301:(2000) allowed him to show his audience the seriousness of AIDS, documenting his experience of having a close family member battling thalassemia and a partner fighting AIDS. Richard's relationship to thalassemia came about via his sister Nan, and his relationship to AIDS via his partner, Tim McCaskell. Sea in the Blood is a reflection on race, sexuality, and disease, revolving around two trips that significantly affected his life. During the first trip, in 1962, Fung traveled from Trinidad to England with his sister Nan to meet an eminent hematologist interested in her disease. His second trip took place in 1977 when Fung and his partner, Tim McCaskell, made a pilgrimage from Europe to Asia. Nan died before Richard and Tim could return home. Fung's personal accounts are riddled with love, loss, and AIDS. He aimed to avoid sentimentality and lure the audience to feel as he does, through his video essay. Richard uses blood to symbolize HIV/AIDS and thalassemia, as thalassalemia is an inherited blood disorder and HIV/AIDS is a viral blood infection that passes from individual to individual.
369:(1990), Fung addresses his relationship with his mother and is made up of disclosures of what to reveal and what to hint at, eliminating details while refraining from committing to lies; being both "inside and outside" the frame of kinship. The queer figure of inside/outside evokes "the structures of alienation, splitting, and identification which together produce a self and an other, subject and an object, an unconscious and a conscious, an interiority and an exteriority ... but the figure inside/outside, which encapsulates the structure of language, repression, and subjectivity, also designates the structure of exclusion, oppression, and repudiation". Queer theorist
402:
of collectively consuming identity-based programs addressing 'you' against the challenge of achieving 'mixed' and formally varied programs that construct new horizons of reception and attract new audiences." Exploring the conflicts between genders, ethnicities, racial differences and divergent communities of tastes, Fung touches on how presentation of film and video and its reception reflect paradoxes of identity, access, and power. Audience reception is then rooted in ones' status and language, reflecting a hierarchical ladder of differences based on gender, race, and class.
321:
educators. Fung's use of the sauna as a setting is what some may call "homoscape," which are streams of cultural material moving back and forth from national boundaries of perceived stabilities. His use of the sauna was aimed not only as a space of sex, but as a "narrative conventions and expectations, the conjugal drive is resolved." Fung's focus is to direct the viewer towards the '"ethnoscape" and "homoscape" on the premise of how they overlap in a dynamic way "of rootedness, coalition, and intervention".
345:(1991) explores the importance of having different representations within mainstream commercial porn. Print pornography is often the first introduction to gay sexuality, especially for gay Asian men who are economically and socially disadvantaged, isolated and without support. Current commercial gay porn caters predominantly and almost exclusively to white viewers. Fung points out how this constructs gay identity as exclusively white.
310:
Fung realized that their side was being ignored in the narrative that has primarily been about white gay men. Fung attributes this obliviousness to the stereotype that Asian men in general are not sexual beings, and therefore cannot be homosexual. The degree at which social stigma takes place is bringing about the sort of shame and seclusion that has ravished the community during this time period.
365:(2000), he explores how lesbians and gay men experience being exiled by kinship. The coming-out process provokes fraught relationships between members of LGBT and their families and the AIDS pandemic contributes to an environment of exclusion and disappointment. Fung's works focus widely on queers of colour, drawing predominantly from personal experiences as an Asian homosexual.
337:(1991), Fung points out how the production of mainstream pornography caters to white viewers. Such constructions reveal power relations emphasizing white supremacy. Fung highlights how mainstream gay porn is more readily available to Asian men than independent productions, disproportionately affecting how gay Asian men view their sexuality. In his video
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and Tim's battle with AIDs), but as a site of pleasure, barriers, and his family's immigration to Canada. In Fung's essay, "Programming the Public", he explores the politics of addressing the audience in his works. Highlighting how gender- or race-based programming must weigh the "phenomenal pleasure
396:
Most of Fung's videos touch on his family use a style of predominantly personal narration and an impassive scientific account that illustrates how intimate family histories are shaped by race, ethnicity, and colonialism. His videos pull on subtle imagery, such as the use of waves and the sea (Fung on
309:
During the breakout of AIDS in the United States, those surrounding Fung in Canada often said there was no real danger to gay men in their country. Little did Fung know, a plethora of Asian men around him were HIV+, and some even died. Focusing specifically on racism and AIDS in the Asian community,
353:
Growing up in
Trinidad, Fung attended a Catholic-based school which solidified his views about race and class and its effects in any given society. He moved for secondary school and Canada for university. In Canada Fung met his future partner, Tim McGaskell, at a Marxist study group. The family
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shows two men having sex in a steam room. Fung aims to encourage the practice of safe sex in the lives of the gay Asian community. The sauna is instructional porn used to create a space that guides viewers into what may feel like a seminar room, for the discussion of safe sex by young community
247:. He is a member of the Caribbean Contemporary Arts in Trinidad, Toronto's Images Festival, the Racial Equality Committee of the Canada Council for the Arts, and the Toronto Arts Council. Fung is a programmer for the Inside Out Lesbian and Gay Film and Video Festival. A former
143:
Fung's work in video explores the role of Asian men in gay pornography, while addressing the intersections between colonialism, immigration, racism, homophobia, and AIDS. Many of his works have been presented at venues in Canada and the United States of
America.
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316:(1990) is a video commissioned by the Gay Men's Health Crisis (GMHC) of New York, and the AIDS Committee of Toronto. This work focuses on the discourse of sexual performance, and the intersectional nature of identity and political practice.
212:
in 1984. He produced several videos that won awards and were screened in numerous venues and archived in various locations such as the London
Institute of Contemporary Art, Chicago's Art Institute, and the Getty Gallery in Los Angeles.
205:, a public housing area in Toronto. Working with the Lawrence Heights community, Fung produced his own work and trained residents to produce their own videos. These works were aired on the Lawrence Heights community television channel.
166:(1990), a tribute to his mother Rita. The documentary records Rita's Chinese-Trinidadian childhood, and the family's immigration to Canada, while focusing on the formation of Fung's complex identity in the process of
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2000: Margot
Bindhardt Award, TAC Grants from Toronto Arts Council, Ontario Arts Council, Canada Council for the Arts, Ontario Film Development Corporation and Social Sciences and Humanities Research Council
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the beach with Nan as a child and later swimming with his lover Tim). The use of waves and the sea are fluids symbolizing not only the blood as a bearer of illness (Nan's rare blood disease
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393:, he documents his painful negotiation between having to choose between his blood family and his chosen family (relationship with his partner Tim).
297:, shared a goal of looking back at the historical developments in AIDS activism and its normalization in North America. Richard Fung's video essay
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2010: Chalmers Arts
Fellowship 2005: Curatorial Writing Award: Essay Contemporary, OAAG 2003: Pioneer Award, Chinese Canadian National Council
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232:. Before working at Ontario College of Art and Design, Fung was the coordinator of the Centre for Media and Culture in Education at the
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255:, Fung has lectured across North America, Europe, Asia and Australia. He has written and published on aspects of culture and identity.
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expectation that Fung would be an architect did not become reality. He attempted to study industrial design but instead entered the
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381:. According to Muñoz, Fung's performances can be understood as "autoethnography" due to their employment of tactics like "
186:. Early on in his career Fung worked as an animator for community video production, and later became a staff producer at
1370:
Pidduck, Julianne (2009). "Queer
Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
1335:
Pidduck, Julianne (2009). "Queer
Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
1275:
Pidduck, Julianne (2009). "Queer
Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
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Pidduck, Julianne (2009). "Queer
Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
1205:
Pidduck, Julianne (2009). "Queer
Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
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Pidduck, Julianne (2009). "Queer Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung".
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Initially studying at the Ontario College of Art and Design, Fung left school and worked as a video animator at
508:
194:, Fung joined the DEC Film and Video distribution in 1984 and assisted in Toronto's anti-racism film festival,
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In 2019, he was presented the Bonham Centre Award from The Mark S. Bonham Centre for Sexual Diversity Studies,
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Fung taught at the Ontario College of Art and Design. He was the Chancellor's Visiting Associate Professor at
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526:, edited by Karen L. Ishizuka and Patricia Zimmerman, Berkeley, University of California, 2008 pgs. 29-40
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533:. Edited by Lydia Jessup with Shannon Bagg. Hull, Quebec: Canadian Museum of Civilization, 2002
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Fung is an activist and founded the Toronto-based organization Gay Asians of Toronto in 1980.
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740:"Queer Kinship and Ambivalence: Video Autoethnographies by Jean Carlomusto and Richard Fung"
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2019: Bonham Centre Award from The Mark S. Bonham Centre for Sexual Diversity Studies,
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Fung, Richard. "After essay – questioning history, questioning art." p. 37-42. In
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136:. He earned an undergraduate degree at the University of Toronto, and received a
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The Columbia Reader on Lesbians and Gay Men in Media, Society, & Politics
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106:, writer, public intellectual and theorist who currently lives and works in
1547:. Michele Aaron (ed). Edinburgh: Edinburgh University Press, 2004. 80-97.
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Hallas, Roger (2010). "Queer Aids Media and The Question of The Archive".
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1512:"Toronto video artist Richard Fung wins Bell Canada Award in Video Art"
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2005 Ontario Association of Art Galleries award for Curatorial Writing
893:"Video Artist, Associate Professor, Faculty of Art, OCAD University"
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Disidentifications: Queers of Color and the Performance of Politics
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2012: Samsung Audience Award Toronto Int'l Reel Asian Film Festival
379:
Disidentifications: Queers of Color and the Performance of Politics
224:
and a visiting scholar at the Mass Communications Research Centre,
814:. Practical Dreamers: Conversations with Canadian Movies Artists
573:
2000 Bell Canada Award for outstanding achievement in video art
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Pidduck, Julianne. "New Queer Cinema and Experimental Video."
1407:"Queer Publicity: A Dossier on Lesbian and Gay Film Festivals"
126:
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Lawless, Katherine (2012). "(Re)circulating Foreign Bodies".
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Lawless, Katherine (2012). "(Re)circulating Foreign Bodies".
955:
Lawless, Katherine (2012). "(Re)circulating Foreign Bodies".
786:"Agency, Activism and Affect in the Lifework of Richard Fung"
524:
Mining the Home Movie: Excavations in Histories and Memories
140:
in sociology and cultural studies at University of Toronto.
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2003: Best Experimental Film, Worldwide Short Film Festival
178:
Fung has been published several times in magazines such as
93:
Bell Canada Award for Outstanding Achievement in Video Art
361:
In many of Fung's works relating to his family, such as
1437:"Canadian directors are making films in self-isolation"
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2002: Telefilm Canada Award for Best Film/Video, Images
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2003: Pioneer Award, Chinese Canadian National Council
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239:Fung served as a member on the editorial boards of
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918:"International Dawn Chorus Day Premieres April 29"
838:"History, Memory, and the Politics of Programming"
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251:at the Center for Media, Culture and History at
358:arts department at the Ontario College of Art.
1559:Like Mangoes in July: The Work of Richard Fung
549:2014: Best Film, Caribbean Tales Film Festival
1622:Trinidad and Tobago people of Chinese descent
8:
1314:. Minnesota: University of Minnesota Press.
1456:"Richard Fung Receives Bonham Centre Award"
531:On Aboriginal Representation in the Gallery
258:In 2021, he was one of the participants in
208:Fung produced his first independent video,
714:"2019 Bonham Centre Gala Award Recipients"
698:Gay Asians of Toronto Membership Brochure.
598:, Columbia University Press, p. 519,
522:Fung, Richard. "Remaking home movies." in
234:Ontario Institute for Studies in Education
26:
15:
1411:GLQ: A Journal of Lesbian and Gay Studies
1372:GLQ: A Journal of Lesbian and Gay Studies
1337:GLQ: A Journal of Lesbian and Gay Studies
1277:GLQ: A Journal of Lesbian and Gay Studies
1242:GLQ: A Journal of Lesbian and Gay Studies
1207:GLQ: A Journal of Lesbian and Gay Studies
1172:GLQ: A Journal of Lesbian and Gay Studies
938:GLQ: A Journal of Lesbian and Gay Studies
281:Richard Fung, along with video activists
162:Fung produced a short documentary titled
1617:Trinidad and Tobago emigrants to Canada
701:The ArQuives: Canada's LGBTQ2+ Archives
594:Gross, Larry P; Woods, James D (1999),
586:
262:'s experimental short documentary film
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570:2001: Toronto Arts Award, Media Arts
7:
1557:Lee, Helen and Kerri Sakamoto, eds.
1145:How Do I Look?: Queer Film and Video
662:
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618:OCAD University (December 9, 2012).
325:Homosexual Asian men and pornography
222:State University of New York Buffalo
220:, a visiting assistant professor at
210:Orientations: Lesbian and Gay Asians
1545:New Queer Cinema: A Critical Reader
1149:. Holt, Michigan: Bay Press. 1991.
1642:21st-century Canadian LGBTQ people
1637:20th-century Canadian LGBTQ people
1612:Canadian people of Chinese descent
1561:. Toronto: Insomniac Press, 2002.
738:Pidduck, Julianne (June 1, 2009).
646:(Exhibition catalogue). p. 11
620:"Faculty of Art – Faculty Members"
190:. After directing his first film,
14:
1627:Academic staff of OCAD University
1518:. March 26, 2001. Archived from
1063:Ali, Jonathan (September 2016).
1458:(Press release). Archived from
696:Gay Asians of Toronto. (1998).
349:Race, homosexuality, and family
218:University of California Irvine
424:The Way to My Father's Village
236:at the University of Toronto.
1:
1632:University at Buffalo faculty
265:International Dawn Chorus Day
35:, 2000, 26 min., colour video
1310:Muñoz, José Esteban (1999).
1096:Waugh, Thomas (April 1998).
1039:10.1080/14680777.2011.595553
1004:10.1080/14680777.2011.595553
969:10.1080/14680777.2011.595553
1516:Canada Council for the Arts
329:Through his pieces such as
44:1954 (age 69–70)
1658:
1607:People from Port of Spain
1384:10.1215/10642684-2008-031
1349:10.1215/10642684-2008-031
1289:10.1215/10642684-2008-031
1254:10.1215/10642684-2008-031
1219:10.1215/10642684-2008-031
1184:10.1215/10642684-2008-031
756:10.1215/10642684-2008-031
25:
1405:White, Patricia (1999).
132:Fung was a professor at
639:Onsite OCAD U (2014).
1592:Canadian video artists
1027:Feminist Media Studies
992:Feminist Media Studies
957:Feminist Media Studies
641:"Generations of Queer"
1114:10.1353/wan.1998.0023
867:"Faculty Biographies"
545:University of Toronto
158:Early life and family
152:University of Toronto
1602:Artists from Toronto
1597:Canadian gay artists
784:Kin Gagnon, Monica.
678:on February 19, 2010
406:Selected videography
375:In My Mother's Place
367:In My Mother's Place
343:Looking For my Penis
335:Looking for My Penis
226:Jamia Millia Islamia
1522:on November 5, 2007
808:"Thinking Pictures"
305:Asian homosexuality
253:New York University
174:Professional career
1065:"no easy readings"
916:Sarah Jae Leiber,
897:University College
412:Chinese Characters
371:José Esteban Muñoz
249:Rockefeller Fellow
1514:(Press release).
1321:978-0-8166-3015-8
1098:"Good Clean Fung"
926:, March 29, 2021.
517:Selected writings
496:Dal Puri Diaspora
442:My Mother's Place
164:My Mother's Place
114:. He was born in
102:(born 1954) is a
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1487:"Awards/Grants"
1485:Fung, Richard.
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1445:, May 12, 2020.
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448:Fighting Chance
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287:Jean Carlomusto
283:Gregg Bordowitz
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196:Colour Positive
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134:OCAD University
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1462:on 2019-05-01
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1582:1954 births
876:25 November
668:"Biography"
436:Steam Clean
399:thalassemia
333:(1984) and
318:Steam Clean
314:Steam Clean
59:Nationality
1576:Categories
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1466:2019-05-01
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724:2019-05-01
650:2014-07-24
625:2014-07-24
582:References
466:School Fag
430:Safe Place
272:Influences
168:coming out
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387:hybridity
230:New Delhi
180:Asiandian
1526:July 24,
245:Amerasia
120:Trinidad
62:Canadian
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90:Awards
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644:(PDF)
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