239:, an environment and programming language for real-time audio synthesis. He would create SynthDefs using numerous unit and envelope generators, implement exponential ranges of frequential values (micro-tones) and utilize multichannel expansion. He would also use PBinds to modulate these synths to precise rhythmic patterns. “It's interesting, because you're doing things to sound that just aren't physically possible.” Devine possesses a plethora of digital audio workstations, gear, and numerous other instruments. This may have been an aid to achieving his peculiar, idiosyncratic sound, and implementing such sophisticated components and layers.
492:
302:
Though he has contributed sound design to a number of hardware and software manufacturers, he recently released his first official sample library through Sony
Creative Software entitled "The Electronic Music Manuscript: A Richard Devine Collection".
529:
417:
393:
563:
522:
441:
548:
553:
515:
192:. He has also done extensive recording and sample work with Josh Kay under the name DEVSND. As a result of praise of his music from
394:"Innovator Richard Devine Raves about Reason's "Infinite Expandable Virtual Workstation" – Press Resources | Propellerhead"
173:
85:
445:
558:
266:
247:
232:
224:
205:
67:
223:
Devine first started using computers for composition around 1993. Don
Hassler, an instructor at the
296:
243:
89:
24:
326:
270:
254:
213:
185:
127:
20:
262:
316:
287:
165:
499:
250:
169:
81:
542:
282:
236:
71:
273:, NI’s Absynth, Reaktor, Battery and Massive, along with providing sound patches to
336:
217:
209:
177:
131:
491:
99:
292:
274:
201:
189:
103:
193:
107:
278:
258:
161:
63:
231:
and other powerful computer-based applications. Devine coded his own
228:
281:
app. As a sound designer, he collaborated with electronic musician
180:
to old and modern electronic music. Devine largely records for the
227:, got him interested in computer synthesis, introducing Devine to
197:
181:
477:
442:"The Electronic Music Manuscript: A Richard Devine Collection"
462:
146:
467:
498:
This article about an
American electronic musician is a
503:
172:. He is recognized for producing a layered and heavily
299:
and engineered and performed his own music worldwide.
472:
142:
138:
123:
113:
95:
77:
59:
49:
39:
32:
523:
8:
530:
516:
29:
265:. Devine has designed sound patches for
385:
291:. He has also scored commercials for
7:
488:
486:
257:. His favorite NI applications are
188:, which was founded by Josh Kay of
564:American electronic musician stubs
14:
176:sound, combining influences from
490:
208:", Devine recorded an album for
351:(2003) (Schematic SCH023 LP CD)
345:(2001) (Schematic SCH019 LP CD)
19:For the American attorney, see
212:which was jointly released by
1:
549:American electronic musicians
23:. For the U.S. diplomat, see
502:. You can help Knowledge by
363:(2012) (Detroit Underground)
554:Intelligent dance musicians
357:(2005) (Sublight SLR601 CD)
246:(NI) software and has used
580:
485:
418:"The Future Sound of Thor"
18:
323:Richard Coleman Devine EP
16:American musical artist
478:Sublight Records, Inc.
225:Atlanta College of Art
45:Richard Coleman Devine
422:www.propellerheads.se
398:www.propellerheads.se
339:SCH015/WAP139 LP CD)
297:Touchstone Pictures
166:electronic musician
147:www.devinesound.net
375:(2020) (BLK_Noise)
335:(2000) (Schematic/
244:Native Instruments
25:Richard David Vine
511:
510:
468:Schematic Records
277:'s award-winning
242:Devine also uses
186:Schematic Records
152:
151:
128:Schematic Records
21:Richard A. Devine
571:
532:
525:
518:
494:
487:
450:
449:
444:. Archived from
438:
432:
431:
429:
428:
414:
408:
407:
405:
404:
390:
369:(2018) (Timesig)
235:applications in
116:
52:
42:
30:
579:
578:
574:
573:
572:
570:
569:
568:
539:
538:
537:
536:
483:
459:
454:
453:
440:
439:
435:
426:
424:
416:
415:
411:
402:
400:
392:
391:
387:
382:
309:
155:
114:
50:
40:
35:
28:
17:
12:
11:
5:
577:
575:
567:
566:
561:
556:
551:
541:
540:
535:
534:
527:
520:
512:
509:
508:
495:
481:
480:
475:
470:
465:
458:
457:External links
455:
452:
451:
448:on 2008-03-24.
433:
409:
384:
383:
381:
378:
377:
376:
370:
364:
358:
352:
346:
340:
330:
320:
308:
305:
251:ReBirth RB-338
170:sound designer
158:Richard Devine
154:Musical artist
153:
150:
149:
144:
140:
139:
136:
135:
125:
121:
120:
117:
111:
110:
97:
93:
92:
79:
75:
74:
61:
57:
56:
53:
47:
46:
43:
37:
36:
34:Richard Devine
33:
15:
13:
10:
9:
6:
4:
3:
2:
576:
565:
562:
560:
559:Living people
557:
555:
552:
550:
547:
546:
544:
533:
528:
526:
521:
519:
514:
513:
507:
505:
501:
496:
493:
489:
484:
479:
476:
474:
471:
469:
466:
464:
461:
460:
456:
447:
443:
437:
434:
423:
419:
413:
410:
399:
395:
389:
386:
379:
374:
371:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
334:
331:
328:
324:
321:
318:
314:
311:
310:
306:
304:
300:
298:
294:
290:
289:
284:
280:
276:
272:
268:
267:Propellerhead
264:
260:
256:
252:
249:
248:Propellerhead
245:
240:
238:
237:SuperCollider
234:
230:
226:
221:
219:
215:
211:
207:
206:Come to Daddy
203:
199:
196:as well as a
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
148:
145:
141:
137:
133:
129:
126:
122:
118:
112:
109:
105:
101:
98:
96:Instrument(s)
94:
91:
87:
83:
80:
76:
73:
72:United States
69:
65:
62:
58:
54:
51:Also known as
48:
44:
38:
31:
26:
22:
504:expanding it
497:
482:
473:Warp Records
463:Devine Sound
446:the original
436:
425:. Retrieved
421:
412:
401:. Retrieved
397:
388:
372:
366:
360:
354:
348:
342:
332:
322:
312:
301:
286:
285:in the film
241:
222:
210:Warp Records
178:glitch music
157:
156:
132:Warp Records
119:1995–present
115:Years active
90:experimental
349:Asect:Dsect
329:SCH005 12")
307:Discography
100:Synthesizer
543:Categories
427:2016-12-28
403:2016-12-28
380:References
343:Aleamapper
275:Moog Music
202:Aphex Twin
134:, Sublight
41:Birth name
367:Sort\Lave
333:Lipswitch
327:Schematic
214:Schematic
190:Phoenecia
174:processed
104:softsynth
55:Trapezoid
355:Cautella
325:(1997) (
315:(1995) (
194:Autechre
108:computer
279:Animoog
263:Absynth
259:Reaktor
184:-based
164:-based
162:Atlanta
143:Website
68:Georgia
64:Atlanta
373:Systik
313:Sculpt
271:Reason
255:Reason
229:Csound
160:is an
124:Labels
82:Glitch
78:Genres
60:Origin
198:remix
182:Miami
500:stub
361:RISP
337:Warp
317:Tape
293:Nike
288:Look
261:and
253:and
218:Warp
216:and
204:'s "
168:and
269:'s
233:FFT
200:of
86:IDM
545::
420:.
396:.
295:,
283:BT
220:.
130:,
106:,
102:,
88:,
84:,
70:,
66:,
531:e
524:t
517:v
506:.
430:.
406:.
319:)
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.