Knowledge (XXG)

Robert Theer

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His earnings were spent on acquiring a private art collection and acting as a patron to his underemployed artist friends. For example, he commissioned the engraver, Joseph SteinmĂĽller (1795-1841) to create an intricate copy of the
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decreased his income, however, and left him unable to meet his obligations. He attempted to counter this trend by changing his style and introducing non-realistic elements, but this failed to slow his gradual impoverishment.
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Die Bildnis-Miniatur in Oesterreich von 1750 bis 1850. Mit einer Einleitung über die allgemeinen Zustände der Kunstpflege in Oesterreich bis 1850 und über die Miniaturen in den anderen Ländern
296: 210: 120:. By the age of sixteen, he opened his own studio. He soon attracted an upper-class clientele. He exhibited at the Academy from 1828, and became a member there in 1843. The painter, 265: 181: 386: 309: 223: 271: 142:, numbered in the thousands. Occasionally, he would recreate the portraits as lithographs. A notable instance is that of the Emperor 35: 406: 401: 328: 301: 215: 98: 19: 159: 391: 117: 256: 396: 175: 143: 24: 260: 381: 376: 67: 121: 47: 323: 305: 219: 270:  Part 44 Kaiserlich-königliche Hof- und Staatsdruckerei, Vienna 1882, p. 197–200 ( 110: 135: 370: 106: 240: 167: 90: 43: 97:
to Vienna. He displayed a talent for drawing at an early age, and was sent to the
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Zeitschrift fĂĽr Geschichte und Kulturgeschichte Ă–sterreichisch-Schlesiens
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He eventually specialized in portrait miniatures and was influenced by
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from the Austrian Empire. He is primarily remembered as a
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He died at the age of fifty-four and was buried in the
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Index


Friedrich von Amerling
Johannesberg
Vienna
lithographer
miniaturist

Thekla Theer
de
embroidery
gemcutter
Adolf
Albert
Silesia
Academy of Fine Arts, Vienna
engraving
Josef Klieber
history painting
Moritz Michael Daffinger
Gustav Gaul
de
vitreous enamel
ivory
Ferdinand I
snuff boxes
Old Masters
Madonna del Prato
Raphael
daguerrotype
Wiener Zentralfriedhof

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