295:" and "expansion of phrases by varied repetition." Austin holds that "Palmer sings with a kind of devout serenity" of the "grim, divided, disappointed world of the 1940s and '50s, doggedly refusing to despair, no matter how often its hopes for liberty, equality and fraternity must be deferred. . . His best music ranks with the best means available for all who share this outlook."
107:. Rosenfeld hails two "new, impressive, distinctive works" by Palmer," noting "an impression of robustness and maturity." In the Concerto for Small Orchestra (1940), Rosenfeld discerns a "quite original opening movement, (whose) clash of melodies in contrary motion was magnificent and fierce," signaling "a new composer to be watched with happy expectation."
359:
noted that "Austin captures the grave lyricism that makes Palmer memorable, but no less important was his lively rhythmic language, which owed a debt in equal parts to
American vernacular music, jazz, and Renaissance polyphony." Stucky concludes that "Palmer's music is ripe for rediscovery by a wider
348:(1997), detects "brilliant contrapuntalism" in Palmer's "vitally communicative music." Cohn notes that "in Palmer's hands repetition is always paralleled by change" and finds "positive tonalism, broadened and colored by contemporary expansion" in the music of "this American composer of virile voice."
168:
Many of Palmer's most distinctive works date from his
Cornell period. Steven Stucky remarks that Palmer "once seemed poised to become a leading national figure. A steady stream of first-rate pieces attracted top performers in concert and on recordings: the Second Piano Sonata (1942; 1948), championed
267:
about an early-1940s League of
Composers performance of Palmer's String Quartet No. 1 (1939), reported that "Palmer, a hitherto unheard-from composer, was the big surprise of the whole concert series. His music is firm and definite; its dissonance resembles that of younger Europeans whom we never
120:
titled "The New 'School' of
American Composers." Copland's article singles out Palmer as one of seven composers "representative of some of the best we have to offer the new generation," adding that "Palmer happens to be one of my own particular enthusiasms." In Palmer's first two string quartets,
340:
William C. Holmes as "a culminating point in Robert Palmer's more than twenty-five years as an active composer... It is his largest and most ambitiously conceived work to date. It is a forceful, rough-hewn cry of defiance against tyranny in all forms and, as such, cannot help but move anyone who
62:
Born in
Syracuse, New York, Palmer began, at age 12, piano studies with his mother. He attended Syracuse's Central High School, undertaking pre-college studies in piano and additional study of violin and music theory at the Syracuse Music School Settlement. Awarded a piano scholarship to the
322:). It is both a significant contribution to the repertory of contemporary American chamber music and a work that reveals new developments in the composer's style." Livingston adds, "every refinement of its complex structure contributes positively to the expressiveness of the music."
156:
magazine in 1989, pianist Ramon
Salvatore observed that " influence on two generations of Cornell composers has been enormous; many of his former students now hold university and college professorships throughout the United States" Additionally, Palmer served as visiting composer at
185:; the first Piano Quartet (1947); the Chamber Concerto No. 1 (1949); the Quintet for Clarinet, Piano, and Strings (1952). Most influential of these was the mighty Piano Quartet, which used to loom large as one of the major accomplishments of American chamber music."
341:
shares Palmer's views on this subject." Holmes takes note of "the exciting forcefulness that carries one with it to the climax" and of the coda that follows—intended, says Holmes, "to convey a serene greeting of peace to mankind."
286:
that Palmer would rank among the leading musical representatives of his generation." Austin notes "the works creates are taut and sturdy" and cites as characteristic Palmer's use of asymmetrical rhythm and meter, the
152:
and a former Palmer student, "(Palmer) founded the doctoral program in music composition at
Cornell University, which was the first in the United States (and quite possibly the world)." Writing in
192:
of Palmer's first Piano
Quartet (1947), found it "one of the most engrossing works of a superb American composer. ... At its premiere, it was a triumph. It was a triumph again last night."
302:
as "the most recent addition to the distinguished series of works commissioned by the
University for the Stanley Quartet (others cited by Livingston included quartets and quintets by
121:
Copland discerns "separate movements of true originality and depth of feeling," observing that "always his music has urgency—it seems to come from some inner need for expression."
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429:
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According to Daniel Aioi, Palmer's "body of work resides at
Cornell in the Sidney Cox Library of Music and Dance and in the University Archives in Olin Library."
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observes that "through recordings and published scores... fairly large but scattered audience can now confirm the predictions of
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The previous year (1955), Herbert Livingston described the premiere performance of Palmer's String Quartet No. 3 at the
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Quartet for Piano and Strings (1947) Premiered in 1947 by John Kirkpatrick, pianist, and members of the Walden Quartet
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public, and it lives on in those who knew him, and those who celebrate him now for a life well and generously lived."
406:
Quintet for Clarinet, Piano and Strings (1952; rev. 1953); commissioned by the Quincy, Illinois Chamber Music Society
99:
Palmer came to national attention in an article titled "Robert Palmer and Charles Mills" published in 1943 by critic
49:(an oratorio), a piano concerto, four string quartets, three piano sonatas and numerous works for chamber ensembles.
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75:, earning bachelor's (1938) and master's (1940) degrees in composition. He undertook additional studies with
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Quartet No. 2 for Piano and Strings (1974); commissioned by the Galzio Quartet, Caracas, Venezuela
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hear in this country... His quartet showed an impressive seriousness and great musicality."
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Piano Sonata No. 1 (1938) premiered March 26, 1940 in New York by pianist John Kirkpatrick
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33:(b. June 2, 1915, Syracuse, New York; d. July 3, 2010, Ithaca, New York) was an American
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Palmer's publishers include Elkan-Vogel, Peer International, C. F. Peters Corporation,
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Echoing this assessment, Robert Evett, in a review written in 1970 for the Washington
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199:, Valley Music Press, and Alphonse Leduc-Robert King, Inc. Palmer's students include
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From 1943 until his retirement in 1980, Palmer served as a member of the faculty at
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140:, where he was appointed Given Foundation Professor of Music in 1976. According to
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for tenor and bass soloists, TTBB chorus, winds, percussion, and two pianos (1964)
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String Quartet No. 3 (1954) premiered July 12, 1955 by the Stanley Quartet at the
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Variations, Chorale and Fugue for orchestra (1947; rev. 1954); commissioned by
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124:
Early in his career, Palmer taught music theory, composition and piano at the
80:
409:
String Quartet No. 3 (1954); commissioned by the Stanley Foundation of the
1226:
Robert M. Palmer Obituary: View Robert Palmer's Obituary by Ithaca Journal
1144:
Vol. 3, edited by H. Wiley Hitchcock and Stanley Sadie. London: Macmillan.
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42:
34:
480:(1944) for piano commissioned, premiered, dedicated to and recorded by
38:
1296:
MP3 download of Quartet No. 1 for Piano and Strings at mediafire.com
161:
in 1954 and as the George A. Miller Professor of Composition at the
776:
chamber cantata for soprano and bass soloists and orchestra (1956)
67:, he soon became a composition major. At Eastman, he studied with
1301:
MP3 download of Quintet for A-Clarinet, String Trio and Piano at
631:
Concerto for two pianos, two percussion, strings and brass (1984)
1130:. Digitized by the Internet Archive, 2010. Retrieved 2011-05-15.
355:, AMC chair of the board of directors and former Palmer student
110:
Further national attention came with the publication in 1948 by
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Quintet for clarinet, string trio, and piano (1952; rev. 1953)
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Quintet for Piano and Strings (1950) premiered in 1951 at the
471:
373:
253:
List of music students by teacher: N to Q#Robert Moffat Palmer
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Chamber Concerto for violin, oboe and string orchestra (1949)
526:(1975), for string orchestra, premiered April 4, 1975 by the
470:
Concerto for Small Orchestra (1940) premiered in 1941 by the
382:
Second String Quartet (1943; rev. 1947); commissioned by the
1151:
edited by Stanley Sadie and John Tyrrell. London: Macmillan.
45:. He composed more than 90 works, including two symphonies,
1120:
Contemporary American Composers: A Biographical Dictionary
764:' 'Kaw River' ' (Will Gibson) for soprano and piano (1943)
450:
Piano Sonata No. 3 (1979); commissioned by Ramon Salvatore
399:
Quintet for Piano and Strings (1950); commissioned by the
1238:
Salvatore, Raymond. "The Piano Music of Robert Palmer",
1184:
Copland, Aaron. "The New School of American Composers",
1271:"Retired music professor Robert Palmer dies at age 95"
1109:"Retired music professor Robert Palmer dies at age 95"
1147:
Austin, William W. 2001. "Palmer, Robert (Moffett)".
372:
Concerto for Small Orchestra (1940); commissioned by
1249:
5th ed. (NY: G. Schirmer, 1958), pp. 1203–1204.
1231:
Rosenfeld, Paul. "Robert Palmer and Charles Mills",
1140:
Austin, William W. 1986. "Palmer, Robert (Moffat)".
761:
Two Songs (Walt Whitman) for voice and piano (1940)
936:
934:
932:
622:Symphonia concertante for nine instruments (1972)
1149:The New Grove Dictionary of Music and Musicians,
430:National Association of Educational Broadcasters
1254:"Remembering Robert Moffat Palmer (1915-2010)."
1133:Austin, William. "The Music of Robert Palmer",
669:for women's chorus, winds and percussion (1955)
595:Variations, Chorale and Fugue (1947; rev. 1954)
453:Cello Sonata No. 2 (1983); commissioned by the
344:Arthur Cohn, surveying four works by Palmer in
1266:"Remembering Robert Moffat Palmer (1915-2010)"
941:"Remembering Robert Moffat Palmer (1915-2010)"
770:for soprano, clarinet, violin and piano (1951)
1247:Baker's Biographical Dictionary of Musicians,
1245:Slonimsky, Nicholas. 1958. "Palmer, Robert."
1217:Vol. 41, No. 4 (Oct. 1955), pp. 511–514.
1210:Vol. 50, No. 3 (Jul. 1964), pp. 367–370.
1193:American Composers: A Biographical Dictionary
325:The premiere performance in 1963 of Palmer's
8:
583:Poem for violin and chamber orchestra (1938)
1142:The New Grove Dictionary of American Music,
1137:Vol. 42, No. 1 (Jan. 1956), pp. 35–50.
1054:Austin, "The Music of Robert Palmer", p. 49
1050:
1048:
979:Austin, "The Music of Robert Palmer", p. 48
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83:and, at the first composition class at the
1213:Livingston, Herbert. "Current Chronicle",
967:Austin, "The Music of Robert Palmer", p.35
687:for narrator, SATB chorus and organ (1975)
544:National Academy of Arts and Letters, 1946
922:
920:
148:, chair of the board of directors of the
1206:Holmes, William C. "Current Chronicle",
1173:(Chapel Hill, NC: Hinshaw Music, 1997),
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1385:National Endowment for the Arts Fellows
1118:Anderson, E. Ruth. "Palmer, Robert M."
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751:Sonata No. 2 for cello and piano (1983)
748:Sonata No. 1 for cello and piano (1978)
16:American classical composer (1915–2010)
703:String Quartet No. 2 (1943; rev. 1947)
514:Lincoln Center for the Performing Arts
443:Lincoln Center for the Performing Arts
247:, James Marra, Harris Lindenfeld, and
1228:July 5–7, 2010. Retrieved 2011-06-07.
1115:, July 8, 2010. Retrieved 2011-06-07.
7:
1380:Illinois Wesleyan University faculty
1235:XX, May–June 1943, pp. 264–266.
792:Piano Sonata No. 2 (1942; rev. 1948)
786:Piano Sonata No. 1 (1938; rev. 1946)
700:Concerto for five instruments (1943)
351:In a eulogy written in 2010 for the
1318:Interview with Robert Moffat Palmer
736:Sonata for trumpet and piano (1972)
586:Concerto for Small Orchestra (1940)
512:(1965) premiered March 12, 1965 at
333:lasting 40 minutes, was greeted by
271:William Austin, writing in 1956 in
29:(variously "Moffatt" and "Moffett")
1313:(Orch. des Solistes de Paris/Husa)
1242:April 1989, Vol. 28, No. 4: 22–30.
825:' 'Transitions' ' for piano (1977)
804:Sonata for piano four hands (1952)
721:Sonata for violin and piano (1956)
14:
1395:Musicians from Syracuse, New York
1365:American male classical composers
712:Sonata for viola and piano (1951)
663:for SATB chorus (1953; rev. 1959)
655:Abraham Lincoln Walks at Midnight
1355:20th-century classical composers
592:symphonic elegy for Thomas Wolfe
528:Rochester Philharmonic Orchestra
516:and broadcast nationally by the
1350:20th-century American composers
1326:by Adam Tendler, April 24, 2019
1171:The Literature of Chamber Music
813:Seven Epigrams for piano (1957)
789:Three Preludes for piano (1941)
657:for chorus and orchestra (1948)
566:National Endowment for the Arts
518:New York Philharmonic Orchestra
346:The Literature of Chamber Music
1390:University of Illinois faculty
1375:Eastman School of Music alumni
1:
1276:"Robert M. Palmer" obituary,
1181:, Vol. 3, pp. 2067–2069.
816:Epithalamium for organ (1968)
733:for flute and clarinet (1962)
1360:American classical composers
1324:"In Search of Robert Palmer"
1122:(Boston: G. K. Hall, 1976),
795:Sonata for two pianos (1944)
428:(1960); commissioned by the
418:(1956); commissioned by the
263:Elliott Carter, writing for
181:in 13/8 written for pianist
159:Illinois Wesleyan University
745:for violin and viola (1975)
727:String Quartet No. 4 (1960)
718:String Quartet No. 3 (1954)
697:String Quartet No. 1 (1939)
628:for string orchestra (1975)
1426:
1370:Cornell University faculty
1158:(NY: W. W. Norton, 1966),
739:Piano Quartet No. 2 (1974)
706:Piano Quartet No. 1 (1947)
520:conducted by George Cleve.
457:Foundation, Washington, DC
401:Elizabeth Sprague Coolidge
18:
1156:Music in the 20th Century
828:Piano Sonata No. 3 (1979)
1113:Cornell Chronicle Online
854:obituary, July 5–7, 2010
495:Juilliard String Quartet
437:(1965); commissioned by
1405:Pupils of Howard Hanson
1400:Pupils of Aaron Copland
661:Slow, Slow, Fresh Fount
642:Choric Song and Toccata
85:Tanglewood Music Center
65:Eastman School of Music
1309:Archived recording of
1215:The Musical Quarterly,
1208:The Musical Quarterly,
1135:The Musical Quarterly,
958:quoted by Ewen, p. 488
914:Rosenfeld, pp. 264-265
505:University of Michigan
411:University of Michigan
300:University of Michigan
163:University of Illinois
128:from 1940 until 1943.
19:For the diplomat, see
774:Of Night and the Sea,
619:Piano Concerto (1971)
616:Symphony No. 2 (1966)
601:Symphony No. 1 (1953)
554:Guggenheim Fellowship
548:Guggenheim Fellowship
353:American Music Center
336:The Musical Quarterly
274:The Musical Quarterly
150:American Music Center
114:of an article in the
21:Robert Moffett Palmer
1220:"Robert M. Palmer",
1195:(NY: Putnam, 1982),
1154:Austin, William W.,
1068:Retrieved 2011-06-08
872:Austin, 1986, p. 465
709:Piano Quintet (1950)
685:Portents of Aquarius
462:Notable performances
416:Of Night and the Sea
395:Minneapolis Symphony
126:University of Kansas
1203:, pp. 487–489.
1186:The New York Times,
1024:Cohn, pp. 2068-2069
611:Centennial Overture
510:Centennial Overture
491:Library of Congress
435:Centennial Overture
391:Dimitri Mitropoulos
384:Sergei Koussevitzky
378:League of Composers
312:Wallingford Riegger
259:Style and reception
203:-winning composers
997:Livingston, p. 514
988:Livingston, p. 511
946:2010-07-07 at the
439:Cornell University
367:Commissioned works
320:Heitor Villa-Lobos
144:-winning composer
138:Cornell University
1201:978-0-399-12626-0
1179:978-0-937276-16-7
1164:978-0-393-09704-7
1128:978-0-8161-1117-6
724:Piano Trio (1958)
675:for chorus (1963)
209:Christopher Rouse
1417:
1410:Fulbright alumni
1286:Toccata Ostinato
1284:MP3 download of
1252:Stucky, Steven.
1096:
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1064:MP3 download at
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902:Salvatore, p. 22
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822:for piano (1973)
810:for piano (1956)
801:for piano (1944)
799:Toccata Ostinato
692:Chamber Ensemble
667:The Trojan Women
478:Toccata Ostinato
422:Music Foundation
386:Music Foundation
233:John S. Hilliard
197:G. Schirmer Inc.
175:Toccata Ostinato
171:John Kirkpatrick
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331:Nabuchodonosor,
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1260:External links
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1222:Ithaca Journal
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316:Darius Milhaud
280:Paul Rosenfeld
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249:Jack Gallagher
211:and composers
201:Pulitzer Prize
183:William Kapell
142:Pulitzer Prize
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117:New York Times
101:Paul Rosenfeld
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87:in 1940, with
73:Bernard Rogers
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47:Nabuchodonosor
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165:in 1955-56.
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1345:2010 deaths
1340:1915 births
568:grant, 1980
229:David Conte
1334:Categories
1303:Amazon.com
1224:obituary,
1033:Aioi, 2010
833:References
743:Organon II
626:Organon II
578:Orchestral
524:Organon II
420:Paul Fromm
403:Foundation
177:(1945), a
81:Roy Harris
731:Organon I
474:Orchestra
58:Education
53:Biography
1240:Clavier,
944:Archived
781:Keyboard
393:and the
376:and the
327:oratorio
43:educator
35:composer
1102:Sources
926:Copland
493:by the
251:. See:
154:Clavier
39:pianist
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644:(1968)
613:(1965)
607:(1960)
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556:, 1960
550:, 1952
539:Awards
318:, and
31:Palmer
756:Vocal
590:K 19,
1197:ISBN
1175:ISBN
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441:and
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374:CBS
169:by
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1336::
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