296:
337:
284:
356:
471:
672:
589:
622:
664:
606:
327:
Throughout the film, Harfoush remains fixated on his mission. He is driven by his loyalty to his people and an unshakeable sense of duty to deliver the message that could save his village. Despite encountering countless hurdles in modern society—where he is treated as an outsider—his determination to
323:
who suddenly transports him to modern Cairo 200 years later (in 1998), without understanding how or why this time shift has occurred. This sudden jump to a completely unfamiliar era leaves him perplexed, while providing him with comedic and poignant moments as
Harfoush interacts with modern Egyptian
523:
Adel Emam's presence brings a unique blend of comedy and drama to the film. His comedic timing is impeccable, particularly in scenes where he attempts to make sense of modern technology and social customs. However, the film's core remains deeply tragic, reflecting on the impossibility of change for
502:
The central plot device of time travel is used to explore the theme of social and political continuity. Harfoush's journey from the past to the present highlights how the problems of oppression, corruption, and inequality remain consistent across different eras. Despite the fantastical premise, the
252:
in 1998. Confused by the strange and fast-paced society he finds himself in, Harfoush's determination to accomplish his mission remains unwavering, driving the plot forward with moments of honest comedy and drama. As
Harfoush grapples with the challenges of navigating the unfamiliar world of modern
570:
series, specifically issue No. 16 titled "The
Mission." This allegation led to a court case between Nabil Farouk and the film's writer, Bassam Ismail. The case remains unresolved to this day. It is also notable that Bassam Ismail, the film's writer, has not been active in the television or film
514:
critiques the inefficiency and corruption of governmental institutions. The film reflects the frustration felt by ordinary
Egyptians who find themselves at the mercy of slow-moving, indifferent bureaucracies. The Wali, in both past and present, is portrayed as a figurehead disconnected from the
543:
The cinematography, handled by Sameer Faraj, emphasizes wide-angle shots of historical settings juxtaposed with the vibrant, chaotic streets of 1998 Cairo. The shift in lighting, color palette, and shot composition enhances the thematic contrasts and mirrors
Harfoush's journey through time and
547:
The script blends historical fiction with elements of fantasy and allegory. The dialogue maintains a balance between the humorous and the profound, allowing the characters to express timeless human concerns in an accessible way. The idea for the story was taken from the 1993 film
316:. Because of Harfoush's shrewdness and courage, the region's leaders choose him to go to Cairo to deliver the message. This message holds critical information that could save the villagers from an impending disaster: the flooding of their town due to a dam project.
253:
Egypt, he encounters various characters who symbolize the bureaucracy and corruption of his time and the present. Through these interactions, the film explores deeper themes of political and social justice, focusing on the perpetual struggles of the common man.
373:
A brave knight tasked with delivering a life-saving message to the Wali. Adel Emam's performance combines his trademark humor with a more nuanced and dramatic portrayal of an honorable yet naïve man struggling to navigate a world he doesn't understand.
540:, known for his ability to mix action and drama, creates a visually compelling narrative. His direction effectively highlights the contrast between the two time periods, from the simplicity of 18th-century Egypt to the bustling chaos of modern Cairo.
646:
39:
312:. The protagonist, Harfoush (played by Adel Emam), a charismatic yet womanizing knight, embarks on a mission to deliver a vital message to the Ruler (the Wali). Napoleon attacks Egypt in 1998, and he starts his invading from the town of
387:
Harfoush's love interest, a doctor who shares his anxieties about the potential destruction. Yousra's role emphasizes the emotional toll of the impending disaster and highlights the human cost of neglect by those in power.
243:
enters Egypt and attacks the
Rosetta region. Following the advice of the locals during the repelling of the occupation, Harfoush embarks on a mission to deliver a life-saving message to Egypt's ruler at the time,
295:
224:. The film is combination of humor, drama, and political commentary resonated strongly with audiences. Also, It combines a thought-provoking narrative with a visually arresting portrayal of two eras.
319:
As the film progresses, Harfoush encounters unforeseen obstacles while on his way to deliver the message. In a bizarre twist, he is attacked by the French and then hides in a cave, where he meets a
489:. This shows how disconnected the ruling class is from the struggles of ordinary people. The governor's character represents the lack of concern from those in power, both in the past and present.
467:
A high-ranking officer in modern-day Cairo who crosses paths with
Harfoush. He is both confused and intrigued by Harfoush's claims of time travel and his mission to see the Wali.
336:
216:, the film was well-received upon release for its unique storyline and engaging execution. Alongside Emam, the cast includes prominent Egyptian actors such as
705:
283:
616:
344:
859:
248:, warning of impending disaster. However, his journey takes a surprising turn when he is mysteriously transported to modern-day
864:
734:
481:
Throughout the film, Harfoush is determined to meet the governor, but when he finally reaches the governor's home at
503:
film remains grounded in
Egyptian political and social realities, making it more than just an escapist narrative.
456:
Another companion who travels through time with
Harfoosẖ, adding to the mix of characters navigating the future.
348:
308:
Set in two distinct historical periods, the movie begins in Egypt during the late 18th century under the rule of
693:
104:
340:
355:
309:
245:
108:
560:
The film is one of the rare Arabic films that became the subject of legal proceedings. The novelist
854:
482:
474:
199:
802:
788:
612:
328:
meet the modern equivalent of the Wali, represented by a high-ranking official, never wavers.
393:
270:
series. This led to a court case between Nabil Farouk and the film's writer, Bassam Ismail.
221:
208:
film that blends historical drama with elements of fantasy and social critique. Directed by
100:
470:
228:
205:
190:
176:
25:
793:
848:
566:
549:
266:
73:
824:
561:
423:
The sister of Dr. Enas, who becomes involved in
Harfoosẖ's journey in the present.
257:
260:
accused the film's writer, Bassam Ismail, of stealing the story from his booklet,
38:
756:"قد يذهب ضحيتها فيلم عادل إمام وفوازيرلوسي . حرب السرقات الفنية تشتعل في القاهرة"
537:
209:
52:
806:
797:
486:
485:
in modern-day Egypt, he finds that the governor and the country's leaders are
836:
811:
401:
An antiquities dealer who plays a crucial role in the modern-day storyline.
365:
256:
The film is one of the few Arabic movies involved in a legal case. Novelist
213:
92:
755:
726:
445:
One of the individuals who time travels with Harfoosẖ to modern-day Cairo.
564:
claimed that the story was stolen from a booklet he had published in his
240:
832:
782:
515:
struggles of the people, symbolizing the larger failures of the system.
313:
236:
820:
434:
Manal's husband, a supporting character who provides comedic relief.
379:
217:
96:
469:
354:
335:
249:
320:
412:
The director of the hospital, representing modern bureaucracy.
235:, played by Adel Emam), a womanizing knight from the town of
227:
The story revolves around Harfoosẖ Bin Barqouq Al-Rakib Dar (
594:(in Arabic). دار اكتب للنشر و التوزيع. p. 181.
171:
163:
153:
130:
122:
114:
88:
80:
68:
58:
48:
21:
647:""رسالة إلى الوالي" الفيلم الذي نعى زمن الفروسية"
324:society, which he finds strange and confusing.
204:'A Message to the Governor') is a 1998
665:"تهمة السرقة الفكرية تطال فنانين مصريين - صور"
8:
533:Direction, cinematography, and storytelling
507:Bureaucratic corruption and social critique
524:the common man, despite his best efforts.
37:
18:
641:
639:
580:
239:from the late 18th century. In 1798,
7:
611:(in Arabic). Sama Publishing House.
369:as Harfoosẖ Bin Barqouq Al-Rakib Dar
477:, where Muhammad Ali Pasha resided.
232:
194:
29:
571:industry since writing this film.
14:
294:
282:
737:from the original on 2024-09-07
727:""حرب السرقات الفنية" مرة أخرى"
708:from the original on 2024-09-07
675:from the original on 2024-09-08
625:from the original on 2024-09-08
1:
591:التاريخ السرّي لصناعة الأفكار
881:
341:The Battle of the Pyramids
139:January 28, 1998
704:(in Arabic). 2016-07-09.
605:بيدس, أشرف (2024-07-05).
588:قريش, محمد (2023-01-25).
233:حرفوش بن برقوق الراكب دار
36:
22:A Message to the Governor
359:Napoleon in Egypt, 1798.
345:French campaign in Egypt
860:Films about time travel
519:Comedy and drama fusion
498:Time travel and fantasy
478:
360:
352:
349:Louis-François Lejeune
865:Egyptian comedy films
825:Arabic Movie Database
512:A Message to the Wali
473:
358:
343:in 1798, part of the
339:
186:Risālah 'ilā al-Wālī
483:Muhammad Ali Mosque
475:Muhammad Ali Mosque
461:Mohammed Abu Dawood
833:Risala Ela Al-Wali
821:Risala Ela Al-Wali
812:Risala Ela Al-Wali
803:Risala Ela Al-Wali
794:Risala Ela Al-Wali
784:Risala Ela Al-Wali
479:
361:
353:
310:Muhammad Ali Pasha
105:Alaa' Wali Al-Deen
16:1998 Egyptian film
694:"أفلام عادل إمام
618:978-958-749-319-1
406:Saeed Abdel Ghani
203:
182:
181:
872:
770:
769:
767:
766:
752:
746:
745:
743:
742:
723:
717:
716:
714:
713:
698:من أفلام أجنبية"
690:
684:
683:
681:
680:
661:
655:
654:
643:
634:
633:
631:
630:
602:
596:
595:
585:
439:Alaa Waly El Din
394:Mustafa Metwalli
298:
286:
234:
222:Mustafa Metwalli
198:
196:
195:رسالة إلى الوالي
146:
144:
101:Mustafa Metwalli
64:Bassiouny Othman
41:
31:
30:رسالة إلى الوالي
19:
880:
879:
875:
874:
873:
871:
870:
869:
845:
844:
779:
774:
773:
764:
762:
754:
753:
749:
740:
738:
725:
724:
720:
711:
709:
692:
691:
687:
678:
676:
663:
662:
658:
645:
644:
637:
628:
626:
619:
604:
603:
599:
587:
586:
582:
577:
558:
544:culture shock.
535:
530:
521:
509:
500:
495:
452:as Abu El Enein
334:
306:
305:
304:
303:
302:
299:
291:
290:
287:
276:
177:Egyptian Arabic
156:
149:
142:
140:
133:
107:
103:
99:
95:
63:
44:
23:
17:
12:
11:
5:
878:
876:
868:
867:
862:
857:
847:
846:
843:
842:
830:
818:
809:
800:
791:
778:
777:External links
775:
772:
771:
747:
718:
685:
669:alrainewspaper
656:
635:
617:
597:
579:
578:
576:
573:
557:
554:
534:
531:
529:
526:
520:
517:
508:
505:
499:
496:
494:
491:
465:
464:
454:
453:
443:
442:
432:
431:
421:
420:
410:
409:
399:
398:
385:
384:
371:
370:
333:
330:
300:
293:
292:
288:
281:
280:
279:
278:
277:
275:
272:
180:
179:
173:
169:
168:
165:
161:
160:
157:
154:
151:
150:
148:
147:
136:
134:
131:
128:
127:
124:
120:
119:
116:
115:Cinematography
112:
111:
90:
86:
85:
82:
78:
77:
70:
66:
65:
60:
56:
55:
50:
46:
45:
42:
34:
33:
15:
13:
10:
9:
6:
4:
3:
2:
877:
866:
863:
861:
858:
856:
853:
852:
850:
841:
838:
834:
831:
829:
826:
822:
819:
817:
813:
810:
808:
804:
801:
799:
795:
792:
790:
786:
785:
781:
780:
776:
761:
757:
751:
748:
736:
732:
728:
722:
719:
707:
703:
699:
697:
689:
686:
674:
671:(in Arabic).
670:
666:
660:
657:
652:
648:
642:
640:
636:
624:
620:
614:
610:
609:
601:
598:
593:
592:
584:
581:
574:
572:
569:
568:
567:Cocktail 2000
563:
555:
553:
551:
550:Les Visiteurs
545:
541:
539:
532:
527:
525:
518:
516:
513:
506:
504:
497:
492:
490:
488:
484:
476:
472:
468:
462:
459:
458:
457:
451:
448:
447:
446:
440:
437:
436:
435:
429:
426:
425:
424:
418:
415:
414:
413:
408:as Dr. Hesham
407:
404:
403:
402:
397:as Badou Adly
396:
395:
391:
390:
389:
382:
381:
377:
376:
375:
368:
367:
363:
362:
357:
350:
347:. Painted by
346:
342:
338:
331:
329:
325:
322:
317:
315:
311:
301:Cairo in 1998
297:
289:Cairo in 1798
285:
273:
271:
269:
268:
267:Cocktail 2000
263:
259:
254:
251:
247:
242:
238:
230:
225:
223:
219:
215:
212:and starring
211:
207:
201:
192:
188:
187:
178:
174:
170:
166:
162:
158:
152:
138:
137:
135:
129:
125:
121:
117:
113:
110:
106:
102:
98:
94:
91:
87:
83:
79:
76:
75:
74:Les Visiteurs
71:
67:
62:Bassam Ismail
61:
57:
54:
51:
47:
40:
35:
27:
20:
839:
827:
815:
783:
763:. Retrieved
759:
750:
739:. Retrieved
730:
721:
710:. Retrieved
701:
695:
688:
677:. Retrieved
668:
659:
651:القدس العربي
650:
627:. Retrieved
607:
600:
590:
583:
565:
562:Nabil Farouk
559:
556:Legal issues
546:
542:
536:
522:
511:
510:
501:
480:
466:
460:
455:
449:
444:
438:
433:
428:Fouad Khalil
427:
422:
417:Salwa Othman
416:
411:
405:
400:
392:
386:
378:
372:
364:
326:
318:
307:
265:
261:
258:Nabil Farouk
255:
246:Muhammad Ali
226:
185:
184:
183:
155:Running time
132:Release date
118:Sameer Faraj
72:
538:Nader Galal
487:cult images
383:as Dr. Enas
264:, from the
262:The Mission
210:Nader Galal
159:125 minutes
109:Alaa' Mursi
84:Wasef Fayez
81:Produced by
53:Nader Galal
49:Directed by
855:1998 films
849:Categories
814:on Dehliz
807:Shahid.net
798:Letterboxd
765:2024-09-06
741:2024-09-06
712:2024-09-06
679:2024-09-06
629:2024-09-06
575:References
528:Production
463:as a Major
450:Alaa Morsi
441:as Dabbour
143:1998-01-28
126:Moodi Emam
59:Written by
840:(Russian)
837:Kinopoisk
608:عادل إمام
366:Adel Emam
214:Adel Emam
172:Languages
93:Adel Emam
43:DVD cover
828:(Arabic)
816:(Arabic)
735:Archived
706:Archived
696:المقتبسة
673:Archived
623:Archived
419:as Manal
241:Napoleon
206:Egyptian
175:Arabic,
123:Music by
89:Starring
69:Based on
430:as Amin
314:Rosetta
237:Rosetta
202:
164:Country
141: (
702:رصيف22
615:
493:Themes
380:Yousra
229:Arabic
218:Yousra
191:Arabic
97:Yousra
26:Arabic
760:سعورس
731:سعورس
250:Cairo
167:Egypt
789:IMDb
613:ISBN
332:Cast
321:Jinn
274:Plot
220:and
200:lit.
835:on
823:on
805:on
796:on
787:at
851::
758:.
733:.
729:.
700:.
667:.
649:.
638:^
621:.
552:.
231::
197:,
193::
28::
768:.
744:.
715:.
682:.
653:.
632:.
351:.
189:(
145:)
32:)
24:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
