212:, and he tried to integrate their expressive painterly concerns with an exploration of the experience of mass culture. As an attempt to make a connection between 'high' art and popular culture, Smith's work differs from the work of his British Pop contemporaries, who were more concerned with iconography. Smith stated that "My interest is not so much in the message as in the method"
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the canvas is tensioned by cords and structures of aluminium tubing, which become an element in the composition of the works. This both reduced the strength of the edge of the canvas while at the same time drawing attention to its contour. Smith's new found interest in the edge of a picture is shown
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progressed to extending the surface of the painting out into three-dimensional space. Despite the three-dimensional element of these works, Smith insisted on their identity as paintings: saying "Since I have always retained a wall, there is no question of a multifaceted sculptural object" Smith
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movement. Smith stated that his work was "often physically related to hoardings or cinema screens which never present objects actual size; you could drown in a glass of beer, live in a semi-detached cigarette packet". However, his concerns were largely
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The concerns of these works also appear in his small scale work of the time, where the paper was cut and folded, and often include elements fastened to the work by paper-clips or pieces of knotted string.
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in 1959 and travelled to
America and spent several years there painting and teaching, with his first one-man show at the Green Gallery, New York, in 1961. In 1970 he was the British representative at the
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130:. Smith produced work in a range of styles, and is credited with extending the field of painting through his shaped, sculptural canvases. A key figure in the British development of
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never produced any free standing sculptures, preferring to challenge the conventions of painting by working in an area between painting and sculpture.
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In 1972 he exhibited the first of what are called the "kite paintings", in which rather than using a conventional
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Smith's early work drew on packaging and advertising, which led to his being associated by some critics to the
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In 1963 Smith progressed to an examination of the two-dimensional nature of painting. In
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he added a shaped extension to the rectangular canvas, and in works such as
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and in 1975 a retrospective exhibition of his work was exhibited at the
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134:, Smith was chosen to represent Britain in the 1970 Venice Biennale.
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in London from 1954 to 1957. From 1957 to 1958 he was a lecturer at
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School of Art and later undertook post-graduate studies at the
126:(27 October 1931 – 15 April 2016) was an English painter and
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Chilvers, Ian; Glaves-Smith, John (2009). "Smith, Richard".
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biography, under "artist profile". Retrieved 20 June 2014.
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in London. He resettled permanently in New York in 1976.
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by the concentration of incident there in works such as
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601:Commanders of the Order of the British Empire
247:Works by Smith are in the collections of the
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279:A Dictionary of Modern and Contemporary Art
146:, Hertfordshire, the first of the planned
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16:British painter and printmaker (1931–2016)
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200:. His works from this period, such as
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380:40 artworks by or after Richard Smith
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388:Oxford Dictionary of Art and Artists
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631:21st-century English male artists
626:20th-century English male artists
170:College of Art. He was awarded a
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611:Artists from New York (state)
586:20th-century English painters
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330:"Richard Smith (1931 – 2016)"
576:English contemporary artists
257:Minneapolis Institute of Art
158:in Hong Kong, he studied at
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142:Richard Smith was born in
48:7 March 1924 7 March 1924
606:People from Letchworth
304:"XXXV VENICE BIENNALE"
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591:English male painters
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386:: see extended
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76:(2016-04-15)
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566:2016 deaths
561:1931 births
210:Sam Francis
206:Mark Rothko
168:Hammersmith
98:printmaking
555:Categories
539:31 October
340:26 January
314:26 January
263:References
251:, London,
238:3 square 2
144:Letchworth
128:printmaker
52:1924-03-07
44:1924-03-07
233:stretcher
202:Panatella
160:St Albans
154:with the
102:sculpture
84:, England
65:, England
225:Giftwrap
150:. After
108:Movement
94:Painting
517:20 July
495:20 June
473:22 June
451:21 June
429:22 June
423:"Vista"
407:21 June
365:20 June
193:Pop Art
132:Pop Art
112:Pop art
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513:. MOMA
384:Art UK
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198:formal
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535:. Mia
221:Piano
217:Vista
541:2022
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342:2022
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284:ISBN
223:and
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138:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.