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Richard Wroughton

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He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the principal parts in comedy and many important characters in tragedy and romantic
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calls him, ‘a sterling, sound, and sensible performer.’ His person was bad, he was knock-kneed, his face was round and inexpressive, and his voice was not good. He had, however, an easy and unembarrassed carriage and deportment, was never offensive, and, though he rarely reached greatness, seldom
389:(1742?–1798), but he practically remained at Drury Lane for the rest of his career. He played with the Drury Lane company at the Haymarket in 1792–3 Charles Surface, Clerimont, and other parts, and at Drury Lane enlarged his repertory by many new characters, including the Ghost in ‘ 401:,’ Jaques, Tullus Aufidius, Macduff, Moody in ‘Country Girl,’ Sciolto, Belarius, Kent and Edgar in ‘Lear,’ Sir Peter Teazle, and Leonato. Most conspicuous among his original characters were Gomez in Bertie Greathead's ‘Regent,’ 1 April 1788; Polycarp in 484:
On 9 March 1815 Wroughton gave to the stage an alteration of ‘Richard II’ with additions from other plays of Shakespeare, in which he did not act. On 10 July 1815 he acted his old part of Withers in Kenney's ‘World.’ This was his last performance.
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He was born in 1748, and came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 September 1768 as Zaphna in
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The Thespian dictionary: or, Dramatic biography of the present age; containing sketches of the lives, lists of the productions ... of all the principal dramatists, composers, commentators, managers, actors, and actresses of the United
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In 1786–7 Wroughton disappeared from the bills, his parts at Covent Garden being assigned to Farren, and on 29 September 1787, as Douglas in ‘Percy,’ he made his first appearance at Drury Lane. For the time being he replaced
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sank into insipidity or dulness. He was always perfect in his parts, indefatigable in industry, and wholly free from affectation. Wroughton was a close friend of Bannister; they were spoken of as Pylades and Orestes.
481:'s ‘Tekeli,’ 24 November 1806; and Cœlestino in ‘Monk’ Lewis's ‘Venoni,’ 1 December 1808. His return did little good to his reputation, and before he finally quit the stage he was completely worn out. 463:'s ‘Julian and Agnes,’ 25 April 1801; Casimir Rubenski in Dimond's ‘Hero of the North,’ 19 February 1803; Maurice in Cobb's ‘Wife of Two Husbands,’ 1 November; Sir Rowland English in 1184: 1218: 530:
On 7 February 1822, at the reputed age of seventy-four, he died in Howland Street, London, leaving behind him a widow, and was buried in St. George's, Bloomsbury.
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and the illness of Aikin, in answer to an invitation of the Drury Lane management he came back, and was seen in a new series of parts including: Don Pedro in
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Among very many original parts which Wroughton enacted at Covent Garden, only the following call for mention: Prince Henry in ‘Henry II, King of England,’ by
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John Bell-Patron of British Theatrical Portraiture: A Catalog of the Theatrical Portraits in His Editions of Bell's Shakespeare and Bell's British Theatre
1254: 1249: 319:,’ Romeo, Sir George Airy, Henry V, Hotspur, Kitely, Banquo, Ford, Tancred, Archer, Lear, Young Mirabel, Othello, Charles I, Wellborn in ‘ 1102: 354:'s ‘Percy,’ 10 December. This was one of Wroughton's best parts. About this time he seems to have joined Arnold in the proprietorship of 1244: 41: 107: 1189: 1037: 1067:
Reminiscences of Michael Kelly, of the King's Theatre, and Theatre Royal Drury Lane, including a period of nearly half a century
88: 788: 415: 328: 235:,’ Guiderius, Colonel Briton in the ‘Wonder,’ Marcus in ‘Cato,’ Theodosius, Colonel Tamper in ‘Deuce is in him,’ Florizel in ‘ 60: 1126: 945: 828: 815: 767: 689: 663: 402: 45: 423:’ translated by Thompson from Lessing, 28 October; Lord Sensitive in Cumberland's ‘First Love,’ 12 May 1795; Fitzharding in 1211: 1082: 1078: 1074: 1070: 376:'s ‘Count of Narbonne,’ 17 November 1781, and Don Carlos in Mrs. Cowley's ‘Bold Stroke for a Husband,’ 25 February 1783. 67: 880: 671: 428: 324: 1130: 1112: 131: 347: 320: 74: 1157:
Candid and Impartial Strictures on the Performers belonging to Drury Lane, Covent Garden, and the Haymarket, 1795
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In the summers of 1772, 1773, and subsequent years he was in Liverpool, where he played, with other parts,
1092: 996: 966: 793: 702: 684: 676: 650: 624: 585: 474: 410: 394: 369: 300: 228: 867: 632: 515: 489: 179: 1239: 1234: 1214:, by Robert Laurie (1755-1836) (engraver), Robert Dighton (1747-1814) (artist), at the V&A museum 762: 754: 728: 710: 406: 358:, but he sold his share some twelve years later in 1790. He continued at Covent Garden as Orlando in 343: 316: 296: 260: 252: 236: 958: 953: 606: 469: 464: 446: 386: 364: 256: 232: 1060: 862: 697: 645: 580: 288: 248: 208: 207:’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘ 1204: 81: 1122: 971: 823: 749: 736: 559: 554: 398: 315:,’ Lovemore in ‘Way to keep him,’ Bassanio, Amphitryon, Castalio in the ‘Orphan,’ Fainall in ‘ 244: 204: 914: 741: 715: 541: 502: 304: 1117:"Richard Wroughton", Professor Kalman A Burnim, PhD, Professor Philip H Highfill, Jr PhD, 932: 927: 919: 893: 875: 775: 723: 497: 460: 433: 419:
18 March 1793; Charles Ratcliffe in Cumberland's ‘Jew,’ 8 April 1794; Odoarto Galotti in ‘
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Representative actors: a collection of criticisms, anecdotes, personal descriptions, etc.
427:'s ‘Iron Chest,’ 12 March 1796; Orasmyn in Miss Lee's ‘Almeyda,’ 20 April, Mandeville in 1026: 888: 906: 901: 849: 780: 637: 511: 455: 450: 420: 373: 312: 200: 187: 1228: 1178: 478: 276: 240: 445:
In 1798 he retired from the stage and settled in Bath, but in 1800, on the death of
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19 April 1797; and Earl Reginald in ‘Monk’ Lewis's ‘Castle Spectre,’ 14 December.
611: 598: 359: 351: 23: 1032: 841: 546: 292: 1221:", Portraits of Actors, 1720-1920, University of Illinois at Urbana Champaign 506:, was in the Mathews collection in the Garrick Club. A mezzotint portrait by 272: 224: 393:’ and Hamlet himself, King in ‘Henry IV’ and in ‘Richard III,’ Antonio in ‘ 810: 514:
was published in 1779, and there are several portraits in character in
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drama. These included Dick in the ‘Miller of Mansfield,’ Frederick in ‘
390: 186:(now the Theatre Royal), and occasionally in the city of his birth, 1177: This article incorporates text from a publication now in the 1111:, Volume 9, Publisher Longman, Hurst, Rees, Orme, and Brown, 1825, 995:, (1777) Volume: 11, Publisher: J. Bell; & C . Etherington, 409:,’ 26 January 1789; Periander to the Ariadne of Mrs. Siddons in 350:,’ altered from Savage by Woodfall, 1 February 1777; Douglas in 1139:, Volume 81, publ. Philological Society (Great Britain), 1822, 17: 397:,’ the Stranger in ‘Douglas,’ Leontes, Jaques, Careless in ‘ 331:,’ Colonel Standard, Evander, Plain Dealer, and Apemantus. 346:'s ‘Caractacus’ on 6 December 1776; Earl of Somerset in ‘ 372:'s ‘Belle's Stratagem,’ 22 February 1780; Raymond in 287:
Back at Covent Garden, he was seen as Flaminius in ‘
165: 157: 149: 141: 122: 48:. Unsourced material may be challenged and removed. 1089:Memoirs of Joseph Shepherd Munden, comedian (1844) 255:,’ Lord Hardy in ‘Funeral,’ Poins, Dolabella in ‘ 247:,’ Bellamy in ‘Suspicious Husband,’ Richmond in ‘ 215:,’ Altamont, for his benefit, on 4 May 1769, and 178:(1748–1822), was an actor, who worked mainly in 1205:Richard Wroughton (1748-1822) as George Barnwell 1069:Volume: 2, publisher: London, H. Colburn, pages 227:,’ Polydore in the ‘Orphan,’ Cyrus, Moneses in ‘ 1041:. Vol. 63. London: Smith, Elder & Co. 338:or Mountfort, on 1 May 1773; Lord Lovemore in 1207:in The London Merchant, at the V&A museum 279:,’ Romeo, Othello, Leontes, and Lord Townly. 8: 1193:. London: Smith, Elder & Co. 1885–1900. 477:'s ‘Honeymoon,’ 31 January 1805; Conrad in 130: 119: 108:Learn how and when to remove this message 1203:1776 tile by John Sadler, (1720 - 1789) 1137:The European magazine, and London review 295:,’ Alonzo in the ‘Revenge,’ Phocion in ‘ 1091:, Publisher: London : R. Bentley, 1009:Mr Wroughton in the Character of Edward 984: 239:,’ Bonario in ‘Volpone,’ Sebastian in ‘ 368:, 6 May 1778; Sir George Touchwood in 342:'s ‘Duellist’ on 20 Nov.; Elidurus in 203:,’ and not apparently in Altamont in ‘ 136:Richard Wroughton as The Black Prince. 1212:Mounted portrait of Richard Wroughton 1145:Genest's Account of the English Stage 1087:Munden, Thomas Shepherd, 1800?-1850, 7: 46:adding citations to reliable sources 1055:Russell, William Clark, 1844-1911, 14: 1148:Theatrical Observer, Dublin, 1822 1109:The Annual biography and obituary 473:, 29 December 1804; Balthazar in 327:,’ Darnley, Iachimo, Truewit in ‘ 275:, King John, Henry V, Antony in ‘ 211:,’ Nerestan in ‘Zara,’ Creon in ‘ 1255:19th-century English male actors 1250:18th-century English male actors 1190:Dictionary of National Biography 1172: 1160:Secret History of the Green Room 1038:Dictionary of National Biography 182:(now the Royal Opera house) and 22: 459:, 13 December 1800; Provost in 307:,’ Juba in ‘Cato,’ Aimwell in ‘ 33:needs additional citations for 1: 1121:, Publisher SIU Press, 1998, 1101:, Publisher J. Cundee, 1805, 1107:"Wroughton, Richard, Esq.", 1025:Knight, John Joseph (1900). 786:Periander, King of Naxos in 1163:Era Almanack, various years 1065:Kelly, Michael, 1762-1826, 672:A Bold Stroke for a Husband 496:A portrait of Wroughton by 325:The Two Gentlemen of Verona 1271: 1028:"Wroughton, Richard"  500:, as Sir John Restless in 321:A New Way to Pay Old Debts 1245:English male stage actors 855:George Colman the Younger 837:Almeyda, Queen of Granada 773:Governor of Barcelona in 336:John Bancroft (dramatist) 129: 1047:The Gentleman's magazine 617:Sir George Touchwood in 323:,’ Jaffier, Proteus in ‘ 1154:Munden's Life of Munden 1151:Boaden's Life of Kemble 1011:" at the British Museum 951:Sir Rowland England in 938:Sir Mathew Moribund in 805:by Edward Morris (1793) 283:Return to Covent Garden 194:Acting at Covent Garden 993:Bell's British Theatre 967:The School for Friends 685:The Mysterious Husband 395:The Merchant of Venice 356:Sadler's Wells Theatre 301:Much Ado About Nothing 299:,’ Laertes, Pedro in ‘ 251:,’ Younger Worthy in ‘ 964:Sir Felix Mordant in 941:The Sailor's Daughter 808:Charles Ratcliffe in 633:The Count of Narbonne 620:The Belle's Stratagem 311:,’ Lord Randolph in ‘ 755:Henry Seymour Conway 711:Fashionable Levities 380:Acting at Drury Lane 317:The Way of the World 309:The Beaux' Stratagem 297:The Grecian Daughter 261:The Conscious Lovers 42:improve this article 959:Francis Ludlow Holt 954:The Land We Live In 886:Sir Guy Taunton in 799:Sir Harry Cecil in 708:Captain Douglas in 607:The Fatal Falsehood 488:Wroughton was what 470:The Land We Live In 465:Francis Ludlow Holt 365:The Fatal Falsehood 348:Sir Thomas Overbury 267:Acting in Liverpool 233:Measure for Measure 57:"Richard Wroughton" 1185:Wroughton, Richard 946:Richard Cumberland 881:Frederick Reynolds 863:The Castle Spectre 829:Richard Cumberland 821:Lord Sensitive in 816:Richard Cumberland 768:Richard Cumberland 698:More Ways Than One 690:Richard Cumberland 682:Captain Dorner in 664:Richard Cumberland 581:Know Your Own Mind 429:Frederick Reynolds 403:Richard Cumberland 289:Herod and Mariamne 243:,’ Buckingham in ‘ 1219:Richard Wroughton 1129:, 9780809321230, 972:Marianne Chambers 789:The Rival Sisters 750:False Appearances 646:Which is the Man? 565:Lord Lovemore in 416:The Rival Sisters 399:The Double Dealer 253:Love's Last Shift 237:The Winter's Tale 205:The Fair Penitent 176:Richard Wroughton 173: 172: 124:Richard Wroughton 118: 117: 110: 92: 1262: 1194: 1176: 1175: 1042: 1030: 1012: 1005: 999: 989: 915:Julian and Agnes 742:Bertie Greatheed 716:Leonard MacNally 591:Earl Douglas in 503:All in the Wrong 305:The Jealous Wife 134: 120: 113: 106: 102: 99: 93: 91: 50: 26: 18: 1270: 1269: 1265: 1264: 1263: 1261: 1260: 1259: 1225: 1224: 1200: 1182: 1173: 1024: 1021: 1016: 1015: 1006: 1002: 990: 986: 981: 933:Thomas Holcroft 928:Hear Both Sides 920:William Sotheby 894:Thomas Holcroft 847:Fitzharding in 724:The New Peerage 656:Montgomerey in 573:William Kenrick 536: 528: 520:British Theatre 498:Samuel De Wilde 461:William Sotheby 443: 382: 340:William Kenrick 285: 269: 231:,’ Claudio in ‘ 217:George Barnwell 196: 137: 125: 114: 103: 97: 94: 51: 49: 39: 27: 12: 11: 5: 1268: 1266: 1258: 1257: 1252: 1247: 1242: 1237: 1227: 1226: 1223: 1222: 1215: 1208: 1199: 1198:External links 1196: 1170: 1169: 1165: 1164: 1161: 1158: 1155: 1152: 1149: 1146: 1143: 1133: 1115: 1105: 1095: 1085: 1063: 1053: 1043: 1020: 1017: 1014: 1013: 1000: 983: 982: 980: 977: 976: 975: 962: 949: 936: 923: 910: 907:William Godwin 897: 884: 873:Mandeville in 871: 858: 850:The Iron Chest 845: 832: 819: 806: 797: 784: 781:William Hayley 771: 758: 745: 732: 719: 706: 693: 680: 669:Don Carlos in 667: 654: 641: 638:Robert Jephson 628: 615: 602: 589: 576: 563: 550: 539:Cherinthus in 535: 534:Selected roles 532: 527: 524: 512:Robert Dighton 451:William Godwin 442: 439: 421:Emilia Galotti 381: 378: 374:Robert Jephson 284: 281: 268: 265: 259:,’ Myrtle in ‘ 195: 192: 171: 170: 167: 163: 162: 159: 155: 154: 151: 147: 146: 143: 139: 138: 135: 127: 126: 123: 116: 115: 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 1267: 1256: 1253: 1251: 1248: 1246: 1243: 1241: 1238: 1236: 1233: 1232: 1230: 1220: 1216: 1213: 1209: 1206: 1202: 1201: 1197: 1195: 1192: 1191: 1186: 1180: 1179:public domain 1167: 1166: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1142: 1138: 1134: 1132: 1128: 1124: 1120: 1116: 1114: 1110: 1106: 1104: 1103:Wroughton, Mr 1100: 1096: 1094: 1090: 1086: 1084: 1080: 1076: 1072: 1068: 1064: 1062: 1058: 1054: 1052: 1049:, Volume 92, 1048: 1044: 1040: 1039: 1034: 1029: 1023: 1022: 1018: 1010: 1004: 1001: 998: 994: 988: 985: 978: 973: 969: 968: 963: 960: 956: 955: 950: 947: 943: 942: 937: 934: 930: 929: 924: 921: 917: 916: 911: 908: 904: 903: 899:Don Pedro in 898: 895: 891: 890: 889:Knave or Not? 885: 882: 878: 877: 872: 869: 868:Matthew Lewis 865: 864: 859: 856: 852: 851: 846: 843: 839: 838: 833: 830: 826: 825: 820: 817: 813: 812: 807: 804: 803: 802:False Colours 798: 795: 794:Arthur Murphy 791: 790: 785: 782: 778: 777: 772: 769: 765: 764: 763:The Impostors 759: 756: 752: 751: 746: 743: 739: 738: 733: 730: 726: 725: 720: 717: 713: 712: 707: 704: 703:Hannah Cowley 700: 699: 694: 691: 687: 686: 681: 678: 677:Hannah Cowley 674: 673: 668: 665: 661: 660: 655: 652: 651:Hannah Cowley 648: 647: 642: 639: 635: 634: 629: 626: 625:Hannah Cowley 622: 621: 616: 613: 609: 608: 603: 600: 596: 595: 590: 587: 586:Arthur Murphy 583: 582: 577: 574: 570: 569: 564: 561: 557: 556: 551: 548: 544: 543: 538: 537: 533: 531: 525: 523: 521: 517: 513: 509: 508:Robert Laurie 505: 504: 499: 494: 491: 490:Michael Kelly 486: 482: 480: 479:Theodore Hook 476: 472: 471: 466: 462: 458: 457: 452: 448: 440: 438: 436: 435: 430: 426: 425:George Colman 422: 418: 417: 412: 411:Arthur Murphy 408: 404: 400: 396: 392: 388: 379: 377: 375: 371: 367: 366: 361: 357: 353: 349: 345: 344:William Mason 341: 337: 332: 330: 326: 322: 318: 314: 310: 306: 303:,’ Oakly in ‘ 302: 298: 294: 291:,’ Shore in ‘ 290: 282: 280: 278: 277:Love for Love 274: 266: 264: 262: 258: 254: 250: 246: 242: 241:Twelfth Night 238: 234: 230: 226: 220: 218: 214: 210: 206: 202: 193: 191: 189: 185: 181: 180:Covent Garden 177: 168: 164: 160: 156: 152: 148: 144: 140: 133: 128: 121: 112: 109: 101: 90: 87: 83: 80: 76: 73: 69: 66: 62: 59: –  58: 54: 53:Find sources: 47: 43: 37: 36: 31:This article 29: 25: 20: 19: 16: 1188: 1171: 1136: 1118: 1108: 1097: 1088: 1066: 1056: 1046: 1036: 1003: 992: 987: 965: 952: 939: 926: 913: 900: 887: 874: 861: 860:Reginald in 848: 835: 822: 809: 800: 787: 774: 761: 760:Polycarp in 748: 735: 722: 709: 696: 683: 670: 659:The Walloons 657: 644: 643:Belville in 631: 618: 605: 592: 579: 568:The Duellist 566: 553: 540: 529: 519: 501: 495: 487: 483: 468: 454: 444: 432: 414: 383: 363: 333: 329:Silent Woman 286: 270: 257:All for Love 221: 197: 175: 174: 104: 98:January 2013 95: 85: 78: 71: 64: 52: 40:Please help 35:verification 32: 15: 1240:1822 deaths 1235:1748 births 1168:Attribution 1033:Lee, Sidney 991:John Bell, 925:Stewart in 912:Provost in 834:Orasmyn in 729:Harriet Lee 721:Charles in 695:Carlton in 630:Raymond in 612:Hannah More 604:Orlando in 599:Hannah More 552:Palermo in 447:John Palmer 387:John Palmer 370:Mrs. Cowley 360:Hannah More 352:Hannah More 249:Richard III 209:Richard III 158:Nationality 1229:Categories 1135:"Deaths", 1127:0809321238 1045:"Deaths, " 1019:References 842:Sophia Lee 824:First Love 737:The Regent 578:Malvil in 560:Hugh Kelly 555:Clementina 547:John Hoole 475:John Tobin 441:Retirement 293:Jane Shore 245:Henry VIII 184:Drury Lane 166:Occupation 68:newspapers 747:Baron in 734:Gomez in 542:Timanthes 516:John Bell 407:Impostors 229:Tamerlane 225:The Miser 1141:page 182 1131:page 252 1113:page 469 1093:page 239 1061:page 427 1051:page 284 997:page 157 876:The Will 776:Marcella 526:Personal 434:The Will 1181::  1099:kingdom 1035:(ed.). 902:Antonio 811:The Jew 456:Antonio 313:Douglas 201:Mahomet 161:British 82:scholar 1125:  974:(1805) 961:(1804) 948:(1804) 935:(1803) 922:(1801) 909:(1800) 896:(1798) 883:(1797) 857:(1796) 844:(1796) 831:(1795) 818:(1794) 796:(1793) 783:(1789) 770:(1789) 757:(1789) 744:(1788) 731:(1787) 718:(1785) 705:(1783) 692:(1783) 679:(1783) 666:(1782) 653:(1782) 640:(1781) 627:(1780) 614:(1779) 601:(1777) 588:(1777) 575:(1773) 562:(1771) 549:(1770) 510:after 391:Hamlet 84:  77:  70:  63:  55:  1210:1779 1031:. In 979:Notes 870:1797) 594:Percy 213:Medea 169:actor 89:JSTOR 75:books 1123:ISBN 1081:and 405:'s ‘ 273:Lear 188:Bath 153:1822 150:Died 145:1748 142:Born 61:news 1187:". 1083:304 1079:254 1075:202 1071:161 970:by 957:by 944:by 931:by 918:by 905:by 892:by 879:by 866:by 853:by 840:by 827:by 814:by 792:by 779:by 766:by 753:by 740:by 727:by 714:by 701:by 688:by 675:by 662:by 649:by 636:by 623:by 610:by 597:by 584:by 571:by 558:by 545:by 518:'s 467:'s 453:'s 431:'s 413:'s 362:'s 263:.’ 44:by 1231:: 1077:, 1073:, 1059:, 522:. 219:. 190:. 1217:" 1183:" 1007:" 199:‘ 111:) 105:( 100:) 96:( 86:· 79:· 72:· 65:· 38:.

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"Richard Wroughton"
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Covent Garden
Drury Lane
Bath
Mahomet
The Fair Penitent
Richard III
Medea
George Barnwell
The Miser
Tamerlane
Measure for Measure
The Winter's Tale
Twelfth Night
Henry VIII
Richard III
Love's Last Shift
All for Love
The Conscious Lovers

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