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predictable in one scene, genuinely funny and original the next — that it seems slapdash." He praises the twenty-year-old Susan Petrie, who makes a "smashing debut" and steals scenes from every other actor, and proceeds to analyse both what works in the film and the contemporary audience response to similar films:
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gives the film 3 stars out of 5: "A good understanding of teenagers' problems is displayed as the film documents their search to find something with which to identify and their dissatisfaction at discovering they're really not so different from everyone else." It features as one of Greg
Klymkiw's 101
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A lot of it's pretty silly, a lot of it is funny, a lot of it's corny. But I saw the writing on the wall about everyone wanting to be creative. Nobody wants to work anymore, everybody wants to be a writer or a rock star or a movie director or actor. Well, not many people are actually fit to do it...
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Shebib himself thought the film "didn't work" at least in terms of asking social questions "because the vehicle I used wasn't right." Leiterman conceded that the film was not flawless, "in either direction or in script. Or in cinematography. It's not a mind blowing film. It wasn't intended to be. It
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high school talk about what they are going to do next summer and beyond, not wanting to "waste" it like they did the year before. Mike is being pressured by his parents to go to university following graduation from high school, although Mike himself is unsure if that is what he wants to do. They try
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described the film as "a light, inoffensive comedy", the first half of which "holds together fairly well and has some fine comic scenes," but then it "becomes very episodic, almost to the point of boredom towards the end; it doesn't have much depth and if there is a point, it gets lost somewhere in
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faulted the film for being less funny than a comedy is supposed to be, and "while some good-natured spoofing of the intense, humorless youth scene is needed, the fault here is that acting as comic foils the characters seem even dumber than usual. ... The film is so uneven — annoyingly cute and
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is engaged in a thankless task. Audiences at the recent
Canadian Film Awards guffawed every time a screen character said "groovy," "far out" or "out of sight" (nine of the 13 features shown had such a character, usually the film's token pothead). They weren't laughing with discernment at bad
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on a five-hundred-acre parcel of wilderness property which Mike has inherited for about four days. As the end of the school year approaches, their best ideas having been tried and rejected, the four come to a realization of what their future together actually holds.
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scripting. It was the hypocritical laughter of people who found only the quaintness of yesterday's slanguage ridiculous. It illustrates the danger to any film maker who bows to trendy things: Exploit the public's infirmities and the public will revenge itself.
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Over a period of about five years Shebib evolved a documentary style suffused with a wry, ironic humanism. It's a superb style for needling the sacred cows of the establishment and the sanctimonious bull of counter-culture groups. The best scenes in
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Focusing on the trip to the country, Ralph Lucas considers disillusionment to be the "overriding theme" as, "somewhat predictably, in the end the young people are dismayed to discover they are not as different as they would like to be."
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than at the time of its release: "Back then, some of the scenes were almost unwatchable, probably due to the embarrassment of the audience recognizing themselves up there on the screen." Justin
Decloux agrees, calling it "a before
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was dealing with many problems very lightly, but leaving a lot up to the audience's imagination to carry it on further. It was presenting a lot of problems that kids are up against now, and I think we did that fairly well.
503:; dramatic films were now his "primary professional domain", though since both he and Shebib had documentary backgrounds, this was reflected in how their first two feature films were made, more so with
703:'s "most visually impressive features" of the 1970s and 1980s. Ralph Lucas, publisher of Northern Stars - Canadian Movie Database, suggests that the film "works better now" as a piece of
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was one case where it was stronger." In the same interview, Shebib remarked: "Bill Fruet writes dreadful women", and that he had to "fight" with him to make Sue more "sensitive".
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their hand at filmmaking, with mixed results. They talk about touring with their band, Arctic
Madness, but eventually pack it in as they are not very good. They try setting up a
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for slow motion in a gymnasium: "There just wasn't enough light to shoot high speed, without putting in some fill light." Leiterman said he learned a lot making
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That's what I saw coming 40 years ago. Everybody wants to tell their life story... It all sprung from the hippie hair period, five or six years prior to that.
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also focuses on that aspect of the story, the characters leaving the city for the "vast landscape, only to inevitably collide with their own delusions".
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are done in that style. Parents aren't depicted as shrill, neurotic harpies and young people aren't given a self-congratulatory snow job. But
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In addition, the cast includes Guy
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said the film was a little over budget, but stayed on schedule. Leiterman originally made
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Whispering Pines: The
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1029:"Sung Antiheroes: An Interview with "Goin' Down the Road" Director Donald Shebib"
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was released on 30 September 1971, and in
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recounted in a 2013 interview how the distributor of his first feature,
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This article is about the 1971 Canadian film. For other uses, see
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1060:"Just between friends: Don Shebib talks with Sandra Gathercole"
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753:. Toronto, Ont.: University of Toronto Press. p. 2208.
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and he would never do it all the way he had done it again.
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Koller, George Csaba (ed., interviewer) (March 1972).
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996:. Toronto: University of Toronto Press. p. 107.
1281:. Toronto: University of Toronto Press. p. 99.
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as part of a larger trend in which the directors of
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993:Donald Shebib's Goin' Down the Road
900:"Rip-Off (Virgin Territory) (1971)"
628:The film was a commercial failure.
526:. Michael (Dunky)'s home is in the
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714:] time film", a "high minded"
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1221:Yorke, Ritchie (9 October 1971).
834:Hofsess, John (1 November 1971).
283:). The film features a score by
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1624:English-language Canadian films
799:Canadian Feature Film Database
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1362:Klymkiw, Greg (6 June 2017).
464:The film's working title was
418:Bless the Beasts and Children
165:Phoenix Film Productions Ltd.
1639:1970s English-language films
1058:Gathercole, Sandra (1973).
803:Library and Archives Canada
187:30 September 1971
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577:released his first album,
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1311:"Canada's Rip-Off (1971)"
1187:Schneider, Jason (2009).
873:L'Encyclopédie canadienne
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335:Mike Kukulewich as Cooley
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406:The Panic in Needle Park
403:By the time one reaches
299:Four seniors at a large
235:(better known simply as
21:rip off (disambiguation)
428:The Only Thing You Know
1275:Pevere, Geoff (2012).
1193:. Toronto: ECW Press.
1153:Pevere, Geoff (2012).
990:Pevere, Geoff (2012).
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447:Background and writing
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412:Dusty and Sweets McGee
1551:The Little Kidnappers
1519:By Reason of Insanity
1455:Good Times, Bad Times
727:best Canadian films.
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579:Songs from the Street
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514:The film was shot on
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353:Alma Matsh as Grandma
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326:as Michael ("Dunky")
1629:Slice of life films
1583:Down the Road Again
1463:Goin' Down the Road
1368:Toronto Film Review
1098:"Richard Leiterman"
505:Goin' Down the Road
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1373:27 December
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909:27 December
573:, composer
397:teen movies
372:Ed McNamara
357:Tedde Moore
265:comedy film
95:Peter Gross
68:Produced by
48:Directed by
42:Film poster
1614:1971 films
1608:Categories
1567:The Ascent
1511:Heartaches
1104:(1): 32–36
731:References
600:Home media
530:suburb of
528:North York
442:Production
208:88 minutes
191:1971-09-30
158:Production
128:Tony Lower
58:Written by
1543:The Climb
1503:Fish Hawk
1336:"Rip-Off"
1315:Film Trap
1228:Billboard
932:"Rip-Off"
883:8 October
841:Maclean's
705:nostalgia
619:Reception
532:Don Mills
451:Director
365:as Indian
119:Edited by
1591:Nightalk
1341:TV Guide
1108:30 April
848:29 April
766:29 April
723:TV Guide
359:as Nancy
332:as Steve
295:Synopsis
251:; U.S.:
221:Language
136:Music by
76:Starring
1471:Rip-Off
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1393:Rip-Off
717:Porky's
693:Rip-Off
656:Rip-Off
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605:Rip-Off
594:Rip-Off
589:Release
567:Rip-Off
556:in 2009
544:Rip-Off
536:Timmins
524:Toronto
509:Rip-Off
482:Filming
476:Rip-Off
423:Rip-Off
393:Rip-Off
310:Timmins
306:commune
301:Toronto
277:commune
238:Rip-Off
224:English
213:Country
189: (
160:company
31:Rip-Off
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1586:(2011)
1578:(1996)
1570:(1994)
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378:Themes
243:French
216:Canada
1235:8 May
1206:8 May
844:: 104
569:with
561:Music
520:Kodak
507:than
308:near
1398:IMDb
1375:2018
1349:2018
1322:2018
1296:2018
1283:ISBN
1262:2018
1237:2019
1208:2019
1195:ISBN
1174:2018
1161:ISBN
1137:link
1130:help
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1072:2018
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998:ISBN
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755:ISBN
516:35mm
391:saw
317:Cast
287:and
262:teen
1396:at
711:sic
609:VHS
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