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240:. Porter wrote, "...Richenburg's painting...seems to be specifically about energy," while Ashton responded to the huge abstract canvases by observing that "His image of a pitch-black place cut through by flickering neon light is persistently urban and nocturnal." A sense of mystery arises in many of these layered paintings, which prompted poet
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Richenburg's most distinctive achievement was the body of work that art historian Bonnie Grad called the "Black" paintings, created between 1958 and 1964, when he pursued "the dynamic tension and energy generated by the contrast and interplay between color and blackness." These paintings, often grand
251:), it was a fortuitous visit in 1986 by Grad to Richenburg's studio in the Springs on Long Island, where he lived with his second wife, artist Margaret Kerr, that led to new appreciation of his art. Grad's exhibitions, mounted at the
267:), put the artist back in the spotlight. Articles about Richenburg's life story and his work appeared in the Boston Globe, the Boston Herald, Newsday and the New York Times, among other publications.
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to suggest to
Richenburg on a visit to his studio that one large work in particular suggested to her countless "secret boxes, opening up each a little world of its own."
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192:—where he then began spending summers—joined the Artists' Club in New York, and exhibited at the Museum of Non-Objective Painting and the
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507:"EI" Magazine of European Art Center (EUARCE) of Greece, 12st issue 1995 p. 12-12 (and translation in greek language: Lily Bita, p.40-42)
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American abstract expressionism of the 1950s : an illustrated survey with artists' statements, artwork, and biographies
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Although
Richenburg's career faltered with the advent of Pop Art and his relocation to Ithaca, New York (where he taught at
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dealing with explosives, mines and booby traps. Within five years of his return to the States, Richenburg had studied with
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artist based in New York City, whose paintings were widely acclaimed in the 1950s and 1960s. While a student of
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Porter, Fairfield, "Robert
Richenburg's Paintings," The Nation, vol. 192, February 25, 1961, p. 176.
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in East
Hampton and the University Art Gallery at the State University of New York at Stony Brook (
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declared that "Richenburg emerges as one of the most forceful painters on the New York Art Scene."
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in size, attracted favorable reviews not only from
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Ashton, Dore, "Robert
Richenburg," Art and Architecture, April 1961, p. 5.
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377:. Exhibition Catalog for the Rose Art Museum. Brandeis University, 1993.
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486:"Robert Richenburg, 89, Artist of Abstract Expressionist Works, Dies"
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Richenburg's work as a painter followed training in his teens at the
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Robert
Richenburg Abstract Expressionism 1950s-New York School 1950s
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Robert
Richenburg Abstract Expressionism 1950s-New York School
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Landau, Ellen G., "Robert
Richenburg: What Lies Beneath," in
196:. In 1951 he began a long-term teaching position at the
423:Robert Richenburg: Works on Paper from the 1940s
403:Robert Richenburg: The Richard Zahn Collection
469:. Franklin Lakes, NJ: New York School Press.
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204:selected one of his works for the historic
375:Robert Richenburg: Abstract Expressionist
309:Robert Richenburg: Abstract Expressionist
69:Learn how and when to remove this message
521:Artist Page: Robert Richenburg 1917-2006
32:This article includes a list of general
438:Sandler, Irving H., "New York Letter,"
294:Sandler, Irving H., "New York Letter,"
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284:Paid Notice: Deaths RICHENBURG, ROBERT
261:Pollock-Krasner House and Study Center
391:. David Findlay Jr., Gallery, 2004.
164:(without graduating), courses at the
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38:it lacks sufficient corresponding
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259:in 1993 and the next year at the
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