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she should embark for the West-Highlands, to arrange matters among her friends for our projected change of life. At the close of Autumn following she crossed the sea to meet me at
Greenock, where she had scarce landed when she was seized with a malignant fever, which hurried my dear girl to the grave in a few days, before I could even hear of her illness.
193:
In In the meantime at your leisure give a copy of the "Museum" to my worthy friend, Mr Peter Hill, Bookseller, to bind for me, interleaved with blank leaves, exactly as he did the Laird of
Glenriddel's that I may insert every anecdote I can learn together with my criticisms and remarks on the songs.
498:
was a warm-hearted, charming young creature as ever blessed a man with generous love. After a pretty long tract of the most ardent reciprocal attachment, we met by appointment, on the second Sunday of May, in a sequestered spot by the Banks of Ayr, where we spent the day in taking a farewel, before
401:
This air is
Masterton's; the song mine. The occasion of it was this. Mr. Wm. Nicol, of the High School, Edinburgh, during the autumn vacation being at Moffat, honest Allan, who was at the time on a visit to Dalswinton, and I went to pay Nicol a visit. We had such a joyous meeting that Mr. Masterton
276:
A London bookseller, John
Salkeld, acquired it in 1871 as part of a job lot, advertised in his catalogue for £110 and it was purchased by H. F. Nicols, a book collector. Nicols left his library to Miss Oakshott who had been his housekeeper. J.C.Dick located the volumes in this lady's possession and
335:
Burns wrote numerous notes or strictures on the songs, some of which are very brief and even terse. He rarely commented on his own verses other than to apologise for them, his emphasis being on the sources for the songs and his reasons for altering them, such as adding political content. Riddell's
220:
contains holograph insertions on the end pages of twelve new songs thirteen and poems.Riddell's notes reveal that he had stimulated Burns to not only recover, mend or add to old fragments, but also to examine them as a scholar. The new works in this volume show that Burns's time in the area was
168:
The work, planned as a two volume set, eventually became six volumes after considerable encouragement from Burns and was published between 1787 and after Burns's death, volume six was issued in 1803. Acting as the effective editor Burns also collected and 'restored' around fifty songs for the
524:, a girl who was not only a whore, but also a thief; and in one or other character has visited most of the Correction Houses in the West. She was born I believe in Kilmarnock, I took the song down from her singing as she was strolling through the country, with a sleight-of-hand blackguard
311:
library when he stumbled upon a manuscript of twelve folio pages in Burns's handwriting. This manuscript contained most of what until then had been considered as doubtful material in Cromek's work. The announcement of the discovery was published in the
Kilmarnock Standard.
466:
I have seen an interlude (acted as a wedding) to this tune, called "The Wooing of the Maiden." These entertainments are now much worn out in this part of
Scotland. Two are still retained in Nithsdale, viz. Jilly Pure Auld Glenae, and this one, "The Wooing of the
253:
in late 1792, Burns provided additional songs and annotative material and made a present of this set to his neighbour. Mackay records that Robert
Riddell first supplied Burns with the interleaved volumes as he had done for the poet when he wrote the
534:
Burns's notes have provided a good number of insights into his personality, literary style, influences, etc., however the one to one communication on a friendship based 'correspondence' is not as revealing as his business style letters with
361:
was possible and it was found that out of 173 Notes printed by Cromek only 127 were verbatim copies; eighteen were garbled or imperfect, four differing entirely from the manuscript. Another four were written partly by Burns and partly by
183:
Although, as stated, Burns was effectively the editor, Johnson was the official editor, engraver, printer and publisher; Stephen Clarke (1735–97) was the musical editor and
William Clarke was the musical editor for Volume VI.
443:
This air is the composition of my friend Allan
Masterton, in Edinburgh. I composed the verses on the amiable and excellent family of Whitefoord's leaving Ballochmyle, when Sir John's misfortunes had obliged him to sell the
292:
In 1964 the
Rabinowitz Library in America held the volumes and via Bernard Quaritch Ltd the trustees of the Burns Monument were contacted with view to a sale that was settled on £5500, a then record sum for a Burns work.
187:
Burns accepted no payment and much of this time-consuming project relates to his early years in the Excise when he had included the supervision of twelve parishes and around 200 miles of travel on horseback each week.
161:
expanded edition of his poems he still was able to supply 50 songs for the 'Museum' between 1790 and August 1792 as well as being credited with writing the Preface for the fourth volume issued on 13 August 1792.
562:
158:
353:, published in 1808, carry a transcript of the Notes. Editors of Burns had relied on the accuracy of the information but considerable and somewhat justifiable doubts existed as to their veracity. When the
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Johnson had probably met Burns through their joint membership of the Crochallan Fencibles club however his first volume was already at the press at the time, but Burns still contributed four songs.
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consist of interleaved sheets with some 140 pages of Burns's explanatory notes on the 160 to 184 songs that he contributed. The notes are by Burns and also some by Riddell himself. Upon
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1517:
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366:; fourteen were written entirely by Riddell or by someone other than Burns; finally, fourteen were never in the manuscript, and the leaves of four had been cut out and are missing.
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This song, as far as I know, for the first time appears here in print --- When I was a boy, it was a very popular song in Ayrshire, I remember to have heard those fanatics, the
455:
I composed this song as I convoyed my chest as far on the road to Greenock, where I was to embark in a few days for Jamaica. I meant it as my farewel Dirge to my native land
194:
A copy of this I shall leave with you, the editor, to publish at some after period by way of making the Museum a book famous to the end of time and you renowned forever.
2008:
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142:. This new project was one of his greatest achievement as a songwriter and collector. He is considered to have contributed a third (220) of his own compositions to the
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Those marked, Z, I have given to the world as old verses to their respective tunes; but in fact, of a good many of them, little more than the Chorus is ancient.
2081:
269:'s death the 'Interleaved Museum' became the property of his wife and passed from her to Miss Eliza Bayley of Manchester, her niece, who gave the biographer
296:
Cromek had published Burn's and Riddell's notes in 1808, with an 1813 second edition. In 1902, as stated, J.C.Dick discovered them and in 1906 he published
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Burns used a system of signature letters to indicate the extent to which he had altered, restored, etc. the songs, such as S, R, X, and Z. In a letter to
26:
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of 600 songs. Burns collected these songs from a wide variety of sources, often revising or expanding them, including much of his own work. The term
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Ramsay here, as usual with him, has taken the idea of the song, and the first line, from the old fragment, which may be seen in "the museum"
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was not one of them. Cromek's reputation having been somewhat repaired the veracity of this story (see ix below) has been strengthened.
336:
own notes reveal that he had stimulated Burns to not only recover, mend or add to old fragments, but also to examine them as a scholar.
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in which Robert Burns provided additional material to the original publication on interleaved sheets and which he eventually gifted to
319:" and Davidson Cook's annotations thereon, it was re-issued in 1962 as a single volume by Folklore Associates, Hatboro, Pennsylvania.
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publication. The combination of innovation and his penchant for antiquarianism gave the work a lasting feeling of living tradition.
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it was then sold at Sotheby's on October 30, 1903 to Mr. Quaritch of Piccadilly, who in turn sold them to Mr. George C. Thomas, of
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Famously, when David Cuthbertson discovered the twelve folio manuscripts in Edinburgh the crucial page carrying the note on
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Pittock, Murray (2018). The Oxford Edition of the Works of Robert Burns. Volumes II and III: The Scots Musical Museum.
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This beautiful song is the true old Scotch taste, yet I do not know that either air, or words, were in print before
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This air is by Marshal; the song I composed out of compliment to Mrs. Burns. N.B. It was during the honey-moon
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of song or Euterpe, inspiration for the lyrics of this, the greatest collection of Scots songs ever produced.
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Johnson, the publisher, with a foolish delicacy, refused to insert the last stanza of this humorous ballad.
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R.H.Cromek, as stated, was able to examine the volumes owned by Eliza Bayley and pages 187 to 306 of his
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289:. When John Gribbel died in 1936 his estate was broken up and his collection was sold at auction.
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1914:
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Full text of "Annotations of Scottish songs by Burns: an essential supplement to Cromek and Dick"
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This was a composition of mine in very early life, before I was known at all in the world. My
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estate, increasingly became a mentor. After making up an interleaved set of the first four of
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highly productive in terms of his imaginative inspirations and resultant songs and poems.
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1792 Robert Burns's Interleaved notes in Robert Riddell's copy of The Scots Musical Museum
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Hunter's Illustrated History of the Family, Friends and Contemporaries of Robert Burns.
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Hunter's Illustrated History of the Family, Friends and Contemporaries of Robert Burns
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A 1794 copy of a letter from Burns to James Johnson was enclosed in the first volume "
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was 'rediscovered' after an absence of nearly a century a comparison with Cromek's
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In 1786 he had already provided a 'parcel of songs' to Mrs Catherine Stewart of
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Burns expended considerable energy on the project and whilst preparing for the
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and I agreed, each in our own way, that we should celebrate the business
307:
David Cuthbertson in 1922 was researching in the Laing Collection at
258:. These first four volumes had been published between 1787 and 1790.
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228:
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60:
563:
Poems, Chiefly in the Scottish Dialect (Second Edinburgh Edition)
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The Kilmarnock Edition of the Poetical Works of Robert Burns.
134:
Burns started collecting song material from 1787 to send to
541:
A Select Collection of Original Scottish Airs for the Voice
558:
Poems, Chiefly in the Scottish Dialect (Edinburgh Edition)
285:'s possession before 1913, the date when he purchased the
218:
Poems, Chiefly in the Scottish Dialect (Edinburgh Edition)
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The Poetical Works of Janet Little, The Scotch Milkmaid
568:
Poems, Chiefly in the Scottish Dialect (London Edition)
1943:
1707:
1594:
1528:
1488:
1266:
1218:
Researching the Life and Times of Robert Burns Club
766:
Burns Chronicle. Volume XIV, Third Series. pages 86
78:
70:
56:
46:
36:
31:Engraving after A. Nasmyth from the 1938 facsimile
1185:Purdie, David, McCue & Carruthers, G (2013).
801:"Robert Burns's Interleaved Scots Musical Museum"
1224:Researcher's Guide to Local History Terminology.
92:Robert Burns's Interleaved Scots Musical Museum'
2015:Robert Burns's Interleaved Scots Musical Museum
261:The notes written on the interleaved sheets of
216:. Additionally the so-called 'Geddes Burns' of
20:Robert Burn's Interleaved Scots Musical Museum
1244:
835:
833:
831:
8:
2082:The Marriage of Robin Redbreast and the Wren
1125:The Love Songs and Heroines of Robert Burns.
632:. Macclehose, Jackson & Co. p. 169.
19:
1149:. New York : Welcome Rain Publishers.
411:The title page of The Scots Musical Museum.
1251:
1237:
1229:
1187:Maurice Lindsay's The Burns Encyclopaedia.
1113:Glasgow : The Scottish Daily Express.
841:"'Notes on Scottish song' by Robert Burns"
25:
18:
2009:Robert Burns's Commonplace Book 1783–1785
1080:. T. Cadell & W. Davies. p. 296.
1047:. T. Cadell & W. Davies. p. 197.
1032:. T. Cadell & W. Davies. p. 295.
1017:. T. Cadell & W. Davies. p. 279.
1002:. T. Cadell & W. Davies. p. 277.
984:. T. Cadell & W. Davies. p. 273.
969:. T. Cadell & W. Davies. p. 283.
954:. T. Cadell & W. Davies. p. 282.
578:Robert Burns's Commonplace Book 1783–1785
233:Title page of 'Reliques of Robert Burns'.
1442:Oh, whistle and I'll come to you, my lad
1104:Notes on Scottish Songs by Robert Burns.
171:
2058:Robert Burns's diamond point engravings
795:
793:
620:
1497:Poems, Chiefly in the Scottish Dialect
1056:
1054:
993:
991:
868:. Alloway Publishing Ltd. p. 197.
859:
857:
786:. Alloway Publishing Ltd. p. 468.
717:. Mainstream Publishing. p. 241.
543:to which Burns contributed 100 songs.
298:Notes on Scottish Song by Robert Burns
1164:Messsrs Hunter McQueen & Hunter.
1109:Douglas, William Scott (Edit.) 1938.
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761:
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692:. Colin Hunter McQueen. p. 152.
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7:
2063:Robert Burns and the Eglinton Estate
1581:Robert Burns and the Eglinton Estate
1134:. Darvel : Alloway Publishing.
906:Robert Burns and the Sentimental Era
881:Robert Burns and the Sentimental Era
740:Robert Burns and the Sentimental Era
225:Robert Riddell's interleaved volumes
130:Cromek's Strictures by Robert Burns.
1414:Such a Parcel of Rogues in a Nation
1118:Robert Burns. The Man and His Work.
224:
118:, Dumfries and Galloway, Scotland.
96:Interleaved Glenriddell Manuscript'
1132:Burns. A Biography of Robert Burns
866:Burns. A Biography of Robert Burns
824:Burns Chronicle XXIII January 1914
784:Burns. A Biography of Robert Burns
520:This song is the composition of a
281:. The 'Interleaved Museum' was in
14:
1479:
600:
377:Examples of Notes from Cromek's
2068:Robert Burns Humanitarian Award
1076:Cromek, Robert Hartley (1813).
1061:Cromek, Robert Hartley (1813).
1043:Cromek, Robert Hartley (1813).
1028:Cromek, Robert Hartley (1813).
1013:Cromek, Robert Hartley (1813).
998:Cromek, Robert Hartley (1813).
980:Cromek, Robert Hartley (1813).
965:Cromek, Robert Hartley (1813).
950:Cromek, Robert Hartley (1813).
908:. Tuckwell Press. p. 120.
883:. Tuckwell Press. p. 118.
742:. Tuckwell Press. p. 104.
516:O'er the Moor among the Heather
1160:McQueen, Colin Hunter (2008).
1099:London : Hamish Hamilton.
688:McQueen, Colin Hunter (2008).
1:
1971:Robert Burns World Federation
1785:Alexander Cunningham (lawyer)
715:Robert Burns The Patriot Bard
588:Robert Burns World Federation
2103:A Manual of Religious Belief
2089:The Merry Muses of Caledonia
1120:London : William Hodge.
1065:. T. Cadell & W. Davies.
713:Hogg, Patrick Scott (2008).
656:. Robert Hale. p. 171.
553:A Manual of Religious Belief
1561:The Hermitage, Friars Carse
1393:My Heart's in the Highlands
1358:The Cotter's Saturday Night
1189:London : Robert Hale.
1123:Hill, John C. Rev. (1961).
1106:London : Henry Frowde.
397:Wllie brew'd a Peck o' Maut
179:Audio file of 'Ae Fond Kiss
150:here made reference to the
2146:
1961:Bachelors' Club, Tarbolton
428:Ca' the Ewes to the Knowes
315:Together with J.C.Dick's "
2074:The Loves of Robert Burns
1477:
1470:A Man's A Man for A' That
1213:The Scots musical museum.
1127:London : J. M. Dent.
628:McNaught, Duncan (1921).
539:in particular, editor of
200:Previous song manuscripts
24:
1365:The Battle of Sherramuir
1078:Reliques of Robert Burns
1063:Reliques of Robert Burns
1045:Reliques of Robert Burns
1030:Reliques of Robert Burns
1015:Reliques of Robert Burns
1000:Reliques of Robert Burns
982:Reliques of Robert Burns
967:Reliques of Robert Burns
952:Reliques of Robert Burns
439:The Braes o' Ballochmyle
376:
351:Reliques of Robert Burns
331:Friars' Carse circa 1800
263:The Scots Musical Museum
251:The Scots Musical Museum
140:The Scots Musical Museum
122:The Scots Musical Museum
108:The Scots Musical Museum
1956:Glenriddell Manuscripts
1820:Robert Graham of Fintry
1626:Elizabeth 'Betty' Burns
1303:Epitaph for James Smith
1102:Dick, James C. (1908).
904:McGuirk, Carol (1997).
879:McGuirk, Carol (1997).
738:McGuirk, Carol (1997).
654:The Burns Encyclopaedia
573:Glenriddell Manuscripts
473:The Beds of sweet Roses
287:Glenriddell Manuscripts
256:Glenriddell Manuscripts
212:and again in 1791, the
1850:Jean Lorimer (Chloris)
1372:The Birks of Aberfeldy
1145:McIntyre, Ian (2001).
1130:Mackay, James (2004).
1095:Brown, Hilton (1949).
864:Mackay, James (1992).
782:Mackay, James (1992).
652:Purdie, David (2013).
451:The bonie Banks of Ayr
412:
332:
234:
214:Afton Lodge Manuscript
180:
131:
112:Captain Robert Riddell
1730:John Bacon (landlord)
1632:James Glencairn Burns
1614:Francis Wallace Burns
1337:The Kilmarnock volume
1289:Man Was Made to Mourn
630:The Truth About Burns
490:The Highland Lassie O
410:
371:The Highland Lassie O
330:
317:Songs of Robert Burns
271:Robert Hartley Cromek
232:
178:
129:
1976:Bust of Robert Burns
1421:Ye Jacobites by Name
1324:Holy Willie's Prayer
1275:Comin' Thro' the Rye
1147:Robert Burns. A Life
1116:Hecht, Hans (1936).
309:Edinburgh University
2130:Scottish literature
1805:Alexander Findlater
1620:William Nicol Burns
1608:Robert Burns Junior
1351:To a Mountain Daisy
1296:Address to the Deil
273:full access to it.
237:From 1788, Captain
21:
1628:(natural daughter)
1435:The Slave's Lament
1220:Researcher's site.
413:
355:Interleaved Museum
333:
235:
181:
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2112:
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1770:Margaret Chalmers
1566:Irvine Burns Club
1465:" (revised, 1794)
1195:978-0-7090-9194-3
1170:978-0-9559732-0-8
343:he revealed that
245:neighbour at the
176:
98:is a set of four
88:
87:
79:Publication place
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1951:The Geddes Burns
1925:Robert Tannahill
1835:Nelly Kilpatrick
1800:Robert Fergusson
1745:Thomas Blacklock
1688:(brother-in-law)
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1097:There was a Lad.
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210:Stair Manuscript
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1895:Elizabeth Paton
1875:William Maxwell
1865:Agnes Maclehose
1780:Alison Cockburn
1735:John Ballantine
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1694:(father-in-law)
1662:Annabella Burns
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1586:Writers' Museum
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1456:A Red, Red Rose
1379:The Holy Tulzie
1282:John Barleycorn
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1089:Further reading
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2125:Robert Burns
2101:
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2050:
2043:Robert Burns
2042:
2014:
2007:
1993:Burns supper
1910:David Sillar
1880:John Murdoch
1870:John McMurdo
1845:Janet Little
1830:Helen Hyslop
1810:Jean Gardner
1715:Robert Aiken
1692:James Armour
1556:Friars Carse
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1407:Ae Fond Kiss
1260:Robert Burns
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2077:(1930 film)
2045:(Stevenson)
1966:Burns Clubs
1905:James Smith
1855:James McKie
1840:John Lewars
1815:Jean Glover
1760:May Cameron
1750:Nelly Blair
1686:Adam Armour
1656:Agnes Burns
1638:Agnes Broun
1602:Jean Armour
1571:Millmannoch
1428:Sweet Afton
593:Burns Clubs
522:Jean Glover
102:volumes of
2119:Categories
2003:Kilmarnock
1775:Jenny Clow
1674:John Burns
1344:To a Louse
1331:To a Mouse
615:References
480:Buchanites
241:, Burns's
1998:Memorials
1915:John Syme
1890:Anna Park
1676:(brother)
1670:(brother)
1652:(brother)
1503:Edinburgh
1310:Halloween
392:, vol.v.
323:The notes
71:Publisher
2053:(Steell)
2020:Montreal
1682:(sister)
1664:(sister)
1658:(sister)
1646:(father)
1640:(mother)
1472:" (1795)
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935:30 April
846:29 April
806:29 April
547:See also
467:Maiden".
379:Reliques
359:Reliques
302:spurious
94:or the '
47:Language
1986:Atlanta
1944:Related
1700:(uncle)
1508:Belfast
2035:Boston
2030:Albany
1981:Irvine
1708:People
1604:(wife)
1595:Family
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1339:(1786)
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208:, the
148:Museum
144:Museum
100:octavo
65:Lyrics
37:Author
2025:Barre
1634:(son)
1622:(son)
1616:(son)
1610:(son)
1489:Books
1267:Poems
460:vii.
415:iii.
206:Stair
61:Songs
57:Genre
51:Scots
1191:ISBN
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937:2020
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514:xi.
488:ix.
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426:iv.
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159:1792
152:Muse
63:and
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384:i.
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