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Robert Bloomfield

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782: 262: 328: 563: 820: 316:, which he sold among his friends. With failing eyesight and his own reason threatened by depression, he died in great poverty on 19 August 1823. His collection of books and manuscripts, and his household effects, had to be auctioned to pay his debts and cover the funeral expenses. To assist in that fund-raising came the publication in that year of his drama, 500:
Masonic Centre, where it continues to meet. Shefford's secondary school, later a middle school (for pupils aged 9–13), was named after the poet. In 2000 the Robert Bloomfield Society was founded to promote awareness of his life and work and has encouraged scholarly publications relating to him. A
370:, and both provide descriptions of rural life at its hardest and least inviting. Bloomfield, however, is more cheerful in tone and his verse is denser and more vigorous. Here, for instance, is the episode in "The Farmer's Boy" where Giles chops up turnips to feed to the livestock in winter: 250:, who used couplets from it as tags for two of his paintings: "A Ploughing Scene" (shown at the Royal Academy in 1814) and "A Harvest Field, Reapers, Gleaners" (shown at the British Institution in 1817), which he marked as derived from "Bloomfield's poem". It was also admired by 483:
Although a note makes it clear that Nathaniel is his principal target, he also seems to include his "brother Bobby" in the accusation that Lofft "has spoiled some excellent shoemakers and been accessory to the poetic undoing of many of the industrious poor."
48: 194:. He had his first poem, "The Village Girl", published in 1786. When his brother George returned to Suffolk in that year, he set up on his own as a cobbler and in 1790 married Mary Ann Church, by whom he was to have five children. 187:
to work as a shoemaker under his elder brother George. One of his early duties was to read the papers aloud while the others in the workshop were working, and he became particularly interested in the poetry section of
692: 285:(1802), several poems of which were set to music by his brother Isaac. Another of them, "The Miller's Maid", was turned into an opera in 1804 by John Davy (1763–1824) and formed the basis for a two-act melodrama by 460:(lines 775–786), linking Robert's name favourably with other poets of humble beginnings such as Burns and Gifford, but dismissing Nathaniel's writing as routine and uninspired. Byron returned to the charge in 312:. There one of his daughters died in 1814 and his wife became insane. To support himself, he tried to carry on a business as a bookseller but it failed, and in his later years he was reduced to making 277:
near the village of Bloomfield's birth, settled on him a small annuity of £15 and used influence to gain him employment in the Seal Office to the King's Bench Court and then at
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was remarkable, over 25,000 copies being sold in the next two years. It was also reprinted in several American editions, appeared in German translation in Leipzig, in French as
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Unfortunately Vernor and Hood, his publishers, failed, and in 1812 Bloomfield had to move from London into a cottage rented to him by a friend in the Bedfordshire village of
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revised and enlarged selection of his poems was published by Trent Editions in 2007. Recent studies see his poetry in its social as well as its literary context.
433:, whose names, like his, were well known in their time but are scarcely remembered now. Besides such formal productions, he told many light-hearted stories in 578: 860: 583: 215:. Bloomfield was able to carry in his head some fifty to a hundred finished lines of it at a time, until an opportunity arose to write them down. The 273:
While this success helped to reduce his poverty for a while, it also took him away from his work. As a result, the Duke of Grafton, who lived at
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when his son was a year old. It was from his mother Elizabeth, who kept the village school, that he received the rudiments of education.
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Bloomfield was apprenticed at the age of eleven to his mother's brother-in-law, and worked on a farm that was part of the estate of the
206: 183:, his future patron. Four years later, owing to his small and weak stature (in adulthood just five feet tall), he was sent to 753: 324:, which included writing for children, on which he had been working for some years, and a selection of his correspondence. 347: 332: 281:, although he did not work for long at either. Meanwhile, Bloomfield's reputation was increased by the appearance of his 855: 627: 437:, some of which are incidentally interesting for their employment of Suffolk dialect words, particularly in "The 800: 426: 261: 845: 669: 309: 266: 88: 716:
Robert Bloomfield Lodge No 8328 – Lane's Masonic Records – The Library and Museum of Freemasonry, London
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labouring-class poet, whose work is appreciated in the context of other self-educated writers, such as
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in Paris, and in Italian translation in Milan. There was even a Latin translation of parts of it –
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De Agricolae Puero, Anglicano Poemate celeberrimo excerptum, et in morem Latini Georgici redditum
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However, such verse varies little from the work of many of Bloomfield's contemporaries, such as
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was declined by several publishers and was eventually shown by his brother George to
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This article is about the poet. For the American businessman and church-founder, see
340: 313: 153: 149: 305:(a poetic journal of a walking tour taken in the footsteps of Wordsworth, 1811). 497: 493: 274: 220: 47: 791: 773: 737: 442: 216: 157: 544: 448:
Robert's brother, Nathaniel, also published a collection of poetry in 1803,
814: 173: 145: 805: 438: 184: 24:. For the blacklisted, pseudonymous American TV writer/novelist, see 810: 366:, who was also a native of Suffolk. Both wrote much in couplets of 568:
This article incorporates text from a publication now in the
453: 326: 260: 246:. The poem was particularly admired by the Suffolk-born painter 168:
Robert Bloomfield was born into a poor family in the village of
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The Banks of Wye, an electronic edition edited by Tim Fulford
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Robert Bloomfield, Romanticism and the Poetry of Community
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Illustrations of the literary history of the 18th century
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The cobbler-laureats sing to Capel Lofft! (lines 733–734)
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Robert Bloomfield: lyric, class and the Romantic canon
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Robert Bloomfield is buried in the churchyard of the
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David Kaloustian, "Bloomfield, Robert (1766–1823)",
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Bloomfield's poetry invites comparison with that of
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Birkett Foster’s 1857 edition of the complete poems
626:The Letters of |Robert Bloomfield and his Circle", 289:in 1821. Other publications by Bloomfield included 123: 115: 107: 95: 74: 54: 38: 770:at the Eighteenth-Century Poetry Archive (ECPA)] 450:An Essay on War, in Blank Verse, and Other Poems 387:And sleet, more irksome still, assails his eyes; 293:(in praise of inoculation at the instigation of 172:, Suffolk. His father was a tailor, who died of 381:To strew the frequent load where hunger calls. 378:On GILES, and such as Giles, the labour falls, 417:From their mixt breath warm exhalations rise. 414:When pressing round him, eager for the prize, 408:Till Giles with pond'rous beetle foremost go, 396:Deep goes the frost, till every root is found 393:The field with all its juicy store to screen, 8: 600:, New York, 1860, pp. 104–106; Google Books 587:(11th ed.). Cambridge University Press. 384:On driving gales sharp hail indignant flies, 411:And scatt'ring splinters fly at every blow; 390:Snow clogs his feet; or if no snow is seen, 201:, was composed in a garret in Bell Alley, 144:(3 December 1766 – 19 August 1823) was an 35: 851:People from the Borough of St Edmundsbury 402:No tender ewe can break her nightly fast, 299:Wild Flowers or Pastoral and Local Poetry 556: 554: 552: 441:". His work served as an inspiration to 405:Nor heifer strong begin the cold repast, 331:Bloomfield's grave in the churchyard of 598:Pursuit of Knowledge Under Difficulties 541:Oxford Dictionary of National Biography 535: 533: 509: 472:Hark to those lines, narcotically soft, 531: 529: 527: 525: 523: 521: 519: 517: 515: 513: 399:A rolling mass of ice upon the ground. 31:English labouring-class poet 1766–1823 496:lodge No 8328 was founded in 1971 at 7: 783:Works by or about Robert Bloomfield 242:– made by the lively Suffolk vicar 197:The poem that made his reputation, 861:People from Shefford, Bedfordshire 748:See Simon White's introduction to 458:English Bards and Scotch Reviewers 14: 651:Cyclopaedia of English Literature 818: 561: 543:, Oxford University Press, 2004 322:The Remains of Robert Bloomfield 46: 320:, and in the following year of 681:Available on Internet Archive. 133:Rural Tales, Ballads and Songs 1: 792:Works by Nathaniel Bloomfield 456:commented on the brothers in 269:, where the poet died in 1823 254:, a Romantic poet and future 817:(public domain audiobooks) 668:, Ashgate Publishing 2007, 265:Robert Bloomfield House in 877: 811:Works by Robert Bloomfield 774:Works by Robert Bloomfield 15: 103: 45: 119:Rustic descriptive verse 20:. For the musician, see 584:Encyclopædia Britannica 205:. It was influenced by 545:Retrieved 4 March 2012 492:The Robert Bloomfield 343: 270: 267:Shefford, Bedfordshire 752:, Cranbury NJ, 2006, 691:Byron's Works (1826) 464:with the apostrophe: 352:Campton, Bedfordshire 330: 264: 111:Shoemaker, bookseller 18:Robert Lee Bloomfield 348:Church of All Saints 303:The Banks of the Wye 287:John Faucit Saville 236:Le Valet du Fermier 191:The London Magazine 856:English male poets 579:Bloomfield, Robert 368:iambic pentameters 344: 271: 796:Project Gutenberg 778:Project Gutenberg 768:Robert Bloomfield 462:Hints from Horace 333:All Saints church 142:Robert Bloomfield 139: 138: 40:Robert Bloomfield 868: 822: 821: 787:Internet Archive 756: 746: 740: 735: 729: 724: 718: 713: 707: 701: 695: 689: 683: 678: 672: 664:Simon J. White, 662: 656: 647: 641: 636: 630: 628:Romantic Circles 624: 618: 615:on Google Books 609: 603: 595: 589: 588: 567: 565: 564: 558: 547: 537: 488:Later reputation 427:James Montgomery 232:The Farmer's Boy 199:The Farmer's Boy 128:The Farmer's Boy 85: 83: 65: 63: 50: 36: 876: 875: 871: 870: 869: 867: 866: 865: 826: 825: 819: 764: 759: 747: 743: 738:Society website 736: 732: 725: 721: 714: 710: 702: 698: 690: 686: 679: 675: 663: 659: 648: 644: 637: 633: 625: 621: 610: 606: 596: 592: 577:, ed. (1911). " 573: 562: 560: 559: 550: 538: 511: 507: 490: 431:Ebenezer Elliot 360: 230:The success of 181:Duke of Grafton 166: 131: 91:, Bedfordshire 87: 81: 79: 66: 61: 59: 58:3 December 1766 41: 32: 29: 12: 11: 5: 874: 872: 864: 863: 858: 853: 848: 843: 838: 828: 827: 824: 823: 808: 803: 798: 789: 780: 771: 763: 762:External links 760: 758: 757: 741: 730: 719: 708: 696: 684: 673: 657: 642: 631: 619: 604: 590: 575:Chisholm, Hugh 548: 508: 506: 503: 489: 486: 481: 480: 479: 478: 477: 476: 473: 423: 422: 421: 420: 419: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 379: 359: 356: 318:Hazlewood Hall 279:Somerset House 252:Robert Southey 248:John Constable 244:William Clubbe 203:Coleman Street 165: 162: 137: 136: 125: 121: 120: 117: 113: 112: 109: 105: 104: 101: 100: 97: 93: 92: 86:(aged 56) 78:19 August 1823 76: 72: 71: 56: 52: 51: 43: 42: 39: 30: 22:Rob Bloomfield 13: 10: 9: 6: 4: 3: 2: 873: 862: 859: 857: 854: 852: 849: 847: 846:English poets 844: 842: 839: 837: 834: 833: 831: 816: 812: 809: 807: 804: 802: 799: 797: 793: 790: 788: 784: 781: 779: 775: 772: 769: 766: 765: 761: 755: 751: 745: 742: 739: 734: 731: 728: 723: 720: 717: 712: 709: 706: 700: 697: 694: 688: 685: 682: 677: 674: 671: 667: 661: 658: 655: 652: 646: 643: 640: 635: 632: 629: 623: 620: 617: 614: 608: 605: 602: 599: 594: 591: 586: 585: 580: 576: 571: 570:public domain 557: 555: 553: 549: 546: 542: 536: 534: 532: 530: 528: 526: 524: 522: 520: 518: 516: 514: 510: 504: 502: 499: 495: 487: 485: 474: 471: 470: 469: 468: 467: 466: 465: 463: 459: 455: 451: 446: 444: 440: 436: 435:octosyllabics 432: 428: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 376: 375: 374: 373: 372: 371: 369: 365: 364:George Crabbe 357: 355: 353: 349: 342: 338: 334: 329: 325: 323: 319: 315: 314:Aeolian harps 311: 306: 304: 300: 296: 295:Edward Jenner 292: 288: 284: 280: 276: 268: 263: 259: 257: 256:poet laureate 253: 249: 245: 241: 237: 233: 228: 226: 225:Thomas Bewick 222: 218: 214: 213: 208: 207:James Thomson 204: 200: 195: 193: 192: 186: 182: 177: 175: 171: 163: 161: 159: 155: 151: 147: 143: 134: 129: 126: 124:Notable works 122: 118: 114: 110: 106: 102: 98: 94: 90: 77: 73: 69: 57: 53: 49: 44: 37: 34: 27: 26:Leslie Edgley 23: 19: 749: 744: 733: 722: 711: 699: 687: 676: 665: 660: 650: 645: 639:Open Library 634: 622: 612: 607: 597: 593: 582: 540: 491: 482: 461: 457: 449: 447: 424: 361: 345: 341:Bedfordshire 321: 317: 307: 302: 301:(1806); and 298: 291:Good Tidings 290: 282: 272: 239: 235: 231: 229: 210: 198: 196: 189: 178: 167: 154:Mary Collier 150:Stephen Duck 141: 140: 132: 127: 96:Burial place 33: 841:1823 deaths 836:1766 births 727:Schools.net 498:Biggleswade 283:Rural Tales 275:Euston Hall 221:Capel Lofft 212:The Seasons 830:Categories 703:Available 649:Chamber's 505:References 443:John Clare 350:in nearby 217:manuscript 158:John Clare 108:Occupation 82:1823-08-20 62:1766-12-03 754:p. 17 ff. 297:, 1804); 227:in 1800. 170:Honington 70:, Suffolk 68:Honington 815:LibriVox 310:Shefford 209:'s poem 174:smallpox 89:Shefford 785:at the 705:online. 572::  494:Masonic 337:Campton 146:English 130:(1800) 99:Campton 80: ( 60: ( 693:p.601. 566:  439:Horkey 358:Poetry 185:London 135:(1802) 670:p. 37 454:Byron 116:Genre 611:See 429:and 164:Life 156:and 75:Died 55:Born 813:at 794:at 776:at 581:". 339:in 335:in 832:: 551:^ 512:^ 452:. 354:. 258:. 160:. 152:, 84:) 64:) 28:.

Index

Robert Lee Bloomfield
Rob Bloomfield
Leslie Edgley

Honington
Shefford
English
Stephen Duck
Mary Collier
John Clare
Honington
smallpox
Duke of Grafton
London
The London Magazine
Coleman Street
James Thomson
The Seasons
manuscript
Capel Lofft
Thomas Bewick
William Clubbe
John Constable
Robert Southey
poet laureate

Shefford, Bedfordshire
Euston Hall
Somerset House
John Faucit Saville

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