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RoboCop 2

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993:(1980), and who shared Miller's vision. While Davison had made Kershner agree to not make changes to the script once shooting had begun, due to the state of the script and the tight schedule, Kershner found himself forced to work closely with Miller on editing the script as filming progressed. Kershner added more dialogue and discarded several new scenes that Green had added, in favor of the reworks that he was performing with Miller. Miller later said that he had only been willing to work with Kershner on revising the script, and that he had rejected multiple offers from other people to do this. 1136:
instinctive - he had his mind made up, usually ahead of time." Kershner said: "I didn't shoot a lot of film at all. You see, if I'd tried to do a lot of coverage, I would never have finished. I would have been 120 days. I had to pretty much lock it in, piece by piece by piece, giving myself an out here and there, a variation, so I wasn't totally locked in. That way, I could finish. If I didn't do that, this would have gone on forever. I never would have gotten each day's work done."
1019:. Weller himself was also skeptical coming back; he disliked Neumeier and Miner's draft as a "cartoon" and lacking in tension, felt not "complete with the character" thinking "there was something else to say with it," and wondered if he should do months of training for acting in a RoboCop suit, or get paid for filming in the Caribbean for ten weeks. Ultimately, Weller returned for Miller and Green's new screenplay, and the fact that he would again work with mime Moni Yakim, who 1838: 498:
extends to the street. RoboCop recovers the Nuke canister and Lewis uses it to distract Cain. RoboCop then leaps onto his back, shoots through his armor, rips out his brain and smashes it onto the ground, ending Cain's rampage. The chairman and Johnson decide to use Dr. Faxx as the scapegoat for Cain's attack. As Lewis complains that OCP is going to avoid accountability again, RoboCop insists they must be patient because "we're only human".
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motivates the striking officers to aid him in raiding Cain's hideout. As Cain tries to escape, RoboCop heavily wounds and apprehends him. Hob escapes and takes control of Cain's drug empire. Believing she can control Cain via his Nuke addiction, Faxx selects him for the RoboCop 2 project and disconnects his life support. Surgeons place his brain in a heavily armed robotic body, similar to
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upon the first film's consumerist aspects; those in the high-class city plexes eat at LeisureGold where ServiceDroids serve them and make love with SexBots at various brothels; while the environment's media landscape is filled with "NewsBlips," mood-enhancing drugs ads, and MoonDog, a rapper from space, changing public opinion.
1590:; the city's greedy politics continue to benefit only a few, while other citizens have to face problems of crime, pollution, and infrastructure dilapidation due to inadequate restructuring and police strikes. Unlike the predecessor which had a self-aware tone and was hopeful the human race would last due to its rebelliousness, 983:, citing his "realistic tone with actors" and "real dark sensibility" as reasons. However, Hunter left the project eleven weeks before filming began, citing a conflict between his vision of an entirely dark product like the first film, and Miller's more humorous script, which he called "tonally unfocused". He was replaced by 1034:; she learned martial arts and spent two months of training at a Los Angeles police academy. Although Cain was originally planned to be a typical professionally-suited drug dealer, his actor, Tom Noonan, came up with the character being a former hippie, with the actor using his experience as one in the 1960s. 1144:
didn't have a third act. I told the producers and Irv Kershner up front, and Frank Miller. I told them all. I said, 'Where's the third act here, man? So I beat up a big monster. In the third act, you have to have your Dan O'Herlihy. Somebody's got to be the third act.' 'No, no, the monster's going to
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RoboCop is repaired, but Faxx intentionally reprograms him with more than 300 new directives that severely impede his ability to perform his duties so that her project can be selected. RoboCop eventually clears these by shocking himself with a high-voltage transformer and rebooting his system. Murphy
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figure, mourning the loss of a "natural" masculine identity; while the first film's sequence showcased a mixture of a fake human face and electronic parts on his head as him having a fragmented identity, the second film's memory scene showcases two separate identities, where the real human one is no
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received mixed reviews from critics. While the special effects and action sequences are widely praised, a common complaint was that the film did not focus enough on RoboCop and his partner Lewis and that the film's human story of the man trapped inside the machine was ultimately lost within a sea of
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with residents named OutPlexers. He is revived in a now-abandoned building for the defunct Omni-Consumer Products (OCP) by two goons of a "super-entrepreneur" named Ted Flicker, who plans to make the national government a private corporate entity that he will own. Flicker also currently has a lot of
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colors were more directly applied with powder. Thanks to a bigger budget, the effects team had more time to paint and polish the suit, which led to Bottin's desired "show car" look he couldn't achieve in the first. With a lot of planning and fastener hunting, Bottin also built all parts of the suit
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follows numerous subplots, such as Flicker's plan for domination, a violence-spreading narcotic named Smudge, the Internal Grid Security commander trying to commit genocide against the OutPlexers, and RoboCop's code being played with by an American scientist and a Chinese hacker. The script expands
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The film "reset" RoboCop's character by turning him back into the monotone-voiced peacekeeper seen early in the first film, despite his reclaiming his human identity and personality by the end of that film. Many were also critical of the child villain Hob; David Nusair of Reel Film Reviews stated:
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The chairman presents an unveiling ceremony for Cain and Delta City, their redevelopment plan. When he presents a canister of Nuke, Cain's uncontrollable addiction causes him to disobey his programming and murder many civilians and police officers. RoboCop arrives and fights Cain, and their battle
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Cain fears losing his grip after the Delta City project and uses corrupt police officer Duffy to undermine OCP and RoboCop's enforcement efforts. RoboCop tracks down Duffy and violently tortures him, revealing Cain's hideout. He confronts Cain's gang at an abandoned construction site, but he walks
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asserted far greater control over the sequel compared to the original film, and frequently pushed back against input from Miller, Kershner, and the actors. Before the story had been completed, Orion announced a release date during the Christmas season in 1989, then later moved it up to early that
1383:"That the film asks us to swallow a moment late in the story that features Robo taking pity on an injured Hob is heavy-handed and ridiculous (we should probably be thankful the screenwriters didn't have RoboCop say something like, 'Look at what these vile drugs have done to this innocent boy')." 1135:
A magazine article published at the time of filming described the environment on set as "hell on earth", with the cast and crew rebelling against Kershner's "obsessive finickyness" and "costly reshoots." However, this was debunked by Weller who said: "Kersh didn't delay anything, he's very, very
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police officers, intended for mass production to replace the striking police force. The resurrected cops keep committing suicide upon activation. Morally warped, deranged psychologist Dr. Juliette Faxx theorizes that Murphy's strong moral code and strict Catholic upbringing were critical in his
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plaguing Detroit. The cartel's leader Cain and his prepubescent accomplice Hob escape. RoboCop has flashbacks to his previous life as Alex Murphy and has begun watching his wife and son outside their new home. Still grieving over the death of her husband, his wife brings litigation against OCP,
775:, is set 25 years after the first movie. RoboCop, trying to stop a bank-robbery, is blown up by a thief. The titular protagonist wakes up in a new United States named AmeriPlex, consisting of upper-class "plexes" made out of former cities (e.g. NewYorkPlex, RioPlex, DelhiPlex) and many more 439:
on all public property, effectively taking over its government and allowing for OCP's ongoing, radical urban redevelopment plan (as established in the first film). To rally public opinion behind the project, OCP deliberately sparks an increase in street crime by terminating the privatized
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Detroit, the plot follows RoboCop (Weller) as he becomes embroiled in a scheme made by Omni Consumer Products to bankrupt and take over the city while also fighting the spread of a street drug called "Nuke" and its gang of dealers led by Cain (Noonan). The film was shot on-location in
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social professor Maxwell Guttman suggests that while having memories doesn't make RoboCop more human than any other regular cyborg, the addition of unnecessary, lengthy and conflicting directives by Dr. Juliette Faxx symbolizes how complicated human behavioral science is.
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but the script did not have the code, the spine, or the soul of the first one." Noonan also claimed to be "relaxed" and enjoying himself on set, where "everyone was incredibly nice," and found Kershner able to adapt with many location and script changes during shooting.
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and its length resulted in Neumeier and Miner being fired from the project for breach of contract. Additionally, the writers and Orion struggled to agree on a story, with the studio turned off by the gritty parts of Neumeier and Miner's draft. Stone also stopped
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The film received mixed reviews upon its release and earned a moderate box office return, grossing $ 45 million worldwide, compared to the previous film's $ 53 million gross on a significantly smaller production budget. It was nominated for three
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written for the pop culture humor website I-Mockery said: "Having spent quite a lot of time with these comics over the past several days researching and writing this article, I can honestly say that it makes me want to watch the movie version of
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and Michael Miner started drafting a sequel in September 1987 per strong demand by Orion which imposed a deadline of December 31, 1987. Neumeir and Miner rushed the screenplay as they were also simultaneously writing for another Orion project,
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Weller summarized that the character, after "finding out" in the predecessor, is now "reaching out for ways to return to who he was." A scene depicts RoboCop spying on his former wife's home that brings back memories of his previous life; the
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Although, at the time, Allen praised Kershner for his creativeness and attention to detail, she later criticized the director as antagonistic, and ruining the humor and "heart" of the screenplay. Peter Weller was also critical of the script:
906:, citing a skepticism of sequels in general. He believed that most sequels were worse than their predecessors, and he preferred to cater new properties to audiences of the first film. He was also forced to decide between producing a second 1662:
longer a part of him. The re-programming of RoboCop's code and use of it for a different RoboCop also presents masculinity as changing, taking various forms, and revealing hypermasculinity to not be a good form in comparison to others.
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released a song called "The Kid Goes Wild", written by members Derek Davis, Vic Pepe and Jack Ponti. The song is played in the background in the middle part of the film, and it was also used to promote the film. The group created a
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retrospectively collected 40 reviews to give the film a score of 28%, with an average rating of 4.70/10. The site's consensus reads: "A less satisfying rehash that generally lives down to the negative stereotype of sequels,
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s take on the corporate and political system is cynical, and more in the forefront of the story, with more staff of Omni-Consumer Products (including its CEO) becoming antagonists. It also includes a few humorous pokes at
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and the tech's impact on it, another reason Kershner wanted to direct; he found the conflict a symbol on real-life society becoming programmed and "roboticized" by outside forces unconsciously. Kershner's intention with
1613:"ever since we lost the ozone layer." Noonan's idea behind Cain being a hippie was that a love for sex and drugs and hatred for law enforcement (common aspects of hippies) were negatively impacting a 1990s' Detroit. 1684:
movie... I seen him cut somebody's throat then take the knife and slit down the chest to the stomach and left the body in a certain position. With the first person I killed I did exactly what I saw in the movie."
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summer, resulting in a rushed production cycle. Neumeier and Miner claimed that these decisions were based solely on business decisions and stifled creativity, and Weller said that the film did not have a proper
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was sleeker and swifter than Arnie's cumbersome vehicle? His absence in the driver's seat is happily unnoticed because Irvin Kershner, the engineer of sequels that often zip qualitatively past the originals
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of the final battle scenes. A week spent filming a major sequence at an abandoned steel mill established how Kershner would direct the film's other scenes in terms of acting, lighting and camera movements.
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Initially, Orion was skeptical of casting Weller, under the reasoning that the audience would find RoboCop the same if another actor was under the helmet, similar to the titular character of Universal's
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wrote: "This ultraviolent, nihilistic sequel has enough technical dazzle to impress hardware fans, but obviously no one in the Orion front office told filmmakers that less is more." Peter Rainer of the
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was to focus more on human depth and emotions and less on violence than the first film: "It's really the violence of the soul, the violence of human interaction that counts, and that's all there."
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character, signed on to the project after Miner and Neumeier had been fired. His script went through four drafts. While there had been no reports of Miller taking influence from Neumeier's script,
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debuted as the second-highest-grossing film at the box office in its opening weekend. It went on to gross $ 45.7 million at the U.S. box office, and additional $ 22,505,000 from video rentals.
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runs so deep that after exploiting the inherent shock value of such an innocent-looking killer, the film tries to capitalize on his youth by also giving him a tearful deathbed scene."
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control over the country, despite another person (who was a former comedian) being the president. RoboCop's new system is also the central computer system of AmeriPlex, NeuroBrain.
1943: 1379:, and eventually takes over the drug business... The movie's screenplay is a confusion of half-baked and unfinished ideas... the use of that killer child is beneath contempt." 378: 5482: 886:, to re-write it. Cut material included backstories for Anne Lewis and the marriage between Alex Murphy and his wife Ellen. Miller later used his treatment as the basis for 2666: 2190: 2227: 463:
initial success - both were factors that prohibited him from committing suicide. She convinces the chairman to let her lead the project to recover their 90-million dollar
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doesn't bother to do anything new. It freely borrows the situation, characters and moral questions posed by the first film." She further adds: "The difference between
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praised its grittiness, "inventive action," humor, and politics, Orion rejected the script as "unfilmable" and brought in a screenwriter of the violent western film
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replaced Vacano for cinematographer and used conventional lighting, the second film suit (although using a black base like the other suit) looked light-bluer, so
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wrote: "Cain's sidekicks include a violent, foul-mouthed young boy named Hob, who looks to be about 12 years old but kills people without remorse, swears like
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in 2007. As a result of a five-month Writer's Guild strike and a difficulty to agree with Orion on a story, he and Michael Miner were fired from the project.
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produced a three-issue adaptation of the film by Alan Grant. Like the novelization, the comic book series includes scenes omitted from the finished movie.
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was used as the location for the Nuke manufacturing plant; it also served as the exterior of the police station. The finale of the film was shot in the
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and its sequel, is the difference between an idea and an afterthought." She also expressed her opinion about the Hob character: "The aimlessness of
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is nearing bankruptcy after failing to pay off its debts to conglomerate Omni Consumer Products (OCP). The OCP chairman intends to have the city
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be enough.' 'Look, it's not enough!'" Despite the script problem, he enjoyed working on the movie with Kershner: "I had a good time making
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into a trap and is overwhelmed. The criminals mutilate RoboCop's body and dump the pieces in front of his precinct. Cain later has Duffy
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in these set of memories, which end with Murphy seeing his human face in a bathroom, changing his expression from a smile to frown, and
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at night. He also claimed that they were shooting in winter, and snow and rain would be an inappropriate climate for film production.
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complaining of harassment. After his handlers dress him down, RoboCop tells his wife that Murphy is dead and he does not know her.
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to come on and off quickly so that it couldn't decay from the actor having it on too long, which was the case of the first film.
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the film has a score of 42 based on reviews from 22 critics, indicating "mixed or average reviews". Audiences surveyed by
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again just so I can get the bad taste out of my mouth. Or prove to myself that the movie couldn't be worse than this."
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critiques on American capitalism, corporate power and its resulting militarization and other perceived negative impacts
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featuring RoboCop targeting the band and having a shootout with some bad guys (footage of the film was also used).
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Stop-motion and computer animation was used for the final showdown between the RoboCop and RoboCop 2 characters.
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With Kershner's first few weeks spent storyboarding the visual effects during pre-production, the first month on
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The creation of a second RoboCop to repeat the success of the original cyborg can be interpreted as a take on
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were also included in the film. Additional footage was filmed at the decommissioned Hiram Clarke Power Plant.
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than the final film, with the last showdown pitting RoboCop against OCP forces instead of RoboCop 2. While
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scripts, and, before he was fired, Neumeier recommended two popular comic book authors to write them:
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Karen Freifeld (August 6, 1992). "Tale of Death Suspect says 'RoboCop' sparked spree". Newsday.
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gave the comic a "D" score, criticizing the "tired story" and lack of "interesting action." A
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remains on duty with his partner Anne Lewis. They raid a manufacturing plant of Nuke, a new
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companies making their older products quickly out-of-date in order to keep selling new ones
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went through four drafts, and he later used an early treatment for a comic book series.
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were where there was "no pot, no pills, no crack, no smack, no coke — no exceptions."
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and other media; it is also the last film Kershner directed before his death in 2010.
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Watch the Robocop 2 workprint (alternate/unfinished effects) on the Internet Archive
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began with an anti-drug PSA starring an out-of-character Weller that announced the
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to do the visual effects for the sequel, this time leading all the effects units.
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investment. The research staff is later horrified to learn that she seeks to use
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The film received attention in 2013 from news media, due to its plot predicting
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adapted his original screenplays for the second and third films into the comics
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Most of the RoboCop 2 design was created while Hunter was signed as director.
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OCP struggles to develop RoboCop 2, a police droid fitted with the brains of
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considered the project, but changed his mind after watching a screening of
399:, was released in 1993. Miller would return to write the comic book sequel 3283: 1851: 816: 5104: 4856: 4277: 3945: 2195: 2070: 1484: 1476:, for sure, but it also evokes less rarefied examples of the same genres– 1234:'s themes from the first film, instead composing entirely new themes and 1166:
was Tippett and Kershner's second collaboration, after Tippett worked at
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David Roche and Isabelle Schmitt-Pitiot interpreted mirror sequences in
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inmates, who desire power and immortality, rather than police officers.
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claimed to have found inspiration for his first murder while watching
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was shown in a scene in which Mayor Kuzak speaks to the press. The
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in one high-tech package held together by modest B-movie strings.
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Allen, despite already having played a cop character in the first
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Miller's first draft was less comic and had a bigger emphasis on
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and various green, purple and gold colors to create a look made
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In order for a sequel to still be possible, Orion had to sign a
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tries to deliver more of everything and ends up with less". On
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since Orion insisted that "the monster's going to be enough."
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Watch a 1990 "making-of" documentary about the production of
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Intimacy in Cinema: Critical Essays on English Language Films
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Jerry L. Nelson as Darren Thomas (credited as Jerry Nelson)
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may be the sultry season's best bet: you get the gore of
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and its predecessor as showing identity problems in the
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back to the helmeted face of RoboCop in the police car.
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To promote the film, RoboCop made a guest appearance at
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developed RoboCop movements for Weller in the first film
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This article is about the film. For the video game, see
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Angie Bolling as Ellen Murphy, the widow of Alex Murphy
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A Future to This Life: Robocop – The Series Soundtrack
1492:. It's ironic that the directorial coach of the first 479:
for revealing their location and forces Hob to watch.
5458:
Fictional portrayals of the Detroit Police Department
527:
as Dr. Juliette Faxx, a psychologist working for OCP
490:
After failing to pay the city's debts via voluntary
5330: 5287: 5248: 5241: 5206: 5179: 5172: 5093: 5077: 5021: 4990: 4983: 4940: 4911: 4854: 4821: 4792: 4783: 4747: 4711: 4682: 4640: 4633: 4626: 4559: 4269: 4212: 4187: 4144: 4113: 4086: 4079: 4036: 4015: 3674: 3662: 3647: 3635: 3512: 3510: 3508: 3506: 2259:'RoboCop Trilogy': Life in Dystopian Future Detroit 263: 255: 247: 239: 229: 206: 196: 186: 164: 154: 113: 103: 79: 71: 57: 47: 30: 3834:SFX Special Edition: The Complete Guide to RoboCop 1456:alludes to classics of horror and science-fiction 902:Davison had been reluctant to produce a sequel to 2634:"'Gremlins' sequel better than the original film" 2667:"Old Jeff Davis Hospital gets state recognition" 2165:"Irvin Kershner, Hollywood Director, Dies at 87" 1303:on December 13, 1990, and was later released to 5533:Films with screenplays by Frank Miller (comics) 3873:Roche, David; Schmitt-Pitiot, Isabelle (2014). 3548: 3546: 3048:"'Tracy' Stands Firm at No. 1; 'RoboCop2' Is 2" 2929:"The Kid Goes Wild - Babylon A.D. - Song Info" 1551:gave the film a grade B−, on scale of A to F. 987:, who had previously filled in as director on 5558:English-language science fiction action films 5498:Films produced by Jon Davison (film producer) 4537: 4352: 3991: 3179: 3177: 3140: 3138: 2861:"Peter Weller on feminism, sequels, and more" 2836:. Syfy.com. February 14, 2014. Archived from 2808:"AN INTERVIEW WITH NANCY ALLEN (PART 2 OF 2)" 2780: 2778: 2601:"'RoboCop 2' creators give city rave reviews" 1531:), has tuned-up the premise until it purrs." 1226:The film score was composed and conducted by 521:as Officer Anne Lewis, the partner of RoboCop 8: 3113:"Box office / business for RoboCop 2 (1990)" 2594: 2592: 1350:as the gun-wielding, kid drug-dealer Hob in 4596:All Star Batman & Robin, the Boy Wonder 3588: 3586: 1966:"SCIENTISTS TELL US THAT HEAT MAKES THINGS" 557:as Hob, a young boy who is allied with Cain 551:as Mayor Marvin Kuzak, the Mayor of Detroit 5483:Films about terrorism in the United States 5245: 5176: 4987: 4789: 4637: 4630: 4544: 4530: 4522: 4359: 4345: 4337: 4083: 3998: 3984: 3976: 3462:Kristopowitz, Bryan (September 26, 2018). 2132:"Irvin Kershner dies at 87; film director" 569:as Officer Duffy, a corrupt police officer 36: 27: 4617:The Dark Knight Returns: The Golden Child 3725:, Entertainment Weekly, September 5, 2003 2991:Makes Fun of WCW, RoboCop Rescuing Sting" 5304:Batman: The Dark Knight Returns Part One 3623: 3497: 2793: 2752: 2568: 2510: 2491: 2467: 1490:Z-movie about Hitler's brain in a bottle 698:as Linda Garcia (uncredited), a lab tech 2997:from the original on September 27, 2013 2966:from the original on September 27, 2013 2784:Cinefantastique Vol 21 No 1 (July 1990) 2733: 2556: 2541: 2479: 2452: 2440: 2400: 2388: 2344: 2329: 2306: 2289: 2277: 1882: 1783:Frank Miller's original screenplay for 1238:. The soundtrack album was released by 1030:, still made preparations for shooting 923:comics. He ultimately chose to take on 3593:Guttman, Maxwell (December 11, 2019). 3531:from the original on February 12, 2020 3093:from the original on February 23, 2017 3060:from the original on February 23, 2017 2915: 2903: 2891: 2814:from the original on February 27, 2020 2769: 2632:Westbrook, Bruce (December 14, 1990). 2583: 2130:McLellan, Dennis (November 30, 2010). 2111:from the original on February 13, 2011 1993: 1991: 1680:: "The first girl I killed was from a 1639:camera presents from his point-of-view 1500:; couldn't he see that the script for 5528:Films with screenplays by Walon Green 5433:American science fiction action films 3605:from the original on January 23, 2021 3571:from the original on December 4, 2020 2873:from the original on December 6, 2019 2522: 2415: 2373: 2144:from the original on December 1, 2017 1976:from the original on December 6, 2021 1158:Phil Tippett returned from the first 939:did not return, as he was working on 792:Writers Guild of America strike began 95:    Michael Miner 7: 4603:The Dark Knight III: The Master Race 3524:International Socialist Organization 3519:"RoboCop and the surveillance state" 3517:Johnson, Craig (February 21, 2014). 3476:from the original on October 8, 2018 3327:from the original on August 18, 2018 3227:from the original on August 20, 2004 1073:was depicted as the headquarters of 545:as Cain, the leader of a drug cartel 415:from 2003 to 2006 and 2013 to 2014. 324:. It is the sequel to the 1987 film 5349:The Big Guy and Rusty the Boy Robot 4763:The Big Guy and Rusty the Boy Robot 3443:from the original on April 15, 2018 3412:from the original on April 13, 2022 2939:from the original on April 14, 2019 2189:Dichiara, Tom (November 27, 2010). 2078:from the original on March 31, 2019 2066:"RoboCop 2 (1990) - Irvin Kershner" 1626:Officer Murphy's remaining humanity 1307:in 1998. The film first received a 756:, it was planned to be directed by 379:Best Performance by a Younger Actor 5563:English-language independent films 5418:1990s science fiction action films 3814:. No. 158. pp. 45–48, 63 3559:Trilogy on MGM Home Entertainment" 3294:from the original on July 11, 2023 3263:from the original on July 11, 2023 3162:from the original on July 30, 2020 2859:Will Harris (September 13, 2013). 2665:J.R. Gonzales (February 1, 2009). 2599:Westbrook, Bruce (June 22, 1990). 2228:"When 'Robocop 2' came to Houston" 2163:Weber, Bruce (November 29, 2010). 1946:from the original on July 11, 2023 1920:from the original on July 29, 2020 1578:Kershner took the offer to direct 935:is more Warren's movie". Director 337:and the last to feature Weller as 14: 5523:Films using stop-motion animation 5468:Films about brain transplantation 3768:. No. 94. pp. 44–47, 60 3553:Cabin, Chris (October 26, 2010). 3282:Variety Staff (January 1, 1990). 3123:from the original on June 6, 2014 3079:Broeske, Pat H. (June 26, 1990). 3046:Broeske, Pat H. (June 25, 1990). 2097:Kershner, Irvin (July 16, 1990). 1317:Boys & Girls Clubs of America 1083:George R. Brown Convention Center 5503:Films scored by Leonard Rosenman 5493:Films directed by Irvin Kershner 4461:The Return of a Man Called Horse 4322: 4321: 3827:Kelly, Stephen (February 2014). 2046:. Nash Information Services, LLC 1850: 1836: 1822: 1570:as a parody of its predecessor. 1514:The Return of a Man Called Horse 5538:Juvenile delinquency in fiction 3804:Johnson, Kim (September 1990). 3675:Roche & Schmitt-Pitiot 2014 3663:Roche & Schmitt-Pitiot 2014 3648:Roche & Schmitt-Pitiot 2014 3636:Roche & Schmitt-Pitiot 2014 3431:Gross, Max (February 9, 2014). 3313:Rainer, Peter (June 22, 1990). 2698:Dyer, R.A. (October 13, 1989). 2226:Craig Hlavaty (June 23, 2015). 1311:release in 2011. VHS copies of 1299:The film was first released to 969:Davison first hired his friend 790:On March 7, 1988, a five-month 533:as "The Old Man", OCP President 3791:. No. 155. pp. 45–48 3349:(June 22, 1990). "RoboCop 2". 3016:Burr, Ty (December 14, 1990). 2985:Mrosko, Greg (June 24, 2012). 1866:List of American films of 1990 1: 5341:RoboCop Versus The Terminator 4731:RoboCop Versus The Terminator 4702:Martha Washington Goes to War 4589:The Dark Knight Strikes Again 4245:RoboCop Versus The Terminator 4203:RoboCop Versus The Terminator 2958:Kelly, Tim (March 19, 2013). 1734:, was released in 2023, with 1704:, was released in 1993, with 1566:Bryan Kristopowitz described 1556:Detroit filing for bankruptcy 1496:, Paul Verhoeven, went on to 892:comics published in the 2000s 773:RoboCop 2: The Corporate Wars 764:, and be released before the 513:Officer Alex Murphy / RoboCop 402:RoboCop Versus The Terminator 5413:1990s English-language films 5231:Sin City: A Dame to Kill For 1897:AFI Catalog of Feature Films 1787:was turned into a nine-part 1168:Industrial Light & Magic 771:Neumeier and Miner's draft, 393:and Peter Kuran). A sequel, 3744:, I-Mockery, March 31, 2008 3315:"An Overhauled 'RoboCop 2'" 1586:continues the first film's 1534:Review aggregation website 766:next United States election 750:Central Intelligence Agency 16:1990 film by Irvin Kershner 5579: 5553:1990 science fiction films 5428:American independent films 3850:Persons, Dan (July 1990). 3781:Johnson, Kim (June 1990). 3758:Counts, Kyle (July 1990). 2264:September 9, 2020, at the 1776: 1446:and the satiric smarts of 1219: 809:1988–1989: Frank Miller's 692:Barry Martin as an OCP Cop 330:, the second entry in the 18: 5488:Films adapted into comics 4413:The Luck of Ginger Coffey 4375: 4318: 3735:"Frank Miller's Roboflop" 1720:A video game set between 1600:bleeding-heart liberalism 1574:Politics and corporations 1449:Gremlins 2: The New Batch 1230:, who did not use any of 1200:lighting; however, since 808: 635:Michael Medeiros as Catzo 515:, a cyborg police officer 442:Detroit Police Department 375:Best Science Fiction Film 42:Theatrical release poster 35: 5443:American superhero films 5160:Wallenquist Organization 1617:Humanity and masculinity 1096:was night shooting, and 1059:Houston Theater District 1055:Jefferson Davis Hospital 916:screen adaptation of the 849:edgy, "tragic hero" take 823:in 1982. His script for 614:as Tak Akita, a lab tech 590:John Doolittle as Schenk 465:research and development 5513:Films set in the future 5473:Films about child death 4568:The Dark Knight Returns 4485:The Empire Strikes Back 4381:Stakeout on Dope Street 3967:on the Internet Archive 3740:March 25, 2010, at the 2806:Rowlands, Paul (2016). 1508:The Empire Strikes Back 1172:The Empire Strikes Back 990:The Empire Strikes Back 910:film, versus producing 665:as a Magnavolt salesman 575:as Sergeant Warren Reed 215:June 22, 1990 5398:1990 independent films 5269:300: Rise of an Empire 4738:Frank Miller's RoboCop 4309:Tokusou Robo Janperson 3829:"RoboCop Rides Again!" 1910:"Battle of the Biceps" 1794:Frank Miller's RoboCop 1779:Frank Miller's RoboCop 1355: 1222:RoboCop 2 (soundtrack) 1180:RoboCop suit designer 1130:Wortham Theater Center 1087:Bank of America Center 1075:Omni Consumer Products 1063:Wortham Theater Center 1045:was chiefly filmed in 947:As with the first film 828: 752:'s involvement in the 733: 596:Brandon Smith as Flint 487:, and reactivate him. 412:Frank Miller's RoboCop 21:RoboCop 2 (video game) 5548:Techno-thriller films 5518:Films shot in Houston 5438:American sequel films 5423:1990s superhero films 5408:1990s dystopian films 5150:The Girls of Old Town 4493:Never Say Never Again 3555:"Blu-ray Review: The 1748:mass market paperback 1528:Never Say Never Again 1346: 819: 728: 704:as Frank (uncredited) 659:as a mother with baby 608:as a gun store robber 341:until he returned in 5543:Orion Pictures films 5508:Films set in Detroit 5463:Films about amputees 5403:1990s American films 4290:The Mobile Cop Jiban 3901:Warren, Rob (1990). 3852:"Making "RocoCop 2"" 3723:Review by Ken Tucker 3026:Entertainment Weekly 2810:. Money Into Light. 1844:United States portal 1800:Entertainment Weekly 1738:reprising his role. 696:Patricia Charbonneau 641:as Officer Whittaker 383:Best Special Effects 5453:Films about cyborgs 5393:RoboCop (franchise) 5357:300: March to Glory 4888:That Yellow Bastard 4845:Elektra Lives Again 3638:, pp. 125–126. 2712:on October 21, 2012 2646:on October 21, 2012 2613:on October 21, 2012 2525:, pp. 122–123. 1761:, was published by 1731:RoboCop: Rogue City 1624:also elaborates on 1283:, where he rescued 1124:and mostly shot in 1100:-camera background 973:, mostly known for 748:; a film about the 350:RoboCop: Rogue City 278:is a 1990 American 267:$ 45.7 million (US) 4874:A Dame to Kill For 4610:Superman: Year One 4477:Eyes of Laura Mars 4397:The Hoodlum Priest 4389:The Young Captives 4367:Films directed by 3957:TCM Movie Database 3837:. pp. 118–123 3806:"Detroit Delights" 3700:RoboCop 2: A Novel 3626:, pp. 45, 63. 3352:The Globe and Mail 2993:. Cageside Seats. 2280:, pp. 20, 24. 2169:The New York Times 1759:RoboCop 2: A Novel 1647:Fordham University 1433:The Globe and Mail 1392:The New York Times 1356: 1192:and steel-like by 979:(1986), to direct 888:his own series of 857:The Corporate Wars 829: 734: 720:The Corporate Wars 683:as Surgeon General 620:as Officer Estevez 600:Thomas Rosales Jr. 435:on its debt, then 5478:Films about drugs 5375: 5374: 5326: 5325: 5322: 5321: 5168: 5167: 5085:Martha Washington 5078:Dark Horse Comics 4979: 4978: 4949:The Twilight Zone 4936: 4935: 4779: 4778: 4685:Martha Washington 4673:Elektra: Assassin 4519: 4518: 4429:The Flim-Flam Man 4334: 4333: 4140: 4139: 3698:Naha, Ed (1990). 3500:, pp. 45–46. 3320:Los Angeles Times 3249:(June 22, 1990). 3155:Chicago Sun-Times 3148:(June 22, 1990). 3086:Los Angeles Times 3053:Los Angeles Times 2918:, pp. 14–15. 2894:, pp. 12–13. 2705:Houston Chronicle 2672:Houston Chronicle 2639:Houston Chronicle 2606:Houston Chronicle 2494:, pp. 46–47. 2391:, pp. 19–20. 2347:, pp. 20–21. 2233:Houston Chronicle 2137:Los Angeles Times 2104:Los Angeles Times 1562:Thematic analysis 1424:panned the film. 1421:Los Angeles Times 1368:Chicago Sun Times 1339:Critical response 1289:The Four Horsemen 1079:Houston City Hall 864:corporate fascism 835:to develop other 689:as Sunblock Woman 639:Roger Aaron Brown 539:as Donald Johnson 381:(for Damon), and 271: 270: 5570: 5296:Batman: Year One 5246: 5177: 5115:Goldie and Wendy 4988: 4881:The Big Fat Kill 4867:The Hard Goodbye 4790: 4638: 4631: 4575:Batman: Year One 4546: 4539: 4532: 4523: 4405:Face in the Rain 4361: 4354: 4347: 4338: 4325: 4324: 4297:Mortal Kombat 11 4130:Prime Directives 4084: 4000: 3993: 3986: 3977: 3918: 3916: 3914: 3909:. pp. 10–15 3897: 3895: 3893: 3869: 3867: 3865: 3860:. pp. 16–31 3846: 3844: 3842: 3823: 3821: 3819: 3800: 3798: 3796: 3777: 3775: 3773: 3745: 3732: 3726: 3720: 3714: 3713: 3695: 3689: 3688: 3684: 3678: 3672: 3666: 3660: 3651: 3645: 3639: 3633: 3627: 3621: 3615: 3614: 3612: 3610: 3590: 3581: 3580: 3578: 3576: 3550: 3541: 3540: 3538: 3536: 3514: 3501: 3495: 3486: 3485: 3483: 3481: 3459: 3453: 3452: 3450: 3448: 3428: 3422: 3421: 3419: 3417: 3398: 3392: 3391: 3389: 3387: 3363: 3357: 3356: 3343: 3337: 3336: 3334: 3332: 3310: 3304: 3303: 3301: 3299: 3279: 3273: 3272: 3270: 3268: 3243: 3237: 3236: 3234: 3232: 3216: 3210: 3209: 3207: 3205: 3181: 3172: 3171: 3169: 3167: 3142: 3133: 3132: 3130: 3128: 3109: 3103: 3102: 3100: 3098: 3076: 3070: 3069: 3067: 3065: 3043: 3037: 3036: 3034: 3032: 3021: 3013: 3007: 3006: 3004: 3002: 2989:Are You Serious? 2982: 2976: 2975: 2973: 2971: 2955: 2949: 2948: 2946: 2944: 2925: 2919: 2913: 2907: 2901: 2895: 2889: 2883: 2882: 2880: 2878: 2856: 2850: 2849: 2847: 2845: 2840:on June 24, 2020 2830: 2824: 2823: 2821: 2819: 2803: 2797: 2791: 2785: 2782: 2773: 2767: 2756: 2750: 2737: 2731: 2722: 2721: 2719: 2717: 2708:. 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Loeb 4998:Carmine Falcone 4975: 4970:Heroes for Hope 4932: 4907: 4850: 4817: 4785: 4775: 4743: 4707: 4695:Give Me Liberty 4678: 4622: 4555: 4550: 4520: 4515: 4469:Raid on Entebbe 4371: 4365: 4335: 4330: 4314: 4265: 4208: 4183: 4136: 4109: 4075: 4032: 4011: 4004: 3925: 3912: 3910: 3900: 3891: 3889: 3887: 3872: 3863: 3861: 3857:Cinefantastique 3849: 3840: 3838: 3826: 3817: 3815: 3803: 3794: 3792: 3780: 3771: 3769: 3757: 3754: 3749: 3748: 3742:Wayback Machine 3733: 3729: 3721: 3717: 3710: 3697: 3696: 3692: 3686: 3685: 3681: 3673: 3669: 3661: 3654: 3646: 3642: 3634: 3630: 3622: 3618: 3608: 3606: 3592: 3591: 3584: 3574: 3572: 3552: 3551: 3544: 3534: 3532: 3516: 3515: 3504: 3496: 3489: 3479: 3477: 3461: 3460: 3456: 3446: 3444: 3430: 3429: 3425: 3415: 3413: 3400: 3399: 3395: 3385: 3383: 3376:Rotten Tomatoes 3365: 3364: 3360: 3345: 3344: 3340: 3330: 3328: 3312: 3311: 3307: 3297: 3295: 3281: 3280: 3276: 3266: 3264: 3245: 3244: 3240: 3230: 3228: 3219:Nusair, David. 3218: 3217: 3213: 3203: 3201: 3183: 3182: 3175: 3165: 3163: 3144: 3143: 3136: 3126: 3124: 3111: 3110: 3106: 3096: 3094: 3078: 3077: 3073: 3063: 3061: 3045: 3044: 3040: 3030: 3028: 3022:s drug message" 3019: 3015: 3014: 3010: 3000: 2998: 2984: 2983: 2979: 2969: 2967: 2957: 2956: 2952: 2942: 2940: 2927: 2926: 2922: 2914: 2910: 2902: 2898: 2890: 2886: 2876: 2874: 2858: 2857: 2853: 2843: 2841: 2832: 2831: 2827: 2817: 2815: 2805: 2804: 2800: 2792: 2788: 2783: 2776: 2768: 2759: 2751: 2740: 2732: 2725: 2715: 2713: 2697: 2696: 2692: 2682: 2680: 2664: 2663: 2659: 2649: 2647: 2631: 2630: 2626: 2616: 2614: 2598: 2597: 2590: 2582: 2575: 2567: 2563: 2555: 2548: 2540: 2529: 2521: 2517: 2509: 2498: 2490: 2486: 2478: 2474: 2466: 2459: 2451: 2447: 2439: 2422: 2414: 2407: 2399: 2395: 2387: 2380: 2372: 2351: 2343: 2336: 2328: 2313: 2305: 2296: 2288: 2284: 2276: 2272: 2266:Wayback Machine 2257: 2253: 2243: 2241: 2225: 2224: 2220: 2210: 2208: 2188: 2187: 2183: 2173: 2171: 2162: 2161: 2157: 2147: 2145: 2129: 2128: 2124: 2114: 2112: 2096: 2095: 2091: 2081: 2079: 2064: 2063: 2059: 2049: 2047: 2032: 2031: 2027: 2017: 2015: 2008:Box Office Mojo 1997: 1996: 1989: 1979: 1977: 1964: 1963: 1959: 1949: 1947: 1940:"Texas Monthly" 1938: 1937: 1933: 1923: 1921: 1914:People Magazine 1908: 1907: 1903: 1888: 1884: 1879: 1874: 1856: 1849: 1842: 1837: 1835: 1828: 1823: 1821: 1818: 1781: 1775: 1744: 1718: 1698:A sequel film, 1696: 1691: 1674:Nathaniel White 1668: 1619: 1594: 1576: 1564: 1558:in the future. 1536:Rotten Tomatoes 1517:, and the best 1395:wrote: "Unlike 1341: 1330: 1325: 1297: 1269: 1264: 1224: 1218: 1156: 1110:special effects 1040: 1010: 927:, saying that " 900: 814: 741:Edward Neumeier 730:Edward Neumeier 723: 715: 710: 677:as Jess Perkins 647:as Officer Stef 630:Phil Rubenstein 549:Willard E. Pugh 504: 421: 292:and written by 280:science fiction 259:$ 25–30 million 232: 225: 218: 216: 209: 182: 171:Deborah Zeitman 150: 99: 98: 91:Edward Neumeier 85: 64: 43: 24: 17: 12: 11: 5: 5576: 5574: 5566: 5565: 5560: 5555: 5550: 5545: 5540: 5535: 5530: 5525: 5520: 5515: 5510: 5505: 5500: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5460: 5455: 5450: 5445: 5440: 5435: 5430: 5425: 5420: 5415: 5410: 5405: 5400: 5395: 5390: 5380: 5379: 5373: 5372: 5370: 5369: 5361: 5353: 5345: 5336: 5334: 5328: 5327: 5324: 5323: 5320: 5319: 5317: 5316: 5308: 5300: 5291: 5289: 5285: 5284: 5282: 5281: 5273: 5265: 5256: 5254: 5243: 5239: 5238: 5236: 5235: 5227: 5219: 5210: 5208: 5204: 5203: 5201: 5200: 5192: 5183: 5181: 5174: 5170: 5169: 5166: 5165: 5163: 5162: 5157: 5152: 5147: 5142: 5140:Nancy Callahan 5137: 5132: 5127: 5122: 5117: 5112: 5107: 5101: 5099: 5091: 5090: 5088: 5087: 5081: 5079: 5075: 5074: 5072: 5071: 5066: 5061: 5056: 5051: 5049:Maggie Murdock 5046: 5041: 5036: 5031: 5025: 5023: 5019: 5018: 5016: 5015: 5013:Holly Robinson 5010: 5005: 5000: 4994: 4992: 4985: 4981: 4980: 4977: 4976: 4974: 4973: 4966: 4959: 4952: 4944: 4942: 4938: 4937: 4934: 4933: 4931: 4930: 4923: 4915: 4913: 4909: 4908: 4906: 4905: 4898: 4891: 4884: 4877: 4870: 4862: 4860: 4852: 4851: 4849: 4848: 4841: 4833: 4831: 4819: 4818: 4816: 4815: 4808: 4800: 4798: 4787: 4781: 4780: 4777: 4776: 4774: 4773: 4766: 4759: 4751: 4749: 4745: 4744: 4742: 4741: 4734: 4727: 4719: 4717: 4709: 4708: 4706: 4705: 4698: 4690: 4688: 4680: 4679: 4677: 4676: 4669: 4668: 4667: 4652: 4650: 4635: 4628: 4624: 4623: 4621: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4563: 4561: 4557: 4556: 4551: 4549: 4548: 4541: 4534: 4526: 4517: 4516: 4514: 4513: 4505: 4497: 4489: 4481: 4473: 4465: 4457: 4449: 4445:Up the Sandbox 4441: 4433: 4425: 4421:A Fine Madness 4417: 4409: 4401: 4393: 4385: 4376: 4373: 4372: 4369:Irvin Kershner 4366: 4364: 4363: 4356: 4349: 4341: 4332: 4331: 4319: 4316: 4315: 4313: 4312: 4305: 4303:RoboCop statue 4300: 4293: 4286: 4284:Capital Combat 4281: 4273: 4271: 4267: 4266: 4264: 4263: 4256: 4248: 4241: 4234: 4227: 4218: 4216: 4210: 4209: 4207: 4206: 4199: 4191: 4189: 4185: 4184: 4182: 4181: 4173: 4165: 4157: 4148: 4146: 4142: 4141: 4138: 4137: 4135: 4134: 4126: 4117: 4115: 4111: 4110: 4108: 4107: 4103:Alpha Commando 4099: 4090: 4088: 4081: 4077: 4076: 4074: 4073: 4065: 4057: 4049: 4040: 4038: 4034: 4033: 4031: 4030: 4025: 4019: 4017: 4013: 4012: 4005: 4003: 4002: 3995: 3988: 3980: 3974: 3973: 3968: 3959: 3948: 3937: 3924: 3923:External links 3921: 3920: 3919: 3898: 3885: 3870: 3847: 3824: 3801: 3783:"Police Woman" 3778: 3753: 3750: 3747: 3746: 3727: 3715: 3709:978-0515104103 3708: 3702:. Jove Books. 3690: 3679: 3677:, p. 126. 3667: 3665:, p. 127. 3652: 3650:, p. 125. 3640: 3628: 3616: 3582: 3564:Slant Magazine 3542: 3502: 3487: 3454: 3423: 3393: 3381:Fandango Media 3358: 3355:. p. C.8. 3338: 3305: 3274: 3256:New York Times 3238: 3211: 3173: 3134: 3104: 3071: 3038: 3008: 2977: 2950: 2920: 2908: 2896: 2884: 2851: 2825: 2798: 2786: 2774: 2757: 2738: 2723: 2690: 2657: 2624: 2588: 2573: 2561: 2546: 2527: 2515: 2496: 2484: 2472: 2457: 2445: 2420: 2418:, p. 122. 2405: 2393: 2378: 2376:, p. 119. 2349: 2334: 2311: 2294: 2282: 2270: 2251: 2218: 2181: 2155: 2122: 2089: 2057: 2025: 1987: 1957: 1942:. April 1990. 1931: 1901: 1899: 1881: 1880: 1878: 1875: 1873: 1870: 1869: 1868: 1862: 1861: 1847: 1833: 1817: 1814: 1791:series titled 1777:Main article: 1774: 1771: 1743: 1740: 1717: 1714: 1695: 1692: 1690: 1687: 1667: 1664: 1659:hypermasculine 1618: 1615: 1575: 1572: 1563: 1560: 1340: 1337: 1329: 1326: 1324: 1321: 1296: 1293: 1281:Capital Combat 1268: 1265: 1263: 1260: 1220:Main article: 1217: 1214: 1155: 1152: 1039: 1036: 1009: 1006: 997:Orion Pictures 985:Irvin Kershner 937:Paul Verhoeven 899: 896: 879:The Wild Bunch 813: 807: 739:screenwriters 722: 716: 714: 711: 709: 708: 705: 699: 693: 690: 687:Fabiana Udenio 684: 678: 672: 666: 660: 657:Linda Thompson 654: 648: 642: 636: 633: 627: 621: 618:Wanda De Jesus 615: 609: 606:Carl Ciarfalio 603: 597: 594: 591: 588: 582: 581:as Tom Delaney 576: 570: 564: 558: 552: 546: 540: 534: 528: 522: 516: 505: 503: 500: 420: 417: 290:Irvin Kershner 269: 268: 265: 261: 260: 257: 253: 252: 249: 245: 244: 241: 237: 236: 233: 230: 227: 226: 224: 223: 212: 210: 207: 204: 203: 201:Orion Pictures 198: 197:Distributed by 194: 193: 188: 184: 183: 181: 180: 175: 174:Armen Minasian 172: 168: 166: 162: 161: 156: 155:Cinematography 152: 151: 149: 148: 143: 138: 133: 128: 123: 117: 115: 111: 110: 105: 101: 100: 97: 96: 93: 87: 83: 81: 77: 76: 73: 69: 68: 59: 55: 54: 52:Irvin Kershner 49: 45: 44: 41: 33: 32: 15: 13: 10: 9: 6: 4: 3: 2: 5575: 5564: 5561: 5559: 5556: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5519: 5516: 5514: 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5385: 5383: 5367: 5366: 5362: 5359: 5358: 5354: 5351: 5350: 5346: 5343: 5342: 5338: 5337: 5335: 5329: 5314: 5313: 5309: 5306: 5305: 5301: 5298: 5297: 5293: 5292: 5290: 5286: 5279: 5278: 5274: 5271: 5270: 5266: 5263: 5262: 5258: 5257: 5255: 5253: 5252: 5247: 5244: 5240: 5233: 5232: 5228: 5225: 5224: 5220: 5217: 5216: 5212: 5211: 5209: 5205: 5198: 5197: 5193: 5190: 5189: 5185: 5184: 5182: 5178: 5175: 5171: 5161: 5158: 5156: 5153: 5151: 5148: 5146: 5143: 5141: 5138: 5136: 5133: 5131: 5128: 5126: 5123: 5121: 5120:John Hartigan 5118: 5116: 5113: 5111: 5108: 5106: 5103: 5102: 5100: 5098: 5097: 5092: 5086: 5083: 5082: 5080: 5076: 5070: 5067: 5065: 5062: 5060: 5057: 5055: 5052: 5050: 5047: 5045: 5042: 5040: 5037: 5035: 5032: 5030: 5027: 5026: 5024: 5022:Marvel Comics 5020: 5014: 5011: 5009: 5006: 5004: 5003:Carrie Kelley 5001: 4999: 4996: 4995: 4993: 4989: 4986: 4982: 4972: 4971: 4967: 4965: 4964: 4960: 4958: 4957: 4953: 4951: 4950: 4946: 4945: 4943: 4939: 4929: 4928: 4924: 4922: 4921: 4917: 4916: 4914: 4910: 4904: 4903: 4902:Hell and Back 4899: 4897: 4896: 4895:Family Values 4892: 4890: 4889: 4885: 4883: 4882: 4878: 4876: 4875: 4871: 4869: 4868: 4864: 4863: 4861: 4859: 4858: 4853: 4847: 4846: 4842: 4840: 4839: 4835: 4834: 4832: 4830: 4829: 4825: 4820: 4814: 4813: 4809: 4807: 4806: 4802: 4801: 4799: 4797: 4796: 4791: 4788: 4782: 4772: 4771: 4767: 4765: 4764: 4760: 4758: 4757: 4753: 4752: 4750: 4746: 4740: 4739: 4735: 4733: 4732: 4728: 4726: 4725: 4721: 4720: 4718: 4716: 4715: 4710: 4704: 4703: 4699: 4697: 4696: 4692: 4691: 4689: 4687: 4686: 4681: 4675: 4674: 4670: 4665: 4661: 4660: 4659: 4658: 4654: 4653: 4651: 4649: 4648: 4644: 4639: 4636: 4632: 4629: 4625: 4619: 4618: 4614: 4612: 4611: 4607: 4605: 4604: 4600: 4598: 4597: 4593: 4591: 4590: 4586: 4584: 4583: 4579: 4577: 4576: 4572: 4570: 4569: 4565: 4564: 4562: 4558: 4554: 4547: 4542: 4540: 4535: 4533: 4528: 4527: 4524: 4511: 4510: 4506: 4503: 4502: 4501:Traveling Man 4498: 4495: 4494: 4490: 4487: 4486: 4482: 4479: 4478: 4474: 4471: 4470: 4466: 4463: 4462: 4458: 4455: 4454: 4450: 4447: 4446: 4442: 4439: 4438: 4434: 4431: 4430: 4426: 4423: 4422: 4418: 4415: 4414: 4410: 4407: 4406: 4402: 4399: 4398: 4394: 4391: 4390: 4386: 4383: 4382: 4378: 4377: 4374: 4370: 4362: 4357: 4355: 4350: 4348: 4343: 4342: 4339: 4329: 4328: 4317: 4311: 4310: 4306: 4304: 4301: 4299: 4298: 4294: 4292: 4291: 4287: 4285: 4282: 4280: 4279: 4275: 4274: 4272: 4268: 4262: 4261: 4257: 4255: 4253: 4249: 4247: 4246: 4242: 4240: 4239: 4235: 4233: 4232: 4228: 4226: 4224: 4220: 4219: 4217: 4215: 4211: 4205: 4204: 4200: 4198: 4197: 4193: 4192: 4190: 4186: 4179: 4178: 4174: 4171: 4170: 4166: 4163: 4162: 4158: 4155: 4154: 4150: 4149: 4147: 4143: 4132: 4131: 4127: 4124: 4123: 4119: 4118: 4116: 4112: 4105: 4104: 4100: 4097: 4096: 4092: 4091: 4089: 4085: 4082: 4078: 4071: 4070: 4066: 4063: 4062: 4058: 4055: 4054: 4050: 4047: 4046: 4042: 4041: 4039: 4035: 4029: 4026: 4024: 4021: 4020: 4018: 4014: 4010: 4009: 4001: 3996: 3994: 3989: 3987: 3982: 3981: 3978: 3972: 3969: 3966: 3965: 3960: 3958: 3954: 3953: 3949: 3947: 3943: 3942: 3938: 3936: 3932: 3931: 3927: 3926: 3922: 3908: 3904: 3899: 3888: 3886:9780786479245 3882: 3879:. McFarland. 3878: 3877: 3871: 3859: 3858: 3853: 3848: 3836: 3835: 3830: 3825: 3813: 3812: 3807: 3802: 3790: 3789: 3784: 3779: 3767: 3766: 3761: 3760:"High Noonan" 3756: 3755: 3751: 3743: 3739: 3736: 3731: 3728: 3724: 3719: 3716: 3711: 3705: 3701: 3694: 3691: 3683: 3680: 3676: 3671: 3668: 3664: 3659: 3657: 3653: 3649: 3644: 3641: 3637: 3632: 3629: 3625: 3624:Johnson 1990b 3620: 3617: 3604: 3600: 3596: 3589: 3587: 3583: 3570: 3566: 3565: 3560: 3558: 3549: 3547: 3543: 3530: 3526: 3525: 3520: 3513: 3511: 3509: 3507: 3503: 3499: 3498:Johnson 1990b 3494: 3492: 3488: 3475: 3471: 3470: 3465: 3458: 3455: 3442: 3438: 3437:New York Post 3434: 3427: 3424: 3411: 3407: 3403: 3402:"CinemaScore" 3397: 3394: 3382: 3378: 3377: 3372: 3370: 3362: 3359: 3354: 3353: 3348: 3342: 3339: 3326: 3322: 3321: 3316: 3309: 3306: 3293: 3289: 3285: 3278: 3275: 3262: 3258: 3257: 3252: 3248: 3247:Maslin, Janet 3242: 3239: 3226: 3222: 3215: 3212: 3200: 3196: 3195: 3190: 3188: 3180: 3178: 3174: 3161: 3157: 3156: 3151: 3147: 3141: 3139: 3135: 3122: 3118: 3114: 3108: 3105: 3092: 3088: 3087: 3082: 3075: 3072: 3059: 3055: 3054: 3049: 3042: 3039: 3027: 3023: 3012: 3009: 3001:September 25, 2996: 2992: 2990: 2981: 2978: 2970:September 25, 2965: 2961: 2954: 2951: 2938: 2934: 2930: 2924: 2921: 2917: 2912: 2909: 2906:, p. 13. 2905: 2900: 2897: 2893: 2888: 2885: 2872: 2868: 2867: 2866:The A.V. Club 2862: 2855: 2852: 2839: 2835: 2829: 2826: 2813: 2809: 2802: 2799: 2796:, p. 47. 2795: 2794:Johnson 1990a 2790: 2787: 2781: 2779: 2775: 2772:, p. 46. 2771: 2766: 2764: 2762: 2758: 2755:, p. 48. 2754: 2753:Johnson 1990b 2749: 2747: 2745: 2743: 2739: 2736:, p. 16. 2735: 2730: 2728: 2724: 2711: 2707: 2706: 2701: 2694: 2691: 2678: 2674: 2673: 2668: 2661: 2658: 2645: 2641: 2640: 2635: 2628: 2625: 2612: 2608: 2607: 2602: 2595: 2593: 2589: 2586:, p. 45. 2585: 2580: 2578: 2574: 2571:, p. 48. 2570: 2569:Johnson 1990a 2565: 2562: 2559:, p. 18. 2558: 2553: 2551: 2547: 2544:, p. 19. 2543: 2538: 2536: 2534: 2532: 2528: 2524: 2519: 2516: 2513:, p. 47. 2512: 2511:Johnson 1990b 2507: 2505: 2503: 2501: 2497: 2493: 2492:Johnson 1990b 2488: 2485: 2482:, p. 23. 2481: 2476: 2473: 2470:, p. 46. 2469: 2468:Johnson 1990b 2464: 2462: 2458: 2454: 2449: 2446: 2443:, p. 22. 2442: 2437: 2435: 2433: 2431: 2429: 2427: 2425: 2421: 2417: 2412: 2410: 2406: 2403:, p. 25. 2402: 2397: 2394: 2390: 2385: 2383: 2379: 2375: 2370: 2368: 2366: 2364: 2362: 2360: 2358: 2356: 2354: 2350: 2346: 2341: 2339: 2335: 2332:, p. 21. 2331: 2326: 2324: 2322: 2320: 2318: 2316: 2312: 2309:, p. 20. 2308: 2303: 2301: 2299: 2295: 2291: 2286: 2283: 2279: 2274: 2271: 2267: 2263: 2260: 2255: 2252: 2239: 2235: 2234: 2229: 2222: 2219: 2206: 2202: 2198: 2197: 2192: 2185: 2182: 2170: 2166: 2159: 2156: 2143: 2139: 2138: 2133: 2126: 2123: 2110: 2106: 2105: 2100: 2093: 2090: 2077: 2073: 2072: 2067: 2061: 2058: 2045: 2044: 2039: 2037: 2029: 2026: 2014: 2010: 2009: 2004: 2002: 1994: 1992: 1988: 1975: 1971: 1967: 1961: 1958: 1945: 1941: 1935: 1932: 1919: 1915: 1911: 1905: 1902: 1898: 1895: 1893: 1892: 1886: 1883: 1876: 1871: 1867: 1864: 1863: 1859: 1853: 1848: 1845: 1834: 1831: 1820: 1815: 1813: 1811: 1806: 1802: 1801: 1796: 1795: 1790: 1786: 1780: 1772: 1770: 1768: 1767:Marvel Comics 1764: 1760: 1756: 1752: 1749: 1741: 1739: 1737: 1733: 1732: 1727: 1723: 1715: 1713: 1711: 1707: 1703: 1702: 1693: 1688: 1686: 1683: 1679: 1675: 1672: 1671:Serial killer 1665: 1663: 1660: 1656: 1651: 1648: 1644: 1643:match cutting 1640: 1634: 1632: 1627: 1623: 1616: 1614: 1612: 1608: 1603: 1601: 1593: 1589: 1585: 1581: 1573: 1571: 1569: 1561: 1559: 1557: 1552: 1550: 1546: 1542: 1537: 1532: 1530: 1529: 1524: 1520: 1516: 1515: 1510: 1509: 1503: 1499: 1495: 1491: 1487: 1486: 1481: 1480: 1475: 1473: 1468: 1467: 1462: 1461: 1455: 1451: 1450: 1445: 1444: 1439: 1435: 1434: 1429: 1425: 1423: 1422: 1416: 1415: 1410: 1406: 1402: 1398: 1394: 1393: 1388: 1384: 1380: 1378: 1374: 1370: 1369: 1363: 1360: 1353: 1349: 1348:Gabriel Damon 1345: 1338: 1336: 1334: 1327: 1322: 1320: 1318: 1314: 1310: 1306: 1302: 1294: 1292: 1290: 1286: 1282: 1278: 1274: 1266: 1261: 1259: 1257: 1252: 1248: 1243: 1241: 1237: 1233: 1229: 1223: 1215: 1213: 1210: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1178: 1175: 1173: 1169: 1165: 1161: 1153: 1151: 1148: 1143: 1137: 1133: 1131: 1127: 1123: 1119: 1114: 1111: 1107: 1103: 1099: 1095: 1090: 1088: 1084: 1080: 1076: 1072: 1071:Cullen Center 1068: 1067:Alley Theatre 1064: 1060: 1056: 1052: 1048: 1044: 1037: 1035: 1033: 1029: 1024: 1022: 1018: 1017: 1007: 1005: 1003: 998: 994: 992: 991: 986: 982: 978: 977: 972: 967: 965: 964: 960: 959:the sequel to 956: 952: 948: 944: 943: 938: 934: 930: 926: 922: 921: 917: 913: 912:Warren Beatty 909: 905: 897: 895: 893: 891: 885: 881: 880: 875: 871: 870: 865: 860: 858: 854: 850: 846: 842: 838: 834: 826: 822: 818: 812: 806: 804: 803: 798: 793: 788: 785: 781: 778: 774: 769: 767: 763: 759: 755: 751: 747: 742: 738: 731: 727: 721: 717: 712: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 675:Leeza Gibbons 673: 671:as Casey Wong 670: 669:Mario Machado 667: 664: 661: 658: 655: 652: 649: 646: 643: 640: 637: 634: 631: 628: 625: 624:George Cheung 622: 619: 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 586: 585:Jeff McCarthy 583: 580: 577: 574: 571: 568: 565: 562: 559: 556: 555:Gabriel Damon 553: 550: 547: 544: 541: 538: 535: 532: 531:Dan O'Herlihy 529: 526: 525:Belinda 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1525:of all, 1485:Godzilla 1371:review, 1085:and the 1077:, while 966:(1973). 955:Alex Cox 945:(1990). 882:(1969), 563:as Angie 427:future, 248:Language 187:Music by 114:Starring 80:Based on 72:Story by 5251:The 300 5180:Written 5155:Wallace 5034:Elektra 4828:Elektra 4784:Written 4756:Bad Boy 4724:RoboCop 4714:RoboCop 4647:Elektra 4634:Written 4453:S*P*Y*S 4270:Related 4252:RoboCop 4223:RoboCop 4196:RoboCop 4153:RoboCop 4122:RoboCop 4095:RoboCop 4069:RoboCop 4045:RoboCop 4023:RoboCop 4008:RoboCop 3955:at the 3811:Starlog 3788:Starlog 3557:RoboCop 3288:Variety 1894:at the 1755:Ed Naha 1682:RoboCop 1494:RoboCop 1414:Variety 1405:Robocop 1397:RoboCop 1365:In his 1309:Blu-ray 1262:Release 1160:RoboCop 1154:Effects 1061:, near 1047:Houston 1038:Filming 1028:RoboCop 1008:Casting 929:RoboCop 908:RoboCop 904:RoboCop 890:RoboCop 869:RoboCop 851:on the 837:RoboCop 760:, star 754:Contras 737:RoboCop 602:as Chet 448:RoboCop 433:default 429:Detroit 363:Houston 339:RoboCop 333:RoboCop 327:RoboCop 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Index

RoboCop 2 (video game)

Irvin Kershner
Frank Miller
Walon Green
Edward Neumeier
Jon Davison
Peter Weller
Nancy Allen
Daniel O'Herlihy
Tom Noonan
Belinda Bauer
Gabriel Damon
Mark Irwin
Lee Smith
Leonard Rosenman
Orion Pictures
science fiction
superhero
action film
Irvin Kershner
Frank Miller
Walon Green
Peter Weller
Nancy Allen
Dan O'Herlihy
Belinda Bauer
Tom Noonan
Gabriel Damon
RoboCop

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