Knowledge

Richard Cross (actor)

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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660–1800: West to Zwingman
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in Dublin before moving to London in 1700. It is also likely he was the brother of
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was a British stage actor of the seventeenth and eighteenth century.
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Highfill, Philip H, Burnim, Kalman A. & Langhans, Edward A.
235: 25:It is probable that he began his career at the 255: 8: 262: 248: 230:This article about an English actor is a 169: 33:. From 1710 to 1724 he appeared at the 7: 211: 209: 185:Highfill, Burnim & Langhans p.66 176:Highfill, Burnim & Langhans p.65 14: 49:was likely to have been his son. 301:18th-century British male actors 296:18th-century English male actors 220: 214: 1: 234:. You can help Knowledge by 281:18th-century English actors 37:with a brief period at the 322: 208: 291:British male stage actors 286:English male stage actors 74:The Old Mode and the New 45:. The actor also named 126:The What D'Ye Call It 306:English actor stubs 113:The Man's Bewitched 27:Smock Alley Theatre 16:British stage actor 202:. SIU Press, 1973. 152:The Country Lasses 100:The Double Gallant 97:Sir Hary Atall in 243: 242: 118:Susanna Centlivre 71:Major Bombard in 313: 264: 257: 250: 226: 225: 224: 218: 210: 186: 183: 177: 174: 139:The Contrivances 123:Sir Humphrey in 61:Love Makes a Man 321: 320: 316: 315: 314: 312: 311: 310: 271: 270: 269: 268: 219: 213: 206: 195: 190: 189: 184: 180: 175: 171: 166: 157:Charles Johnson 55: 39:Queen's Theatre 17: 12: 11: 5: 319: 317: 309: 308: 303: 298: 293: 288: 283: 273: 272: 267: 266: 259: 252: 244: 241: 240: 227: 204: 203: 194: 191: 188: 187: 178: 168: 167: 165: 162: 161: 160: 147: 134: 121: 108: 95: 87:Farewell Folly 82: 79:Thomas d'Urfey 69: 54: 53:Selected roles 51: 15: 13: 10: 9: 6: 4: 3: 2: 318: 307: 304: 302: 299: 297: 294: 292: 289: 287: 284: 282: 279: 278: 276: 265: 260: 258: 253: 251: 246: 245: 239: 237: 233: 228: 223: 217: 212: 207: 201: 197: 196: 192: 182: 179: 173: 170: 163: 158: 154: 153: 149:Carbuncle in 148: 145: 141: 140: 136:Constable in 135: 132: 128: 127: 122: 119: 115: 114: 109: 106: 105:Colley Cibber 102: 101: 96: 93: 92:Peter Motteux 89: 88: 84:Salathiel in 83: 80: 76: 75: 70: 67: 66:Colley Cibber 63: 62: 57: 56: 52: 50: 48: 47:Richard Cross 44: 40: 36: 32: 31:Letitia Cross 28: 23: 21: 20:Richard Cross 236:expanding it 229: 205: 199: 193:Bibliography 181: 172: 150: 137: 124: 111: 98: 85: 72: 59: 24: 19: 18: 144:Henry Carey 58:Charino in 275:Categories 164:References 110:Slouch in 35:Drury Lane 43:Haymarket 131:John Gay 159:(1715) 146:(1715) 133:(1715) 120:(1709) 107:(1707) 94:(1705) 81:(1703) 68:(1700) 232:stub 155:by 142:by 129:by 116:by 103:by 90:by 77:by 64:by 41:in 277:: 263:e 256:t 249:v 238:.

Index

Smock Alley Theatre
Letitia Cross
Drury Lane
Queen's Theatre
Haymarket
Richard Cross
Love Makes a Man
Colley Cibber
The Old Mode and the New
Thomas d'Urfey
Farewell Folly
Peter Motteux
The Double Gallant
Colley Cibber
The Man's Bewitched
Susanna Centlivre
The What D'Ye Call It
John Gay
The Contrivances
Henry Carey
The Country Lasses
Charles Johnson
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