Miista"
1067:"Hamlet - Theatre in London"
881:. Artsbeat.blogs.nytimes.com
432:"Brooklyn Studio Lab Staff"
37:Richard Crawford directing
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1509:Scottish theatre directors
1504:Scottish male stage actors
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63:Theatre director, actor
901:"Show Business Weekly"
600:"Theatremania article"
980:. Hollywoodfringe.org
164:in New York in 2010.
1375:www.threeweeks.co.uk
1025:. Blogs.laweekly.com
1489:Brooklyn Studio Lab
1188:. 10 November 2013.
927:"Free Williamsburg"
907:on 21 December 2010
676:on 13 November 2015
420:. 28 February 2021.
208:Edward Scissorhands
162:Edward Scissorhands
78:Edward Scissorhands
39:Edward Scissorhands
1419:. 19 November 2016
1330:on 18 October 2014
1253:on 19 October 2014
800:on 8 October 2018.
628:on 16 October 2012
337:. 24 January 2021.
309:. 14 October 2016.
232:The production of
198:Crawford took the
1439:"Town Hall Hotel"
1350:"REVIEW â Hamlet"
1133:. 3 November 2013
1117:Broadwayworld.com
1092:www.hothotmag.com
858:. 8 November 2017
794:sg.asiatatler.com
744:thejusticegap.com
438:on 10 August 2012
397:"Redemption Room"
267:Hell Hath No Fury
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102:Richard Crawford
94:The Great Gatsby
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54:, United Kingdom
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