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194:. However, as this Robert Arnott's presence in the Chapel Royal and Carver's use of the alias Arnot do not coincide, and furthermore the Chapel Royal Robert Arnott signed a document for a Margaret Arnott who is clearly a blood relative, it seems likely that Robert Carver and Robert Arnott are two distinct personages.
171:. A recently rediscovered charter book for the abbey, with upwards of 50 examples of Carver's signature, suggests that he spent the whole of his long life as a canon there, having entered the community in 1508 and living there until the establishment was destroyed by Protestant reformers in 1559. Several works in
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Carver's work, noted for the gradual build-up of ideas towards a resolution in the final passages, is still performed and recorded today. Carver was influenced by composers in continental Europe, and his surviving music differs greatly from that produced by many of his contemporaries in
Scotland or
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For the complete works of Carver see Musica
Scotica I: The Complete Works of Robert Carver and Two Anonymous Masses: Editions of Early Scottish Music, edited by Kenneth Elliott, University of Glasgow Music Department Publication, 31 October 1996.
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for six voices in the
Dowglas/ Fischar partbooks are generally attributed to Carver. Some authorities also credit Carver with the composition of the Mass
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Carver is regarded as
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An unnamed Mass for three voices in the Carver
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A man by the name of Robert Arnott was recorded in the same period as a
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The following works are attributed to Robert Carver in the
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for six voices, also in the
Dowglas/ Fischar Partbooks.
145:Carver was the subject of the 1991 BBC radio play
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179:. Nothing is known of his life after this event.
290:The New Grove Dictionary of Music and Musicians
279:Elliott, Kenneth (2001). "Robert Carvor". In
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409:16th-century Scottish Roman Catholic priests
358:Digitised scores can be viewed through the
374:The Carver Choirbook (registration needed)
343:International Music Score Library Project
116:music, of which there are five surviving
71:Learn how and when to remove this message
34:This article includes a list of general
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97:; c. 1485 – c. 1570) was a Scottish
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40:it lacks sufficient corresponding
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167:Carver spent much of his life at
360:Five Centuries of Scottish Music
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444:16th-century Scottish composers
439:16th-century Scottish musicians
234:An unnamed mass for six voices.
240:. A motet for nineteen voices.
16:Scottish composer (c1485-1570)
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434:Court of Mary, Queen of Scots
424:Court of James IV of Scotland
399:People from Perth and Kinross
429:Court of James V of Scotland
353:Choral Public Domain Library
349:Free scores by Robert Carver
339:Free scores by Robert Carver
324:National Library of Scotland
130:National Library of Scotland
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246:. A motet for five voices.
231:. A mass for five voices.
225:. A mass for four voices.
219:. A mass for four voices.
177:Robert Carver alias arnat
175:refer to the composer as
293:(2nd ed.). London:
213:. A mass for ten voices.
105:sacred music during the
155:, which won one of the
55:more precise citations.
419:Renaissance composers
362:collection hosted by
244:Gaude flore virginali
364:AHDS Performing Arts
295:Macmillan Publishers
223:Pater Creator omnium
211:Dum sacrum mysterium
173:The Carver Choirbook
157:Giles Cooper Awards
414:Scottish composers
404:Augustinian canons
198:Known compositions
120:and two surviving
304:978-1-56159-239-5
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394:1570 deaths
389:1485 births
238:O bone Jesu
169:Scone Abbey
153:John Purser
107:Renaissance
53:introducing
383:Categories
266:References
36:references
163:Biography
103:Christian
287:(eds.).
351:in the
345:(IMSLP)
341:at the
186:of the
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148:Carver
122:motets
118:masses
114:choral
91:Carvor
89:(also
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184:canon
95:Arnot
299:ISBN
86:CRSA
190:in
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