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to 2 inches in height. Ivory was used for miniatures, as it gives a beautiful luminosity to the skin tones of the sitter's face. During the 1780s and 1790s Crosse did use some large sized ivories of 3.5 inches or more in height. His fees started at around 8 guineas for small works, and rose
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was for women to increasingly wear their hair high on their head, and often it was powdered. It is interesting to see how Crosse manages to fit a head and shoulders portrait of a lady with stacked hair on to such a small piece of ivory. Men generally wore their hair ‘en queue’, pulled back into a
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in the late 1790s, and lived with Miss Cobley's brother. Crosse met Sarah Cobley again in 1807, when she decided to visit her brother after she learned her illness was fatal. She arrived unexpectedly, and her brother was not able to get Crosse out of the house beforehand. On seeing Sarah after so
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Crosse began painting as a hobby, as was the fashion amongst the gentry. At the age of 16 he won a premium at the newly created 'Society for the
Encouragement of Arts, Manufactures and Commerce' (the Society of Arts) in London. He then moved to London and, like Richard Cosway and John Smart, he
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Crosse's work is refined, and in the best examples the sitters really look as if they could walk right out of the frame, they are so lifelike. Crosse's miniatures often seem to be dominated by a shade of greenish-blue, maybe influenced by the early work of
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many years, Crosse rushed up to her and embraced her with strong emotion. She died the next day. Crosse died in May 1810, at his old family home in Knowle.
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Despite not being able to hear or speak, Crosse was very successful, and was highly regarded by his distinguished clientele. His clients included the
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Crosse exhibited his work at the new London societies: at the
Society of Artists 1760–1796, the Free Society 1761–1766, and the
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ponytail tied with a black ribbon; often they wore powdered wigs over their hair, or powdered their hair directly.
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Richard Crosse, Portrait of
Unknown Woman, c1780, Victoria & Albert Museum
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Richard Crosse, Portrait of
Unknown Man, c1770, Victoria & Albert Museum
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He retired from commercial painting in the late 1790s, and died in 1810.
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Self-portrait in miniature, circa 1780 - Victoria & Albert Museum
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Crosse was born on 24 April 1742 in Knowle, in the parish of
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A History of
Devonshire with sketches of its leading wothies
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1770–1796. He lived and worked in
Henrietta Street, in
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371:. Vol. 17 of the Walpole Society. p. 94.
369:Richard Crosse, Miniaturist and Portrait-painter
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405:Работы Ричарда Кросса в музее.
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295:Foskett, Daphne (1987).
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